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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #344A47 it is the complementary color #CBB5B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #344A47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #344A47 shade: #394A42, #4A5C55, #5B6E68, #6C807B and #7D928E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #344A47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #344A47 shade: #344A47, #233834, #122621, #01140E and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #344A47 shade: #344A47, #344A41, #344A3B, #344A36 and #394A34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #344A47 shade: #344A47, #34474A, #34414A, #343C4A and #34364A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #344A47 shade matches the following richer shades: #344A47, #2A544F, #205F56, #15695E and #0B7365

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #344A47 shade: #344A47, #3F4040, #493538, #532B31 and #5E2129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #344A47 shade: #344A3B, #344A41, #344A47, #34484A and #34424A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #344A47 shade: #121A19, #233230, #344A47, #46625E and #577A75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #344A47 shade: #344A47, #35344A and #4A3E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #344A47 shade: #344A47, #47344A and #4A4734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #344A47 shade: #344A47, #35344A, #4A3438 and #494A34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #344A47 shade: #344A47, #3C344A, #4A3438 and #434A34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

Complementary color

CMYK 0 / 11 / 9 / 20

HEX #CBB5B8

RGB 203 181 184

HSL 351.82, 0.17%, 0.75%

LAB 75.58, 8.36, 1.34

 

CMYK 23 / 0 / 11 / 71

HEX #394A42

RGB 57 74 66

HSL 151.76, 0.13%, 0.26%

LAB 29.81, -8.65, 2.57

 

CMYK 20 / 0 / 8 / 64

HEX #4A5C55

RGB 74 92 85

HSL 156.67, 0.11%, 0.33%

LAB 37.42, -8.51, 1.74

 

CMYK 17 / 0 / 5 / 57

HEX #5B6E68

RGB 91 110 104

HSL 161.05, 0.09%, 0.39%

LAB 44.77, -8.41, 0.98

 

CMYK 16 / 0 / 4 / 50

HEX #6C807B

RGB 108 128 123

HSL 165, 0.08%, 0.46%

LAB 51.9, -8.34, 0.27

 

CMYK 14 / 0 / 3 / 43

HEX #7D928E

RGB 125 146 142

HSL 168.57, 0.09%, 0.53%

LAB 58.85, -8.3, -0.4

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 38 / 0 / 7 / 78

HEX #233834

RGB 35 56 52

HSL 168.57, 0.23%, 0.18%

LAB 21.7, -9.44, -0.17

 

CMYK 53 / 0 / 13 / 85

HEX #122621

RGB 18 38 33

HSL 165, 0.36%, 0.11%

LAB 13.38, -9.66, 0.78

 

CMYK 95 / 0 / 30 / 92

HEX #01140E

RGB 1 20 14

HSL 161.05, 0.9%, 0.04%

LAB 4.86, -6.96, 1.21

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 30 / 0 / 12 / 71

HEX #344A41

RGB 52 74 65

HSL 155.45, 0.17%, 0.25%

LAB 29.44, -10.78, 2.63

 

CMYK 30 / 0 / 20 / 71

HEX #344A3B

RGB 52 74 59

HSL 139.09, 0.17%, 0.25%

LAB 29.27, -12.2, 6.24

 

CMYK 30 / 0 / 27 / 71

HEX #344A36

RGB 52 74 54

HSL 125.45, 0.17%, 0.25%

LAB 29.14, -13.29, 9.26

 

CMYK 23 / 0 / 30 / 71

HEX #394A34

RGB 57 74 52

HSL 106.36, 0.17%, 0.25%

LAB 29.45, -11.66, 11.01

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 30 / 4 / 0 / 71

HEX #34474A

RGB 52 71 74

HSL 188.18, 0.17%, 0.25%

LAB 28.72, -6.61, -4.24

 

CMYK 30 / 12 / 0 / 71

HEX #34414A

RGB 52 65 74

HSL 204.55, 0.17%, 0.25%

LAB 26.75, -2.81, -7.19

 

CMYK 30 / 19 / 0 / 71

HEX #343C4A

RGB 52 60 74

HSL 218.18, 0.17%, 0.25%

LAB 25.13, 0.45, -9.65

 

CMYK 30 / 27 / 0 / 71

HEX #34364A

RGB 52 54 74

HSL 234.55, 0.17%, 0.25%

LAB 23.21, 4.48, -12.57

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 50 / 0 / 6 / 67

HEX #2A544F

RGB 42 84 79

HSL 172.86, 0.33%, 0.25%

LAB 32.7, -16.07, -1.63

 

CMYK 66 / 0 / 9 / 63

HEX #205F56

RGB 32 95 86

HSL 171.43, 0.5%, 0.25%

LAB 36.3, -22.35, -0.78

 

CMYK 80 / 0 / 10 / 59

HEX #15695E

RGB 21 105 94

HSL 172.14, 0.67%, 0.25%

LAB 39.7, -26.76, -0.75

 

CMYK 90 / 0 / 12 / 55

HEX #0B7365

RGB 11 115 101

HSL 171.92, 0.83%, 0.25%

LAB 43.17, -30.42, 0.07

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 2 / 0 / 0 / 75

HEX #3F4040

RGB 63 64 64

HSL 180, 0.01%, 0.25%

LAB 27, -0.42, -0.15

 

CMYK 0 / 27 / 23 / 71

HEX #493538

RGB 73 53 56

HSL 351, 0.16%, 0.25%

LAB 24.48, 9.51, 1.61

 

CMYK 0 / 48 / 41 / 67

HEX #532B31

RGB 83 43 49

HSL 351, 0.32%, 0.25%

LAB 22.96, 19.24, 4.35

 

CMYK 0 / 65 / 56 / 63

HEX #5E2129

RGB 94 33 41

HSL 352.13, 0.48%, 0.25%

LAB 22.4, 28.58, 9.32

HEX #5E2129

CMYK 30 / 0 / 20 / 71

HEX #344A3B

RGB 52 74 59

HSL 139.09, 0.17%, 0.25%

LAB 29.27, -12.2, 6.24

 

CMYK 30 / 0 / 12 / 71

HEX #344A41

RGB 52 74 65

HSL 155.45, 0.17%, 0.25%

LAB 29.44, -10.78, 2.63

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 30 / 3 / 0 / 71

HEX #34484A

RGB 52 72 74

HSL 185.45, 0.17%, 0.25%

LAB 29.05, -7.23, -3.74

 

CMYK 30 / 11 / 0 / 71

HEX #34424A

RGB 52 66 74

HSL 201.82, 0.17%, 0.25%

LAB 27.08, -3.46, -6.7

 

CMYK 31 / 0 / 4 / 90

HEX #121A19

RGB 18 26 25

HSL 172.5, 0.18%, 0.09%

LAB 8.46, -3.93, -0.52

 

CMYK 30 / 0 / 4 / 80

HEX #233230

RGB 35 50 48

HSL 172, 0.18%, 0.17%

LAB 19.44, -6.74, -0.76

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 29 / 0 / 4 / 62

HEX #46625E

RGB 70 98 94

HSL 171.43, 0.17%, 0.33%

LAB 39.32, -11.28, -1.08

 

CMYK 29 / 0 / 4 / 52

HEX #577A75

RGB 87 122 117

HSL 171.43, 0.17%, 0.41%

LAB 48.55, -13.53, -1.27

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 28 / 30 / 0 / 71

HEX #35344A

RGB 53 52 74

HSL 242.73, 0.17%, 0.25%

LAB 22.68, 6.21, -13.38

 

CMYK 0 / 16 / 30 / 71

HEX #4A3E34

RGB 74 62 52

HSL 27.27, 0.17%, 0.25%

LAB 27.16, 3.39, 8.08

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 4 / 30 / 0 / 71

HEX #47344A

RGB 71 52 74

HSL 291.82, 0.17%, 0.25%

LAB 24.61, 13.09, -10.26

 

CMYK 0 / 4 / 30 / 71

HEX #4A4734

RGB 74 71 52

HSL 51.82, 0.17%, 0.25%

LAB 29.94, -2.33, 11.91

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 28 / 30 / 0 / 71

HEX #35344A

RGB 53 52 74

HSL 242.73, 0.17%, 0.25%

LAB 22.68, 6.21, -13.38

 

CMYK 0 / 30 / 24 / 71

HEX #4A3438

RGB 74 52 56

HSL 349.09, 0.17%, 0.25%

LAB 24.31, 10.61, 1.4

 

CMYK 1 / 0 / 30 / 71

HEX #494A34

RGB 73 74 52

HSL 62.73, 0.17%, 0.25%

LAB 30.79, -4.64, 13.05

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 19 / 30 / 0 / 71

HEX #3C344A

RGB 60 52 74

HSL 261.82, 0.17%, 0.25%

LAB 23.38, 8.82, -12.25

 

CMYK 0 / 30 / 24 / 71

HEX #4A3438

RGB 74 52 56

HSL 349.09, 0.17%, 0.25%

LAB 24.31, 10.61, 1.4

 

CMYK 9 / 0 / 30 / 71

HEX #434A34

RGB 67 74 52

HSL 79.09, 0.17%, 0.25%

LAB 30.25, -7.34, 12.23

 

Description

Color code: HEX #344A47 | qconv.com Color code: HEX #344A47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 74 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 74 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 4 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 4% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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