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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34594F it is the complementary color #CBA6B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34594F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34594F shade: #39594A, #4A6B5D, #5B7D70, #6C8F83 and #7DA196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34594F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34594F shade: #34594F, #23473C, #123529, #012316 and #001103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34594F shade: #34594F, #345945, #34593B, #375934 and #415934

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34594F shade: #34594F, #345959, #344F59, #344559 and #343B59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34594F shade matches the following richer shades: #34594F, #296555, #1D715A, #127C5F and #068865

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34594F shade: #34594F, #404E4A, #4B4245, #573740 and #632B3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34594F shade: #34593B, #345945, #34594F, #345959 and #345059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34594F shade: #162521, #253F38, #34594F, #447367 and #538D7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34594F shade: #34594F, #343759 and #594034

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34594F shade: #34594F, #4F3459 and #594F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34594F shade: #34594F, #343759, #59343F and #595634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34594F shade: #34594F, #3C3459, #59343F and #515934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

Complementary color

CMYK 0 / 18 / 13 / 20

HEX #CBA6B0

RGB 203 166 176

HSL 343.78, 0.26%, 0.72%

LAB 71.63, 15.16, -0.03

 

CMYK 36 / 0 / 17 / 65

HEX #39594A

RGB 57 89 74

HSL 151.88, 0.22%, 0.29%

LAB 35.02, -15.49, 4.98

 

CMYK 31 / 0 / 13 / 58

HEX #4A6B5D

RGB 74 107 93

HSL 154.55, 0.18%, 0.35%

LAB 42.4, -15.24, 4.04

 

CMYK 27 / 0 / 10 / 51

HEX #5B7D70

RGB 91 125 112

HSL 157.06, 0.16%, 0.42%

LAB 49.57, -15.02, 3.19

 

CMYK 24 / 0 / 8 / 44

HEX #6C8F83

RGB 108 143 131

HSL 159.43, 0.14%, 0.49%

LAB 56.56, -14.84, 2.41

 

CMYK 22 / 0 / 7 / 37

HEX #7DA196

RGB 125 161 150

HSL 161.67, 0.16%, 0.56%

LAB 63.39, -14.69, 1.68

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 51 / 0 / 15 / 72

HEX #23473C

RGB 35 71 60

HSL 161.67, 0.34%, 0.21%

LAB 27.27, -16.11, 2.61

 

CMYK 66 / 0 / 23 / 79

HEX #123529

RGB 18 53 41

HSL 159.43, 0.49%, 0.14%

LAB 19.37, -16.22, 3.81

 

CMYK 97 / 0 / 37 / 86

HEX #012316

RGB 1 35 22

HSL 157.06, 0.94%, 0.07%

LAB 11.04, -16.52, 5.25

 

CMYK 100 / 0 / 82 / 93

HEX #001103

RGB 0 17 3

HSL 130.59, 1%, 0.03%

LAB 3.68, -6.98, 4.15

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 42 / 0 / 22 / 65

HEX #345945

RGB 52 89 69

HSL 147.57, 0.26%, 0.28%

LAB 34.61, -18.37, 7.47

 

CMYK 42 / 0 / 34 / 65

HEX #34593B

RGB 52 89 59

HSL 131.35, 0.26%, 0.28%

LAB 34.38, -20.54, 13.31

 

CMYK 38 / 0 / 42 / 65

HEX #375934

RGB 55 89 52

HSL 115.14, 0.26%, 0.28%

LAB 34.41, -20.78, 17.61

 

CMYK 27 / 0 / 42 / 65

HEX #415934

RGB 65 89 52

HSL 98.92, 0.26%, 0.28%

LAB 35.04, -16.86, 18.56

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 42 / 0 / 0 / 65

HEX #345959

RGB 52 89 89

HSL 180, 0.26%, 0.28%

LAB 35.19, -13.18, -4.18

 

CMYK 42 / 11 / 0 / 65

HEX #344F59

RGB 52 79 89

HSL 196.22, 0.26%, 0.28%

LAB 31.91, -7.23, -9.1

 

CMYK 42 / 22 / 0 / 65

HEX #344559

RGB 52 69 89

HSL 212.43, 0.26%, 0.28%

LAB 28.66, -0.92, -14.04

 

CMYK 42 / 34 / 0 / 65

HEX #343B59

RGB 52 59 89

HSL 228.65, 0.26%, 0.28%

LAB 25.5, 5.72, -18.93

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 59 / 0 / 16 / 60

HEX #296555

RGB 41 101 85

HSL 164, 0.42%, 0.28%

LAB 38.61, -23.76, 3.24

 

CMYK 74 / 0 / 20 / 56

HEX #1D715A

RGB 29 113 90

HSL 163.57, 0.59%, 0.28%

LAB 42.48, -30.6, 5.71

 

CMYK 85 / 0 / 23 / 51

HEX #127C5F

RGB 18 124 95

HSL 163.58, 0.75%, 0.28%

LAB 46.14, -35.61, 7.92

 

CMYK 96 / 0 / 26 / 47

HEX #068865

RGB 6 136 101

HSL 163.85, 0.92%, 0.28%

LAB 50.2, -40.01, 10.14

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 18 / 0 / 5 / 69

HEX #404E4A

RGB 64 78 74

HSL 162.86, 0.1%, 0.28%

LAB 31.88, -6.48, 0.51

 

CMYK 0 / 12 / 8 / 71

HEX #4B4245

RGB 75 66 69

HSL 340, 0.06%, 0.28%

LAB 28.96, 4.45, -0.42

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 0 / 57 / 41 / 61

HEX #632B3A

RGB 99 43 58

HSL 343.93, 0.39%, 0.28%

LAB 25.82, 27.03, 2.7

 

CMYK 42 / 0 / 34 / 65

HEX #34593B

RGB 52 89 59

HSL 131.35, 0.26%, 0.28%

LAB 34.38, -20.54, 13.31

 

CMYK 42 / 0 / 22 / 65

HEX #345945

RGB 52 89 69

HSL 147.57, 0.26%, 0.28%

LAB 34.61, -18.37, 7.47

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 42 / 0 / 0 / 65

HEX #345959

RGB 52 89 89

HSL 180, 0.26%, 0.28%

LAB 35.19, -13.18, -4.18

 

CMYK 42 / 10 / 0 / 65

HEX #345059

RGB 52 80 89

HSL 194.59, 0.26%, 0.28%

LAB 32.23, -7.84, -8.61

 

CMYK 41 / 0 / 11 / 85

HEX #162521

RGB 22 37 33

HSL 164, 0.25%, 0.12%

LAB 13.25, -7.53, 0.63

 

CMYK 41 / 0 / 11 / 75

HEX #253F38

RGB 37 63 56

HSL 163.85, 0.26%, 0.2%

LAB 24.43, -11.91, 1.14

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 41 / 0 / 10 / 55

HEX #447367

RGB 68 115 103

HSL 164.68, 0.26%, 0.36%

LAB 44.9, -19.11, 1.6

 

CMYK 41 / 0 / 11 / 45

HEX #538D7E

RGB 83 141 126

HSL 164.48, 0.26%, 0.44%

LAB 54.44, -22.71, 2.05

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 42 / 38 / 0 / 65

HEX #343759

RGB 52 55 89

HSL 235.14, 0.26%, 0.28%

LAB 24.27, 8.44, -20.86

 

CMYK 0 / 28 / 42 / 65

HEX #594034

RGB 89 64 52

HSL 19.46, 0.26%, 0.28%

LAB 29.51, 9.07, 11.6

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 11 / 42 / 0 / 65

HEX #4F3459

RGB 79 52 89

HSL 283.78, 0.26%, 0.28%

LAB 26.27, 19.66, -17.52

 

CMYK 0 / 11 / 42 / 65

HEX #594F34

RGB 89 79 52

HSL 43.78, 0.26%, 0.28%

LAB 33.91, -0.32, 17.47

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 42 / 38 / 0 / 65

HEX #343759

RGB 52 55 89

HSL 235.14, 0.26%, 0.28%

LAB 24.27, 8.44, -20.86

 

CMYK 0 / 42 / 29 / 65

HEX #59343F

RGB 89 52 63

HSL 342.16, 0.26%, 0.28%

LAB 26.56, 18.31, 0.23

 

CMYK 0 / 3 / 42 / 65

HEX #595634

RGB 89 86 52

HSL 55.14, 0.26%, 0.28%

LAB 36.04, -4.56, 20.23

 

CMYK 42 / 0 / 11 / 65

HEX #34594F

RGB 52 89 79

HSL 163.78, 0.26%, 0.28%

LAB 34.88, -15.9, 1.62

 

CMYK 33 / 42 / 0 / 65

HEX #3C3459

RGB 60 52 89

HSL 252.97, 0.26%, 0.28%

LAB 24.12, 13.08, -21.03

 

CMYK 0 / 42 / 29 / 65

HEX #59343F

RGB 89 52 63

HSL 342.16, 0.26%, 0.28%

LAB 26.56, 18.31, 0.23

 

CMYK 9 / 0 / 42 / 65

HEX #515934

RGB 81 89 52

HSL 72.97, 0.26%, 0.28%

LAB 36.26, -9.97, 20.37

 

Description

Color code: HEX #34594F | qconv.com Color code: HEX #34594F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 89 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 89 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 11 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 11% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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