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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #345311 it is the complementary color #CBACEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #345311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #345311 shade: #39530C, #4A651F, #5B7732, #6C8945 and #7D9B58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #345311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #345311 shade: #345311, #234100, #122F00, #011D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #345311 shade: #355411, #475411, #544F11, #543D11 and #542B11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #345311 shade: #355411, #225411, #115411, #115424 and #115436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #345311 shade matches the following richer shades: #355411, #355C09 and #366500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #345311 shade: #355411, #344C19, #344421, #333B2A and #333332

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #345311 shade: #545011, #475411, #355411, #235411 and #115411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #345311 shade: #0A1003, #1F320A, #355411, #4A7618 and #5F991F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #345311 shade: #345311, #11543E and #541150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #345311 shade: #345311, #113554 and #541135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #345311 shade: #345311, #11543E, #301154 and #541127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #345311 shade: #345311, #115452, #301154 and #541113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 80 / 67

HEX #345311

RGB 52 83 17

HSL 88.18, 0.66%, 0.2%

LAB 31.71, -23.29, 32.96

 

Complementary color

CMYK 15 / 28 / 0 / 7

HEX #CBACEE

RGB 203 172 238

HSL 268.18, 0.66%, 0.8%

LAB 75.06, 23.68, -28.83

 

CMYK 31 / 0 / 86 / 67

HEX #39530C

RGB 57 83 12

HSL 81.97, 0.75%, 0.19%

LAB 31.99, -21.46, 35.24

 

CMYK 27 / 0 / 69 / 60

HEX #4A651F

RGB 74 101 31

HSL 83.14, 0.53%, 0.26%

LAB 39.35, -21.98, 35.12

 

CMYK 24 / 0 / 58 / 53

HEX #5B7732

RGB 91 119 50

HSL 84.35, 0.41%, 0.33%

LAB 46.51, -22.23, 34.15

 

CMYK 21 / 0 / 50 / 46

HEX #6C8945

RGB 108 137 69

HSL 85.59, 0.33%, 0.4%

LAB 53.5, -22.33, 32.94

 

CMYK 19 / 0 / 43 / 39

HEX #7D9B58

RGB 125 155 88

HSL 86.87, 0.28%, 0.48%

LAB 60.34, -22.35, 31.71

 

CMYK 37 / 0 / 80 / 67

HEX #345311

RGB 52 83 17

HSL 88.18, 0.66%, 0.2%

LAB 31.71, -23.29, 32.96

 

CMYK 46 / 0 / 100 / 75

HEX #234100

RGB 35 65 0

HSL 87.69, 1%, 0.13%

LAB 24.12, -22.61, 32.11

 

CMYK 62 / 0 / 100 / 82

HEX #122F00

RGB 18 47 0

HSL 97.02, 1%, 0.09%

LAB 16.31, -20.76, 23.11

 

CMYK 97 / 0 / 100 / 89

HEX #011D00

RGB 1 29 0

HSL 117.93, 1%, 0.06%

LAB 8, -15.95, 11.68

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 37 / 0 / 80 / 67

HEX #355411

RGB 53 84 17

HSL 87.76, 0.66%, 0.2%

LAB 32.12, -23.37, 33.39

 

CMYK 15 / 0 / 80 / 67

HEX #475411

RGB 71 84 17

HSL 71.64, 0.66%, 0.2%

LAB 33.39, -15.27, 35.07

 

CMYK 0 / 6 / 80 / 67

HEX #544F11

RGB 84 79 17

HSL 55.52, 0.66%, 0.2%

LAB 32.96, -5.99, 35.06

 

CMYK 0 / 27 / 80 / 67

HEX #543D11

RGB 84 61 17

HSL 39.4, 0.66%, 0.2%

LAB 27.47, 5.15, 29.71

 

CMYK 0 / 49 / 80 / 67

HEX #542B11

RGB 84 43 17

HSL 23.28, 0.66%, 0.2%

LAB 22.49, 16.59, 24.59

 

CMYK 37 / 0 / 80 / 67

HEX #355411

RGB 53 84 17

HSL 87.76, 0.66%, 0.2%

LAB 32.12, -23.37, 33.39

 

CMYK 60 / 0 / 80 / 67

HEX #225411

RGB 34 84 17

HSL 104.78, 0.66%, 0.2%

LAB 31.16, -30.38, 32.12

 

CMYK 80 / 0 / 80 / 67

HEX #115411

RGB 17 84 17

HSL 120, 0.66%, 0.2%

LAB 30.64, -34.65, 31.42

 

CMYK 80 / 0 / 57 / 67

HEX #115424

RGB 17 84 36

HSL 137.01, 0.66%, 0.2%

LAB 30.85, -32.17, 22.13

 

CMYK 80 / 0 / 36 / 67

HEX #115436

RGB 17 84 54

HSL 153.13, 0.66%, 0.2%

LAB 31.18, -28.45, 11.81

 

CMYK 37 / 0 / 80 / 67

HEX #355411

RGB 53 84 17

HSL 87.76, 0.66%, 0.2%

LAB 32.12, -23.37, 33.39

 

CMYK 42 / 0 / 90 / 64

HEX #355C09

RGB 53 92 9

HSL 88.19, 0.82%, 0.2%

LAB 34.86, -27.69, 38.67

 

CMYK 47 / 0 / 100 / 60

HEX #366500

RGB 54 101 0

HSL 87.92, 1%, 0.2%

LAB 38.01, -31.78, 43.9

 

CMYK 37 / 0 / 80 / 67

HEX #355411

RGB 53 84 17

HSL 87.76, 0.66%, 0.2%

LAB 32.12, -23.37, 33.39

 

CMYK 32 / 0 / 67 / 70

HEX #344C19

RGB 52 76 25

HSL 88.24, 0.5%, 0.2%

LAB 29.33, -18.97, 26.73

 

CMYK 24 / 0 / 51 / 73

HEX #344421

RGB 52 68 33

HSL 87.43, 0.35%, 0.2%

LAB 26.66, -13.55, 19.07

 

CMYK 14 / 0 / 29 / 77

HEX #333B2A

RGB 51 59 42

HSL 88.24, 0.17%, 0.2%

LAB 23.67, -7.09, 9.46

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 0 / 5 / 80 / 67

HEX #545011

RGB 84 80 17

HSL 56.42, 0.66%, 0.2%

LAB 33.27, -6.59, 35.36

 

CMYK 15 / 0 / 80 / 67

HEX #475411

RGB 71 84 17

HSL 71.64, 0.66%, 0.2%

LAB 33.39, -15.27, 35.07

 

CMYK 37 / 0 / 80 / 67

HEX #355411

RGB 53 84 17

HSL 87.76, 0.66%, 0.2%

LAB 32.12, -23.37, 33.39

 

CMYK 58 / 0 / 80 / 67

HEX #235411

RGB 35 84 17

HSL 103.88, 0.66%, 0.2%

LAB 31.2, -30.06, 32.18

 

CMYK 80 / 0 / 80 / 67

HEX #115411

RGB 17 84 17

HSL 120, 0.66%, 0.2%

LAB 30.64, -34.65, 31.42

 

CMYK 38 / 0 / 81 / 94

HEX #0A1003

RGB 10 16 3

HSL 87.69, 0.68%, 0.04%

LAB 3.99, -3.81, 4.67

 

CMYK 38 / 0 / 80 / 80

HEX #1F320A

RGB 31 50 10

HSL 88.5, 0.67%, 0.12%

LAB 18.34, -15.73, 21.68

 

CMYK 37 / 0 / 80 / 67

HEX #355411

RGB 53 84 17

HSL 87.76, 0.66%, 0.2%

LAB 32.12, -23.37, 33.39

 

CMYK 37 / 0 / 80 / 54

HEX #4A7618

RGB 74 118 24

HSL 88.09, 0.66%, 0.28%

LAB 44.91, -30.78, 43.56

 

CMYK 38 / 0 / 80 / 40

HEX #5F991F

RGB 95 153 31

HSL 88.52, 0.66%, 0.36%

LAB 57.38, -38.17, 53.4

 

CMYK 37 / 0 / 80 / 67

HEX #345311

RGB 52 83 17

HSL 88.18, 0.66%, 0.2%

LAB 31.71, -23.29, 32.96

 

CMYK 80 / 0 / 26 / 67

HEX #11543E

RGB 17 84 62

HSL 160.3, 0.66%, 0.2%

LAB 31.36, -26.4, 7.08

 

CMYK 0 / 80 / 5 / 67

HEX #541150

RGB 84 17 80

HSL 303.58, 0.66%, 0.2%

LAB 19.49, 38.08, -22.09

 

CMYK 37 / 0 / 80 / 67

HEX #345311

RGB 52 83 17

HSL 88.18, 0.66%, 0.2%

LAB 31.71, -23.29, 32.96

 

CMYK 80 / 37 / 0 / 67

HEX #113554

RGB 17 53 84

HSL 207.76, 0.66%, 0.2%

LAB 21.23, -0.64, -22.49

 

CMYK 0 / 80 / 37 / 67

HEX #541135

RGB 84 17 53

HSL 327.76, 0.66%, 0.2%

LAB 18.11, 33.84, -5.51

 

CMYK 37 / 0 / 80 / 67

HEX #345311

RGB 52 83 17

HSL 88.18, 0.66%, 0.2%

LAB 31.71, -23.29, 32.96

 

CMYK 80 / 0 / 26 / 67

HEX #11543E

RGB 17 84 62

HSL 160.3, 0.66%, 0.2%

LAB 31.36, -26.4, 7.08

 

CMYK 43 / 80 / 0 / 67

HEX #301154

RGB 48 17 84

HSL 267.76, 0.66%, 0.2%

LAB 13.65, 30.57, -34.53

 

CMYK 0 / 80 / 54 / 67

HEX #541127

RGB 84 17 39

HSL 340.3, 0.66%, 0.2%

LAB 17.61, 32.22, 3.75

 

CMYK 37 / 0 / 80 / 67

HEX #345311

RGB 52 83 17

HSL 88.18, 0.66%, 0.2%

LAB 31.71, -23.29, 32.96

 

CMYK 80 / 0 / 2 / 67

HEX #115452

RGB 17 84 82

HSL 178.21, 0.66%, 0.2%

LAB 31.96, -20.34, -4.71

 

CMYK 43 / 80 / 0 / 67

HEX #301154

RGB 48 17 84

HSL 267.76, 0.66%, 0.2%

LAB 13.65, 30.57, -34.53

 

CMYK 0 / 80 / 77 / 67

HEX #541113

RGB 84 17 19

HSL 358.21, 0.66%, 0.2%

LAB 17.14, 30.68, 17.3

 

Description

Color code: HEX #345311 | qconv.com Color code: HEX #345311 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 83 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 83 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 80 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 80% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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