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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #345C32 it is the complementary color #CBA3CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #345C32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #345C32 shade: #395C2D, #4A6E40, #5B8053, #6C9266 and #7DA479

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #345C32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #345C32 shade: #345C32, #234A1F, #12380C, #012600 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #345C32 shade: #345C31, #3F5C31, #4B5C31, #565C31 and #5C5731

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #345C32 shade: #345C31, #315C3B, #315C47, #315C52 and #315B5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #345C32 shade matches the following richer shades: #345C31, #296826, #1F731A, #147F0F and #0A8B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #345C32 shade: #345C31, #3E513D, #484549, #533A54 and #5D2E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #345C32 shade: #4A5C31, #3F5C31, #345C31, #315C3B and #315C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #345C32 shade: #152715, #244223, #345C31, #437740 and #52924E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #345C32 shade: #345C32, #31565C and #5C3145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #345C32 shade: #345C32, #31345C and #5C3134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #345C32 shade: #345C32, #31565C, #5A315C and #5C3831

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #345C32 shade: #345C32, #31495C, #5A315C and #5C4531

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

Complementary color

CMYK 1 / 20 / 0 / 20

HEX #CBA3CD

RGB 203 163 205

HSL 297.14, 0.3%, 0.72%

LAB 71.76, 21.96, -15.83

 

CMYK 38 / 0 / 51 / 64

HEX #395C2D

RGB 57 92 45

HSL 104.68, 0.34%, 0.27%

LAB 35.43, -22.71, 23.03

 

CMYK 33 / 0 / 42 / 57

HEX #4A6E40

RGB 74 110 64

HSL 106.96, 0.26%, 0.34%

LAB 42.73, -22.54, 21.66

 

CMYK 29 / 0 / 35 / 50

HEX #5B8053

RGB 91 128 83

HSL 109.33, 0.21%, 0.41%

LAB 49.84, -22.32, 20.38

 

CMYK 26 / 0 / 30 / 43

HEX #6C9266

RGB 108 146 102

HSL 111.82, 0.18%, 0.49%

LAB 56.79, -22.1, 19.2

 

CMYK 24 / 0 / 26 / 36

HEX #7DA479

RGB 125 164 121

HSL 114.42, 0.19%, 0.56%

LAB 63.58, -21.89, 18.11

 

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

CMYK 53 / 0 / 58 / 71

HEX #234A1F

RGB 35 74 31

HSL 114.42, 0.41%, 0.21%

LAB 27.72, -23.88, 21.31

 

CMYK 68 / 0 / 79 / 78

HEX #12380C

RGB 18 56 12

HSL 111.82, 0.65%, 0.13%

LAB 19.98, -23.55, 22.54

 

CMYK 97 / 0 / 100 / 85

HEX #012600

RGB 1 38 0

HSL 118.42, 1%, 0.07%

LAB 11.91, -22.43, 17.22

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 43 / 0 / 47 / 64

HEX #345C31

RGB 52 92 49

HSL 115.81, 0.3%, 0.28%

LAB 35.21, -23.93, 20.4

 

CMYK 32 / 0 / 47 / 64

HEX #3F5C31

RGB 63 92 49

HSL 100.47, 0.3%, 0.28%

LAB 35.85, -19.76, 21.34

 

CMYK 18 / 0 / 47 / 64

HEX #4B5C31

RGB 75 92 49

HSL 83.72, 0.3%, 0.28%

LAB 36.69, -14.74, 22.58

 

CMYK 7 / 0 / 47 / 64

HEX #565C31

RGB 86 92 49

HSL 68.37, 0.3%, 0.28%

LAB 37.58, -9.84, 23.88

 

CMYK 0 / 5 / 47 / 64

HEX #5C5731

RGB 92 87 49

HSL 53.02, 0.3%, 0.28%

LAB 36.58, -4.14, 22.75

 

CMYK 43 / 0 / 47 / 64

HEX #345C31

RGB 52 92 49

HSL 115.81, 0.3%, 0.28%

LAB 35.21, -23.93, 20.4

 

CMYK 47 / 0 / 36 / 64

HEX #315C3B

RGB 49 92 59

HSL 133.95, 0.3%, 0.28%

LAB 35.25, -23.11, 14.46

 

CMYK 47 / 0 / 23 / 64

HEX #315C47

RGB 49 92 71

HSL 150.7, 0.3%, 0.28%

LAB 35.52, -20.47, 7.49

 

CMYK 47 / 0 / 11 / 64

HEX #315C52

RGB 49 92 82

HSL 166.05, 0.3%, 0.28%

LAB 35.82, -17.69, 1.1

 

CMYK 47 / 1 / 0 / 64

HEX #315B5C

RGB 49 91 92

HSL 181.4, 0.3%, 0.28%

LAB 35.81, -14.33, -5.16

 

CMYK 43 / 0 / 47 / 64

HEX #345C31

RGB 52 92 49

HSL 115.81, 0.3%, 0.28%

LAB 35.21, -23.93, 20.4

 

CMYK 61 / 0 / 63 / 59

HEX #296826

RGB 41 104 38

HSL 117.27, 0.46%, 0.28%

LAB 38.75, -34.54, 30.59

 

CMYK 73 / 0 / 77 / 55

HEX #1F731A

RGB 31 115 26

HSL 116.63, 0.63%, 0.28%

LAB 42.2, -42.44, 39.59

 

CMYK 84 / 0 / 88 / 50

HEX #147F0F

RGB 20 127 15

HSL 117.32, 0.79%, 0.28%

LAB 46.13, -48.99, 46.73

 

CMYK 93 / 0 / 98 / 45

HEX #0A8B03

RGB 10 139 3

HSL 116.91, 0.96%, 0.28%

LAB 50.14, -54.07, 52.51

 

CMYK 43 / 0 / 47 / 64

HEX #345C31

RGB 52 92 49

HSL 115.81, 0.3%, 0.28%

LAB 35.21, -23.93, 20.4

 

CMYK 23 / 0 / 25 / 68

HEX #3E513D

RGB 62 81 61

HSL 117, 0.14%, 0.28%

LAB 32.36, -11.93, 9.41

 

CMYK 1 / 5 / 0 / 71

HEX #484549

RGB 72 69 73

HSL 285, 0.03%, 0.28%

LAB 29.7, 2.14, -1.96

 

CMYK 1 / 31 / 0 / 67

HEX #533A54

RGB 83 58 84

HSL 297.69, 0.18%, 0.28%

LAB 28.13, 16.14, -11.35

 

CMYK 3 / 52 / 0 / 62

HEX #5D2E60

RGB 93 46 96

HSL 296.4, 0.35%, 0.28%

LAB 27.09, 29.7, -20.67

 

CMYK 20 / 0 / 47 / 64

HEX #4A5C31

RGB 74 92 49

HSL 85.12, 0.3%, 0.28%

LAB 36.62, -15.18, 22.47

 

CMYK 32 / 0 / 47 / 64

HEX #3F5C31

RGB 63 92 49

HSL 100.47, 0.3%, 0.28%

LAB 35.85, -19.76, 21.34

 

CMYK 43 / 0 / 47 / 64

HEX #345C31

RGB 52 92 49

HSL 115.81, 0.3%, 0.28%

LAB 35.21, -23.93, 20.4

 

CMYK 47 / 0 / 36 / 64

HEX #315C3B

RGB 49 92 59

HSL 133.95, 0.3%, 0.28%

LAB 35.25, -23.11, 14.46

 

CMYK 47 / 0 / 24 / 64

HEX #315C46

RGB 49 92 70

HSL 149.3, 0.3%, 0.28%

LAB 35.5, -20.71, 8.08

 

CMYK 46 / 0 / 46 / 85

HEX #152715

RGB 21 39 21

HSL 120, 0.3%, 0.12%

LAB 13.62, -12.21, 9.62

 

CMYK 45 / 0 / 47 / 74

HEX #244223

RGB 36 66 35

HSL 118.06, 0.31%, 0.2%

LAB 24.93, -18.77, 15.43

 

CMYK 43 / 0 / 47 / 64

HEX #345C31

RGB 52 92 49

HSL 115.81, 0.3%, 0.28%

LAB 35.21, -23.93, 20.4

 

CMYK 44 / 0 / 46 / 53

HEX #437740

RGB 67 119 64

HSL 116.73, 0.3%, 0.36%

LAB 45.3, -29.47, 24.89

 

CMYK 44 / 0 / 47 / 43

HEX #52924E

RGB 82 146 78

HSL 116.47, 0.3%, 0.44%

LAB 54.97, -34.91, 29.7

 

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

CMYK 47 / 7 / 0 / 64

HEX #31565C

RGB 49 86 92

HSL 188.37, 0.3%, 0.28%

LAB 34.15, -11.43, -7.63

 

CMYK 0 / 47 / 25 / 64

HEX #5C3145

RGB 92 49 69

HSL 332.09, 0.3%, 0.28%

LAB 26.45, 22.38, -3.87

 

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

CMYK 47 / 43 / 0 / 64

HEX #31345C

RGB 49 52 92

HSL 235.81, 0.3%, 0.28%

LAB 23.28, 10.6, -24.41

 

CMYK 0 / 47 / 43 / 64

HEX #5C3134

RGB 92 49 52

HSL 355.81, 0.3%, 0.28%

LAB 25.92, 19.84, 6.71

 

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

CMYK 47 / 7 / 0 / 64

HEX #31565C

RGB 49 86 92

HSL 188.37, 0.3%, 0.28%

LAB 34.15, -11.43, -7.63

 

CMYK 2 / 47 / 0 / 64

HEX #5A315C

RGB 90 49 92

HSL 297.21, 0.3%, 0.28%

LAB 27.14, 26.07, -18.02

 

CMYK 0 / 39 / 47 / 64

HEX #5C3831

RGB 92 56 49

HSL 9.77, 0.3%, 0.28%

LAB 27.64, 15.11, 11.07

 

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

CMYK 47 / 21 / 0 / 64

HEX #31495C

RGB 49 73 92

HSL 206.51, 0.3%, 0.28%

LAB 29.89, -3.46, -14.1

 

CMYK 2 / 47 / 0 / 64

HEX #5A315C

RGB 90 49 92

HSL 297.21, 0.3%, 0.28%

LAB 27.14, 26.07, -18.02

 

CMYK 0 / 25 / 47 / 64

HEX #5C4531

RGB 92 69 49

HSL 27.91, 0.3%, 0.28%

LAB 31.24, 6.92, 15.89

 

Description

Color code: HEX #345C32 | qconv.com Color code: HEX #345C32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 92 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 92 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 46 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 46% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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