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Color name
HEX #345CBA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #345CBA it is the complementary color #CBA345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #345CBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #345CBA shade: #395CB5, #4A6EC8, #5B80DB, #6C92EE and #7DA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #345CBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #345CBA shade: #345CBA, #234AA7, #123894, #012681 and #00146E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #345CBA shade: #345CBA, #3438BA, #5534BA, #7934BA and #9D34BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #345CBA shade: #345CBA, #3438BA and #3434BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #345CBA shade matches the following richer shades: #345CBA, #2154CE and #0D4DE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #345CBA shade: #345CBA, #4864A7, #5B6C94, #6E7480 and #827C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #345CBA shade: #34A4BA, #3480BA, #345DBA, #3439BA and #5434BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #345CBA shade: #223C7A, #2B4C9A, #345CBA, #4C72CC and #6C8BD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #345CBA shade: #345CBA, #AD34BA and #92BA34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #345CBA shade: #345CBA, #BA345D and #5DBA34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #345CBA shade: #345CBA, #AD34BA, #BA9234 and #42BA34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #345CBA shade: #345CBA, #BA34A0, #BA9234 and #34BA4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

Complementary color

CMYK 0 / 20 / 66 / 20

HEX #CBA345

RGB 203 163 69

HSL 42.09, 0.56%, 0.53%

LAB 68.98, 4.6, 52.88

 

CMYK 69 / 49 / 0 / 29

HEX #395CB5

RGB 57 92 181

HSL 223.06, 0.52%, 0.47%

LAB 40.99, 17.48, -51.01

 

CMYK 63 / 45 / 0 / 22

HEX #4A6EC8

RGB 74 110 200

HSL 222.86, 0.53%, 0.54%

LAB 47.98, 15.68, -50.78

 

CMYK 58 / 42 / 0 / 14

HEX #5B80DB

RGB 91 128 219

HSL 222.66, 0.64%, 0.61%

LAB 54.84, 14.23, -50.56

 

CMYK 55 / 39 / 0 / 7

HEX #6C92EE

RGB 108 146 238

HSL 222.46, 0.79%, 0.68%

LAB 61.58, 13.04, -50.38

 

CMYK 51 / 36 / 0 / 0

HEX #7DA4FF

RGB 125 164 255

HSL 222, 1%, 0.75%

LAB 68.12, 11.44, -49.29

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 79 / 56 / 0 / 35

HEX #234AA7

RGB 35 74 167

HSL 222.27, 0.65%, 0.4%

LAB 34.08, 21.11, -53.95

 

CMYK 88 / 62 / 0 / 42

HEX #123894

RGB 18 56 148

HSL 222.46, 0.78%, 0.33%

LAB 27, 24.31, -53.99

 

CMYK 99 / 71 / 0 / 49

HEX #012681

RGB 1 38 129

HSL 222.66, 0.98%, 0.25%

LAB 19.95, 28.13, -53.74

 

CMYK 100 / 82 / 0 / 57

HEX #00146E

RGB 0 20 110

HSL 229.09, 1%, 0.22%

LAB 13.39, 32.47, -52.4

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 72 / 70 / 0 / 27

HEX #3438BA

RGB 52 56 186

HSL 238.21, 0.56%, 0.47%

LAB 32.04, 41.6, -68.54

 

CMYK 54 / 72 / 0 / 27

HEX #5534BA

RGB 85 52 186

HSL 254.78, 0.56%, 0.47%

LAB 33.84, 48.2, -65.49

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 16 / 72 / 0 / 27

HEX #9D34BA

RGB 157 52 186

HSL 287.01, 0.56%, 0.47%

LAB 43.02, 61.63, -50.18

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 72 / 70 / 0 / 27

HEX #3438BA

RGB 52 56 186

HSL 238.21, 0.56%, 0.47%

LAB 32.04, 41.6, -68.54

 

CMYK 72 / 72 / 0 / 27

HEX #3434BA

RGB 52 52 186

HSL 240, 0.56%, 0.47%

LAB 31.19, 43.96, -69.95

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 84 / 59 / 0 / 19

HEX #2154CE

RGB 33 84 206

HSL 222.31, 0.72%, 0.47%

LAB 39.78, 29.39, -67.57

 

CMYK 94 / 66 / 0 / 12

HEX #0D4DE1

RGB 13 77 225

HSL 221.89, 0.89%, 0.47%

LAB 39.29, 40.09, -79.28

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 57 / 40 / 0 / 35

HEX #4864A7

RGB 72 100 167

HSL 222.32, 0.4%, 0.47%

LAB 43.19, 10.23, -39.23

 

CMYK 39 / 27 / 0 / 42

HEX #5B6C94

RGB 91 108 148

HSL 222.11, 0.24%, 0.47%

LAB 45.75, 4.16, -23.87

 

CMYK 14 / 9 / 0 / 50

HEX #6E7480

RGB 110 116 128

HSL 220, 0.08%, 0.47%

LAB 48.72, 0.38, -7.36

 

CMYK 0 / 5 / 16 / 49

HEX #827C6D

RGB 130 124 109

HSL 42.86, 0.09%, 0.47%

LAB 52.14, -0.45, 9.01

 

CMYK 72 / 12 / 0 / 27

HEX #34A4BA

RGB 52 164 186

HSL 189.85, 0.56%, 0.47%

LAB 62.36, -23.7, -20.38

 

CMYK 72 / 31 / 0 / 27

HEX #3480BA

RGB 52 128 186

HSL 205.97, 0.56%, 0.47%

LAB 51.51, -3.88, -37.19

 

CMYK 72 / 50 / 0 / 27

HEX #345DBA

RGB 52 93 186

HSL 221.64, 0.56%, 0.47%

LAB 41.38, 17.94, -53.33

 

CMYK 72 / 69 / 0 / 27

HEX #3439BA

RGB 52 57 186

HSL 237.76, 0.56%, 0.47%

LAB 32.26, 41, -68.18

 

CMYK 55 / 72 / 0 / 27

HEX #5434BA

RGB 84 52 186

HSL 254.33, 0.56%, 0.47%

LAB 33.74, 48.04, -65.65

 

CMYK 72 / 51 / 0 / 52

HEX #223C7A

RGB 34 60 122

HSL 222.27, 0.56%, 0.31%

LAB 26.67, 12.8, -38.33

 

CMYK 72 / 51 / 0 / 40

HEX #2B4C9A

RGB 43 76 154

HSL 222.16, 0.56%, 0.39%

LAB 34.02, 15.75, -46.21

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 63 / 44 / 0 / 20

HEX #4C72CC

RGB 76 114 204

HSL 222.19, 0.56%, 0.55%

LAB 49.41, 14.93, -50.77

 

CMYK 49 / 35 / 0 / 16

HEX #6C8BD5

RGB 108 139 213

HSL 222.29, 0.56%, 0.63%

LAB 58.47, 9.42, -41.39

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 7 / 72 / 0 / 27

HEX #AD34BA

RGB 173 52 186

HSL 294.18, 0.56%, 0.47%

LAB 45.48, 65.01, -46.1

 

CMYK 22 / 0 / 72 / 27

HEX #92BA34

RGB 146 186 52

HSL 77.91, 0.56%, 0.47%

LAB 70.51, -32.33, 59.92

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 0 / 72 / 50 / 27

HEX #BA345D

RGB 186 52 93

HSL 341.64, 0.56%, 0.47%

LAB 43.78, 55.95, 7.82

 

CMYK 50 / 0 / 72 / 27

HEX #5DBA34

RGB 93 186 52

HSL 101.64, 0.56%, 0.47%

LAB 67.79, -50.99, 56.3

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 7 / 72 / 0 / 27

HEX #AD34BA

RGB 173 52 186

HSL 294.18, 0.56%, 0.47%

LAB 45.48, 65.01, -46.1

 

CMYK 0 / 22 / 72 / 27

HEX #BA9234

RGB 186 146 52

HSL 42.09, 0.56%, 0.47%

LAB 62.71, 5.44, 53.23

 

CMYK 65 / 0 / 72 / 27

HEX #42BA34

RGB 66 186 52

HSL 113.73, 0.56%, 0.47%

LAB 66.92, -57.92, 55.13

 

CMYK 72 / 51 / 0 / 27

HEX #345CBA

RGB 52 92 186

HSL 222.09, 0.56%, 0.47%

LAB 41.1, 18.59, -53.77

 

CMYK 0 / 72 / 14 / 27

HEX #BA34A0

RGB 186 52 160

HSL 311.64, 0.56%, 0.47%

LAB 46.22, 63.79, -29.42

 

CMYK 0 / 22 / 72 / 27

HEX #BA9234

RGB 186 146 52

HSL 42.09, 0.56%, 0.47%

LAB 62.71, 5.44, 53.23

 

CMYK 72 / 0 / 58 / 27

HEX #34BA4F

RGB 52 186 79

HSL 132.09, 0.56%, 0.47%

LAB 66.83, -57.74, 43.46

 

Description

Color code: HEX #345CBA | qconv.com Color code: HEX #345CBA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 92 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 92 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 51 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 51% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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