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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #346679 it is the complementary color #CB9986. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #346679. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #346679 shade: #396674, #4A7887, #5B8A9A, #6C9CAD and #7DAEC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #346679. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #346679 shade: #346679, #235466, #124253, #013040 and #001E2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #346679 shade: #346679, #345379, #344079, #393479 and #4C3479

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #346679 shade: #346679, #345379, #344079 and #343479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #346679 shade matches the following richer shades: #346679, #256C87, #177295 and #0979A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #346679 shade: #346679, #425F6B, #50595D, #5E534F and #6C4D41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #346679 shade: #347966, #347979, #346679, #345479 and #344179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #346679 shade: #1B353F, #274D5C, #346679, #407E96 and #4D96B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #346679 shade: #346679, #543479 and #797034

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #346679 shade: #346679, #793466 and #667934

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #346679 shade: #346679, #543479, #794634 and #597934

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #346679 shade: #346679, #693479, #794634 and #447934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

Complementary color

CMYK 0 / 25 / 34 / 20

HEX #CB9986

RGB 203 153 134

HSL 16.52, 0.4%, 0.66%

LAB 67.43, 16.1, 17.25

 

CMYK 51 / 12 / 0 / 55

HEX #396674

RGB 57 102 116

HSL 194.24, 0.34%, 0.34%

LAB 40.63, -11.3, -12.66

 

CMYK 45 / 11 / 0 / 47

HEX #4A7887

RGB 74 120 135

HSL 194.75, 0.29%, 0.41%

LAB 47.8, -11.49, -13.12

 

CMYK 41 / 10 / 0 / 40

HEX #5B8A9A

RGB 91 138 154

HSL 195.24, 0.26%, 0.48%

LAB 54.8, -11.6, -13.55

 

CMYK 38 / 10 / 0 / 32

HEX #6C9CAD

RGB 108 156 173

HSL 195.69, 0.28%, 0.55%

LAB 61.64, -11.68, -13.97

 

CMYK 35 / 9 / 0 / 25

HEX #7DAEC0

RGB 125 174 192

HSL 196.12, 0.35%, 0.62%

LAB 68.34, -11.74, -14.39

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 66 / 18 / 0 / 60

HEX #235466

RGB 35 84 102

HSL 196.12, 0.49%, 0.27%

LAB 33.26, -10.38, -15.33

 

CMYK 78 / 20 / 0 / 67

HEX #124253

RGB 18 66 83

HSL 195.69, 0.64%, 0.2%

LAB 25.71, -9.44, -14.82

 

CMYK 98 / 25 / 0 / 75

HEX #013040

RGB 1 48 64

HSL 195.24, 0.97%, 0.13%

LAB 17.88, -8.1, -14.28

 

CMYK 100 / 33 / 0 / 82

HEX #001E2D

RGB 0 30 45

HSL 200, 1%, 0.09%

LAB 9.94, -4.56, -13.23

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 57 / 31 / 0 / 53

HEX #345379

RGB 52 83 121

HSL 213.04, 0.4%, 0.34%

LAB 34.59, 0.68, -25.06

 

CMYK 57 / 47 / 0 / 53

HEX #344079

RGB 52 64 121

HSL 229.57, 0.4%, 0.34%

LAB 28.84, 13.26, -34.15

 

CMYK 53 / 57 / 0 / 53

HEX #393479

RGB 57 52 121

HSL 244.35, 0.4%, 0.34%

LAB 25.88, 22.54, -38.89

 

CMYK 37 / 57 / 0 / 53

HEX #4C3479

RGB 76 52 121

HSL 260.87, 0.4%, 0.34%

LAB 27.77, 27.3, -35.75

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 57 / 31 / 0 / 53

HEX #345379

RGB 52 83 121

HSL 213.04, 0.4%, 0.34%

LAB 34.59, 0.68, -25.06

 

CMYK 57 / 47 / 0 / 53

HEX #344079

RGB 52 64 121

HSL 229.57, 0.4%, 0.34%

LAB 28.84, 13.26, -34.15

 

CMYK 57 / 57 / 0 / 53

HEX #343479

RGB 52 52 121

HSL 240, 0.4%, 0.34%

LAB 25.46, 21.42, -39.58

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 73 / 20 / 0 / 47

HEX #256C87

RGB 37 108 135

HSL 196.53, 0.57%, 0.34%

LAB 42.56, -12.52, -21.26

 

CMYK 85 / 23 / 0 / 42

HEX #177295

RGB 23 114 149

HSL 196.67, 0.73%, 0.34%

LAB 44.78, -12.59, -26.19

 

CMYK 94 / 26 / 0 / 36

HEX #0979A3

RGB 9 121 163

HSL 196.36, 0.9%, 0.34%

LAB 47.47, -12.29, -30.26

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 38 / 11 / 0 / 58

HEX #425F6B

RGB 66 95 107

HSL 197.56, 0.24%, 0.34%

LAB 38.56, -7.33, -10.24

 

CMYK 14 / 4 / 0 / 64

HEX #50595D

RGB 80 89 93

HSL 198.46, 0.08%, 0.34%

LAB 37.19, -2.59, -3.51

 

CMYK 0 / 12 / 16 / 63

HEX #5E534F

RGB 94 83 79

HSL 16, 0.09%, 0.34%

LAB 36.23, 3.76, 3.99

 

CMYK 0 / 29 / 40 / 58

HEX #6C4D41

RGB 108 77 65

HSL 16.74, 0.25%, 0.34%

LAB 35.75, 11.35, 12.28

 

CMYK 57 / 0 / 16 / 53

HEX #347966

RGB 52 121 102

HSL 163.48, 0.4%, 0.34%

LAB 46.13, -26.73, 3.88

 

CMYK 57 / 0 / 0 / 53

HEX #347979

RGB 52 121 121

HSL 180, 0.4%, 0.34%

LAB 46.69, -21.46, -6.58

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 57 / 31 / 0 / 53

HEX #345479

RGB 52 84 121

HSL 212.17, 0.4%, 0.34%

LAB 34.91, 0.05, -24.57

 

CMYK 57 / 46 / 0 / 53

HEX #344179

RGB 52 65 121

HSL 228.7, 0.4%, 0.34%

LAB 29.14, 12.58, -33.69

 

CMYK 57 / 16 / 0 / 75

HEX #1B353F

RGB 27 53 63

HSL 196.67, 0.4%, 0.18%

LAB 20.59, -6.63, -9.34

 

CMYK 58 / 16 / 0 / 64

HEX #274D5C

RGB 39 77 92

HSL 196.98, 0.4%, 0.26%

LAB 30.67, -8.68, -12.96

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 57 / 16 / 0 / 41

HEX #407E96

RGB 64 126 150

HSL 196.74, 0.4%, 0.42%

LAB 49.75, -12.74, -19.01

 

CMYK 57 / 16 / 0 / 30

HEX #4D96B2

RGB 77 150 178

HSL 196.63, 0.4%, 0.5%

LAB 58.61, -14.57, -21.54

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 31 / 57 / 0 / 53

HEX #543479

RGB 84 52 121

HSL 267.83, 0.4%, 0.34%

LAB 28.7, 29.48, -34.21

 

CMYK 0 / 7 / 57 / 53

HEX #797034

RGB 121 112 52

HSL 52.17, 0.4%, 0.34%

LAB 46.84, -4.96, 34.13

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 0 / 57 / 16 / 53

HEX #793466

RGB 121 52 102

HSL 316.52, 0.4%, 0.34%

LAB 32.88, 36.71, -15.23

 

CMYK 16 / 0 / 57 / 53

HEX #667934

RGB 102 121 52

HSL 76.52, 0.4%, 0.34%

LAB 47.94, -18.41, 34.99

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 31 / 57 / 0 / 53

HEX #543479

RGB 84 52 121

HSL 267.83, 0.4%, 0.34%

LAB 28.7, 29.48, -34.21

 

CMYK 0 / 42 / 57 / 53

HEX #794634

RGB 121 70 52

HSL 15.65, 0.4%, 0.34%

LAB 35.39, 19.9, 20.16

 

CMYK 26 / 0 / 57 / 53

HEX #597934

RGB 89 121 52

HSL 87.83, 0.4%, 0.34%

LAB 47.04, -23.85, 33.71

 

CMYK 57 / 16 / 0 / 53

HEX #346679

RGB 52 102 121

HSL 196.52, 0.4%, 0.34%

LAB 40.59, -10.94, -15.78

 

CMYK 13 / 57 / 0 / 53

HEX #693479

RGB 105 52 121

HSL 286.09, 0.4%, 0.34%

LAB 31.44, 35.47, -29.69

 

CMYK 0 / 42 / 57 / 53

HEX #794634

RGB 121 70 52

HSL 15.65, 0.4%, 0.34%

LAB 35.39, 19.9, 20.16

 

CMYK 44 / 0 / 57 / 53

HEX #447934

RGB 68 121 52

HSL 106.09, 0.4%, 0.34%

LAB 45.84, -31.77, 32

 

Description

Color code: HEX #346679 | qconv.com Color code: HEX #346679 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 102 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 102 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 16 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 16% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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