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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34696E it is the complementary color #CB9691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34696E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34696E shade: #396969, #4A7B7C, #5B8D8F, #6C9FA2 and #7DB1B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34696E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34696E shade: #34696E, #23575B, #124548, #013335 and #002122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34696E shade: #34696E, #345A6E, #344A6E, #343A6E and #3D346E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34696E shade: #34696E, #345A6E, #344A6E, #343A6E and #34346E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34696E shade matches the following richer shades: #34696E, #27747C, #197F89 and #0C8A96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34696E shade: #34696E, #415E61, #4E5454, #5B4947 and #693E3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34696E shade: #346E54, #346E64, #346A6E, #345A6E and #344A6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34696E shade: #193436, #274F52, #34696E, #41848B and #4E9FA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34696E shade: #34696E, #44346E and #6E5C34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34696E shade: #34696E, #6E346A and #6A6E34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34696E shade: #34696E, #44346E, #6E3934 and #5E6E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34696E shade: #34696E, #56346E, #6E3934 and #4C6E34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

Complementary color

CMYK 0 / 26 / 29 / 20

HEX #CB9691

RGB 203 150 145

HSL 5.17, 0.36%, 0.68%

LAB 66.94, 19.2, 10.44

 

CMYK 46 / 0 / 0 / 59

HEX #396969

RGB 57 105 105

HSL 180, 0.3%, 0.32%

LAB 41.2, -16.26, -5.1

 

CMYK 40 / 1 / 0 / 51

HEX #4A7B7C

RGB 74 123 124

HSL 181.2, 0.25%, 0.39%

LAB 48.36, -16.23, -5.78

 

CMYK 36 / 1 / 0 / 44

HEX #5B8D8F

RGB 91 141 143

HSL 182.31, 0.22%, 0.46%

LAB 55.34, -16.17, -6.4

 

CMYK 33 / 2 / 0 / 36

HEX #6C9FA2

RGB 108 159 162

HSL 183.33, 0.23%, 0.53%

LAB 62.16, -16.1, -6.99

 

CMYK 31 / 2 / 0 / 29

HEX #7DB1B5

RGB 125 177 181

HSL 184.29, 0.27%, 0.6%

LAB 68.85, -16.04, -7.55

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 62 / 4 / 0 / 64

HEX #23575B

RGB 35 87 91

HSL 184.29, 0.44%, 0.25%

LAB 33.83, -15.83, -7.54

 

CMYK 75 / 4 / 0 / 72

HEX #124548

RGB 18 69 72

HSL 183.33, 0.6%, 0.18%

LAB 26.31, -15.28, -6.71

 

CMYK 98 / 4 / 0 / 79

HEX #013335

RGB 1 51 53

HSL 182.31, 0.96%, 0.11%

LAB 18.5, -14.48, -5.75

 

CMYK 100 / 3 / 0 / 87

HEX #002122

RGB 0 33 34

HSL 181.76, 1%, 0.07%

LAB 10.58, -11.5, -4.17

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 53 / 18 / 0 / 57

HEX #345A6E

RGB 52 90 110

HSL 200.69, 0.36%, 0.32%

LAB 36.31, -7.37, -15.59

 

CMYK 53 / 33 / 0 / 57

HEX #344A6E

RGB 52 74 110

HSL 217.24, 0.36%, 0.32%

LAB 31.24, 2.72, -23.44

 

CMYK 53 / 47 / 0 / 57

HEX #343A6E

RGB 52 58 110

HSL 233.79, 0.36%, 0.32%

LAB 26.4, 13.47, -31.09

 

CMYK 45 / 53 / 0 / 57

HEX #3D346E

RGB 61 52 110

HSL 249.31, 0.36%, 0.32%

LAB 25.48, 19.91, -32.5

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 53 / 18 / 0 / 57

HEX #345A6E

RGB 52 90 110

HSL 200.69, 0.36%, 0.32%

LAB 36.31, -7.37, -15.59

 

CMYK 53 / 33 / 0 / 57

HEX #344A6E

RGB 52 74 110

HSL 217.24, 0.36%, 0.32%

LAB 31.24, 2.72, -23.44

 

CMYK 53 / 47 / 0 / 57

HEX #343A6E

RGB 52 58 110

HSL 233.79, 0.36%, 0.32%

LAB 26.4, 13.47, -31.09

 

CMYK 53 / 53 / 0 / 57

HEX #34346E

RGB 52 52 110

HSL 240, 0.36%, 0.32%

LAB 24.68, 17.58, -33.84

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 69 / 6 / 0 / 51

HEX #27747C

RGB 39 116 124

HSL 185.65, 0.52%, 0.32%

LAB 44.77, -20.36, -11.29

 

CMYK 82 / 7 / 0 / 46

HEX #197F89

RGB 25 127 137

HSL 185.36, 0.69%, 0.32%

LAB 48.5, -23.71, -13.39

 

CMYK 92 / 8 / 0 / 41

HEX #0C8A96

RGB 12 138 150

HSL 185.22, 0.85%, 0.32%

LAB 52.35, -25.95, -15.16

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 33 / 3 / 0 / 62

HEX #415E61

RGB 65 94 97

HSL 185.63, 0.2%, 0.32%

LAB 37.83, -9.83, -5.16

 

CMYK 7 / 0 / 0 / 67

HEX #4E5454

RGB 78 84 84

HSL 180, 0.04%, 0.32%

LAB 35.2, -2.38, -0.83

 

CMYK 0 / 20 / 22 / 64

HEX #5B4947

RGB 91 73 71

HSL 6, 0.12%, 0.32%

LAB 32.8, 7.27, 4.07

 

CMYK 0 / 41 / 45 / 59

HEX #693E3A

RGB 105 62 58

HSL 5.11, 0.29%, 0.32%

LAB 31.24, 18.31, 10.46

 

CMYK 53 / 0 / 24 / 57

HEX #346E54

RGB 52 110 84

HSL 153.1, 0.36%, 0.32%

LAB 42.03, -25.74, 8.78

 

CMYK 53 / 0 / 9 / 57

HEX #346E64

RGB 52 110 100

HSL 169.66, 0.36%, 0.32%

LAB 42.46, -21.66, -0.24

 

CMYK 53 / 4 / 0 / 57

HEX #346A6E

RGB 52 106 110

HSL 184.14, 0.36%, 0.32%

LAB 41.48, -16.64, -7.76

 

CMYK 53 / 18 / 0 / 57

HEX #345A6E

RGB 52 90 110

HSL 200.69, 0.36%, 0.32%

LAB 36.31, -7.37, -15.59

 

CMYK 53 / 33 / 0 / 57

HEX #344A6E

RGB 52 74 110

HSL 217.24, 0.36%, 0.32%

LAB 31.24, 2.72, -23.44

 

CMYK 54 / 4 / 0 / 79

HEX #193436

RGB 25 52 54

HSL 184.14, 0.37%, 0.15%

LAB 19.76, -9.61, -4.47

 

CMYK 52 / 4 / 0 / 68

HEX #274F52

RGB 39 79 82

HSL 184.19, 0.36%, 0.24%

LAB 30.96, -13.12, -6.14

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 53 / 5 / 0 / 45

HEX #41848B

RGB 65 132 139

HSL 185.68, 0.36%, 0.4%

LAB 51.26, -19.15, -10.3

 

CMYK 53 / 5 / 0 / 35

HEX #4E9FA7

RGB 78 159 167

HSL 185.39, 0.36%, 0.48%

LAB 60.96, -22.36, -11.74

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 38 / 53 / 0 / 57

HEX #44346E

RGB 68 52 110

HSL 256.55, 0.36%, 0.32%

LAB 26.19, 21.85, -31.33

 

CMYK 0 / 16 / 53 / 57

HEX #6E5C34

RGB 110 92 52

HSL 41.38, 0.36%, 0.32%

LAB 39.94, 1.62, 25.6

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 0 / 53 / 4 / 57

HEX #6E346A

RGB 110 52 106

HSL 304.14, 0.36%, 0.32%

LAB 31.37, 33.87, -20.24

 

CMYK 4 / 0 / 53 / 57

HEX #6A6E34

RGB 106 110 52

HSL 64.14, 0.36%, 0.32%

LAB 44.89, -10.66, 31.5

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 38 / 53 / 0 / 57

HEX #44346E

RGB 68 52 110

HSL 256.55, 0.36%, 0.32%

LAB 26.19, 21.85, -31.33

 

CMYK 0 / 48 / 53 / 57

HEX #6E3934

RGB 110 57 52

HSL 5.17, 0.36%, 0.32%

LAB 30.61, 22.79, 13.59

 

CMYK 15 / 0 / 53 / 57

HEX #5E6E34

RGB 94 110 52

HSL 76.55, 0.36%, 0.32%

LAB 43.92, -15.99, 30.1

 

CMYK 53 / 5 / 0 / 57

HEX #34696E

RGB 52 105 110

HSL 185.17, 0.36%, 0.32%

LAB 41.15, -16.09, -8.24

 

CMYK 22 / 53 / 0 / 57

HEX #56346E

RGB 86 52 110

HSL 275.17, 0.36%, 0.32%

LAB 28.27, 27.18, -27.89

 

CMYK 0 / 48 / 53 / 57

HEX #6E3934

RGB 110 57 52

HSL 5.17, 0.36%, 0.32%

LAB 30.61, 22.79, 13.59

 

CMYK 31 / 0 / 53 / 57

HEX #4C6E34

RGB 76 110 52

HSL 95.17, 0.36%, 0.32%

LAB 42.67, -23.5, 28.3

 

Description

Color code: HEX #34696E | qconv.com Color code: HEX #34696E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 105 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 105 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 5 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 5% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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