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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #346997 it is the complementary color #CB9668. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #346997. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #346997 shade: #396992, #4A7BA5, #5B8DB8, #6C9FCB and #7DB1DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #346997. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #346997 shade: #346997, #235784, #124571, #01335E and #00214B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #346997 shade: #346997, #344E97, #343497, #4F3497 and #6A3497

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #346997 shade: #346997, #344E97 and #343497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #346997 shade matches the following richer shades: #346997, #236AA8, #136BB8 and #026DC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #346997 shade: #346997, #446887, #556776, #656666 and #766455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #346997 shade: #34978F, #348597, #346A97, #345097 and #343597

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #346997 shade: #1E3E5A, #295479, #346997, #3E7EB6 and #5893C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #346997 shade: #346997, #743497 and #929734

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #346997 shade: #346997, #97346A and #6A9734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #346997 shade: #346997, #743497, #976134 and #579734

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #346997 shade: #346997, #923497, #976134 and #399734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

Complementary color

CMYK 0 / 26 / 49 / 20

HEX #CB9668

RGB 203 150 104

HSL 27.88, 0.49%, 0.6%

LAB 66.14, 14.39, 31.97

 

CMYK 61 / 28 / 0 / 43

HEX #396992

RGB 57 105 146

HSL 207.64, 0.44%, 0.4%

LAB 42.84, -3.28, -27.36

 

CMYK 55 / 25 / 0 / 35

HEX #4A7BA5

RGB 74 123 165

HSL 207.69, 0.38%, 0.47%

LAB 49.9, -4.03, -27.5

 

CMYK 51 / 23 / 0 / 28

HEX #5B8DB8

RGB 91 141 184

HSL 207.74, 0.4%, 0.54%

LAB 56.82, -4.6, -27.65

 

CMYK 47 / 22 / 0 / 20

HEX #6C9FCB

RGB 108 159 203

HSL 207.79, 0.48%, 0.61%

LAB 63.59, -5.05, -27.82

 

CMYK 44 / 20 / 0 / 13

HEX #7DB1DE

RGB 125 177 222

HSL 207.84, 0.6%, 0.68%

LAB 70.23, -5.41, -28.01

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 73 / 34 / 0 / 48

HEX #235784

RGB 35 87 132

HSL 207.84, 0.58%, 0.33%

LAB 35.67, -1.21, -30.19

 

CMYK 84 / 39 / 0 / 56

HEX #124571

RGB 18 69 113

HSL 207.79, 0.73%, 0.26%

LAB 28.32, 0.69, -30.04

 

CMYK 99 / 46 / 0 / 63

HEX #01335E

RGB 1 51 94

HSL 207.74, 0.98%, 0.19%

LAB 20.76, 3.29, -29.87

 

CMYK 100 / 56 / 0 / 71

HEX #00214B

RGB 0 33 75

HSL 213.6, 1%, 0.15%

LAB 13.2, 7.74, -29.27

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 66 / 48 / 0 / 41

HEX #344E97

RGB 52 78 151

HSL 224.24, 0.49%, 0.4%

LAB 34.83, 14.78, -43.07

 

CMYK 66 / 66 / 0 / 41

HEX #343497

RGB 52 52 151

HSL 240, 0.49%, 0.4%

LAB 27.9, 31.98, -54.29

 

CMYK 48 / 66 / 0 / 41

HEX #4F3497

RGB 79 52 151

HSL 256.36, 0.49%, 0.4%

LAB 30.29, 36.84, -50.3

 

CMYK 30 / 66 / 0 / 41

HEX #6A3497

RGB 106 52 151

HSL 272.73, 0.49%, 0.4%

LAB 33.47, 42.79, -45

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 66 / 48 / 0 / 41

HEX #344E97

RGB 52 78 151

HSL 224.24, 0.49%, 0.4%

LAB 34.83, 14.78, -43.07

 

CMYK 66 / 66 / 0 / 41

HEX #343497

RGB 52 52 151

HSL 240, 0.49%, 0.4%

LAB 27.9, 31.98, -54.29

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 79 / 37 / 0 / 34

HEX #236AA8

RGB 35 106 168

HSL 207.97, 0.66%, 0.4%

LAB 43.5, 0.6, -39.42

 

CMYK 90 / 42 / 0 / 28

HEX #136BB8

RGB 19 107 184

HSL 208, 0.81%, 0.4%

LAB 44.4, 4.84, -47.37

 

CMYK 99 / 46 / 0 / 21

HEX #026DC9

RGB 2 109 201

HSL 207.74, 0.98%, 0.4%

LAB 45.86, 9.64, -54.85

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 50 / 23 / 0 / 47

HEX #446887

RGB 68 104 135

HSL 207.76, 0.33%, 0.4%

LAB 42.58, -3.72, -21.12

 

CMYK 28 / 13 / 0 / 54

HEX #556776

RGB 85 103 118

HSL 207.27, 0.16%, 0.4%

LAB 42.67, -3, -10.63

 

CMYK 1 / 0 / 0 / 60

HEX #656666

RGB 101 102 102

HSL 180, 0%, 0.4%

LAB 43.11, -0.39, -0.14

 

CMYK 0 / 15 / 28 / 54

HEX #766455

RGB 118 100 85

HSL 27.27, 0.16%, 0.4%

LAB 43.69, 4.69, 11.18

 

CMYK 66 / 0 / 5 / 41

HEX #34978F

RGB 52 151 143

HSL 175.15, 0.49%, 0.4%

LAB 56.93, -30.21, -4.21

 

CMYK 66 / 12 / 0 / 41

HEX #348597

RGB 52 133 151

HSL 190.91, 0.49%, 0.4%

LAB 51.54, -18.61, -16.9

 

CMYK 66 / 30 / 0 / 41

HEX #346A97

RGB 52 106 151

HSL 207.27, 0.49%, 0.4%

LAB 43.17, -3.13, -29.83

 

CMYK 66 / 47 / 0 / 41

HEX #345097

RGB 52 80 151

HSL 223.03, 0.49%, 0.4%

LAB 35.4, 13.45, -42.14

 

CMYK 66 / 65 / 0 / 41

HEX #343597

RGB 52 53 151

HSL 239.39, 0.49%, 0.4%

LAB 28.14, 31.34, -53.9

 

CMYK 67 / 31 / 0 / 65

HEX #1E3E5A

RGB 30 62 90

HSL 208, 0.5%, 0.24%

LAB 25.14, -1.9, -20.26

 

CMYK 66 / 31 / 0 / 53

HEX #295479

RGB 41 84 121

HSL 207.75, 0.49%, 0.32%

LAB 34.38, -2.36, -25.43

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 66 / 31 / 0 / 29

HEX #3E7EB6

RGB 62 126 182

HSL 208, 0.49%, 0.48%

LAB 51.06, -2.51, -35.57

 

CMYK 56 / 26 / 0 / 22

HEX #5893C6

RGB 88 147 198

HSL 207.82, 0.49%, 0.56%

LAB 58.99, -4.38, -32.21

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 23 / 66 / 0 / 41

HEX #743497

RGB 116 52 151

HSL 278.79, 0.49%, 0.4%

LAB 34.81, 45.16, -42.77

 

CMYK 3 / 0 / 66 / 41

HEX #929734

RGB 146 151 52

HSL 63.03, 0.49%, 0.4%

LAB 60.33, -15.01, 49.59

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 0 / 66 / 30 / 41

HEX #97346A

RGB 151 52 106

HSL 327.27, 0.49%, 0.4%

LAB 37.98, 46.78, -9.55

 

CMYK 30 / 0 / 66 / 41

HEX #6A9734

RGB 106 151 52

HSL 87.27, 0.49%, 0.4%

LAB 57.51, -31.69, 45.74

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 23 / 66 / 0 / 41

HEX #743497

RGB 116 52 151

HSL 278.79, 0.49%, 0.4%

LAB 34.81, 45.16, -42.77

 

CMYK 0 / 36 / 66 / 41

HEX #976134

RGB 151 97 52

HSL 27.27, 0.49%, 0.4%

LAB 46.15, 17.43, 34.19

 

CMYK 42 / 0 / 66 / 41

HEX #579734

RGB 87 151 52

HSL 98.79, 0.49%, 0.4%

LAB 56.49, -38.62, 44.35

 

CMYK 66 / 30 / 0 / 41

HEX #346997

RGB 52 105 151

HSL 207.88, 0.49%, 0.4%

LAB 42.86, -2.52, -30.31

 

CMYK 3 / 66 / 0 / 41

HEX #923497

RGB 146 52 151

HSL 296.97, 0.49%, 0.4%

LAB 39.24, 52.52, -35.44

 

CMYK 0 / 36 / 66 / 41

HEX #976134

RGB 151 97 52

HSL 27.27, 0.49%, 0.4%

LAB 46.15, 17.43, 34.19

 

CMYK 62 / 0 / 66 / 41

HEX #399734

RGB 57 151 52

HSL 116.97, 0.49%, 0.4%

LAB 55.33, -47.4, 42.74

 

Description

Color code: HEX #346997 | qconv.com Color code: HEX #346997 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 105 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 105 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 30 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 30% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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