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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34785F it is the complementary color #CB87A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34785F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34785F shade: #39785A, #4A8A6D, #5B9C80, #6CAE93 and #7DC0A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34785F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34785F shade: #34785F, #23664C, #125439, #014226 and #003013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34785F shade: #34795F, #34794D, #34793A, #407934 and #527934

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34785F shade: #34795F, #347972, #346D79, #345A79 and #344879

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34785F shade matches the following richer shades: #34795F, #258763, #179567 and #09A36B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34785F shade: #34795F, #426B5C, #505D58, #5E4F54 and #6C4151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34785F shade: #347939, #34794C, #34795E, #347971 and #346E79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34785F shade: #1B3F32, #275C49, #34795F, #409676 and #4DB28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34785F shade: #34785F, #344079 and #794334

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34785F shade: #34785F, #5E3479 and #795E34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34785F shade: #34785F, #344079, #79344E and #796C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34785F shade: #34785F, #3C3479, #79344E and #717934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 21 / 53

HEX #34785F

RGB 52 120 95

HSL 157.94, 0.4%, 0.34%

LAB 45.62, -28.01, 7.3

 

Complementary color

CMYK 0 / 33 / 21 / 20

HEX #CB87A0

RGB 203 135 160

HSL 337.94, 0.4%, 0.66%

LAB 63.81, 29.57, -2.54

 

CMYK 53 / 0 / 25 / 53

HEX #39785A

RGB 57 120 90

HSL 151.43, 0.36%, 0.35%

LAB 45.69, -27.92, 10.38

 

CMYK 46 / 0 / 21 / 46

HEX #4A8A6D

RGB 74 138 109

HSL 152.81, 0.3%, 0.42%

LAB 52.66, -27.73, 9.23

 

CMYK 42 / 0 / 18 / 39

HEX #5B9C80

RGB 91 156 128

HSL 154.15, 0.26%, 0.48%

LAB 59.49, -27.5, 8.21

 

CMYK 38 / 0 / 16 / 32

HEX #6CAE93

RGB 108 174 147

HSL 155.45, 0.29%, 0.55%

LAB 66.19, -27.26, 7.27

 

CMYK 35 / 0 / 14 / 25

HEX #7DC0A6

RGB 125 192 166

HSL 156.72, 0.35%, 0.62%

LAB 72.77, -27.03, 6.4

 

CMYK 57 / 0 / 21 / 53

HEX #34785F

RGB 52 120 95

HSL 157.94, 0.4%, 0.34%

LAB 45.62, -28.01, 7.3

 

CMYK 66 / 0 / 25 / 60

HEX #23664C

RGB 35 102 76

HSL 156.72, 0.49%, 0.27%

LAB 38.52, -27.95, 8.57

 

CMYK 79 / 0 / 32 / 67

HEX #125439

RGB 18 84 57

HSL 155.45, 0.65%, 0.2%

LAB 31.27, -27.55, 10.08

 

CMYK 98 / 0 / 42 / 74

HEX #014226

RGB 1 66 38

HSL 154.15, 0.97%, 0.13%

LAB 23.81, -26.76, 11.86

 

CMYK 100 / 0 / 60 / 81

HEX #003013

RGB 0 48 19

HSL 143.75, 1%, 0.09%

LAB 16.31, -23.67, 14.23

 

CMYK 57 / 0 / 21 / 53

HEX #34795F

RGB 52 121 95

HSL 157.39, 0.4%, 0.34%

LAB 45.95, -28.49, 7.77

 

CMYK 57 / 0 / 36 / 53

HEX #34794D

RGB 52 121 77

HSL 141.74, 0.4%, 0.34%

LAB 45.55, -32.52, 17.73

 

CMYK 57 / 0 / 52 / 53

HEX #34793A

RGB 52 121 58

HSL 125.22, 0.4%, 0.34%

LAB 45.23, -35.9, 27.95

 

CMYK 47 / 0 / 57 / 53

HEX #407934

RGB 64 121 52

HSL 109.57, 0.4%, 0.34%

LAB 45.65, -33.12, 31.73

 

CMYK 32 / 0 / 57 / 53

HEX #527934

RGB 82 121 52

HSL 93.91, 0.4%, 0.34%

LAB 46.6, -26.63, 33.09

 

CMYK 57 / 0 / 21 / 53

HEX #34795F

RGB 52 121 95

HSL 157.39, 0.4%, 0.34%

LAB 45.95, -28.49, 7.77

 

CMYK 57 / 0 / 6 / 53

HEX #347972

RGB 52 121 114

HSL 173.91, 0.4%, 0.34%

LAB 46.47, -23.48, -2.74

 

CMYK 57 / 10 / 0 / 53

HEX #346D79

RGB 52 109 121

HSL 190.43, 0.4%, 0.34%

LAB 42.84, -14.94, -12.37

 

CMYK 57 / 26 / 0 / 53

HEX #345A79

RGB 52 90 121

HSL 206.96, 0.4%, 0.34%

LAB 36.79, -3.72, -21.64

 

CMYK 57 / 40 / 0 / 53

HEX #344879

RGB 52 72 121

HSL 222.61, 0.4%, 0.34%

LAB 31.22, 7.88, -30.37

 

CMYK 57 / 0 / 21 / 53

HEX #34795F

RGB 52 121 95

HSL 157.39, 0.4%, 0.34%

LAB 45.95, -28.49, 7.77

 

CMYK 73 / 0 / 27 / 47

HEX #258763

RGB 37 135 99

HSL 157.96, 0.57%, 0.34%

LAB 50.24, -36.95, 11.42

 

CMYK 85 / 0 / 31 / 42

HEX #179567

RGB 23 149 103

HSL 158.1, 0.73%, 0.34%

LAB 54.72, -43.62, 15.32

 

CMYK 94 / 0 / 34 / 36

HEX #09A36B

RGB 9 163 107

HSL 158.18, 0.9%, 0.34%

LAB 59.26, -49.12, 19.3

 

CMYK 57 / 0 / 21 / 53

HEX #34795F

RGB 52 121 95

HSL 157.39, 0.4%, 0.34%

LAB 45.95, -28.49, 7.77

 

CMYK 38 / 0 / 14 / 58

HEX #426B5C

RGB 66 107 92

HSL 158.05, 0.24%, 0.34%

LAB 41.92, -18.12, 3.89

 

CMYK 14 / 0 / 5 / 64

HEX #505D58

RGB 80 93 88

HSL 156.92, 0.08%, 0.34%

LAB 38.27, -6.15, 1.17

 

CMYK 0 / 16 / 11 / 63

HEX #5E4F54

RGB 94 79 84

HSL 340, 0.09%, 0.34%

LAB 35.23, 7.2, -0.62

 

CMYK 0 / 40 / 25 / 58

HEX #6C4151

RGB 108 65 81

HSL 337.67, 0.25%, 0.34%

LAB 33.06, 21.08, -1.7

 

CMYK 57 / 0 / 53 / 53

HEX #347939

RGB 52 121 57

HSL 124.35, 0.4%, 0.34%

LAB 45.22, -36.05, 28.47

 

CMYK 57 / 0 / 37 / 53

HEX #34794C

RGB 52 121 76

HSL 140.87, 0.4%, 0.34%

LAB 45.53, -32.72, 18.28

 

CMYK 57 / 0 / 22 / 53

HEX #34795E

RGB 52 121 94

HSL 156.52, 0.4%, 0.34%

LAB 45.92, -28.74, 8.32

 

CMYK 57 / 0 / 7 / 53

HEX #347971

RGB 52 121 113

HSL 173.04, 0.4%, 0.34%

LAB 46.44, -23.76, -2.19

 

CMYK 57 / 9 / 0 / 53

HEX #346E79

RGB 52 110 121

HSL 189.57, 0.4%, 0.34%

LAB 43.16, -15.5, -11.88

 

CMYK 57 / 0 / 21 / 75

HEX #1B3F32

RGB 27 63 50

HSL 158.33, 0.4%, 0.18%

LAB 23.73, -16.74, 4.04

 

CMYK 58 / 0 / 21 / 64

HEX #275C49

RGB 39 92 73

HSL 158.49, 0.4%, 0.26%

LAB 35.14, -22.82, 5.65

 

CMYK 57 / 0 / 21 / 53

HEX #34795F

RGB 52 121 95

HSL 157.39, 0.4%, 0.34%

LAB 45.95, -28.49, 7.77

 

CMYK 57 / 0 / 21 / 41

HEX #409676

RGB 64 150 118

HSL 157.67, 0.4%, 0.42%

LAB 56.3, -33.89, 9.18

 

CMYK 57 / 0 / 21 / 30

HEX #4DB28D

RGB 77 178 141

HSL 158.02, 0.4%, 0.5%

LAB 66.01, -38.41, 10.16

 

CMYK 57 / 0 / 21 / 53

HEX #34785F

RGB 52 120 95

HSL 157.94, 0.4%, 0.34%

LAB 45.62, -28.01, 7.3

 

CMYK 57 / 47 / 0 / 53

HEX #344079

RGB 52 64 121

HSL 229.57, 0.4%, 0.34%

LAB 28.84, 13.26, -34.15

 

CMYK 0 / 45 / 57 / 53

HEX #794334

RGB 121 67 52

HSL 13.04, 0.4%, 0.34%

LAB 34.66, 21.66, 19.22

 

CMYK 57 / 0 / 21 / 53

HEX #34785F

RGB 52 120 95

HSL 157.94, 0.4%, 0.34%

LAB 45.62, -28.01, 7.3

 

CMYK 22 / 57 / 0 / 53

HEX #5E3479

RGB 94 52 121

HSL 276.52, 0.4%, 0.34%

LAB 29.95, 32.3, -32.14

 

CMYK 0 / 22 / 57 / 53

HEX #795E34

RGB 121 94 52

HSL 36.52, 0.4%, 0.34%

LAB 41.72, 5.54, 28.05

 

CMYK 57 / 0 / 21 / 53

HEX #34785F

RGB 52 120 95

HSL 157.94, 0.4%, 0.34%

LAB 45.62, -28.01, 7.3

 

CMYK 57 / 47 / 0 / 53

HEX #344079

RGB 52 64 121

HSL 229.57, 0.4%, 0.34%

LAB 28.84, 13.26, -34.15

 

CMYK 0 / 57 / 36 / 53

HEX #79344E

RGB 121 52 78

HSL 337.39, 0.4%, 0.34%

LAB 31.97, 33.07, -1.13

 

CMYK 0 / 11 / 57 / 53

HEX #796C34

RGB 121 108 52

HSL 48.7, 0.4%, 0.34%

LAB 45.69, -2.67, 32.78

 

CMYK 57 / 0 / 21 / 53

HEX #34785F

RGB 52 120 95

HSL 157.94, 0.4%, 0.34%

LAB 45.62, -28.01, 7.3

 

CMYK 50 / 57 / 0 / 53

HEX #3C3479

RGB 60 52 121

HSL 246.96, 0.4%, 0.34%

LAB 26.15, 23.24, -38.44

 

CMYK 0 / 57 / 36 / 53

HEX #79344E

RGB 121 52 78

HSL 337.39, 0.4%, 0.34%

LAB 31.97, 33.07, -1.13

 

CMYK 7 / 0 / 57 / 53

HEX #717934

RGB 113 121 52

HSL 66.96, 0.4%, 0.34%

LAB 48.8, -13.59, 36.21

 

Description

Color code: HEX #34785F | qconv.com Color code: HEX #34785F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 120 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 120 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 21 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 21% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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