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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #347872 it is the complementary color #CB878D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #347872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #347872 shade: #39786D, #4A8A80, #5B9C93, #6CAEA6 and #7DC0B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #347872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #347872 shade: #347872, #23665F, #12544C, #014239 and #003026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #347872 shade: #347973, #347960, #34794D, #34793B and #3F7934

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #347872 shade: #347973, #346C79, #345A79, #344779 and #343479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #347872 shade matches the following richer shades: #347973, #25877E, #17958A and #09A395

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #347872 shade: #347973, #426B67, #505D5C, #5E4F50 and #6C4145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #347872 shade: #34794D, #34795F, #347972, #346D79 and #345B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #347872 shade: #1B3F3C, #275C57, #347973, #40968E and #4DB2A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #347872 shade: #347872, #3A3479 and #795634

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #347872 shade: #347872, #723479 and #797234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #347872 shade: #347872, #3A3479, #79343A and #727934

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #347872 shade: #347872, #4F3479, #79343A and #5D7934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 5 / 53

HEX #347872

RGB 52 120 114

HSL 174.71, 0.4%, 0.34%

LAB 46.15, -22.97, -3.22

 

Complementary color

CMYK 0 / 33 / 31 / 20

HEX #CB878D

RGB 203 135 141

HSL 354.71, 0.4%, 0.66%

LAB 63.3, 26.86, 7.52

 

CMYK 53 / 0 / 9 / 53

HEX #39786D

RGB 57 120 109

HSL 169.52, 0.36%, 0.35%

LAB 46.19, -23.18, -0.17

 

CMYK 46 / 0 / 7 / 46

HEX #4A8A80

RGB 74 138 128

HSL 170.63, 0.3%, 0.42%

LAB 53.16, -23.12, -1.03

 

CMYK 42 / 0 / 6 / 39

HEX #5B9C93

RGB 91 156 147

HSL 171.69, 0.26%, 0.48%

LAB 59.99, -23.02, -1.82

 

CMYK 38 / 0 / 5 / 32

HEX #6CAEA6

RGB 108 174 166

HSL 172.73, 0.29%, 0.55%

LAB 66.68, -22.89, -2.54

 

CMYK 35 / 0 / 4 / 25

HEX #7DC0B9

RGB 125 192 185

HSL 173.73, 0.35%, 0.62%

LAB 73.26, -22.77, -3.22

 

CMYK 57 / 0 / 5 / 53

HEX #347872

RGB 52 120 114

HSL 174.71, 0.4%, 0.34%

LAB 46.15, -22.97, -3.22

 

CMYK 66 / 0 / 7 / 60

HEX #23665F

RGB 35 102 95

HSL 173.73, 0.49%, 0.27%

LAB 39.05, -22.72, -2.28

 

CMYK 79 / 0 / 10 / 67

HEX #12544C

RGB 18 84 76

HSL 172.73, 0.65%, 0.2%

LAB 31.79, -22.14, -1.16

 

CMYK 98 / 0 / 14 / 74

HEX #014239

RGB 1 66 57

HSL 171.69, 0.97%, 0.13%

LAB 24.32, -21.23, 0.16

 

CMYK 100 / 0 / 21 / 81

HEX #003026

RGB 0 48 38

HSL 167.5, 1%, 0.09%

LAB 16.77, -18.47, 2.07

 

CMYK 57 / 0 / 5 / 53

HEX #347973

RGB 52 121 115

HSL 174.78, 0.4%, 0.34%

LAB 46.5, -23.2, -3.29

 

CMYK 57 / 0 / 21 / 53

HEX #347960

RGB 52 121 96

HSL 158.26, 0.4%, 0.34%

LAB 45.97, -28.25, 7.21

 

CMYK 57 / 0 / 36 / 53

HEX #34794D

RGB 52 121 77

HSL 141.74, 0.4%, 0.34%

LAB 45.55, -32.52, 17.73

 

CMYK 57 / 0 / 51 / 53

HEX #34793B

RGB 52 121 59

HSL 126.09, 0.4%, 0.34%

LAB 45.25, -35.75, 27.43

 

CMYK 48 / 0 / 57 / 53

HEX #3F7934

RGB 63 121 52

HSL 110.43, 0.4%, 0.34%

LAB 45.61, -33.44, 31.67

 

CMYK 57 / 0 / 5 / 53

HEX #347973

RGB 52 121 115

HSL 174.78, 0.4%, 0.34%

LAB 46.5, -23.2, -3.29

 

CMYK 57 / 11 / 0 / 53

HEX #346C79

RGB 52 108 121

HSL 191.3, 0.4%, 0.34%

LAB 42.51, -14.38, -12.85

 

CMYK 57 / 26 / 0 / 53

HEX #345A79

RGB 52 90 121

HSL 206.96, 0.4%, 0.34%

LAB 36.79, -3.72, -21.64

 

CMYK 57 / 41 / 0 / 53

HEX #344779

RGB 52 71 121

HSL 223.48, 0.4%, 0.34%

LAB 30.92, 8.54, -30.85

 

CMYK 57 / 57 / 0 / 53

HEX #343479

RGB 52 52 121

HSL 240, 0.4%, 0.34%

LAB 25.46, 21.42, -39.58

 

CMYK 57 / 0 / 5 / 53

HEX #347973

RGB 52 121 115

HSL 174.78, 0.4%, 0.34%

LAB 46.5, -23.2, -3.29

 

CMYK 73 / 0 / 7 / 47

HEX #25877E

RGB 37 135 126

HSL 174.49, 0.57%, 0.34%

LAB 50.95, -29.71, -3.25

 

CMYK 85 / 0 / 7 / 42

HEX #17958A

RGB 23 149 138

HSL 174.76, 0.73%, 0.34%

LAB 55.6, -34.33, -3.37

 

CMYK 94 / 0 / 9 / 36

HEX #09A395

RGB 9 163 149

HSL 174.55, 0.9%, 0.34%

LAB 60.27, -38.28, -2.76

 

CMYK 57 / 0 / 5 / 53

HEX #347973

RGB 52 121 115

HSL 174.78, 0.4%, 0.34%

LAB 46.5, -23.2, -3.29

 

CMYK 38 / 0 / 4 / 58

HEX #426B67

RGB 66 107 103

HSL 174.15, 0.24%, 0.34%

LAB 42.24, -15.35, -2.31

 

CMYK 14 / 0 / 1 / 64

HEX #505D5C

RGB 80 93 92

HSL 175.38, 0.08%, 0.34%

LAB 38.39, -5.24, -1.13

 

CMYK 0 / 16 / 15 / 63

HEX #5E4F50

RGB 94 79 80

HSL 356, 0.09%, 0.34%

LAB 35.1, 6.43, 1.73

 

CMYK 0 / 40 / 36 / 58

HEX #6C4145

RGB 108 65 69

HSL 354.42, 0.25%, 0.34%

LAB 32.7, 19.24, 5.49

 

CMYK 57 / 0 / 36 / 53

HEX #34794D

RGB 52 121 77

HSL 141.74, 0.4%, 0.34%

LAB 45.55, -32.52, 17.73

 

CMYK 57 / 0 / 21 / 53

HEX #34795F

RGB 52 121 95

HSL 157.39, 0.4%, 0.34%

LAB 45.95, -28.49, 7.77

 

CMYK 57 / 0 / 6 / 53

HEX #347972

RGB 52 121 114

HSL 173.91, 0.4%, 0.34%

LAB 46.47, -23.48, -2.74

 

CMYK 57 / 10 / 0 / 53

HEX #346D79

RGB 52 109 121

HSL 190.43, 0.4%, 0.34%

LAB 42.84, -14.94, -12.37

 

CMYK 57 / 25 / 0 / 53

HEX #345B79

RGB 52 91 121

HSL 206.09, 0.4%, 0.34%

LAB 37.1, -4.34, -21.16

 

CMYK 57 / 0 / 5 / 75

HEX #1B3F3C

RGB 27 63 60

HSL 175, 0.4%, 0.18%

LAB 24.05, -13.81, -2.14

 

CMYK 58 / 0 / 5 / 64

HEX #275C57

RGB 39 92 87

HSL 174.34, 0.4%, 0.26%

LAB 35.54, -18.93, -2.48

 

CMYK 57 / 0 / 5 / 53

HEX #347973

RGB 52 121 115

HSL 174.78, 0.4%, 0.34%

LAB 46.5, -23.2, -3.29

 

CMYK 57 / 0 / 5 / 41

HEX #40968E

RGB 64 150 142

HSL 174.42, 0.4%, 0.42%

LAB 56.93, -27.76, -3.59

 

CMYK 57 / 0 / 5 / 30

HEX #4DB2A9

RGB 77 178 169

HSL 174.65, 0.4%, 0.5%

LAB 66.74, -31.45, -4.27

 

CMYK 57 / 0 / 5 / 53

HEX #347872

RGB 52 120 114

HSL 174.71, 0.4%, 0.34%

LAB 46.15, -22.97, -3.22

 

CMYK 52 / 57 / 0 / 53

HEX #3A3479

RGB 58 52 121

HSL 245.22, 0.4%, 0.34%

LAB 25.97, 22.77, -38.74

 

CMYK 0 / 29 / 57 / 53

HEX #795634

RGB 121 86 52

HSL 29.57, 0.4%, 0.34%

LAB 39.53, 10.32, 25.37

 

CMYK 57 / 0 / 5 / 53

HEX #347872

RGB 52 120 114

HSL 174.71, 0.4%, 0.34%

LAB 46.15, -22.97, -3.22

 

CMYK 6 / 57 / 0 / 53

HEX #723479

RGB 114 52 121

HSL 293.91, 0.4%, 0.34%

LAB 32.73, 38.1, -27.56

 

CMYK 0 / 6 / 57 / 53

HEX #797234

RGB 121 114 52

HSL 53.91, 0.4%, 0.34%

LAB 47.43, -6.09, 34.81

 

CMYK 57 / 0 / 5 / 53

HEX #347872

RGB 52 120 114

HSL 174.71, 0.4%, 0.34%

LAB 46.15, -22.97, -3.22

 

CMYK 52 / 57 / 0 / 53

HEX #3A3479

RGB 58 52 121

HSL 245.22, 0.4%, 0.34%

LAB 25.97, 22.77, -38.74

 

CMYK 0 / 57 / 52 / 53

HEX #79343A

RGB 121 52 58

HSL 354.78, 0.4%, 0.34%

LAB 31.41, 30.72, 11.09

 

CMYK 6 / 0 / 57 / 53

HEX #727934

RGB 114 121 52

HSL 66.09, 0.4%, 0.34%

LAB 48.88, -13.14, 36.32

 

CMYK 57 / 0 / 5 / 53

HEX #347872

RGB 52 120 114

HSL 174.71, 0.4%, 0.34%

LAB 46.15, -22.97, -3.22

 

CMYK 35 / 57 / 0 / 53

HEX #4F3479

RGB 79 52 121

HSL 263.48, 0.4%, 0.34%

LAB 28.11, 28.11, -35.18

 

CMYK 0 / 57 / 52 / 53

HEX #79343A

RGB 121 52 58

HSL 354.78, 0.4%, 0.34%

LAB 31.41, 30.72, 11.09

 

CMYK 23 / 0 / 57 / 53

HEX #5D7934

RGB 93 121 52

HSL 84.35, 0.4%, 0.34%

LAB 47.3, -22.21, 34.08

 

Description

Color code: HEX #347872 | qconv.com Color code: HEX #347872 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 120 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 120 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 5 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 5% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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