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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3472A1 it is the complementary color #CB8D5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3472A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3472A1 shade: #39729C, #4A84AF, #5B96C2, #6CA8D5 and #7DBAE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3472A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3472A1 shade: #3472A1, #23608E, #124E7B, #013C68 and #002A55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3472A1 shade: #3472A1, #3455A1, #3437A1, #4E34A1 and #6C34A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3472A1 shade: #3472A1, #3455A1, #3437A1 and #3434A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3472A1 shade matches the following richer shades: #3472A1, #2375B3, #1177C4 and #0079D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3472A1 shade: #3472A1, #457090, #576D7F, #686B6D and #79695C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3472A1 shade: #34A194, #3491A1, #3474A1, #3457A1 and #3439A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3472A1 shade: #204663, #2A5C82, #3472A1, #3E88C0 and #5D9BCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3472A1 shade: #3472A1, #7734A1 and #9FA134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3472A1 shade: #3472A1, #A13474 and #74A134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3472A1 shade: #3472A1, #7734A1, #A16134 and #5EA134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3472A1 shade: #3472A1, #9834A1, #A16134 and #3DA134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

Complementary color

CMYK 0 / 31 / 54 / 20

HEX #CB8D5E

RGB 203 141 94

HSL 25.87, 0.51%, 0.58%

LAB 63.8, 18.39, 34.37

 

CMYK 63 / 27 / 0 / 39

HEX #39729C

RGB 57 114 156

HSL 205.45, 0.46%, 0.42%

LAB 46.05, -5.26, -28.28

 

CMYK 58 / 25 / 0 / 31

HEX #4A84AF

RGB 74 132 175

HSL 205.54, 0.41%, 0.49%

LAB 53.01, -6.06, -28.47

 

CMYK 53 / 23 / 0 / 24

HEX #5B96C2

RGB 91 150 194

HSL 205.63, 0.46%, 0.56%

LAB 59.83, -6.66, -28.66

 

CMYK 49 / 21 / 0 / 16

HEX #6CA8D5

RGB 108 168 213

HSL 205.71, 0.56%, 0.63%

LAB 66.52, -7.13, -28.85

 

CMYK 46 / 20 / 0 / 9

HEX #7DBAE8

RGB 125 186 232

HSL 205.79, 0.7%, 0.7%

LAB 73.09, -7.51, -29.06

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 75 / 32 / 0 / 44

HEX #23608E

RGB 35 96 142

HSL 205.79, 0.6%, 0.35%

LAB 39.03, -3.07, -30.99

 

CMYK 85 / 37 / 0 / 52

HEX #124E7B

RGB 18 78 123

HSL 205.71, 0.74%, 0.28%

LAB 31.82, -1.16, -30.75

 

CMYK 99 / 42 / 0 / 59

HEX #013C68

RGB 1 60 104

HSL 205.63, 0.98%, 0.21%

LAB 24.44, 1.42, -30.48

 

CMYK 100 / 51 / 0 / 67

HEX #002A55

RGB 0 42 85

HSL 210.35, 1%, 0.17%

LAB 17.05, 5.62, -29.86

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 68 / 47 / 0 / 37

HEX #3455A1

RGB 52 85 161

HSL 221.83, 0.51%, 0.42%

LAB 37.48, 13.86, -44.83

 

CMYK 68 / 66 / 0 / 37

HEX #3437A1

RGB 52 55 161

HSL 238.35, 0.51%, 0.42%

LAB 29.5, 33.57, -57.76

 

CMYK 52 / 68 / 0 / 37

HEX #4E34A1

RGB 78 52 161

HSL 254.31, 0.51%, 0.42%

LAB 30.99, 39.64, -55.24

 

CMYK 33 / 68 / 0 / 37

HEX #6C34A1

RGB 108 52 161

HSL 270.83, 0.51%, 0.42%

LAB 34.43, 45.71, -49.5

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 68 / 47 / 0 / 37

HEX #3455A1

RGB 52 85 161

HSL 221.83, 0.51%, 0.42%

LAB 37.48, 13.86, -44.83

 

CMYK 68 / 66 / 0 / 37

HEX #3437A1

RGB 52 55 161

HSL 238.35, 0.51%, 0.42%

LAB 29.5, 33.57, -57.76

 

CMYK 68 / 68 / 0 / 37

HEX #3434A1

RGB 52 52 161

HSL 240, 0.51%, 0.42%

LAB 28.8, 35.46, -58.92

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 80 / 35 / 0 / 30

HEX #2375B3

RGB 35 117 179

HSL 205.83, 0.67%, 0.42%

LAB 47.41, -1.98, -39.65

 

CMYK 91 / 39 / 0 / 23

HEX #1177C4

RGB 17 119 196

HSL 205.81, 0.84%, 0.42%

LAB 48.63, 1.96, -47.53

 

CMYK 100 / 43 / 0 / 16

HEX #0079D5

RGB 0 121 213

HSL 205.92, 1%, 0.42%

LAB 50.07, 6.78, -54.94

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 52 / 22 / 0 / 44

HEX #457090

RGB 69 112 144

HSL 205.6, 0.35%, 0.42%

LAB 45.45, -5.41, -22.07

 

CMYK 31 / 14 / 0 / 50

HEX #576D7F

RGB 87 109 127

HSL 207, 0.19%, 0.42%

LAB 44.94, -3.53, -12.62

 

CMYK 5 / 2 / 0 / 57

HEX #686B6D

RGB 104 107 109

HSL 204, 0.02%, 0.42%

LAB 45.03, -0.73, -1.52

 

CMYK 0 / 13 / 24 / 53

HEX #79695C

RGB 121 105 92

HSL 26.9, 0.14%, 0.42%

LAB 45.55, 4.09, 9.64

 

CMYK 68 / 0 / 8 / 37

HEX #34A194

RGB 52 161 148

HSL 172.84, 0.51%, 0.42%

LAB 60.21, -33.57, -2.21

 

CMYK 68 / 10 / 0 / 37

HEX #3491A1

RGB 52 145 161

HSL 188.81, 0.51%, 0.42%

LAB 55.64, -21.79, -16.45

 

CMYK 68 / 28 / 0 / 37

HEX #3474A1

RGB 52 116 161

HSL 204.77, 0.51%, 0.42%

LAB 46.7, -5.62, -30.22

 

CMYK 68 / 46 / 0 / 37

HEX #3457A1

RGB 52 87 161

HSL 220.73, 0.51%, 0.42%

LAB 38.06, 12.55, -43.91

 

CMYK 68 / 65 / 0 / 37

HEX #3439A1

RGB 52 57 161

HSL 237.25, 0.51%, 0.42%

LAB 29.98, 32.29, -56.97

 

CMYK 68 / 29 / 0 / 61

HEX #204663

RGB 32 70 99

HSL 205.97, 0.51%, 0.26%

LAB 28.35, -3.34, -21.04

 

CMYK 68 / 29 / 0 / 49

HEX #2A5C82

RGB 42 92 130

HSL 205.91, 0.51%, 0.34%

LAB 37.4, -3.9, -26.23

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 68 / 29 / 0 / 25

HEX #3E88C0

RGB 62 136 192

HSL 205.85, 0.51%, 0.5%

LAB 54.49, -4.93, -35.92

 

CMYK 54 / 23 / 0 / 21

HEX #5D9BCA

RGB 93 155 202

HSL 205.87, 0.51%, 0.58%

LAB 61.68, -6.58, -30.26

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 26 / 68 / 0 / 37

HEX #7734A1

RGB 119 52 161

HSL 276.88, 0.51%, 0.42%

LAB 35.89, 48.14, -47.07

 

CMYK 1 / 0 / 68 / 37

HEX #9FA134

RGB 159 161 52

HSL 61.1, 0.51%, 0.42%

LAB 64.25, -14.55, 53.96

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 0 / 68 / 28 / 37

HEX #A13474

RGB 161 52 116

HSL 324.77, 0.51%, 0.42%

LAB 40.07, 51.07, -12.47

 

CMYK 28 / 0 / 68 / 37

HEX #74A134

RGB 116 161 52

HSL 84.77, 0.51%, 0.42%

LAB 61.18, -32.48, 49.83

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 26 / 68 / 0 / 37

HEX #7734A1

RGB 119 52 161

HSL 276.88, 0.51%, 0.42%

LAB 35.89, 48.14, -47.07

 

CMYK 0 / 40 / 68 / 37

HEX #A16134

RGB 161 97 52

HSL 24.77, 0.51%, 0.42%

LAB 47.46, 21.82, 36.04

 

CMYK 42 / 0 / 68 / 37

HEX #5EA134

RGB 94 161 52

HSL 96.88, 0.51%, 0.42%

LAB 59.99, -40.53, 48.22

 

CMYK 68 / 29 / 0 / 37

HEX #3472A1

RGB 52 114 161

HSL 205.87, 0.51%, 0.42%

LAB 46.09, -4.43, -31.17

 

CMYK 6 / 68 / 0 / 37

HEX #9834A1

RGB 152 52 161

HSL 295.05, 0.51%, 0.42%

LAB 40.74, 55.81, -39.03

 

CMYK 0 / 40 / 68 / 37

HEX #A16134

RGB 161 97 52

HSL 24.77, 0.51%, 0.42%

LAB 47.46, 21.82, 36.04

 

CMYK 62 / 0 / 68 / 37

HEX #3DA134

RGB 61 161 52

HSL 115.05, 0.51%, 0.42%

LAB 58.72, -50.16, 46.48

 

Description

Color code: HEX #3472A1 | qconv.com Color code: HEX #3472A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 114 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 114 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 29 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 29% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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