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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #347338 it is the complementary color #CB8CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #347338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #347338 shade: #397333, #4A8546, #5B9759, #6CA96C and #7DBB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #347338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #347338 shade: #347338, #236125, #124F12, #013D00 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #347338 shade: #347438, #417434, #527434, #637434 and #747334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #347338 shade: #347438, #347449, #34745A, #34746B and #346B74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #347338 shade matches the following richer shades: #347438, #26812C, #188F20 and #0B9C14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #347338 shade: #347438, #416644, #4F5850, #5D4B5B and #6A3D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #347338 shade: #537434, #427434, #347437, #347448 and #347459

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #347338 shade: #1A3B1C, #27572A, #347438, #409046 and #4DAD53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #347338 shade: #347338, #346474 and #74344A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #347338 shade: #347338, #373474 and #743734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #347338 shade: #347338, #346474, #743470 and #744434

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #347338 shade: #347338, #345074, #743470 and #745734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 51 / 55

HEX #347338

RGB 52 115 56

HSL 123.81, 0.38%, 0.33%

LAB 43.18, -33.6, 26.48

 

Complementary color

CMYK 0 / 31 / 2 / 20

HEX #CB8CC7

RGB 203 140 199

HSL 303.81, 0.38%, 0.67%

LAB 66.19, 33.42, -20.93

 

CMYK 50 / 0 / 56 / 55

HEX #397333

RGB 57 115 51

HSL 114.38, 0.39%, 0.33%

LAB 43.32, -32.82, 29.39

 

CMYK 44 / 0 / 47 / 48

HEX #4A8546

RGB 74 133 70

HSL 116.19, 0.31%, 0.4%

LAB 50.3, -32.76, 28.01

 

CMYK 40 / 0 / 41 / 41

HEX #5B9759

RGB 91 151 89

HSL 118.06, 0.26%, 0.47%

LAB 57.15, -32.58, 26.68

 

CMYK 36 / 0 / 36 / 34

HEX #6CA96C

RGB 108 169 108

HSL 120, 0.26%, 0.54%

LAB 63.87, -32.35, 25.42

 

CMYK 33 / 0 / 32 / 27

HEX #7DBB7F

RGB 125 187 127

HSL 121.94, 0.31%, 0.61%

LAB 70.48, -32.1, 24.24

 

CMYK 55 / 0 / 51 / 55

HEX #347338

RGB 52 115 56

HSL 123.81, 0.38%, 0.33%

LAB 43.18, -33.6, 26.48

 

CMYK 64 / 0 / 62 / 62

HEX #236125

RGB 35 97 37

HSL 121.94, 0.47%, 0.26%

LAB 36.06, -33.36, 27.94

 

CMYK 77 / 0 / 77 / 69

HEX #124F12

RGB 18 79 18

HSL 120, 0.63%, 0.19%

LAB 28.81, -32.46, 29.12

 

CMYK 98 / 0 / 100 / 76

HEX #013D00

RGB 1 61 0

HSL 119.02, 1%, 0.12%

LAB 21.37, -30.81, 28.88

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 55 / 0 / 52 / 55

HEX #347438

RGB 52 116 56

HSL 123.75, 0.38%, 0.33%

LAB 43.52, -34.04, 26.9

 

CMYK 44 / 0 / 55 / 55

HEX #417434

RGB 65 116 52

HSL 107.81, 0.38%, 0.33%

LAB 44.04, -30.49, 29.81

 

CMYK 29 / 0 / 55 / 55

HEX #527434

RGB 82 116 52

HSL 91.88, 0.38%, 0.33%

LAB 44.99, -24.15, 31.18

 

CMYK 15 / 0 / 55 / 55

HEX #637434

RGB 99 116 52

HSL 75.94, 0.38%, 0.33%

LAB 46.17, -17.05, 32.86

 

CMYK 0 / 1 / 55 / 55

HEX #747334

RGB 116 115 52

HSL 59.06, 0.38%, 0.33%

LAB 47.26, -8.93, 34.5

 

CMYK 55 / 0 / 52 / 55

HEX #347438

RGB 52 116 56

HSL 123.75, 0.38%, 0.33%

LAB 43.52, -34.04, 26.9

 

CMYK 55 / 0 / 37 / 55

HEX #347449

RGB 52 116 73

HSL 139.69, 0.38%, 0.33%

LAB 43.8, -31.02, 17.69

 

CMYK 55 / 0 / 22 / 55

HEX #34745A

RGB 52 116 90

HSL 155.63, 0.38%, 0.33%

LAB 44.17, -27.27, 8.22

 

CMYK 55 / 0 / 8 / 55

HEX #34746B

RGB 52 116 107

HSL 171.56, 0.38%, 0.33%

LAB 44.64, -22.86, -1.27

 

CMYK 55 / 8 / 0 / 55

HEX #346B74

RGB 52 107 116

HSL 188.44, 0.38%, 0.33%

LAB 42.01, -15.38, -10.59

 

CMYK 55 / 0 / 52 / 55

HEX #347438

RGB 52 116 56

HSL 123.75, 0.38%, 0.33%

LAB 43.52, -34.04, 26.9

 

CMYK 71 / 0 / 66 / 49

HEX #26812C

RGB 38 129 44

HSL 123.96, 0.54%, 0.33%

LAB 47.36, -44.32, 37.39

 

CMYK 83 / 0 / 78 / 44

HEX #188F20

RGB 24 143 32

HSL 124.03, 0.71%, 0.33%

LAB 51.77, -52.52, 46.87

 

CMYK 93 / 0 / 87 / 39

HEX #0B9C14

RGB 11 156 20

HSL 123.72, 0.87%, 0.33%

LAB 55.99, -58.39, 54.29

 

CMYK 55 / 0 / 52 / 55

HEX #347438

RGB 52 116 56

HSL 123.75, 0.38%, 0.33%

LAB 43.52, -34.04, 26.9

 

CMYK 36 / 0 / 33 / 60

HEX #416644

RGB 65 102 68

HSL 124.86, 0.22%, 0.33%

LAB 39.65, -21, 15.15

 

CMYK 10 / 0 / 9 / 65

HEX #4F5850

RGB 79 88 80

HSL 126.67, 0.05%, 0.33%

LAB 36.41, -5.3, 3.43

HEX #4F5850

CMYK 0 / 19 / 2 / 64

HEX #5D4B5B

RGB 93 75 91

HSL 306.67, 0.11%, 0.33%

LAB 34.22, 10.74, -6.54

HEX #5D4B5B

CMYK 0 / 42 / 3 / 58

HEX #6A3D67

RGB 106 61 103

HSL 304, 0.27%, 0.33%

LAB 32.66, 26.78, -16.39

HEX #6A3D67

CMYK 28 / 0 / 55 / 55

HEX #537434

RGB 83 116 52

HSL 90.94, 0.38%, 0.33%

LAB 45.05, -23.75, 31.27

 

CMYK 43 / 0 / 55 / 55

HEX #427434

RGB 66 116 52

HSL 106.88, 0.38%, 0.33%

LAB 44.08, -30.15, 29.88

 

CMYK 55 / 0 / 53 / 55

HEX #347437

RGB 52 116 55

HSL 122.81, 0.38%, 0.33%

LAB 43.5, -34.19, 27.43

 

CMYK 55 / 0 / 38 / 55

HEX #347448

RGB 52 116 72

HSL 138.75, 0.38%, 0.33%

LAB 43.78, -31.22, 18.25

 

CMYK 55 / 0 / 23 / 55

HEX #347459

RGB 52 116 89

HSL 154.69, 0.38%, 0.33%

LAB 44.15, -27.51, 8.78

 

CMYK 56 / 0 / 53 / 77

HEX #1A3B1C

RGB 26 59 28

HSL 123.64, 0.39%, 0.17%

LAB 21.69, -19.99, 15.55

 

CMYK 55 / 0 / 52 / 66

HEX #27572A

RGB 39 87 42

HSL 123.75, 0.38%, 0.25%

LAB 32.73, -27.02, 21.19

 

CMYK 55 / 0 / 52 / 55

HEX #347438

RGB 52 116 56

HSL 123.75, 0.38%, 0.33%

LAB 43.52, -34.04, 26.9

 

CMYK 56 / 0 / 51 / 44

HEX #409046

RGB 64 144 70

HSL 124.5, 0.38%, 0.41%

LAB 53.47, -40.55, 31.87

 

CMYK 55 / 0 / 52 / 32

HEX #4DAD53

RGB 77 173 83

HSL 123.75, 0.38%, 0.49%

LAB 63.42, -47.09, 37.58

 

CMYK 55 / 0 / 51 / 55

HEX #347338

RGB 52 115 56

HSL 123.81, 0.38%, 0.33%

LAB 43.18, -33.6, 26.48

 

CMYK 55 / 14 / 0 / 55

HEX #346474

RGB 52 100 116

HSL 195, 0.38%, 0.33%

LAB 39.76, -11.38, -14.01

 

CMYK 0 / 55 / 36 / 55

HEX #74344A

RGB 116 52 74

HSL 339.38, 0.38%, 0.33%

LAB 31.03, 30.68, 0

 

CMYK 55 / 0 / 51 / 55

HEX #347338

RGB 52 115 56

HSL 123.81, 0.38%, 0.33%

LAB 43.18, -33.6, 26.48

 

CMYK 53 / 55 / 0 / 55

HEX #373474

RGB 55 52 116

HSL 242.81, 0.38%, 0.33%

LAB 25.35, 20.37, -36.58

 

CMYK 0 / 53 / 55 / 55

HEX #743734

RGB 116 55 52

HSL 2.81, 0.38%, 0.33%

LAB 31.1, 26.47, 14.41

 

CMYK 55 / 0 / 51 / 55

HEX #347338

RGB 52 115 56

HSL 123.81, 0.38%, 0.33%

LAB 43.18, -33.6, 26.48

 

CMYK 55 / 14 / 0 / 55

HEX #346474

RGB 52 100 116

HSL 195, 0.38%, 0.33%

LAB 39.76, -11.38, -14.01

 

CMYK 0 / 55 / 3 / 55

HEX #743470

RGB 116 52 112

HSL 303.75, 0.38%, 0.33%

LAB 32.57, 36.92, -22.13

 

CMYK 0 / 41 / 55 / 55

HEX #744434

RGB 116 68 52

HSL 15, 0.38%, 0.33%

LAB 34.18, 18.87, 18.46

 

CMYK 55 / 0 / 51 / 55

HEX #347338

RGB 52 115 56

HSL 123.81, 0.38%, 0.33%

LAB 43.18, -33.6, 26.48

 

CMYK 55 / 31 / 0 / 55

HEX #345074

RGB 52 80 116

HSL 213.75, 0.38%, 0.33%

LAB 33.41, 0.88, -23.8

 

CMYK 0 / 55 / 3 / 55

HEX #743470

RGB 116 52 112

HSL 303.75, 0.38%, 0.33%

LAB 32.57, 36.92, -22.13

 

CMYK 0 / 25 / 55 / 55

HEX #745734

RGB 116 87 52

HSL 32.81, 0.38%, 0.33%

LAB 39.2, 7.41, 24.84

 

Description

Color code: HEX #347338 | qconv.com Color code: HEX #347338 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 115 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 115 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 51 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 51% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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