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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #347D83 it is the complementary color #CB827C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #347D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #347D83 shade: #397D7E, #4A8F91, #5BA1A4, #6CB3B7 and #7DC5CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #347D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #347D83 shade: #347D83, #236B70, #12595D, #01474A and #003537

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #347D83 shade: #347D83, #346783, #345283, #343D83 and #403483

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #347D83 shade: #347D83, #346783, #345283, #343D83 and #343483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #347D83 shade matches the following richer shades: #347D83, #258992, #1696A0 and #07A3AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #347D83 shade: #347D83, #437074, #526465, #605756 and #6F4A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #347D83 shade: #34835E, #348373, #347E83, #346883 and #345383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #347D83 shade: #1C4448, #286165, #347D83, #4099A0 and #50B1B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #347D83 shade: #347D83, #493483 and #836834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #347D83 shade: #347D83, #83347E and #7E8334

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #347D83 shade: #347D83, #493483, #833934 and #6E8334

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #347D83 shade: #347D83, #613483, #833934 and #568334

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

Complementary color

CMYK 0 / 36 / 39 / 20

HEX #CB827C

RGB 203 130 124

HSL 4.56, 0.43%, 0.64%

LAB 61.76, 27.45, 15

 

CMYK 55 / 1 / 0 / 51

HEX #397D7E

RGB 57 125 126

HSL 180.87, 0.38%, 0.36%

LAB 48.31, -21.02, -7.1

 

CMYK 49 / 1 / 0 / 43

HEX #4A8F91

RGB 74 143 145

HSL 181.69, 0.32%, 0.43%

LAB 55.22, -21.15, -7.81

 

CMYK 45 / 2 / 0 / 36

HEX #5BA1A4

RGB 91 161 164

HSL 182.47, 0.29%, 0.5%

LAB 61.99, -21.2, -8.45

 

CMYK 41 / 2 / 0 / 28

HEX #6CB3B7

RGB 108 179 183

HSL 183.2, 0.34%, 0.57%

LAB 68.64, -21.21, -9.06

 

CMYK 38 / 2 / 0 / 21

HEX #7DC5CA

RGB 125 197 202

HSL 183.9, 0.42%, 0.64%

LAB 75.17, -21.18, -9.63

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 69 / 4 / 0 / 56

HEX #236B70

RGB 35 107 112

HSL 183.9, 0.52%, 0.29%

LAB 41.28, -20.07, -9.32

 

CMYK 81 / 4 / 0 / 64

HEX #12595D

RGB 18 89 93

HSL 183.2, 0.68%, 0.22%

LAB 34.12, -19.19, -8.42

 

CMYK 99 / 4 / 0 / 71

HEX #01474A

RGB 1 71 74

HSL 182.47, 0.97%, 0.15%

LAB 26.76, -17.92, -7.39

 

CMYK 100 / 4 / 0 / 78

HEX #003537

RGB 0 53 55

HSL 182.18, 1%, 0.11%

LAB 19.32, -15.05, -5.9

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 60 / 21 / 0 / 49

HEX #346783

RGB 52 103 131

HSL 201.27, 0.43%, 0.36%

LAB 41.33, -8.23, -20.71

 

CMYK 60 / 37 / 0 / 49

HEX #345283

RGB 52 82 131

HSL 217.22, 0.43%, 0.36%

LAB 34.81, 4.86, -30.89

 

CMYK 60 / 53 / 0 / 49

HEX #343D83

RGB 52 61 131

HSL 233.16, 0.43%, 0.36%

LAB 28.66, 18.89, -40.71

 

CMYK 51 / 60 / 0 / 49

HEX #403483

RGB 64 52 131

HSL 249.11, 0.43%, 0.36%

LAB 27.25, 27.43, -42.93

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 60 / 21 / 0 / 49

HEX #346783

RGB 52 103 131

HSL 201.27, 0.43%, 0.36%

LAB 41.33, -8.23, -20.71

 

CMYK 60 / 37 / 0 / 49

HEX #345283

RGB 52 82 131

HSL 217.22, 0.43%, 0.36%

LAB 34.81, 4.86, -30.89

 

CMYK 60 / 53 / 0 / 49

HEX #343D83

RGB 52 61 131

HSL 233.16, 0.43%, 0.36%

LAB 28.66, 18.89, -40.71

 

CMYK 60 / 60 / 0 / 49

HEX #343483

RGB 52 52 131

HSL 240, 0.43%, 0.36%

LAB 26.23, 24.94, -44.64

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 75 / 6 / 0 / 43

HEX #258992

RGB 37 137 146

HSL 184.95, 0.6%, 0.36%

LAB 52.24, -24.56, -12.97

 

CMYK 86 / 6 / 0 / 37

HEX #1696A0

RGB 22 150 160

HSL 184.35, 0.76%, 0.36%

LAB 56.61, -28.06, -14.46

 

CMYK 96 / 7 / 0 / 31

HEX #07A3AF

RGB 7 163 175

HSL 184.29, 0.92%, 0.36%

LAB 61.08, -30.32, -16.21

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 42 / 3 / 0 / 55

HEX #437074

RGB 67 112 116

HSL 184.9, 0.27%, 0.36%

LAB 44.29, -14.31, -7.1

 

CMYK 19 / 1 / 0 / 60

HEX #526465

RGB 82 100 101

HSL 183.16, 0.1%, 0.36%

LAB 40.97, -6.53, -2.84

 

CMYK 0 / 9 / 10 / 62

HEX #605756

RGB 96 87 86

HSL 6, 0.05%, 0.36%

LAB 37.8, 3.46, 1.9

 

CMYK 0 / 33 / 36 / 56

HEX #6F4A47

RGB 111 74 71

HSL 4.5, 0.22%, 0.36%

LAB 35.46, 15.33, 8.18

 

CMYK 60 / 0 / 28 / 49

HEX #34835E

RGB 52 131 94

HSL 151.9, 0.43%, 0.36%

LAB 49.22, -33.43, 12.93

 

CMYK 60 / 0 / 12 / 49

HEX #348373

RGB 52 131 115

HSL 167.85, 0.43%, 0.36%

LAB 49.74, -28.23, 1.45

 

CMYK 60 / 4 / 0 / 49

HEX #347E83

RGB 52 126 131

HSL 183.8, 0.43%, 0.36%

LAB 48.62, -21.11, -9.6

 

CMYK 60 / 21 / 0 / 49

HEX #346883

RGB 52 104 131

HSL 200.51, 0.43%, 0.36%

LAB 41.64, -8.82, -20.23

 

CMYK 60 / 37 / 0 / 49

HEX #345383

RGB 52 83 131

HSL 216.46, 0.43%, 0.36%

LAB 35.11, 4.21, -30.41

 

CMYK 61 / 6 / 0 / 72

HEX #1C4448

RGB 28 68 72

HSL 185.45, 0.44%, 0.2%

LAB 26.3, -12.63, -6.69

 

CMYK 60 / 4 / 0 / 60

HEX #286165

RGB 40 97 101

HSL 183.93, 0.43%, 0.28%

LAB 37.73, -17.17, -7.9

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 60 / 4 / 0 / 37

HEX #4099A0

RGB 64 153 160

HSL 184.38, 0.43%, 0.44%

LAB 58.42, -24.14, -11.63

 

CMYK 57 / 4 / 0 / 27

HEX #50B1B9

RGB 80 177 185

HSL 184.57, 0.43%, 0.52%

LAB 67.02, -25.98, -12.71

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 44 / 60 / 0 / 49

HEX #493483

RGB 73 52 131

HSL 255.95, 0.43%, 0.36%

LAB 28.14, 29.51, -41.45

 

CMYK 0 / 21 / 60 / 49

HEX #836834

RGB 131 104 52

HSL 39.49, 0.43%, 0.36%

LAB 45.6, 4.27, 32.94

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 0 / 60 / 4 / 49

HEX #83347E

RGB 131 52 126

HSL 303.8, 0.43%, 0.36%

LAB 35.57, 43.97, -26.04

 

CMYK 4 / 0 / 60 / 49

HEX #7E8334

RGB 126 131 52

HSL 63.8, 0.43%, 0.36%

LAB 52.86, -13.22, 41.07

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 44 / 60 / 0 / 49

HEX #493483

RGB 73 52 131

HSL 255.95, 0.43%, 0.36%

LAB 28.14, 29.51, -41.45

 

CMYK 0 / 56 / 60 / 49

HEX #833934

RGB 131 57 52

HSL 3.8, 0.43%, 0.36%

LAB 33.98, 31.45, 18.65

 

CMYK 16 / 0 / 60 / 49

HEX #6E8334

RGB 110 131 52

HSL 75.95, 0.43%, 0.36%

LAB 51.61, -20.2, 39.33

 

CMYK 60 / 5 / 0 / 49

HEX #347D83

RGB 52 125 131

HSL 184.56, 0.43%, 0.36%

LAB 48.31, -20.58, -10.08

 

CMYK 26 / 60 / 0 / 49

HEX #613483

RGB 97 52 131

HSL 274.18, 0.43%, 0.36%

LAB 30.96, 35.6, -36.77

 

CMYK 0 / 56 / 60 / 49

HEX #833934

RGB 131 57 52

HSL 3.8, 0.43%, 0.36%

LAB 33.98, 31.45, 18.65

 

CMYK 34 / 0 / 60 / 49

HEX #568334

RGB 86 131 52

HSL 94.18, 0.43%, 0.36%

LAB 50.05, -29.92, 37.14

 

Description

Color code: HEX #347D83 | qconv.com Color code: HEX #347D83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 125 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 125 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 5 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 5% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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