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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34877C it is the complementary color #CB7883. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34877C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34877C shade: #398777, #4A998A, #5BAB9D, #6CBDB0 and #7DCFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34877C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34877C shade: #34877C, #237569, #126356, #015143 and #003F30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34877C shade: #34877C, #348766, #348750, #348739 and #468734

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34877C shade: #34877C, #347C87, #346687, #344F87 and #343987

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34877C shade matches the following richer shades: #34877C, #259788, #16A693 and #07B59E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34877C shade: #34877C, #447871, #536966, #625A5B and #714A4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34877C shade: #348750, #348766, #34877C, #347C87 and #346687

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34877C shade: #1D4C46, #296A61, #34877C, #40A598 and #53BCAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34877C shade: #34877C, #3A3487 and #875B34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34877C shade: #34877C, #7C3487 and #877C34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34877C shade: #34877C, #3A3487, #87343F and #828734

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34877C shade: #34877C, #533487, #87343F and #698734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

Complementary color

CMYK 0 / 41 / 35 / 20

HEX #CB7883

RGB 203 120 131

HSL 352.05, 0.44%, 0.63%

LAB 59.68, 33.68, 8.07

 

CMYK 58 / 0 / 12 / 47

HEX #398777

RGB 57 135 119

HSL 167.69, 0.41%, 0.38%

LAB 51.3, -28.05, 1.41

 

CMYK 52 / 0 / 10 / 40

HEX #4A998A

RGB 74 153 138

HSL 168.61, 0.35%, 0.45%

LAB 58.11, -28.09, 0.46

 

CMYK 47 / 0 / 8 / 33

HEX #5BAB9D

RGB 91 171 157

HSL 169.5, 0.32%, 0.51%

LAB 64.79, -28.04, -0.4

 

CMYK 43 / 0 / 7 / 26

HEX #6CBDB0

RGB 108 189 176

HSL 170.37, 0.38%, 0.58%

LAB 71.36, -27.94, -1.19

 

CMYK 40 / 0 / 6 / 19

HEX #7DCFC3

RGB 125 207 195

HSL 171.22, 0.46%, 0.65%

LAB 77.83, -27.82, -1.92

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 70 / 0 / 10 / 54

HEX #237569

RGB 35 117 105

HSL 171.22, 0.54%, 0.3%

LAB 44.38, -27.35, -0.51

 

CMYK 82 / 0 / 13 / 61

HEX #126356

RGB 18 99 86

HSL 170.37, 0.69%, 0.23%

LAB 37.34, -26.61, 0.71

 

CMYK 99 / 0 / 17 / 68

HEX #015143

RGB 1 81 67

HSL 169.5, 0.98%, 0.16%

LAB 30.15, -25.46, 2.14

 

CMYK 100 / 0 / 24 / 75

HEX #003F30

RGB 0 63 48

HSL 165.71, 1%, 0.12%

LAB 22.89, -22.78, 4.06

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 61 / 0 / 24 / 47

HEX #348766

RGB 52 135 102

HSL 156.14, 0.44%, 0.37%

LAB 50.71, -33.41, 10.4

 

CMYK 61 / 0 / 41 / 47

HEX #348750

RGB 52 135 80

HSL 140.24, 0.44%, 0.37%

LAB 50.26, -38.1, 22.3

 

CMYK 61 / 0 / 58 / 47

HEX #348739

RGB 52 135 57

HSL 123.61, 0.44%, 0.37%

LAB 49.92, -41.83, 34.14

 

CMYK 48 / 0 / 61 / 47

HEX #468734

RGB 70 135 52

HSL 106.99, 0.44%, 0.37%

LAB 50.54, -37.33, 37.5

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 61 / 8 / 0 / 47

HEX #347C87

RGB 52 124 135

HSL 187.95, 0.44%, 0.37%

LAB 48.13, -18.81, -12.71

 

CMYK 61 / 24 / 0 / 47

HEX #346687

RGB 52 102 135

HSL 203.86, 0.44%, 0.37%

LAB 41.19, -6.28, -23.34

 

CMYK 61 / 41 / 0 / 47

HEX #344F87

RGB 52 79 135

HSL 220.48, 0.44%, 0.37%

LAB 34.13, 8.26, -34.43

 

CMYK 61 / 58 / 0 / 47

HEX #343987

RGB 52 57 135

HSL 236.39, 0.44%, 0.37%

LAB 27.86, 23.02, -44.49

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 75 / 0 / 10 / 41

HEX #259788

RGB 37 151 136

HSL 172.11, 0.61%, 0.37%

LAB 56.39, -34.39, -1.03

 

CMYK 87 / 0 / 11 / 35

HEX #16A693

RGB 22 166 147

HSL 172.08, 0.77%, 0.37%

LAB 61.26, -39.49, -0.16

 

CMYK 96 / 0 / 13 / 29

HEX #07B59E

RGB 7 181 158

HSL 172.07, 0.93%, 0.37%

LAB 66.18, -43.64, 0.87

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 43 / 0 / 6 / 53

HEX #447871

RGB 68 120 113

HSL 171.92, 0.28%, 0.37%

LAB 46.78, -19.22, -1.61

 

CMYK 21 / 0 / 3 / 59

HEX #536966

RGB 83 105 102

HSL 171.82, 0.12%, 0.37%

LAB 42.61, -8.86, -1.03

 

CMYK 0 / 8 / 7 / 62

HEX #625A5B

RGB 98 90 91

HSL 352.5, 0.04%, 0.37%

LAB 39.01, 3.42, 0.58

 

CMYK 0 / 35 / 30 / 56

HEX #714A4F

RGB 113 74 79

HSL 352.31, 0.21%, 0.37%

LAB 35.93, 17.36, 3.84

 

CMYK 61 / 0 / 41 / 47

HEX #348750

RGB 52 135 80

HSL 140.24, 0.44%, 0.37%

LAB 50.26, -38.1, 22.3

 

CMYK 61 / 0 / 24 / 47

HEX #348766

RGB 52 135 102

HSL 156.14, 0.44%, 0.37%

LAB 50.71, -33.41, 10.4

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 61 / 8 / 0 / 47

HEX #347C87

RGB 52 124 135

HSL 187.95, 0.44%, 0.37%

LAB 48.13, -18.81, -12.71

 

CMYK 61 / 24 / 0 / 47

HEX #346687

RGB 52 102 135

HSL 203.86, 0.44%, 0.37%

LAB 41.19, -6.28, -23.34

 

CMYK 62 / 0 / 8 / 70

HEX #1D4C46

RGB 29 76 70

HSL 172.34, 0.45%, 0.21%

LAB 29.09, -17.62, -1.25

 

CMYK 61 / 0 / 8 / 58

HEX #296A61

RGB 41 106 97

HSL 171.69, 0.44%, 0.29%

LAB 40.64, -22.98, -1.13

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 61 / 0 / 8 / 35

HEX #40A598

RGB 64 165 152

HSL 172.28, 0.44%, 0.45%

LAB 61.88, -32.3, -1.97

 

CMYK 56 / 0 / 7 / 26

HEX #53BCAE

RGB 83 188 174

HSL 172, 0.44%, 0.53%

LAB 70.08, -33.69, -2.09

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 57 / 61 / 0 / 47

HEX #3A3487

RGB 58 52 135

HSL 244.34, 0.44%, 0.37%

LAB 27.03, 27.5, -45.81

 

CMYK 0 / 33 / 61 / 47

HEX #875B34

RGB 135 91 52

HSL 28.19, 0.44%, 0.37%

LAB 42.58, 13.74, 29.49

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 8 / 61 / 0 / 47

HEX #7C3487

RGB 124 52 135

HSL 292.05, 0.44%, 0.37%

LAB 34.98, 43.75, -32.62

 

CMYK 0 / 8 / 61 / 47

HEX #877C34

RGB 135 124 52

HSL 52.05, 0.44%, 0.37%

LAB 51.63, -5.33, 39.93

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 57 / 61 / 0 / 47

HEX #3A3487

RGB 58 52 135

HSL 244.34, 0.44%, 0.37%

LAB 27.03, 27.5, -45.81

 

CMYK 0 / 61 / 53 / 47

HEX #87343F

RGB 135 52 63

HSL 352.05, 0.44%, 0.37%

LAB 33.91, 36.51, 11.67

 

CMYK 4 / 0 / 61 / 47

HEX #828734

RGB 130 135 52

HSL 63.61, 0.44%, 0.37%

LAB 54.37, -13.59, 42.83

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 39 / 61 / 0 / 47

HEX #533487

RGB 83 52 135

HSL 262.41, 0.44%, 0.37%

LAB 29.52, 33.09, -41.66

 

CMYK 0 / 61 / 53 / 47

HEX #87343F

RGB 135 52 63

HSL 352.05, 0.44%, 0.37%

LAB 33.91, 36.51, 11.67

 

CMYK 22 / 0 / 61 / 47

HEX #698734

RGB 105 135 52

HSL 81.69, 0.44%, 0.37%

LAB 52.49, -24.34, 40.22

 

Description

Color code: HEX #34877C | qconv.com Color code: HEX #34877C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 135 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 135 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 8 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 8% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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