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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #348236 it is the complementary color #CB7DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #348236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #348236 shade: #398231, #4A9444, #5BA657, #6CB86A and #7DCA7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #348236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #348236 shade: #348236, #237023, #125E10, #014C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #348236 shade: #348336, #478334, #5C8334, #728334 and #837F34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #348236 shade: #348336, #34834B, #348360, #348376 and #347B83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #348236 shade matches the following richer shades: #348336, #259228, #16A01A and #07AF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #348236 shade: #348336, #437444, #526552, #605660 and #6F476E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #348236 shade: #5D8334, #488334, #348335, #34834A and #34835F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #348236 shade: #1C481D, #28652A, #348336, #40A042 and #50B953

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #348236 shade: #348236, #347283 and #833452

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #348236 shade: #348236, #353483 and #833534

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #348236 shade: #348236, #347283, #833481 and #834534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #348236 shade: #348236, #345A83, #833481 and #835D34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 58 / 49

HEX #348236

RGB 52 130 54

HSL 121.54, 0.43%, 0.36%

LAB 48.21, -40.22, 33.63

 

Complementary color

CMYK 0 / 38 / 1 / 20

HEX #CB7DC9

RGB 203 125 201

HSL 301.54, 0.43%, 0.64%

LAB 62.99, 41.86, -26.96

 

CMYK 56 / 0 / 62 / 49

HEX #398231

RGB 57 130 49

HSL 114.07, 0.45%, 0.35%

LAB 48.33, -39.5, 36.28

 

CMYK 50 / 0 / 54 / 42

HEX #4A9444

RGB 74 148 68

HSL 115.5, 0.37%, 0.42%

LAB 55.13, -39.68, 35.01

 

CMYK 45 / 0 / 48 / 35

HEX #5BA657

RGB 91 166 87

HSL 116.96, 0.31%, 0.5%

LAB 61.81, -39.65, 33.68

 

CMYK 41 / 0 / 42 / 28

HEX #6CB86A

RGB 108 184 106

HSL 118.46, 0.35%, 0.57%

LAB 68.39, -39.5, 32.39

 

CMYK 38 / 0 / 38 / 21

HEX #7DCA7D

RGB 125 202 125

HSL 120, 0.42%, 0.64%

LAB 74.88, -39.3, 31.14

 

CMYK 60 / 0 / 58 / 49

HEX #348236

RGB 52 130 54

HSL 121.54, 0.43%, 0.36%

LAB 48.21, -40.22, 33.63

 

CMYK 69 / 0 / 69 / 56

HEX #237023

RGB 35 112 35

HSL 120, 0.52%, 0.29%

LAB 41.32, -39.61, 34.87

 

CMYK 81 / 0 / 83 / 63

HEX #125E10

RGB 18 94 16

HSL 118.46, 0.71%, 0.22%

LAB 34.34, -38.18, 35.48

 

CMYK 99 / 0 / 100 / 70

HEX #014C00

RGB 1 76 0

HSL 119.21, 1%, 0.15%

LAB 27.23, -35.73, 34.62

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 60 / 0 / 59 / 49

HEX #348336

RGB 52 131 54

HSL 121.52, 0.43%, 0.36%

LAB 48.55, -40.63, 34.02

 

CMYK 46 / 0 / 60 / 49

HEX #478334

RGB 71 131 52

HSL 105.57, 0.43%, 0.36%

LAB 49.28, -35.26, 36.06

 

CMYK 30 / 0 / 60 / 49

HEX #5C8334

RGB 92 131 52

HSL 89.62, 0.43%, 0.36%

LAB 50.4, -27.61, 37.64

 

CMYK 13 / 0 / 60 / 49

HEX #728334

RGB 114 131 52

HSL 72.91, 0.43%, 0.36%

LAB 51.9, -18.49, 39.74

 

CMYK 0 / 3 / 60 / 49

HEX #837F34

RGB 131 127 52

HSL 56.96, 0.43%, 0.36%

LAB 52.12, -8.8, 40.37

 

CMYK 60 / 0 / 59 / 49

HEX #348336

RGB 52 131 54

HSL 121.52, 0.43%, 0.36%

LAB 48.55, -40.63, 34.02

 

CMYK 60 / 0 / 43 / 49

HEX #34834B

RGB 52 131 75

HSL 137.47, 0.43%, 0.36%

LAB 48.85, -37.32, 23.23

 

CMYK 60 / 0 / 27 / 49

HEX #348360

RGB 52 131 96

HSL 153.42, 0.43%, 0.36%

LAB 49.26, -32.97, 11.84

 

CMYK 60 / 0 / 10 / 49

HEX #348376

RGB 52 131 118

HSL 170.13, 0.43%, 0.36%

LAB 49.82, -27.41, -0.19

 

CMYK 60 / 6 / 0 / 49

HEX #347B83

RGB 52 123 131

HSL 186.08, 0.43%, 0.36%

LAB 47.67, -19.51, -11.04

 

CMYK 60 / 0 / 59 / 49

HEX #348336

RGB 52 131 54

HSL 121.52, 0.43%, 0.36%

LAB 48.55, -40.63, 34.02

 

CMYK 75 / 0 / 73 / 43

HEX #259228

RGB 37 146 40

HSL 121.65, 0.6%, 0.36%

LAB 53.06, -50.93, 45.24

 

CMYK 86 / 0 / 84 / 37

HEX #16A01A

RGB 22 160 26

HSL 121.74, 0.76%, 0.36%

LAB 57.45, -58.4, 54.13

 

CMYK 96 / 0 / 93 / 31

HEX #07AF0C

RGB 7 175 12

HSL 121.79, 0.92%, 0.36%

LAB 62.28, -64.34, 61.2

 

CMYK 60 / 0 / 59 / 49

HEX #348336

RGB 52 131 54

HSL 121.52, 0.43%, 0.36%

LAB 48.55, -40.63, 34.02

 

CMYK 42 / 0 / 41 / 55

HEX #437444

RGB 67 116 68

HSL 121.22, 0.27%, 0.36%

LAB 44.38, -27.37, 21.45

 

CMYK 19 / 0 / 19 / 60

HEX #526552

RGB 82 101 82

HSL 120, 0.1%, 0.36%

LAB 40.75, -11.31, 8.42

 

CMYK 0 / 10 / 0 / 62

HEX #605660

RGB 96 86 96

HSL 300, 0.05%, 0.36%

LAB 37.82, 6.12, -4.29

 

CMYK 0 / 36 / 1 / 56

HEX #6F476E

RGB 111 71 110

HSL 301.5, 0.22%, 0.36%

LAB 36.01, 24.01, -15.61

 

CMYK 29 / 0 / 60 / 49

HEX #5D8334

RGB 93 131 52

HSL 88.86, 0.43%, 0.36%

LAB 50.46, -27.21, 37.72

 

CMYK 45 / 0 / 60 / 49

HEX #488334

RGB 72 131 52

HSL 104.81, 0.43%, 0.36%

LAB 49.32, -34.93, 36.12

 

CMYK 60 / 0 / 60 / 49

HEX #348335

RGB 52 131 53

HSL 120.76, 0.43%, 0.36%

LAB 48.54, -40.76, 34.51

 

CMYK 60 / 0 / 44 / 49

HEX #34834A

RGB 52 131 74

HSL 136.71, 0.43%, 0.36%

LAB 48.83, -37.5, 23.76

 

CMYK 60 / 0 / 27 / 49

HEX #34835F

RGB 52 131 95

HSL 152.66, 0.43%, 0.36%

LAB 49.24, -33.2, 12.39

 

CMYK 61 / 0 / 60 / 72

HEX #1C481D

RGB 28 72 29

HSL 121.36, 0.44%, 0.2%

LAB 26.65, -25.51, 21.09

 

CMYK 60 / 0 / 58 / 60

HEX #28652A

RGB 40 101 42

HSL 121.97, 0.43%, 0.28%

LAB 37.71, -33.01, 27.28

 

CMYK 60 / 0 / 59 / 49

HEX #348336

RGB 52 131 54

HSL 121.52, 0.43%, 0.36%

LAB 48.55, -40.63, 34.02

 

CMYK 60 / 0 / 59 / 37

HEX #40A042

RGB 64 160 66

HSL 121.25, 0.43%, 0.44%

LAB 58.63, -47.5, 40.06

 

CMYK 57 / 0 / 55 / 27

HEX #50B953

RGB 80 185 83

HSL 121.71, 0.43%, 0.52%

LAB 67.3, -51.03, 42.29

 

CMYK 60 / 0 / 58 / 49

HEX #348236

RGB 52 130 54

HSL 121.54, 0.43%, 0.36%

LAB 48.21, -40.22, 33.63

 

CMYK 60 / 13 / 0 / 49

HEX #347283

RGB 52 114 131

HSL 192.91, 0.43%, 0.36%

LAB 44.81, -14.58, -15.38

 

CMYK 0 / 60 / 37 / 49

HEX #833452

RGB 131 52 82

HSL 337.22, 0.43%, 0.36%

LAB 33.75, 37.15, -0.91

 

CMYK 60 / 0 / 58 / 49

HEX #348236

RGB 52 130 54

HSL 121.54, 0.43%, 0.36%

LAB 48.21, -40.22, 33.63

 

CMYK 60 / 60 / 0 / 49

HEX #353483

RGB 53 52 131

HSL 240.76, 0.43%, 0.36%

LAB 26.31, 25.14, -44.51

 

CMYK 0 / 60 / 60 / 49

HEX #833534

RGB 131 53 52

HSL 0.76, 0.43%, 0.36%

LAB 33.18, 33.54, 17.61

 

CMYK 60 / 0 / 58 / 49

HEX #348236

RGB 52 130 54

HSL 121.54, 0.43%, 0.36%

LAB 48.21, -40.22, 33.63

 

CMYK 60 / 13 / 0 / 49

HEX #347283

RGB 52 114 131

HSL 192.91, 0.43%, 0.36%

LAB 44.81, -14.58, -15.38

 

CMYK 0 / 60 / 2 / 49

HEX #833481

RGB 131 52 129

HSL 301.52, 0.43%, 0.36%

LAB 35.73, 44.52, -27.67

 

CMYK 0 / 47 / 60 / 49

HEX #834534

RGB 131 69 52

HSL 12.91, 0.43%, 0.36%

LAB 36.61, 24.81, 22.02

 

CMYK 60 / 0 / 58 / 49

HEX #348236

RGB 52 130 54

HSL 121.54, 0.43%, 0.36%

LAB 48.21, -40.22, 33.63

 

CMYK 60 / 31 / 0 / 49

HEX #345A83

RGB 52 90 131

HSL 211.14, 0.43%, 0.36%

LAB 37.26, -0.27, -27.03

 

CMYK 0 / 60 / 2 / 49

HEX #833481

RGB 131 52 129

HSL 301.52, 0.43%, 0.36%

LAB 35.73, 44.52, -27.67

 

CMYK 0 / 29 / 60 / 49

HEX #835D34

RGB 131 93 52

HSL 31.14, 0.43%, 0.36%

LAB 42.62, 10.74, 29.41

 

Description

Color code: HEX #348236 | qconv.com Color code: HEX #348236 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 130 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 130 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 58 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 58% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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