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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #348D74 it is the complementary color #CB728B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #348D74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #348D74 shade: #398D6F, #4A9F82, #5BB195, #6CC3A8 and #7DD5BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #348D74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #348D74 shade: #348D74, #237B61, #12694E, #01573B and #004528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #348D74 shade: #348D74, #348D5C, #348D44, #3C8D34 and #548D34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #348D74 shade: #348D74, #348D8C, #34768D, #345E8D and #34468D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #348D74 shade matches the following richer shades: #348D74, #249D7B, #14AC82 and #05BC89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #348D74 shade: #348D74, #447D6D, #536E66, #635E5F and #734E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #348D74 shade: #348D44, #348D5C, #348D74, #348D8B and #34778D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #348D74 shade: #1E5142, #296F5B, #348D74, #3FAB8D and #54BFA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #348D74 shade: #348D74, #343B8D and #8D5034

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #348D74 shade: #348D74, #74348D and #8D7434

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #348D74 shade: #348D74, #343B8D, #8D344D and #8D8634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #348D74 shade: #348D74, #47348D, #8D344D and #7A8D34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

Complementary color

CMYK 0 / 44 / 32 / 20

HEX #CB728B

RGB 203 114 139

HSL 343.15, 0.46%, 0.62%

LAB 58.6, 37.88, 1.89

 

CMYK 60 / 0 / 21 / 45

HEX #398D6F

RGB 57 141 111

HSL 158.57, 0.42%, 0.39%

LAB 53.02, -32.94, 8.51

 

CMYK 53 / 0 / 18 / 38

HEX #4A9F82

RGB 74 159 130

HSL 159.53, 0.36%, 0.46%

LAB 59.77, -32.94, 7.38

 

CMYK 49 / 0 / 16 / 31

HEX #5BB195

RGB 91 177 149

HSL 160.47, 0.36%, 0.53%

LAB 66.4, -32.84, 6.36

 

CMYK 45 / 0 / 14 / 24

HEX #6CC3A8

RGB 108 195 168

HSL 161.38, 0.42%, 0.59%

LAB 72.92, -32.69, 5.44

 

CMYK 41 / 0 / 12 / 16

HEX #7DD5BB

RGB 125 213 187

HSL 162.27, 0.51%, 0.66%

LAB 79.35, -32.52, 4.57

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 72 / 0 / 21 / 52

HEX #237B61

RGB 35 123 97

HSL 162.27, 0.56%, 0.31%

LAB 46.16, -32.41, 6.82

 

CMYK 83 / 0 / 26 / 59

HEX #12694E

RGB 18 105 78

HSL 161.38, 0.71%, 0.24%

LAB 39.21, -31.68, 8.27

 

CMYK 99 / 0 / 32 / 66

HEX #01573B

RGB 1 87 59

HSL 160.47, 0.98%, 0.17%

LAB 32.12, -30.5, 9.97

 

CMYK 100 / 0 / 42 / 73

HEX #004528

RGB 0 69 40

HSL 154.78, 1%, 0.14%

LAB 24.98, -27.73, 12.15

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 63 / 0 / 35 / 45

HEX #348D5C

RGB 52 141 92

HSL 146.97, 0.46%, 0.38%

LAB 52.46, -38.3, 18.51

 

CMYK 63 / 0 / 52 / 45

HEX #348D44

RGB 52 141 68

HSL 130.79, 0.46%, 0.38%

LAB 52.06, -42.64, 31.08

 

CMYK 57 / 0 / 63 / 45

HEX #3C8D34

RGB 60 141 52

HSL 114.61, 0.46%, 0.38%

LAB 52.13, -42.77, 39.19

 

CMYK 40 / 0 / 63 / 45

HEX #548D34

RGB 84 141 52

HSL 98.43, 0.46%, 0.38%

LAB 53.15, -35.25, 40.62

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 63 / 0 / 1 / 45

HEX #348D8C

RGB 52 141 140

HSL 179.33, 0.46%, 0.38%

LAB 53.68, -26.15, -7.3

 

CMYK 63 / 16 / 0 / 45

HEX #34768D

RGB 52 118 141

HSL 195.51, 0.46%, 0.38%

LAB 46.46, -13.58, -18.8

 

CMYK 63 / 33 / 0 / 45

HEX #345E8D

RGB 52 94 141

HSL 211.69, 0.46%, 0.38%

LAB 39, 0.75, -30.38

 

CMYK 63 / 50 / 0 / 45

HEX #34468D

RGB 52 70 141

HSL 227.87, 0.46%, 0.38%

LAB 31.88, 16.45, -41.7

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 77 / 0 / 22 / 38

HEX #249D7B

RGB 36 157 123

HSL 163.14, 0.63%, 0.38%

LAB 57.96, -40.66, 8.61

 

CMYK 88 / 0 / 24 / 33

HEX #14AC82

RGB 20 172 130

HSL 163.42, 0.79%, 0.38%

LAB 62.73, -46.64, 11.43

 

CMYK 97 / 0 / 27 / 26

HEX #05BC89

RGB 5 188 137

HSL 163.28, 0.95%, 0.38%

LAB 67.88, -51.95, 14.8

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 46 / 0 / 13 / 51

HEX #447D6D

RGB 68 125 109

HSL 163.16, 0.3%, 0.38%

LAB 48.26, -22.87, 2.91

 

CMYK 25 / 0 / 7 / 57

HEX #536E66

RGB 83 110 102

HSL 162.22, 0.14%, 0.38%

LAB 44.16, -11.72, 1.23

 

CMYK 0 / 5 / 4 / 61

HEX #635E5F

RGB 99 94 95

HSL 348, 0.03%, 0.38%

LAB 40.38, 2.19, 0.14

 

CMYK 0 / 32 / 23 / 55

HEX #734E58

RGB 115 78 88

HSL 343.78, 0.19%, 0.38%

LAB 37.48, 17.19, 0.45

 

CMYK 63 / 0 / 52 / 45

HEX #348D44

RGB 52 141 68

HSL 130.79, 0.46%, 0.38%

LAB 52.06, -42.64, 31.08

 

CMYK 63 / 0 / 35 / 45

HEX #348D5C

RGB 52 141 92

HSL 146.97, 0.46%, 0.38%

LAB 52.46, -38.3, 18.51

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 63 / 0 / 1 / 45

HEX #348D8B

RGB 52 141 139

HSL 178.65, 0.46%, 0.38%

LAB 53.65, -26.44, -6.77

 

CMYK 63 / 16 / 0 / 45

HEX #34778D

RGB 52 119 141

HSL 194.83, 0.46%, 0.38%

LAB 46.77, -14.15, -18.32

 

CMYK 63 / 0 / 19 / 68

HEX #1E5142

RGB 30 81 66

HSL 162.35, 0.46%, 0.22%

LAB 30.77, -21.23, 3.76

 

CMYK 63 / 0 / 18 / 56

HEX #296F5B

RGB 41 111 91

HSL 162.86, 0.46%, 0.3%

LAB 42.15, -27.15, 4.68

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 63 / 0 / 18 / 33

HEX #3FAB8D

RGB 63 171 141

HSL 163.33, 0.46%, 0.46%

LAB 63.43, -38.1, 6.42

 

CMYK 56 / 0 / 16 / 25

HEX #54BFA1

RGB 84 191 161

HSL 163.18, 0.46%, 0.54%

LAB 70.68, -38.09, 5.9

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 63 / 58 / 0 / 45

HEX #343B8D

RGB 52 59 141

HSL 235.28, 0.46%, 0.38%

LAB 28.85, 23.84, -46.59

 

CMYK 0 / 43 / 63 / 45

HEX #8D5034

RGB 141 80 52

HSL 18.88, 0.46%, 0.38%

LAB 40.65, 22.81, 27.35

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 18 / 63 / 0 / 45

HEX #74348D

RGB 116 52 141

HSL 283.15, 0.46%, 0.38%

LAB 34.17, 42.91, -37.67

 

CMYK 0 / 18 / 63 / 45

HEX #8D7434

RGB 141 116 52

HSL 43.15, 0.46%, 0.38%

LAB 49.98, 1.94, 38.25

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 63 / 58 / 0 / 45

HEX #343B8D

RGB 52 59 141

HSL 235.28, 0.46%, 0.38%

LAB 28.85, 23.84, -46.59

 

CMYK 0 / 63 / 45 / 45

HEX #8D344D

RGB 141 52 77

HSL 343.15, 0.46%, 0.38%

LAB 35.31, 40.05, 4.78

 

CMYK 0 / 5 / 63 / 45

HEX #8D8634

RGB 141 134 52

HSL 55.28, 0.46%, 0.38%

LAB 55.03, -8.14, 43.83

 

CMYK 63 / 0 / 18 / 45

HEX #348D74

RGB 52 141 116

HSL 163.15, 0.46%, 0.38%

LAB 52.99, -32.74, 5.57

 

CMYK 50 / 63 / 0 / 45

HEX #47348D

RGB 71 52 141

HSL 252.81, 0.46%, 0.38%

LAB 28.69, 32.13, -46.78

 

CMYK 0 / 63 / 45 / 45

HEX #8D344D

RGB 141 52 77

HSL 343.15, 0.46%, 0.38%

LAB 35.31, 40.05, 4.78

 

CMYK 13 / 0 / 63 / 45

HEX #7A8D34

RGB 122 141 52

HSL 72.81, 0.46%, 0.38%

LAB 55.52, -20.23, 43.9

 

Description

Color code: HEX #348D74 | qconv.com Color code: HEX #348D74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 141 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 141 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 18 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 18% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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