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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34913D it is the complementary color #CB6EC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34913D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34913D shade: #399138, #4AA34B, #5BB55E, #6CC771 and #7DD984

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34913D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34913D shade: #34913D, #237F2A, #126D17, #015B04 and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34913D shade: #34923D, #449234, #5E9234, #779234 and #909234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34913D shade: #34923D, #349256, #349270, #349289 and #348192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34913D shade matches the following richer shades: #34923D, #24A230, #14B223 and #04C216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34913D shade: #34923D, #44824A, #547257, #646164 and #755171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34913D shade: #5E9234, #459234, #34923C, #349255 and #34926E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34913D shade: #1E5524, #297330, #34923D, #3FB04A and #56C261

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34913D shade: #34913D, #347792 and #923452

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34913D shade: #34913D, #3C3492 and #923C34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34913D shade: #34913D, #347792, #92348A and #924F34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34913D shade: #34913D, #345B92, #92348A and #926B34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 58 / 43

HEX #34913D

RGB 52 145 61

HSL 125.81, 0.47%, 0.39%

LAB 53.3, -45.21, 36.14

 

Complementary color

CMYK 0 / 46 / 4 / 20

HEX #CB6EC2

RGB 203 110 194

HSL 305.81, 0.47%, 0.61%

LAB 59.66, 48.41, -28.15

 

CMYK 61 / 0 / 61 / 43

HEX #399138

RGB 57 145 56

HSL 119.33, 0.44%, 0.39%

LAB 53.39, -44.65, 38.72

 

CMYK 55 / 0 / 54 / 36

HEX #4AA34B

RGB 74 163 75

HSL 120.67, 0.38%, 0.46%

LAB 60.03, -44.96, 37.42

 

CMYK 50 / 0 / 48 / 29

HEX #5BB55E

RGB 91 181 94

HSL 122, 0.38%, 0.53%

LAB 66.58, -45.01, 36.08

 

CMYK 46 / 0 / 43 / 22

HEX #6CC771

RGB 108 199 113

HSL 123.3, 0.45%, 0.6%

LAB 73.04, -44.93, 34.77

 

CMYK 42 / 0 / 39 / 15

HEX #7DD984

RGB 125 217 132

HSL 124.57, 0.55%, 0.67%

LAB 79.42, -44.76, 33.51

 

CMYK 64 / 0 / 58 / 43

HEX #34913D

RGB 52 145 61

HSL 125.81, 0.47%, 0.39%

LAB 53.3, -45.21, 36.14

 

CMYK 72 / 0 / 67 / 50

HEX #237F2A

RGB 35 127 42

HSL 124.57, 0.57%, 0.32%

LAB 46.58, -44.41, 37.43

 

CMYK 83 / 0 / 79 / 57

HEX #126D17

RGB 18 109 23

HSL 123.3, 0.72%, 0.25%

LAB 39.79, -42.83, 38.25

 

CMYK 99 / 0 / 96 / 64

HEX #015B04

RGB 1 91 4

HSL 122, 0.98%, 0.18%

LAB 32.91, -40.23, 37.9

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 64 / 0 / 58 / 43

HEX #34923D

RGB 52 146 61

HSL 125.74, 0.47%, 0.39%

LAB 53.63, -45.59, 36.53

 

CMYK 53 / 0 / 64 / 43

HEX #449234

RGB 68 146 52

HSL 109.79, 0.47%, 0.39%

LAB 54.06, -42.53, 41.44

 

CMYK 36 / 0 / 64 / 43

HEX #5E9234

RGB 94 146 52

HSL 93.19, 0.47%, 0.39%

LAB 55.26, -33.91, 43.11

 

CMYK 18 / 0 / 64 / 43

HEX #779234

RGB 119 146 52

HSL 77.23, 0.47%, 0.39%

LAB 56.81, -24.03, 45.24

 

CMYK 1 / 0 / 64 / 43

HEX #909234

RGB 144 146 52

HSL 61.28, 0.47%, 0.39%

LAB 58.73, -13.26, 47.86

 

CMYK 64 / 0 / 58 / 43

HEX #34923D

RGB 52 146 61

HSL 125.74, 0.47%, 0.39%

LAB 53.63, -45.59, 36.53

 

CMYK 64 / 0 / 41 / 43

HEX #349256

RGB 52 146 86

HSL 141.7, 0.47%, 0.39%

LAB 53.98, -41.59, 23.88

 

CMYK 64 / 0 / 23 / 43

HEX #349270

RGB 52 146 112

HSL 158.3, 0.47%, 0.39%

LAB 54.51, -36.02, 10.01

 

CMYK 64 / 0 / 6 / 43

HEX #349289

RGB 52 146 137

HSL 174.26, 0.47%, 0.39%

LAB 55.17, -29.48, -3.36

 

CMYK 64 / 12 / 0 / 43

HEX #348192

RGB 52 129 146

HSL 190.85, 0.47%, 0.39%

LAB 50.1, -18.04, -16.18

 

CMYK 64 / 0 / 58 / 43

HEX #34923D

RGB 52 146 61

HSL 125.74, 0.47%, 0.39%

LAB 53.63, -45.59, 36.53

 

CMYK 78 / 0 / 70 / 36

HEX #24A230

RGB 36 162 48

HSL 125.71, 0.64%, 0.39%

LAB 58.44, -55.68, 47.66

 

CMYK 89 / 0 / 80 / 30

HEX #14B223

RGB 20 178 35

HSL 125.7, 0.8%, 0.39%

LAB 63.43, -63.4, 57.15

 

CMYK 98 / 0 / 89 / 24

HEX #04C216

RGB 4 194 22

HSL 125.68, 0.96%, 0.39%

LAB 68.51, -69.44, 64.85

 

CMYK 64 / 0 / 58 / 43

HEX #34923D

RGB 52 146 61

HSL 125.74, 0.47%, 0.39%

LAB 53.63, -45.59, 36.53

 

CMYK 48 / 0 / 43 / 49

HEX #44824A

RGB 68 130 74

HSL 125.81, 0.31%, 0.39%

LAB 49.12, -32.64, 24.25

 

CMYK 26 / 0 / 24 / 55

HEX #547257

RGB 84 114 87

HSL 126, 0.15%, 0.39%

LAB 45.09, -16.79, 11.52

 

CMYK 0 / 3 / 0 / 61

HEX #646164

RGB 100 97 100

HSL 300, 0.02%, 0.39%

LAB 41.5, 1.81, -1.29

 

CMYK 0 / 31 / 3 / 54

HEX #755171

RGB 117 81 113

HSL 306.67, 0.18%, 0.39%

LAB 39.34, 20.77, -12.32

 

CMYK 36 / 0 / 64 / 43

HEX #5E9234

RGB 94 146 52

HSL 93.19, 0.47%, 0.39%

LAB 55.26, -33.91, 43.11

 

CMYK 53 / 0 / 64 / 43

HEX #459234

RGB 69 146 52

HSL 109.15, 0.47%, 0.39%

LAB 54.1, -42.24, 41.5

 

CMYK 64 / 0 / 59 / 43

HEX #34923C

RGB 52 146 60

HSL 125.11, 0.47%, 0.39%

LAB 53.62, -45.72, 37.01

 

CMYK 64 / 0 / 42 / 43

HEX #349255

RGB 52 146 85

HSL 141.06, 0.47%, 0.39%

LAB 53.97, -41.78, 24.41

 

CMYK 64 / 0 / 25 / 43

HEX #34926E

RGB 52 146 110

HSL 157.02, 0.47%, 0.39%

LAB 54.46, -36.5, 11.09

 

CMYK 65 / 0 / 58 / 67

HEX #1E5524

RGB 30 85 36

HSL 126.55, 0.48%, 0.23%

LAB 31.58, -29.69, 23.11

 

CMYK 64 / 0 / 58 / 55

HEX #297330

RGB 41 115 48

HSL 125.68, 0.47%, 0.31%

LAB 42.68, -37.73, 30.06

 

CMYK 64 / 0 / 58 / 43

HEX #34923D

RGB 52 146 61

HSL 125.74, 0.47%, 0.39%

LAB 53.63, -45.59, 36.53

 

CMYK 64 / 0 / 58 / 31

HEX #3FB04A

RGB 63 176 74

HSL 125.84, 0.47%, 0.47%

LAB 63.84, -52.74, 42.35

 

CMYK 56 / 0 / 50 / 24

HEX #56C261

RGB 86 194 97

HSL 126.11, 0.47%, 0.55%

LAB 70.47, -51.15, 39.38

 

CMYK 64 / 0 / 58 / 43

HEX #34913D

RGB 52 145 61

HSL 125.81, 0.47%, 0.39%

LAB 53.3, -45.21, 36.14

 

CMYK 64 / 18 / 0 / 43

HEX #347792

RGB 52 119 146

HSL 197.23, 0.47%, 0.39%

LAB 46.97, -12.5, -20.97

 

CMYK 0 / 64 / 44 / 43

HEX #923452

RGB 146 52 82

HSL 340.85, 0.47%, 0.39%

LAB 36.32, 42.29, 3.14

 

CMYK 64 / 0 / 58 / 43

HEX #34913D

RGB 52 145 61

HSL 125.81, 0.47%, 0.39%

LAB 53.3, -45.21, 36.14

 

CMYK 59 / 64 / 0 / 43

HEX #3C3492

RGB 60 52 146

HSL 245.11, 0.47%, 0.39%

LAB 28.09, 31.59, -50.88

 

CMYK 0 / 59 / 64 / 43

HEX #923C34

RGB 146 60 52

HSL 5.11, 0.47%, 0.39%

LAB 37.1, 35.75, 23.14

 

CMYK 64 / 0 / 58 / 43

HEX #34913D

RGB 52 145 61

HSL 125.81, 0.47%, 0.39%

LAB 53.3, -45.21, 36.14

 

CMYK 64 / 18 / 0 / 43

HEX #347792

RGB 52 119 146

HSL 197.23, 0.47%, 0.39%

LAB 46.97, -12.5, -20.97

 

CMYK 0 / 64 / 5 / 43

HEX #92348A

RGB 146 52 138

HSL 305.11, 0.47%, 0.39%

LAB 38.55, 50.22, -28.61

 

CMYK 0 / 46 / 64 / 43

HEX #924F34

RGB 146 79 52

HSL 17.23, 0.47%, 0.39%

LAB 41.14, 25.53, 28.1

 

CMYK 64 / 0 / 58 / 43

HEX #34913D

RGB 52 145 61

HSL 125.81, 0.47%, 0.39%

LAB 53.3, -45.21, 36.14

 

CMYK 64 / 38 / 0 / 43

HEX #345B92

RGB 52 91 146

HSL 215.11, 0.47%, 0.39%

LAB 38.35, 4.45, -34.42

 

CMYK 0 / 64 / 5 / 43

HEX #92348A

RGB 146 52 138

HSL 305.11, 0.47%, 0.39%

LAB 38.55, 50.22, -28.61

 

CMYK 0 / 27 / 64 / 43

HEX #926B34

RGB 146 107 52

HSL 35.11, 0.47%, 0.39%

LAB 48.1, 9.4, 36.27

 

Description

Color code: HEX #34913D | qconv.com Color code: HEX #34913D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 145 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 145 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 58 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 58% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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