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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #349F5F it is the complementary color #CB60A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #349F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #349F5F shade: #399F5A, #4AB16D, #5BC380, #6CD593 and #7DE7A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #349F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #349F5F shade: #349F5F, #238D4C, #127B39, #016926 and #005713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #349F5F shade: #339D5E, #339D41, #419D33, #5E9D33 and #7B9D33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #349F5F shade: #339D5E, #339D7A, #339D97, #33879D and #336A9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #349F5F shade matches the following richer shades: #339D5E, #22AE5A, #11BF57 and #00D054

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #349F5F shade: #339D5E, #448C61, #557C64, #656B68 and #765A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #349F5F shade: #419D33, #339D41, #339D5D, #339D7A and #339D96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #349F5F shade: #1F5F38, #297E4B, #339D5E, #3DBD70 and #5AC986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #349F5F shade: #349F5F, #335D9D and #9D3333

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #349F5F shade: #349F5F, #5D339D and #9D5D33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #349F5F shade: #349F5F, #335D9D, #9D3373 and #9D7333

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #349F5F shade: #349F5F, #333D9D, #9D3373 and #9D9333

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 40 / 38

HEX #349F5F

RGB 52 159 95

HSL 144.11, 0.51%, 0.41%

LAB 58.37, -45.18, 24.76

 

Complementary color

CMYK 0 / 53 / 21 / 20

HEX #CB60A0

RGB 203 96 160

HSL 324.11, 0.51%, 0.59%

LAB 55.69, 49.93, -14.65

 

CMYK 64 / 0 / 43 / 38

HEX #399F5A

RGB 57 159 90

HSL 139.41, 0.47%, 0.42%

LAB 58.42, -45.09, 27.53

 

CMYK 58 / 0 / 38 / 31

HEX #4AB16D

RGB 74 177 109

HSL 140.39, 0.41%, 0.49%

LAB 64.97, -45.26, 26.08

 

CMYK 53 / 0 / 34 / 24

HEX #5BC380

RGB 91 195 128

HSL 141.35, 0.46%, 0.56%

LAB 71.43, -45.24, 24.74

 

CMYK 49 / 0 / 31 / 16

HEX #6CD593

RGB 108 213 147

HSL 142.29, 0.56%, 0.63%

LAB 77.81, -45.12, 23.5

 

CMYK 46 / 0 / 28 / 9

HEX #7DE7A6

RGB 125 231 166

HSL 143.21, 0.69%, 0.7%

LAB 84.1, -44.94, 22.34

 

CMYK 67 / 0 / 40 / 38

HEX #349F5F

RGB 52 159 95

HSL 144.11, 0.51%, 0.41%

LAB 58.37, -45.18, 24.76

 

CMYK 75 / 0 / 46 / 45

HEX #238D4C

RGB 35 141 76

HSL 143.21, 0.6%, 0.35%

LAB 51.76, -44.59, 26.36

 

CMYK 85 / 0 / 54 / 52

HEX #127B39

RGB 18 123 57

HSL 142.29, 0.74%, 0.28%

LAB 45.07, -43.45, 28.09

 

CMYK 99 / 0 / 64 / 59

HEX #016926

RGB 1 105 38

HSL 141.35, 0.98%, 0.21%

LAB 38.29, -41.61, 29.84

 

CMYK 100 / 0 / 78 / 66

HEX #005713

RGB 0 87 19

HSL 133.1, 1%, 0.17%

LAB 31.49, -37.96, 31.37

 

CMYK 68 / 0 / 40 / 38

HEX #339D5E

RGB 51 157 94

HSL 144.34, 0.51%, 0.41%

LAB 57.68, -44.75, 24.38

 

CMYK 68 / 0 / 59 / 38

HEX #339D41

RGB 51 157 65

HSL 127.92, 0.51%, 0.41%

LAB 57.27, -49.41, 38.86

 

CMYK 59 / 0 / 68 / 38

HEX #419D33

RGB 65 157 51

HSL 112.08, 0.51%, 0.41%

LAB 57.54, -47.77, 45.66

 

CMYK 40 / 0 / 68 / 38

HEX #5E9D33

RGB 94 157 51

HSL 95.66, 0.51%, 0.41%

LAB 58.73, -38.9, 47.29

 

CMYK 22 / 0 / 68 / 38

HEX #7B9D33

RGB 123 157 51

HSL 79.25, 0.51%, 0.41%

LAB 60.39, -27.87, 49.56

 

CMYK 68 / 0 / 40 / 38

HEX #339D5E

RGB 51 157 94

HSL 144.34, 0.51%, 0.41%

LAB 57.68, -44.75, 24.38

 

CMYK 68 / 0 / 22 / 38

HEX #339D7A

RGB 51 157 122

HSL 160.19, 0.51%, 0.41%

LAB 58.25, -38.68, 9.63

 

CMYK 68 / 0 / 4 / 38

HEX #339D97

RGB 51 157 151

HSL 176.6, 0.51%, 0.41%

LAB 59.02, -30.98, -5.67

 

CMYK 68 / 14 / 0 / 38

HEX #33879D

RGB 51 135 157

HSL 192.45, 0.51%, 0.41%

LAB 52.36, -17.92, -19.14

 

CMYK 68 / 32 / 0 / 38

HEX #336A9D

RGB 51 106 157

HSL 208.87, 0.51%, 0.41%

LAB 43.43, -1.18, -33

 

CMYK 68 / 0 / 40 / 38

HEX #339D5E

RGB 51 157 94

HSL 144.34, 0.51%, 0.41%

LAB 57.68, -44.75, 24.38

 

CMYK 80 / 0 / 48 / 32

HEX #22AE5A

RGB 34 174 90

HSL 144, 0.67%, 0.41%

LAB 62.8, -54.45, 33.05

 

CMYK 91 / 0 / 54 / 25

HEX #11BF57

RGB 17 191 87

HSL 144.14, 0.84%, 0.41%

LAB 68.07, -62.12, 41.02

 

CMYK 100 / 0 / 60 / 18

HEX #00D054

RGB 0 208 84

HSL 144.23, 1%, 0.41%

LAB 73.38, -68.56, 48.69

 

CMYK 68 / 0 / 40 / 38

HEX #339D5E

RGB 51 157 94

HSL 144.34, 0.51%, 0.41%

LAB 57.68, -44.75, 24.38

 

CMYK 51 / 0 / 31 / 45

HEX #448C61

RGB 68 140 97

HSL 144.17, 0.35%, 0.41%

LAB 52.78, -32.93, 16.22

 

CMYK 31 / 0 / 19 / 51

HEX #557C64

RGB 85 124 100

HSL 143.08, 0.19%, 0.41%

LAB 48.59, -19.14, 8.79

 

CMYK 6 / 0 / 3 / 58

HEX #656B68

RGB 101 107 104

HSL 150, 0.03%, 0.41%

LAB 44.63, -2.93, 0.88

 

CMYK 0 / 24 / 9 / 54

HEX #765A6B

RGB 118 90 107

HSL 323.57, 0.13%, 0.41%

LAB 41.57, 14.52, -5.26

 

CMYK 59 / 0 / 68 / 38

HEX #419D33

RGB 65 157 51

HSL 112.08, 0.51%, 0.41%

LAB 57.54, -47.77, 45.66

 

CMYK 68 / 0 / 59 / 38

HEX #339D41

RGB 51 157 65

HSL 127.92, 0.51%, 0.41%

LAB 57.27, -49.41, 38.86

 

CMYK 68 / 0 / 41 / 38

HEX #339D5D

RGB 51 157 93

HSL 143.77, 0.51%, 0.41%

LAB 57.66, -44.94, 24.9

 

CMYK 68 / 0 / 22 / 38

HEX #339D7A

RGB 51 157 122

HSL 160.19, 0.51%, 0.41%

LAB 58.25, -38.68, 9.63

 

CMYK 68 / 0 / 4 / 38

HEX #339D96

RGB 51 157 150

HSL 176.04, 0.51%, 0.41%

LAB 58.99, -31.26, -5.14

 

CMYK 67 / 0 / 41 / 63

HEX #1F5F38

RGB 31 95 56

HSL 143.44, 0.51%, 0.25%

LAB 35.52, -30.2, 16.5

 

CMYK 67 / 0 / 40 / 51

HEX #297E4B

RGB 41 126 75

HSL 144, 0.51%, 0.33%

LAB 46.84, -37.66, 20.54

 

CMYK 68 / 0 / 40 / 38

HEX #339D5E

RGB 51 157 94

HSL 144.34, 0.51%, 0.41%

LAB 57.68, -44.75, 24.38

 

CMYK 68 / 0 / 41 / 26

HEX #3DBD70

RGB 61 189 112

HSL 143.91, 0.51%, 0.49%

LAB 68.43, -52.13, 29

 

CMYK 55 / 0 / 33 / 21

HEX #5AC986

RGB 90 201 134

HSL 143.78, 0.51%, 0.57%

LAB 73.33, -46.87, 24.14

 

CMYK 67 / 0 / 40 / 38

HEX #349F5F

RGB 52 159 95

HSL 144.11, 0.51%, 0.41%

LAB 58.37, -45.18, 24.76

 

CMYK 68 / 41 / 0 / 38

HEX #335D9D

RGB 51 93 157

HSL 216.23, 0.51%, 0.41%

LAB 39.52, 7, -39.17

 

CMYK 0 / 68 / 68 / 38

HEX #9D3333

RGB 157 51 51

HSL 0, 0.51%, 0.41%

LAB 37.44, 43.94, 24.6

 

CMYK 67 / 0 / 40 / 38

HEX #349F5F

RGB 52 159 95

HSL 144.11, 0.51%, 0.41%

LAB 58.37, -45.18, 24.76

 

CMYK 41 / 68 / 0 / 38

HEX #5D339D

RGB 93 51 157

HSL 263.77, 0.51%, 0.41%

LAB 32.1, 41.99, -50.94

 

CMYK 0 / 41 / 68 / 38

HEX #9D5D33

RGB 157 93 51

HSL 23.77, 0.51%, 0.41%

LAB 45.96, 22.28, 34.72

 

CMYK 67 / 0 / 40 / 38

HEX #349F5F

RGB 52 159 95

HSL 144.11, 0.51%, 0.41%

LAB 58.37, -45.18, 24.76

 

CMYK 68 / 41 / 0 / 38

HEX #335D9D

RGB 51 93 157

HSL 216.23, 0.51%, 0.41%

LAB 39.52, 7, -39.17

 

CMYK 0 / 68 / 27 / 38

HEX #9D3373

RGB 157 51 115

HSL 323.77, 0.51%, 0.41%

LAB 39.2, 50.19, -13.24

 

CMYK 0 / 27 / 68 / 38

HEX #9D7333

RGB 157 115 51

HSL 36.23, 0.51%, 0.41%

LAB 51.46, 9.72, 40.88

 

CMYK 67 / 0 / 40 / 38

HEX #349F5F

RGB 52 159 95

HSL 144.11, 0.51%, 0.41%

LAB 58.37, -45.18, 24.76

 

CMYK 68 / 61 / 0 / 38

HEX #333D9D

RGB 51 61 157

HSL 234.34, 0.51%, 0.41%

LAB 30.58, 28.12, -53.58

 

CMYK 0 / 68 / 27 / 38

HEX #9D3373

RGB 157 51 115

HSL 323.77, 0.51%, 0.41%

LAB 39.2, 50.19, -13.24

 

CMYK 0 / 6 / 68 / 38

HEX #9D9333

RGB 157 147 51

HSL 54.34, 0.51%, 0.41%

LAB 60.14, -8.09, 50.11

 

Description

Color code: HEX #349F5F | qconv.com Color code: HEX #349F5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 159 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 159 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 40 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 40% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - 行事 | 喜多見バオバブ保育園
Link: http://baobabcc.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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