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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34A67B it is the complementary color #CB5984. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34A67B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34A67B shade: #39A676, #4AB889, #5BCA9C, #6CDCAF and #7DEEC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34A67B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34A67B shade: #34A67B, #239468, #128255, #017042 and #005E2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34A67B shade: #34A67B, #34A65C, #34A63E, #49A634 and #68A634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34A67B shade: #34A67B, #34A69A, #3494A6, #3475A6 and #3456A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34A67B shade matches the following richer shades: #34A67B, #22B880 and #11CA84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34A67B shade: #34A67B, #469477, #588372, #69716E and #7B5F6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34A67B shade: #34A63E, #34A65C, #34A67A, #34A699 and #3495A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34A67B shade: #20674D, #2A8764, #34A67B, #41C392 and #60CDA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34A67B shade: #34A67B, #3449A6 and #A64D34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34A67B shade: #34A67B, #7A34A6 and #A67A34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34A67B shade: #34A67B, #3449A6, #A63460 and #A69134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34A67B shade: #34A67B, #4134A6, #A63460 and #99A634

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

Complementary color

CMYK 0 / 56 / 35 / 20

HEX #CB5984

RGB 203 89 132

HSL 337.37, 0.52%, 0.57%

LAB 53.5, 49.59, -1.45

 

CMYK 66 / 0 / 29 / 35

HEX #39A676

RGB 57 166 118

HSL 153.58, 0.49%, 0.44%

LAB 61.18, -42.41, 15.98

 

CMYK 60 / 0 / 26 / 28

HEX #4AB889

RGB 74 184 137

HSL 154.36, 0.44%, 0.51%

LAB 67.68, -42.58, 14.69

 

CMYK 55 / 0 / 23 / 21

HEX #5BCA9C

RGB 91 202 156

HSL 155.14, 0.51%, 0.57%

LAB 74.1, -42.6, 13.51

 

CMYK 51 / 0 / 20 / 14

HEX #6CDCAF

RGB 108 220 175

HSL 155.89, 0.62%, 0.64%

LAB 80.44, -42.53, 12.43

 

CMYK 47 / 0 / 18 / 7

HEX #7DEEC2

RGB 125 238 194

HSL 156.64, 0.77%, 0.71%

LAB 86.7, -42.4, 11.43

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 76 / 0 / 30 / 42

HEX #239468

RGB 35 148 104

HSL 156.64, 0.62%, 0.36%

LAB 54.59, -41.6, 14.61

 

CMYK 86 / 0 / 35 / 49

HEX #128255

RGB 18 130 85

HSL 155.89, 0.76%, 0.29%

LAB 47.94, -40.59, 16.24

 

CMYK 99 / 0 / 41 / 56

HEX #017042

RGB 1 112 66

HSL 155.14, 0.98%, 0.22%

LAB 41.2, -39.07, 18.08

 

CMYK 100 / 0 / 50 / 63

HEX #005E2F

RGB 0 94 47

HSL 150, 1%, 0.18%

LAB 34.42, -36.22, 20.24

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 69 / 0 / 45 / 35

HEX #34A65C

RGB 52 166 92

HSL 141.05, 0.52%, 0.43%

LAB 60.58, -48.47, 29.24

 

CMYK 69 / 0 / 63 / 35

HEX #34A63E

RGB 52 166 62

HSL 125.26, 0.52%, 0.43%

LAB 60.2, -52.84, 43.65

 

CMYK 56 / 0 / 69 / 35

HEX #49A634

RGB 73 166 52

HSL 108.95, 0.52%, 0.43%

LAB 60.73, -48.98, 48.74

 

CMYK 37 / 0 / 69 / 35

HEX #68A634

RGB 104 166 52

HSL 92.63, 0.52%, 0.43%

LAB 62.05, -39.21, 50.54

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 69 / 0 / 7 / 35

HEX #34A69A

RGB 52 166 154

HSL 173.68, 0.52%, 0.43%

LAB 61.94, -34.24, -3.04

 

CMYK 69 / 11 / 0 / 35

HEX #3494A6

RGB 52 148 166

HSL 189.47, 0.52%, 0.43%

LAB 56.75, -21.78, -17.63

 

CMYK 69 / 30 / 0 / 35

HEX #3475A6

RGB 52 117 166

HSL 205.79, 0.52%, 0.43%

LAB 47.24, -4.45, -32.3

 

CMYK 69 / 48 / 0 / 35

HEX #3456A6

RGB 52 86 166

HSL 222.11, 0.52%, 0.43%

LAB 38.09, 15.06, -46.83

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 82 / 0 / 30 / 28

HEX #22B880

RGB 34 184 128

HSL 157.6, 0.69%, 0.43%

LAB 66.66, -50.7, 18.02

 

CMYK 92 / 0 / 35 / 21

HEX #11CA84

RGB 17 202 132

HSL 157.3, 0.84%, 0.43%

LAB 72.25, -57.82, 23.49

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 53 / 0 / 20 / 42

HEX #469477

RGB 70 148 119

HSL 157.69, 0.36%, 0.43%

LAB 55.9, -31.3, 8.08

 

CMYK 33 / 0 / 13 / 49

HEX #588372

RGB 88 131 114

HSL 156.28, 0.2%, 0.43%

LAB 51.29, -18.79, 4.48

 

CMYK 7 / 0 / 3 / 56

HEX #69716E

RGB 105 113 110

HSL 157.5, 0.04%, 0.43%

LAB 46.89, -3.65, 0.61

 

CMYK 0 / 23 / 14 / 52

HEX #7B5F6A

RGB 123 95 106

HSL 336.43, 0.13%, 0.43%

LAB 43.41, 13.28, -1.87

 

CMYK 69 / 0 / 63 / 35

HEX #34A63E

RGB 52 166 62

HSL 125.26, 0.52%, 0.43%

LAB 60.2, -52.84, 43.65

 

CMYK 69 / 0 / 45 / 35

HEX #34A65C

RGB 52 166 92

HSL 141.05, 0.52%, 0.43%

LAB 60.58, -48.47, 29.24

 

CMYK 69 / 0 / 27 / 35

HEX #34A67A

RGB 52 166 122

HSL 156.84, 0.52%, 0.43%

LAB 61.14, -42.39, 13.7

 

CMYK 69 / 0 / 8 / 35

HEX #34A699

RGB 52 166 153

HSL 173.16, 0.52%, 0.43%

LAB 61.91, -34.52, -2.52

 

CMYK 69 / 10 / 0 / 35

HEX #3495A6

RGB 52 149 166

HSL 188.95, 0.52%, 0.43%

LAB 57.05, -22.3, -17.16

 

CMYK 69 / 0 / 25 / 60

HEX #20674D

RGB 32 103 77

HSL 158.03, 0.53%, 0.26%

LAB 38.8, -28.79, 8.35

 

CMYK 69 / 0 / 26 / 47

HEX #2A8764

RGB 42 135 100

HSL 157.42, 0.53%, 0.35%

LAB 50.38, -35.86, 11.05

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 67 / 0 / 25 / 24

HEX #41C392

RGB 65 195 146

HSL 157.38, 0.52%, 0.51%

LAB 71.03, -46.91, 14.46

 

CMYK 53 / 0 / 20 / 20

HEX #60CDA4

RGB 96 205 164

HSL 157.43, 0.52%, 0.59%

LAB 75.35, -41.05, 11

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 69 / 56 / 0 / 35

HEX #3449A6

RGB 52 73 166

HSL 228.95, 0.52%, 0.43%

LAB 34.49, 23.64, -52.64

 

CMYK 0 / 54 / 69 / 35

HEX #A64D34

RGB 166 77 52

HSL 13.16, 0.52%, 0.43%

LAB 43.75, 34.83, 31.94

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 27 / 69 / 0 / 35

HEX #7A34A6

RGB 122 52 166

HSL 276.84, 0.52%, 0.43%

LAB 36.64, 49.95, -48.84

 

CMYK 0 / 27 / 69 / 35

HEX #A67A34

RGB 166 122 52

HSL 36.84, 0.52%, 0.43%

LAB 54.32, 9.86, 43.8

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 69 / 56 / 0 / 35

HEX #3449A6

RGB 52 73 166

HSL 228.95, 0.52%, 0.43%

LAB 34.49, 23.64, -52.64

 

CMYK 0 / 69 / 42 / 35

HEX #A63460

RGB 166 52 96

HSL 336.84, 0.52%, 0.43%

LAB 40.26, 50.19, 0.41

 

CMYK 0 / 13 / 69 / 35

HEX #A69134

RGB 166 145 52

HSL 48.95, 0.52%, 0.43%

LAB 60.43, -2.92, 50.25

 

CMYK 69 / 0 / 26 / 35

HEX #34A67B

RGB 52 166 123

HSL 157.37, 0.52%, 0.43%

LAB 61.16, -42.16, 13.17

 

CMYK 61 / 69 / 0 / 35

HEX #4134A6

RGB 65 52 166

HSL 246.84, 0.52%, 0.43%

LAB 30.24, 39.01, -59.54

 

CMYK 0 / 69 / 42 / 35

HEX #A63460

RGB 166 52 96

HSL 336.84, 0.52%, 0.43%

LAB 40.26, 50.19, 0.41

 

CMYK 8 / 0 / 69 / 35

HEX #99A634

RGB 153 166 52

HSL 66.84, 0.52%, 0.43%

LAB 65.19, -19.7, 54.77

 

Description

Color code: HEX #34A67B | qconv.com Color code: HEX #34A67B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 166 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 166 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 26 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 26% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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