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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34AB7D it is the complementary color #CB5482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34AB7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34AB7D shade: #39AB78, #4ABD8B, #5BCF9E, #6CE1B1 and #7DF3C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34AB7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34AB7D shade: #34AB7D, #23996A, #128757, #017544 and #006331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34AB7D shade: #34AB7D, #34AB5D, #34AB3D, #4BAB34 and #6CAB34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34AB7D shade: #34AB7D, #34AB9D, #3499AB, #3479AB and #3459AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34AB7D shade matches the following richer shades: #34AB7D, #22BD81 and #10CF85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34AB7D shade: #34AB7D, #469979, #598775, #6B7571 and #7D636D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34AB7D shade: #34AB3C, #34AB5C, #34AB7C, #34AB9B and #349BAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34AB7D shade: #216C4F, #2B8C66, #34AB7D, #44C593 and #63CFA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34AB7D shade: #34AB7D, #344CAB and #AB4C34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34AB7D shade: #34AB7D, #7C34AB and #AB7C34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34AB7D shade: #34AB7D, #344CAB, #AB3464 and #AB9334

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34AB7D shade: #34AB7D, #4034AB, #AB3464 and #9FAB34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

Complementary color

CMYK 0 / 59 / 36 / 20

HEX #CB5482

RGB 203 84 130

HSL 336.81, 0.53%, 0.56%

LAB 52.56, 51.68, -1.63

 

CMYK 67 / 0 / 30 / 33

HEX #39AB78

RGB 57 171 120

HSL 153.16, 0.5%, 0.45%

LAB 62.8, -44.07, 17.13

 

CMYK 61 / 0 / 26 / 26

HEX #4ABD8B

RGB 74 189 139

HSL 153.91, 0.47%, 0.52%

LAB 69.27, -44.28, 15.81

 

CMYK 56 / 0 / 24 / 19

HEX #5BCF9E

RGB 91 207 158

HSL 154.66, 0.55%, 0.58%

LAB 75.65, -44.33, 14.61

 

CMYK 52 / 0 / 21 / 12

HEX #6CE1B1

RGB 108 225 177

HSL 155.38, 0.66%, 0.65%

LAB 81.95, -44.28, 13.51

 

CMYK 49 / 0 / 19 / 5

HEX #7DF3C4

RGB 125 243 196

HSL 156.1, 0.83%, 0.72%

LAB 88.18, -44.17, 12.49

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 77 / 0 / 31 / 40

HEX #23996A

RGB 35 153 106

HSL 156.1, 0.63%, 0.37%

LAB 56.27, -43.2, 15.8

 

CMYK 87 / 0 / 36 / 47

HEX #128757

RGB 18 135 87

HSL 155.38, 0.76%, 0.3%

LAB 49.67, -42.14, 17.45

 

CMYK 99 / 0 / 42 / 54

HEX #017544

RGB 1 117 68

HSL 154.66, 0.98%, 0.23%

LAB 42.98, -40.57, 19.29

 

CMYK 100 / 0 / 51 / 61

HEX #006331

RGB 0 99 49

HSL 149.7, 1%, 0.19%

LAB 36.26, -37.72, 21.44

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 70 / 0 / 46 / 33

HEX #34AB5D

RGB 52 171 93

HSL 140.67, 0.53%, 0.44%

LAB 62.21, -50.21, 30.81

 

CMYK 70 / 0 / 64 / 33

HEX #34AB3D

RGB 52 171 61

HSL 124.54, 0.53%, 0.44%

LAB 61.82, -54.71, 45.92

 

CMYK 56 / 0 / 70 / 33

HEX #4BAB34

RGB 75 171 52

HSL 108.4, 0.53%, 0.44%

LAB 62.4, -50.34, 50.52

 

CMYK 37 / 0 / 70 / 33

HEX #6CAB34

RGB 108 171 52

HSL 91.76, 0.53%, 0.44%

LAB 63.8, -39.96, 52.43

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 70 / 0 / 8 / 33

HEX #34AB9D

RGB 52 171 157

HSL 172.94, 0.53%, 0.44%

LAB 63.58, -35.73, -2.31

 

CMYK 70 / 11 / 0 / 33

HEX #3499AB

RGB 52 153 171

HSL 189.08, 0.53%, 0.44%

LAB 58.46, -22.79, -17.86

 

CMYK 70 / 29 / 0 / 33

HEX #3479AB

RGB 52 121 171

HSL 205.21, 0.53%, 0.44%

LAB 48.69, -5.06, -32.95

 

CMYK 70 / 48 / 0 / 33

HEX #3459AB

RGB 52 89 171

HSL 221.34, 0.53%, 0.44%

LAB 39.27, 14.95, -47.91

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 82 / 0 / 32 / 26

HEX #22BD81

RGB 34 189 129

HSL 156.77, 0.7%, 0.44%

LAB 68.26, -52.41, 19.68

 

CMYK 92 / 0 / 36 / 19

HEX #10CF85

RGB 16 207 133

HSL 156.75, 0.86%, 0.44%

LAB 73.82, -59.46, 25.1

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 54 / 0 / 21 / 40

HEX #469979

RGB 70 153 121

HSL 156.87, 0.37%, 0.44%

LAB 57.53, -33.19, 9.25

 

CMYK 34 / 0 / 13 / 47

HEX #598775

RGB 89 135 117

HSL 156.52, 0.21%, 0.44%

LAB 52.66, -19.9, 4.71

 

CMYK 9 / 0 / 3 / 54

HEX #6B7571

RGB 107 117 113

HSL 156, 0.04%, 0.44%

LAB 48.31, -4.59, 0.91

 

CMYK 0 / 21 / 13 / 51

HEX #7D636D

RGB 125 99 109

HSL 336.92, 0.12%, 0.44%

LAB 44.78, 12.22, -1.65

 

CMYK 70 / 0 / 65 / 33

HEX #34AB3C

RGB 52 171 60

HSL 124.03, 0.53%, 0.44%

LAB 61.81, -54.82, 46.35

 

CMYK 70 / 0 / 46 / 33

HEX #34AB5C

RGB 52 171 92

HSL 140.17, 0.53%, 0.44%

LAB 62.19, -50.38, 31.31

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7C

RGB 52 171 124

HSL 156.3, 0.53%, 0.44%

LAB 62.77, -44.04, 14.86

 

CMYK 70 / 0 / 9 / 33

HEX #34AB9B

RGB 52 171 155

HSL 171.93, 0.53%, 0.44%

LAB 63.53, -36.28, -1.28

 

CMYK 70 / 9 / 0 / 33

HEX #349BAB

RGB 52 155 171

HSL 188.07, 0.53%, 0.44%

LAB 59.08, -23.82, -16.93

 

CMYK 69 / 0 / 27 / 58

HEX #216C4F

RGB 33 108 79

HSL 156.8, 0.53%, 0.28%

LAB 40.59, -30.43, 9.66

 

CMYK 69 / 0 / 27 / 45

HEX #2B8C66

RGB 43 140 102

HSL 156.49, 0.53%, 0.36%

LAB 52.1, -37.41, 12.3

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 65 / 0 / 25 / 23

HEX #44C593

RGB 68 197 147

HSL 156.74, 0.53%, 0.52%

LAB 71.74, -47.01, 14.92

 

CMYK 52 / 0 / 20 / 19

HEX #63CFA5

RGB 99 207 165

HSL 156.67, 0.53%, 0.6%

LAB 76.07, -41.03, 11.5

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 70 / 56 / 0 / 33

HEX #344CAB

RGB 52 76 171

HSL 227.9, 0.53%, 0.44%

LAB 35.67, 23.5, -53.71

 

CMYK 0 / 56 / 70 / 33

HEX #AB4C34

RGB 171 76 52

HSL 12.1, 0.53%, 0.44%

LAB 44.34, 37.3, 32.84

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 27 / 70 / 0 / 33

HEX #7C34AB

RGB 124 52 171

HSL 276.3, 0.53%, 0.44%

LAB 37.26, 51.52, -50.81

 

CMYK 0 / 27 / 70 / 33

HEX #AB7C34

RGB 171 124 52

HSL 36.3, 0.53%, 0.44%

LAB 55.4, 10.97, 45.13

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 70 / 56 / 0 / 33

HEX #344CAB

RGB 52 76 171

HSL 227.9, 0.53%, 0.44%

LAB 35.67, 23.5, -53.71

 

CMYK 0 / 70 / 42 / 33

HEX #AB3464

RGB 171 52 100

HSL 335.8, 0.53%, 0.44%

LAB 41.27, 52.13, -0.51

 

CMYK 0 / 14 / 70 / 33

HEX #AB9334

RGB 171 147 52

HSL 47.9, 0.53%, 0.44%

LAB 61.46, -1.78, 51.46

 

CMYK 70 / 0 / 27 / 33

HEX #34AB7D

RGB 52 171 125

HSL 156.81, 0.53%, 0.44%

LAB 62.79, -43.81, 14.34

 

CMYK 63 / 70 / 0 / 33

HEX #4034AB

RGB 64 52 171

HSL 246.05, 0.53%, 0.44%

LAB 30.61, 40.48, -61.94

 

CMYK 0 / 70 / 42 / 33

HEX #AB3464

RGB 171 52 100

HSL 335.8, 0.53%, 0.44%

LAB 41.27, 52.13, -0.51

 

CMYK 7 / 0 / 70 / 33

HEX #9FAB34

RGB 159 171 52

HSL 66.05, 0.53%, 0.44%

LAB 67.09, -19.67, 56.82

 

Description

Color code: HEX #34AB7D | qconv.com Color code: HEX #34AB7D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 171 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 171 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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