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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34BCD5 it is the complementary color #CB432A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34BCD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34BCD5 shade: #39BCD0, #4ACEE3, #5BE0F6, #6CF2FF and #7DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34BCD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34BCD5 shade: #34BCD5, #23AAC2, #1298AF, #01869C and #007489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34BCD5 shade: #33BCD5, #3390D5, #3365D5, #3339D5 and #5933D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34BCD5 shade: #33BCD5, #3390D5, #3365D5, #3339D5 and #3333D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34BCD5 shade matches the following richer shades: #33BCD5, #20C9E9 and #0CD7FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34BCD5 shade: #33BCD5, #47AEC1, #5BA0AD, #6F9399 and #838586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34BCD5 shade: #33D597, #33D5C2, #33BDD5, #3392D5 and #3366D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34BCD5 shade: #1F8497, #26A2B9, #33BCD5, #56C7DC and #78D2E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34BCD5 shade: #34BCD5, #6C33D5 and #D5AC33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34BCD5 shade: #34BCD5, #D533BD and #BDD533

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34BCD5 shade: #34BCD5, #6C33D5, #D54C33 and #9CD533

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34BCD5 shade: #34BCD5, #9C33D5, #D54C33 and #6CD533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 12 / 0 / 16

HEX #34BCD5

RGB 52 188 213

HSL 189.32, 0.66%, 0.52%

LAB 70.53, -27.27, -22.86

 

Complementary color

CMYK 0 / 67 / 79 / 20

HEX #CB432A

RGB 203 67 42

HSL 9.32, 0.66%, 0.48%

LAB 48.11, 52.58, 43.92

 

CMYK 73 / 10 / 0 / 18

HEX #39BCD0

RGB 57 188 208

HSL 187.95, 0.62%, 0.52%

LAB 70.45, -28.24, -20.24

 

CMYK 67 / 9 / 0 / 11

HEX #4ACEE3

RGB 74 206 227

HSL 188.24, 0.73%, 0.59%

LAB 76.77, -29.07, -20.91

 

CMYK 63 / 9 / 0 / 4

HEX #5BE0F6

RGB 91 224 246

HSL 188.52, 0.9%, 0.66%

LAB 83.01, -29.71, -21.52

 

CMYK 58 / 5 / 0 / 0

HEX #6CF2FF

RGB 108 242 255

HSL 185.31, 1%, 0.71%

LAB 88.88, -32.94, -17.34

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 76 / 12 / 0 / 16

HEX #34BCD5

RGB 52 188 213

HSL 189.32, 0.66%, 0.52%

LAB 70.53, -27.27, -22.86

 

CMYK 82 / 12 / 0 / 24

HEX #23AAC2

RGB 35 170 194

HSL 189.06, 0.69%, 0.45%

LAB 64.16, -26, -22.13

 

CMYK 90 / 13 / 0 / 31

HEX #1298AF

RGB 18 152 175

HSL 188.79, 0.81%, 0.38%

LAB 57.73, -24.36, -21.3

 

CMYK 99 / 14 / 0 / 39

HEX #01869C

RGB 1 134 156

HSL 188.52, 0.99%, 0.31%

LAB 51.22, -22.33, -20.38

 

CMYK 100 / 15 / 0 / 46

HEX #007489

RGB 0 116 137

HSL 189.2, 1%, 0.27%

LAB 44.66, -19.56, -19.28

 

CMYK 76 / 12 / 0 / 16

HEX #33BCD5

RGB 51 188 213

HSL 189.26, 0.66%, 0.52%

LAB 70.51, -27.38, -22.89

 

CMYK 76 / 32 / 0 / 16

HEX #3390D5

RGB 51 144 213

HSL 205.56, 0.66%, 0.52%

LAB 57.52, -3.73, -43.05

 

CMYK 76 / 53 / 0 / 16

HEX #3365D5

RGB 51 101 213

HSL 221.48, 0.66%, 0.52%

LAB 45.38, 22.72, -62.45

 

CMYK 76 / 73 / 0 / 16

HEX #3339D5

RGB 51 57 213

HSL 237.78, 0.66%, 0.52%

LAB 34.87, 49.96, -79.65

 

CMYK 58 / 76 / 0 / 16

HEX #5933D5

RGB 89 51 213

HSL 254.07, 0.66%, 0.52%

LAB 36.55, 56.94, -76.79

 

CMYK 76 / 12 / 0 / 16

HEX #33BCD5

RGB 51 188 213

HSL 189.26, 0.66%, 0.52%

LAB 70.51, -27.38, -22.89

 

CMYK 76 / 32 / 0 / 16

HEX #3390D5

RGB 51 144 213

HSL 205.56, 0.66%, 0.52%

LAB 57.52, -3.73, -43.05

 

CMYK 76 / 53 / 0 / 16

HEX #3365D5

RGB 51 101 213

HSL 221.48, 0.66%, 0.52%

LAB 45.38, 22.72, -62.45

 

CMYK 76 / 73 / 0 / 16

HEX #3339D5

RGB 51 57 213

HSL 237.78, 0.66%, 0.52%

LAB 34.87, 49.96, -79.65

 

CMYK 76 / 76 / 0 / 16

HEX #3333D5

RGB 51 51 213

HSL 240, 0.66%, 0.52%

LAB 33.72, 53.21, -81.55

 

CMYK 76 / 12 / 0 / 16

HEX #33BCD5

RGB 51 188 213

HSL 189.26, 0.66%, 0.52%

LAB 70.51, -27.38, -22.89

 

CMYK 86 / 14 / 0 / 9

HEX #20C9E9

RGB 32 201 233

HSL 189.55, 0.82%, 0.52%

LAB 74.8, -28.99, -27.2

 

CMYK 95 / 15 / 0 / 1

HEX #0CD7FC

RGB 12 215 252

HSL 189.25, 0.98%, 0.52%

LAB 79.45, -30.5, -30.25

 

CMYK 76 / 12 / 0 / 16

HEX #33BCD5

RGB 51 188 213

HSL 189.26, 0.66%, 0.52%

LAB 70.51, -27.38, -22.89

 

CMYK 63 / 10 / 0 / 24

HEX #47AEC1

RGB 71 174 193

HSL 189.34, 0.5%, 0.52%

LAB 66.11, -23.77, -18.54

 

CMYK 47 / 8 / 0 / 32

HEX #5BA0AD

RGB 91 160 173

HSL 189.51, 0.33%, 0.52%

LAB 61.98, -18.24, -13.54

 

CMYK 27 / 4 / 0 / 40

HEX #6F9399

RGB 111 147 153

HSL 188.57, 0.17%, 0.52%

LAB 58.55, -10.95, -7.23

 

CMYK 2 / 1 / 0 / 47

HEX #838586

RGB 131 133 134

HSL 200, 0.01%, 0.52%

LAB 55.4, -0.54, -0.8

 

CMYK 76 / 0 / 29 / 16

HEX #33D597

RGB 51 213 151

HSL 157.04, 0.66%, 0.52%

LAB 76.39, -55.01, 19.22

 

CMYK 76 / 0 / 9 / 16

HEX #33D5C2

RGB 51 213 194

HSL 172.96, 0.66%, 0.52%

LAB 77.39, -44.52, -2.28

 

CMYK 76 / 11 / 0 / 16

HEX #33BDD5

RGB 51 189 213

HSL 188.89, 0.66%, 0.52%

LAB 70.8, -27.87, -22.44

 

CMYK 76 / 31 / 0 / 16

HEX #3392D5

RGB 51 146 213

HSL 204.81, 0.66%, 0.52%

LAB 58.1, -4.89, -42.13

 

CMYK 76 / 52 / 0 / 16

HEX #3366D5

RGB 51 102 213

HSL 221.11, 0.66%, 0.52%

LAB 45.65, 22.08, -62.02

 

CMYK 79 / 13 / 0 / 41

HEX #1F8497

RGB 31 132 151

HSL 189.5, 0.66%, 0.36%

LAB 50.72, -21.02, -18.2

 

CMYK 79 / 12 / 0 / 27

HEX #26A2B9

RGB 38 162 185

HSL 189.39, 0.66%, 0.44%

LAB 61.44, -24.61, -21.25

 

CMYK 76 / 12 / 0 / 16

HEX #33BCD5

RGB 51 188 213

HSL 189.26, 0.66%, 0.52%

LAB 70.51, -27.38, -22.89

 

CMYK 61 / 10 / 0 / 14

HEX #56C7DC

RGB 86 199 220

HSL 189.4, 0.66%, 0.6%

LAB 74.82, -25.79, -20.05

 

CMYK 47 / 7 / 0 / 11

HEX #78D2E3

RGB 120 210 227

HSL 189.53, 0.66%, 0.68%

LAB 79.4, -22.52, -16.77

 

CMYK 76 / 12 / 0 / 16

HEX #34BCD5

RGB 52 188 213

HSL 189.32, 0.66%, 0.52%

LAB 70.53, -27.27, -22.86

 

CMYK 49 / 76 / 0 / 16

HEX #6C33D5

RGB 108 51 213

HSL 261.11, 0.66%, 0.52%

LAB 38.48, 59.45, -73.54

 

CMYK 0 / 19 / 76 / 16

HEX #D5AC33

RGB 213 172 51

HSL 44.81, 0.66%, 0.52%

LAB 72.16, 3.23, 63.76

 

CMYK 76 / 12 / 0 / 16

HEX #34BCD5

RGB 52 188 213

HSL 189.32, 0.66%, 0.52%

LAB 70.53, -27.27, -22.86

 

CMYK 0 / 76 / 11 / 16

HEX #D533BD

RGB 213 51 189

HSL 308.89, 0.66%, 0.52%

LAB 52.05, 74.41, -37.02

 

CMYK 11 / 0 / 76 / 16

HEX #BDD533

RGB 189 213 51

HSL 68.89, 0.66%, 0.52%

LAB 81.1, -27.73, 71.36

 

CMYK 76 / 12 / 0 / 16

HEX #34BCD5

RGB 52 188 213

HSL 189.32, 0.66%, 0.52%

LAB 70.53, -27.27, -22.86

 

CMYK 49 / 76 / 0 / 16

HEX #6C33D5

RGB 108 51 213

HSL 261.11, 0.66%, 0.52%

LAB 38.48, 59.45, -73.54

 

CMYK 0 / 64 / 76 / 16

HEX #D54C33

RGB 213 76 51

HSL 9.26, 0.66%, 0.52%

LAB 51.33, 52.56, 43.1

 

CMYK 27 / 0 / 76 / 16

HEX #9CD533

RGB 156 213 51

HSL 81.11, 0.66%, 0.52%

LAB 78.98, -40.73, 68.62

 

CMYK 76 / 12 / 0 / 16

HEX #34BCD5

RGB 52 188 213

HSL 189.32, 0.66%, 0.52%

LAB 70.53, -27.27, -22.86

 

CMYK 27 / 76 / 0 / 16

HEX #9C33D5

RGB 156 51 213

HSL 278.89, 0.66%, 0.52%

LAB 44.57, 67.2, -63.34

 

CMYK 0 / 64 / 76 / 16

HEX #D54C33

RGB 213 76 51

HSL 9.26, 0.66%, 0.52%

LAB 51.33, 52.56, 43.1

 

CMYK 49 / 0 / 76 / 16

HEX #6CD533

RGB 108 213 51

HSL 98.89, 0.66%, 0.52%

LAB 76.69, -56.92, 65.63

 

Description

Color code: HEX #34BCD5 | qconv.com Color code: HEX #34BCD5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 188 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 188 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 12 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 12% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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