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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34C241 it is the complementary color #CB3DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34C241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34C241 shade: #39C23C, #4AD44F, #5BE662, #6CF875 and #7DFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34C241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34C241 shade: #34C241, #23B02E, #129E1B, #018C08 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34C241 shade: #33C140, #4CC133, #72C133, #99C133 and #BFC133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34C241 shade: #33C140, #33C166, #33C18C, #33C1B3 and #33A9C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34C241 shade matches the following richer shades: #33C140, #1FD530 and #0BE920

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34C241 shade: #33C140, #47AD50, #5B9960, #6E8570 and #827281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34C241 shade: #73C133, #4DC133, #33C13F, #33C165 and #33C18A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34C241 shade: #22802A, #2AA035, #33C140, #4ECF59 and #6ED878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34C241 shade: #34C241, #3399C1 and #C13360

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34C241 shade: #34C241, #3F33C1 and #C13F33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34C241 shade: #34C241, #3399C1, #C133B5 and #C15B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34C241 shade: #34C241, #336EC1, #C133B5 and #C18633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 66 / 24

HEX #34C241

RGB 52 194 65

HSL 125.49, 0.58%, 0.48%

LAB 69.25, -62.05, 52.39

 

Complementary color

CMYK 0 / 70 / 6 / 20

HEX #CB3DBE

RGB 203 61 190

HSL 305.49, 0.58%, 0.52%

LAB 51.56, 69.2, -38.49

 

CMYK 71 / 0 / 69 / 24

HEX #39C23C

RGB 57 194 60

HSL 121.31, 0.55%, 0.49%

LAB 69.31, -61.69, 54.5

 

CMYK 65 / 0 / 63 / 17

HEX #4AD44F

RGB 74 212 79

HSL 122.17, 0.62%, 0.56%

LAB 75.52, -62.66, 53.56

 

CMYK 60 / 0 / 57 / 10

HEX #5BE662

RGB 91 230 98

HSL 123.02, 0.74%, 0.63%

LAB 81.67, -63.26, 52.41

 

CMYK 56 / 0 / 53 / 3

HEX #6CF875

RGB 108 248 117

HSL 123.86, 0.91%, 0.7%

LAB 87.78, -63.6, 51.16

 

CMYK 51 / 0 / 47 / 0

HEX #7DFF88

RGB 125 255 136

HSL 125.08, 1%, 0.75%

LAB 90.62, -59.59, 45.9

 

CMYK 73 / 0 / 66 / 24

HEX #34C241

RGB 52 194 65

HSL 125.49, 0.58%, 0.48%

LAB 69.25, -62.05, 52.39

 

CMYK 80 / 0 / 74 / 31

HEX #23B02E

RGB 35 176 46

HSL 124.68, 0.67%, 0.41%

LAB 63.02, -60.47, 53.15

 

CMYK 89 / 0 / 83 / 38

HEX #129E1B

RGB 18 158 27

HSL 123.86, 0.8%, 0.35%

LAB 56.74, -58.11, 53.19

 

CMYK 99 / 0 / 94 / 45

HEX #018C08

RGB 1 140 8

HSL 123.02, 0.99%, 0.28%

LAB 50.43, -54.83, 51.82

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 74 / 0 / 67 / 24

HEX #33C140

RGB 51 193 64

HSL 125.49, 0.58%, 0.48%

LAB 68.91, -61.98, 52.42

 

CMYK 61 / 0 / 74 / 24

HEX #4CC133

RGB 76 193 51

HSL 109.44, 0.58%, 0.48%

LAB 69.41, -58.16, 58.11

 

CMYK 41 / 0 / 74 / 24

HEX #72C133

RGB 114 193 51

HSL 93.38, 0.58%, 0.48%

LAB 70.84, -47.23, 60.01

 

CMYK 21 / 0 / 74 / 24

HEX #99C133

RGB 153 193 51

HSL 76.9, 0.58%, 0.48%

LAB 72.99, -32.86, 62.84

 

CMYK 1 / 0 / 74 / 24

HEX #BFC133

RGB 191 193 51

HSL 60.85, 0.58%, 0.48%

LAB 75.73, -17.14, 66.42

 

CMYK 74 / 0 / 67 / 24

HEX #33C140

RGB 51 193 64

HSL 125.49, 0.58%, 0.48%

LAB 68.91, -61.98, 52.42

 

CMYK 74 / 0 / 47 / 24

HEX #33C166

RGB 51 193 102

HSL 141.55, 0.58%, 0.48%

LAB 69.33, -56.97, 35.26

 

CMYK 74 / 0 / 27 / 24

HEX #33C18C

RGB 51 193 140

HSL 157.61, 0.58%, 0.48%

LAB 69.99, -49.57, 16.2

 

CMYK 74 / 0 / 7 / 24

HEX #33C1B3

RGB 51 193 179

HSL 174.08, 0.58%, 0.48%

LAB 70.94, -39.79, -3.65

 

CMYK 74 / 12 / 0 / 24

HEX #33A9C1

RGB 51 169 193

HSL 190.14, 0.58%, 0.48%

LAB 64.1, -24.16, -21.63

 

CMYK 74 / 0 / 67 / 24

HEX #33C140

RGB 51 193 64

HSL 125.49, 0.58%, 0.48%

LAB 68.91, -61.98, 52.42

 

CMYK 85 / 0 / 77 / 16

HEX #1FD530

RGB 31 213 48

HSL 125.6, 0.75%, 0.48%

LAB 74.88, -71.84, 64.21

 

CMYK 95 / 0 / 86 / 9

HEX #0BE920

RGB 11 233 32

HSL 125.68, 0.91%, 0.48%

LAB 80.99, -79.39, 73.82

 

CMYK 74 / 0 / 67 / 24

HEX #33C140

RGB 51 193 64

HSL 125.49, 0.58%, 0.48%

LAB 68.91, -61.98, 52.42

 

CMYK 59 / 0 / 54 / 32

HEX #47AD50

RGB 71 173 80

HSL 125.29, 0.42%, 0.48%

LAB 63.18, -49, 38.73

 

CMYK 41 / 0 / 37 / 40

HEX #5B9960

RGB 91 153 96

HSL 124.84, 0.25%, 0.48%

LAB 57.9, -32.36, 23.84

 

CMYK 17 / 0 / 16 / 48

HEX #6E8570

RGB 110 133 112

HSL 125.22, 0.09%, 0.48%

LAB 53.23, -12.66, 8.6

 

CMYK 0 / 12 / 1 / 49

HEX #827281

RGB 130 114 129

HSL 303.75, 0.07%, 0.48%

LAB 49.94, 9.09, -5.95

 

CMYK 40 / 0 / 74 / 24

HEX #73C133

RGB 115 193 51

HSL 92.96, 0.58%, 0.48%

LAB 70.89, -46.9, 60.07

 

CMYK 60 / 0 / 74 / 24

HEX #4DC133

RGB 77 193 51

HSL 109.01, 0.58%, 0.48%

LAB 69.44, -57.93, 58.15

 

CMYK 74 / 0 / 67 / 24

HEX #33C13F

RGB 51 193 63

HSL 125.07, 0.58%, 0.48%

LAB 68.9, -62.08, 52.82

 

CMYK 74 / 0 / 48 / 24

HEX #33C165

RGB 51 193 101

HSL 141.13, 0.58%, 0.48%

LAB 69.31, -57.14, 35.75

 

CMYK 74 / 0 / 28 / 24

HEX #33C18A

RGB 51 193 138

HSL 156.76, 0.58%, 0.48%

LAB 69.95, -50.02, 17.22

 

CMYK 73 / 0 / 67 / 50

HEX #22802A

RGB 34 128 42

HSL 125.11, 0.58%, 0.32%

LAB 46.9, -44.97, 37.78

 

CMYK 74 / 0 / 67 / 37

HEX #2AA035

RGB 42 160 53

HSL 125.59, 0.58%, 0.4%

LAB 57.93, -53.57, 45.06

 

CMYK 74 / 0 / 67 / 24

HEX #33C140

RGB 51 193 64

HSL 125.49, 0.58%, 0.48%

LAB 68.91, -61.98, 52.42

 

CMYK 62 / 0 / 57 / 19

HEX #4ECF59

RGB 78 207 89

HSL 125.12, 0.57%, 0.56%

LAB 74.17, -58.93, 47.6

 

CMYK 49 / 0 / 44 / 15

HEX #6ED878

RGB 110 216 120

HSL 125.66, 0.58%, 0.64%

LAB 78.33, -50.37, 38.03

 

CMYK 73 / 0 / 66 / 24

HEX #34C241

RGB 52 194 65

HSL 125.49, 0.58%, 0.48%

LAB 69.25, -62.05, 52.39

 

CMYK 74 / 21 / 0 / 24

HEX #3399C1

RGB 51 153 193

HSL 196.9, 0.58%, 0.48%

LAB 59.28, -15.74, -29.04

 

CMYK 0 / 74 / 50 / 24

HEX #C13360

RGB 193 51 96

HSL 340.99, 0.58%, 0.48%

LAB 45.01, 58.6, 7.88

 

CMYK 73 / 0 / 66 / 24

HEX #34C241

RGB 52 194 65

HSL 125.49, 0.58%, 0.48%

LAB 69.25, -62.05, 52.39

 

CMYK 67 / 74 / 0 / 24

HEX #3F33C1

RGB 63 51 193

HSL 245.07, 0.58%, 0.48%

LAB 32.42, 47.96, -72.01

 

CMYK 0 / 67 / 74 / 24

HEX #C13F33

RGB 193 63 51

HSL 5.07, 0.58%, 0.48%

LAB 45.81, 51.2, 36.08

 

CMYK 73 / 0 / 66 / 24

HEX #34C241

RGB 52 194 65

HSL 125.49, 0.58%, 0.48%

LAB 69.25, -62.05, 52.39

 

CMYK 74 / 21 / 0 / 24

HEX #3399C1

RGB 51 153 193

HSL 196.9, 0.58%, 0.48%

LAB 59.28, -15.74, -29.04

 

CMYK 0 / 74 / 6 / 24

HEX #C133B5

RGB 193 51 181

HSL 305.07, 0.58%, 0.48%

LAB 48.31, 68.87, -38.47

 

CMYK 0 / 53 / 74 / 24

HEX #C15B33

RGB 193 91 51

HSL 16.9, 0.58%, 0.48%

LAB 50.76, 38.21, 41.51

 

CMYK 73 / 0 / 66 / 24

HEX #34C241

RGB 52 194 65

HSL 125.49, 0.58%, 0.48%

LAB 69.25, -62.05, 52.39

 

CMYK 74 / 43 / 0 / 24

HEX #336EC1

RGB 51 110 193

HSL 215.07, 0.58%, 0.48%

LAB 46.59, 9.53, -49.03

 

CMYK 0 / 74 / 6 / 24

HEX #C133B5

RGB 193 51 181

HSL 305.07, 0.58%, 0.48%

LAB 48.31, 68.87, -38.47

 

CMYK 0 / 31 / 74 / 24

HEX #C18633

RGB 193 134 51

HSL 35.07, 0.58%, 0.48%

LAB 60.45, 15.07, 51.62

 

Description

Color code: HEX #34C241 | qconv.com Color code: HEX #34C241 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 194 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 194 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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