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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34CABB it is the complementary color #CB3544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34CABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34CABB shade: #39CAB6, #4ADCC9, #5BEEDC, #6CFFEF and #7DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34CABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34CABB shade: #34CABB, #23B8A8, #12A695, #019482 and #00826F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34CABB shade: #34CABB, #34CA93, #34CA6A, #34CA41 and #4FCA34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34CABB shade: #34CABB, #34B1CA, #3488CA, #3460CA and #3437CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34CABB shade matches the following richer shades: #34CABB, #1FDFCC and #0BF3DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34CABB shade: #34CABB, #48B6AB, #5DA19A, #728C8A and #867879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34CABB shade: #34CA6B, #34CA93, #34CABB, #34B1CA and #3489CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34CABB shade: #23897E, #2BA99D, #34CABB, #55D3C6 and #75DBD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34CABB shade: #34CABB, #4334CA and #CA7F34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34CABB shade: #34CABB, #BB34CA and #CABB34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34CABB shade: #34CABB, #4334CA, #CA3443 and #BBCA34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34CABB shade: #34CABB, #7034CA, #CA3443 and #8ECA34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

Complementary color

CMYK 0 / 74 / 67 / 20

HEX #CB3544

RGB 203 53 68

HSL 354, 0.59%, 0.5%

LAB 46.53, 58.96, 27.41

 

CMYK 72 / 0 / 10 / 21

HEX #39CAB6

RGB 57 202 182

HSL 171.72, 0.58%, 0.51%

LAB 73.86, -42.23, -0.98

 

CMYK 66 / 0 / 9 / 14

HEX #4ADCC9

RGB 74 220 201

HSL 172.19, 0.68%, 0.58%

LAB 80.1, -42.81, -2

 

CMYK 62 / 0 / 8 / 7

HEX #5BEEDC

RGB 91 238 220

HSL 172.65, 0.81%, 0.65%

LAB 86.28, -43.21, -2.94

 

CMYK 58 / 0 / 6 / 0

HEX #6CFFEF

RGB 108 255 239

HSL 173.47, 1%, 0.71%

LAB 92.11, -43.03, -4.22

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 81 / 0 / 9 / 28

HEX #23B8A8

RGB 35 184 168

HSL 173.56, 0.68%, 0.43%

LAB 67.62, -40.51, -2.51

 

CMYK 89 / 0 / 10 / 35

HEX #12A695

RGB 18 166 149

HSL 173.11, 0.8%, 0.36%

LAB 61.28, -39.18, -1.27

 

CMYK 99 / 0 / 12 / 42

HEX #019482

RGB 1 148 130

HSL 172.65, 0.99%, 0.29%

LAB 54.86, -37.48, 0.12

 

CMYK 100 / 0 / 15 / 49

HEX #00826F

RGB 0 130 111

HSL 171.23, 1%, 0.25%

LAB 48.4, -35.03, 1.74

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 74 / 0 / 27 / 21

HEX #34CA93

RGB 52 202 147

HSL 158, 0.59%, 0.5%

LAB 72.94, -51.46, 16.56

 

CMYK 74 / 0 / 48 / 21

HEX #34CA6A

RGB 52 202 106

HSL 141.6, 0.59%, 0.5%

LAB 72.24, -59.38, 36.94

 

CMYK 74 / 0 / 68 / 21

HEX #34CA41

RGB 52 202 65

HSL 125.2, 0.59%, 0.5%

LAB 71.79, -64.64, 55.13

 

CMYK 61 / 0 / 74 / 21

HEX #4FCA34

RGB 79 202 52

HSL 109.2, 0.59%, 0.5%

LAB 72.33, -60.52, 60.71

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 74 / 12 / 0 / 21

HEX #34B1CA

RGB 52 177 202

HSL 190, 0.59%, 0.5%

LAB 66.85, -25.23, -22.42

 

CMYK 74 / 33 / 0 / 21

HEX #3488CA

RGB 52 136 202

HSL 206.4, 0.59%, 0.5%

LAB 54.66, -2.87, -41.35

 

CMYK 74 / 52 / 0 / 21

HEX #3460CA

RGB 52 96 202

HSL 222.4, 0.59%, 0.5%

LAB 43.3, 21.96, -59.51

 

CMYK 74 / 73 / 0 / 21

HEX #3437CA

RGB 52 55 202

HSL 238.8, 0.59%, 0.5%

LAB 33.41, 47.55, -75.68

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 86 / 0 / 9 / 13

HEX #1FDFCC

RGB 31 223 204

HSL 174.06, 0.76%, 0.5%

LAB 80.42, -47.74, -3.21

 

CMYK 95 / 0 / 9 / 5

HEX #0BF3DC

RGB 11 243 220

HSL 174.05, 0.91%, 0.5%

LAB 86.67, -52.55, -2.48

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 60 / 0 / 6 / 29

HEX #48B6AB

RGB 72 182 171

HSL 174, 0.43%, 0.5%

LAB 67.85, -33.77, -3.75

 

CMYK 42 / 0 / 4 / 37

HEX #5DA19A

RGB 93 161 154

HSL 173.82, 0.27%, 0.5%

LAB 61.78, -23.28, -3.12

 

CMYK 19 / 0 / 1 / 45

HEX #728C8A

RGB 114 140 138

HSL 175.38, 0.1%, 0.5%

LAB 56.26, -9.63, -2.01

 

CMYK 0 / 10 / 10 / 47

HEX #867879

RGB 134 120 121

HSL 355.71, 0.06%, 0.5%

LAB 51.7, 5.57, 1.41

 

CMYK 74 / 0 / 47 / 21

HEX #34CA6B

RGB 52 202 107

HSL 142, 0.59%, 0.5%

LAB 72.25, -59.22, 36.45

 

CMYK 74 / 0 / 27 / 21

HEX #34CA93

RGB 52 202 147

HSL 158, 0.59%, 0.5%

LAB 72.94, -51.46, 16.56

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 74 / 12 / 0 / 21

HEX #34B1CA

RGB 52 177 202

HSL 190, 0.59%, 0.5%

LAB 66.85, -25.23, -22.42

 

CMYK 74 / 32 / 0 / 21

HEX #3489CA

RGB 52 137 202

HSL 206, 0.59%, 0.5%

LAB 54.95, -3.46, -40.89

 

CMYK 74 / 0 / 8 / 46

HEX #23897E

RGB 35 137 126

HSL 173.53, 0.59%, 0.34%

LAB 51.56, -30.94, -2.36

 

CMYK 75 / 0 / 7 / 34

HEX #2BA99D

RGB 43 169 157

HSL 174.29, 0.59%, 0.42%

LAB 62.78, -36.01, -3.52

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 60 / 0 / 6 / 17

HEX #55D3C6

RGB 85 211 198

HSL 173.81, 0.59%, 0.58%

LAB 77.64, -37.76, -3.99

 

CMYK 47 / 0 / 5 / 14

HEX #75DBD1

RGB 117 219 209

HSL 174.12, 0.59%, 0.66%

LAB 81.32, -32.17, -4.32

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 67 / 74 / 0 / 21

HEX #4334CA

RGB 67 52 202

HSL 246, 0.59%, 0.5%

LAB 33.8, 50.67, -75

 

CMYK 0 / 37 / 74 / 21

HEX #CA7F34

RGB 202 127 52

HSL 30, 0.59%, 0.5%

LAB 59.87, 22.83, 50.95

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 7 / 74 / 0 / 21

HEX #BB34CA

RGB 187 52 202

HSL 294, 0.59%, 0.5%

LAB 48.62, 70.69, -50.26

 

CMYK 0 / 7 / 74 / 21

HEX #CABB34

RGB 202 187 52

HSL 54, 0.59%, 0.5%

LAB 75.04, -9.34, 65.76

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 67 / 74 / 0 / 21

HEX #4334CA

RGB 67 52 202

HSL 246, 0.59%, 0.5%

LAB 33.8, 50.67, -75

 

CMYK 0 / 74 / 67 / 21

HEX #CA3443

RGB 202 52 67

HSL 354, 0.59%, 0.5%

LAB 46.2, 58.94, 27.57

 

CMYK 7 / 0 / 74 / 21

HEX #BBCA34

RGB 187 202 52

HSL 66, 0.59%, 0.5%

LAB 77.91, -23.23, 68.02

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 45 / 74 / 0 / 21

HEX #7034CA

RGB 112 52 202

HSL 264, 0.59%, 0.5%

LAB 38.14, 56.79, -67.72

 

CMYK 0 / 74 / 67 / 21

HEX #CA3443

RGB 202 52 67

HSL 354, 0.59%, 0.5%

LAB 46.2, 58.94, 27.57

 

CMYK 30 / 0 / 74 / 21

HEX #8ECA34

RGB 142 202 52

HSL 84, 0.59%, 0.5%

LAB 74.98, -41.09, 64.2

 

Description

Color code: HEX #34CABB | qconv.com Color code: HEX #34CABB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 202 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 202 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 7 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 7% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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