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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34DF56 it is the complementary color #CB20A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34DF56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34DF56 shade: #39DF51, #4AF164, #5BFF77, #6CFF8A and #7DFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34DF56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34DF56 shade: #34DF56, #23CD43, #12BB30, #01A91D and #00970A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34DF56 shade: #34DF56, #40DF34, #6EDF34, #9CDF34 and #CADF34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34DF56 shade: #34DF56, #34DF84, #34DFB2, #34DDDF and #34AFDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34DF56 shade matches the following richer shades: #34DF56 and #21F24A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34DF56 shade: #34DF56, #47CC61, #5AB96C, #6DA678 and #7F9383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34DF56 shade: #70DF34, #42DF34, #34DF53, #34DF81 and #34DFAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34DF56 shade: #1AA636, #1FCA41, #34DF56, #57E473 and #7BEA91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34DF56 shade: #34DF56, #349DDF and #DF3459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34DF56 shade: #34DF56, #5334DF and #DF5334

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34DF56 shade: #34DF56, #349DDF, #DF34BF and #DF7534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34DF56 shade: #34DF56, #346ADF, #DF34BF and #DFA934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

Complementary color

CMYK 0 / 84 / 17 / 20

HEX #CB20A9

RGB 203 32 169

HSL 311.93, 0.73%, 0.46%

LAB 47.74, 74.18, -32.18

 

CMYK 74 / 0 / 64 / 13

HEX #39DF51

RGB 57 223 81

HSL 128.67, 0.72%, 0.55%

LAB 78.6, -69, 56.06

 

CMYK 69 / 0 / 59 / 5

HEX #4AF164

RGB 74 241 100

HSL 129.34, 0.86%, 0.62%

LAB 84.63, -70.06, 54.86

 

CMYK 64 / 0 / 53 / 0

HEX #5BFF77

RGB 91 255 119

HSL 130.24, 1%, 0.68%

LAB 89.43, -69.4, 52.13

 

CMYK 58 / 0 / 46 / 0

HEX #6CFF8A

RGB 108 255 138

HSL 132.24, 1%, 0.71%

LAB 90.11, -63.3, 44.19

 

CMYK 51 / 0 / 38 / 0

HEX #7DFF9D

RGB 125 255 157

HSL 134.77, 1%, 0.75%

LAB 90.92, -56.43, 36.08

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 83 / 0 / 67 / 20

HEX #23CD43

RGB 35 205 67

HSL 131.29, 0.71%, 0.47%

LAB 72.51, -67.53, 55.03

 

CMYK 90 / 0 / 74 / 27

HEX #12BB30

RGB 18 187 48

HSL 130.65, 0.82%, 0.4%

LAB 66.43, -65.26, 55.83

 

CMYK 99 / 0 / 83 / 34

HEX #01A91D

RGB 1 169 29

HSL 130, 0.99%, 0.33%

LAB 60.31, -62.24, 55.9

 

CMYK 100 / 0 / 93 / 41

HEX #00970A

RGB 0 151 10

HSL 123.97, 1%, 0.3%

LAB 54.19, -57.99, 54.66

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 71 / 0 / 77 / 13

HEX #40DF34

RGB 64 223 52

HSL 115.79, 0.73%, 0.54%

LAB 78.53, -70.37, 66.67

 

CMYK 51 / 0 / 77 / 13

HEX #6EDF34

RGB 110 223 52

HSL 99.65, 0.73%, 0.54%

LAB 79.81, -59.99, 68.34

 

CMYK 30 / 0 / 77 / 13

HEX #9CDF34

RGB 156 223 52

HSL 83.51, 0.73%, 0.54%

LAB 81.89, -45.01, 71.05

 

CMYK 9 / 0 / 77 / 13

HEX #CADF34

RGB 202 223 52

HSL 67.37, 0.73%, 0.54%

LAB 84.78, -27.14, 74.78

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 77 / 0 / 41 / 13

HEX #34DF84

RGB 52 223 132

HSL 148.07, 0.73%, 0.54%

LAB 79.14, -62.36, 32.75

 

CMYK 77 / 0 / 20 / 13

HEX #34DFB2

RGB 52 223 178

HSL 164.21, 0.73%, 0.54%

LAB 80.02, -52.66, 10.05

 

CMYK 77 / 1 / 0 / 13

HEX #34DDDF

RGB 52 221 223

HSL 180.7, 0.73%, 0.54%

LAB 80.61, -39.89, -13.01

 

CMYK 77 / 22 / 0 / 13

HEX #34AFDF

RGB 52 175 223

HSL 196.84, 0.73%, 0.54%

LAB 67.06, -17.36, -33.66

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 86 / 0 / 69 / 5

HEX #21F24A

RGB 33 242 74

HSL 131.77, 0.89%, 0.54%

LAB 84.13, -78.02, 64.69

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 65 / 0 / 52 / 20

HEX #47CC61

RGB 71 204 97

HSL 131.73, 0.57%, 0.54%

LAB 73.15, -58.23, 42.57

 

CMYK 51 / 0 / 42 / 27

HEX #5AB96C

RGB 90 185 108

HSL 131.37, 0.4%, 0.54%

LAB 67.99, -44.79, 30.67

 

CMYK 34 / 0 / 28 / 35

HEX #6DA678

RGB 109 166 120

HSL 131.58, 0.24%, 0.54%

LAB 63.24, -28.49, 18.05

 

CMYK 14 / 0 / 11 / 42

HEX #7F9383

RGB 127 147 131

HSL 132, 0.08%, 0.54%

LAB 58.99, -10.39, 6.08

 

CMYK 50 / 0 / 77 / 13

HEX #70DF34

RGB 112 223 52

HSL 98.95, 0.73%, 0.54%

LAB 79.88, -59.42, 68.44

 

CMYK 70 / 0 / 77 / 13

HEX #42DF34

RGB 66 223 52

HSL 115.09, 0.73%, 0.54%

LAB 78.57, -70.03, 66.72

 

CMYK 77 / 0 / 63 / 13

HEX #34DF53

RGB 52 223 83

HSL 130.88, 0.73%, 0.54%

LAB 78.54, -69.47, 55.12

 

CMYK 77 / 0 / 42 / 13

HEX #34DF81

RGB 52 223 129

HSL 147.02, 0.73%, 0.54%

LAB 79.09, -62.9, 34.21

 

CMYK 77 / 0 / 22 / 13

HEX #34DFAE

RGB 52 223 174

HSL 162.81, 0.73%, 0.54%

LAB 79.93, -53.61, 12.04

 

CMYK 84 / 0 / 67 / 35

HEX #1AA636

RGB 26 166 54

HSL 132, 0.73%, 0.38%

LAB 59.67, -57.6, 46.45

 

CMYK 85 / 0 / 68 / 21

HEX #1FCA41

RGB 31 202 65

HSL 131.93, 0.73%, 0.46%

LAB 71.5, -67.2, 54.72

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 62 / 0 / 50 / 11

HEX #57E473

RGB 87 228 115

HSL 131.91, 0.72%, 0.62%

LAB 81.15, -61.18, 43.86

 

CMYK 47 / 0 / 38 / 8

HEX #7BEA91

RGB 123 234 145

HSL 131.89, 0.73%, 0.7%

LAB 84.54, -50.4, 33.64

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 77 / 30 / 0 / 13

HEX #349DDF

RGB 52 157 223

HSL 203.16, 0.73%, 0.54%

LAB 61.8, -7.51, -41.88

 

CMYK 0 / 77 / 60 / 13

HEX #DF3459

RGB 223 52 89

HSL 347.02, 0.73%, 0.54%

LAB 50.53, 66.29, 20.64

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 63 / 77 / 0 / 13

HEX #5334DF

RGB 83 52 223

HSL 250.88, 0.73%, 0.54%

LAB 37.16, 58.62, -81.55

 

CMYK 0 / 63 / 77 / 13

HEX #DF5334

RGB 223 83 52

HSL 10.88, 0.73%, 0.54%

LAB 54.16, 53.04, 46.06

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 77 / 30 / 0 / 13

HEX #349DDF

RGB 52 157 223

HSL 203.16, 0.73%, 0.54%

LAB 61.8, -7.51, -41.88

 

CMYK 0 / 77 / 14 / 13

HEX #DF34BF

RGB 223 52 191

HSL 311.23, 0.73%, 0.54%

LAB 53.93, 76.58, -35.12

 

CMYK 0 / 48 / 77 / 13

HEX #DF7534

RGB 223 117 52

HSL 22.81, 0.73%, 0.54%

LAB 60.48, 36.78, 52.48

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 77 / 52 / 0 / 13

HEX #346ADF

RGB 52 106 223

HSL 221.05, 0.73%, 0.54%

LAB 47.45, 23.35, -64.78

 

CMYK 0 / 77 / 14 / 13

HEX #DF34BF

RGB 223 52 191

HSL 311.23, 0.73%, 0.54%

LAB 53.93, 76.58, -35.12

 

CMYK 0 / 24 / 77 / 13

HEX #DFA934

RGB 223 169 52

HSL 41.05, 0.73%, 0.54%

LAB 72.44, 9.2, 64.03

 

Description

Color code: HEX #34DF56 | qconv.com Color code: HEX #34DF56 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 223 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 223 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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