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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34DF61 it is the complementary color #CB209E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34DF61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34DF61 shade: #39DF5C, #4AF16F, #5BFF82, #6CFF95 and #7DFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34DF61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34DF61 shade: #34DF61, #23CD4E, #12BB3B, #01A928 and #009715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34DF61 shade: #34DF61, #35DF34, #63DF34, #91DF34 and #BFDF34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34DF61 shade: #34DF61, #34DF8F, #34DFBD, #34D2DF and #34A4DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34DF61 shade matches the following richer shades: #34DF61 and #21F258

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34DF61 shade: #34DF61, #47CC6A, #5AB973, #6DA67C and #7F9385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34DF61 shade: #64DF34, #36DF34, #34DF5E, #34DF8C and #34DFBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34DF61 shade: #1AA63F, #1FCA4C, #34DF61, #57E47C and #7BEA98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34DF61 shade: #34DF61, #3492DF and #DF344D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34DF61 shade: #34DF61, #5E34DF and #DF5E34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34DF61 shade: #34DF61, #3492DF, #DF34B4 and #DF8134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34DF61 shade: #34DF61, #345EDF, #DF34B4 and #DFB434

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

Complementary color

CMYK 0 / 84 / 22 / 20

HEX #CB209E

RGB 203 32 158

HSL 315.79, 0.73%, 0.46%

LAB 47.23, 72.78, -26.43

 

CMYK 74 / 0 / 59 / 13

HEX #39DF5C

RGB 57 223 92

HSL 132.65, 0.72%, 0.55%

LAB 78.7, -67.75, 51.43

 

CMYK 69 / 0 / 54 / 5

HEX #4AF16F

RGB 74 241 111

HSL 133.29, 0.86%, 0.62%

LAB 84.75, -68.69, 50.06

 

CMYK 64 / 0 / 49 / 0

HEX #5BFF82

RGB 91 255 130

HSL 134.27, 1%, 0.68%

LAB 89.56, -67.9, 47.2

 

CMYK 58 / 0 / 42 / 0

HEX #6CFF95

RGB 108 255 149

HSL 136.73, 1%, 0.71%

LAB 90.27, -61.62, 39.06

 

CMYK 51 / 0 / 34 / 0

HEX #7DFFA8

RGB 125 255 168

HSL 139.85, 1%, 0.75%

LAB 91.1, -54.59, 30.84

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 83 / 0 / 62 / 20

HEX #23CD4E

RGB 35 205 78

HSL 135.18, 0.71%, 0.47%

LAB 72.61, -66.34, 50.52

 

CMYK 90 / 0 / 68 / 27

HEX #12BB3B

RGB 18 187 59

HSL 134.56, 0.82%, 0.4%

LAB 66.51, -64.27, 51.74

 

CMYK 99 / 0 / 76 / 34

HEX #01A928

RGB 1 169 40

HSL 133.93, 0.99%, 0.33%

LAB 60.37, -61.5, 52.53

 

CMYK 100 / 0 / 86 / 41

HEX #009715

RGB 0 151 21

HSL 128.34, 1%, 0.3%

LAB 54.23, -57.55, 52.44

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 76 / 0 / 77 / 13

HEX #35DF34

RGB 53 223 52

HSL 119.65, 0.73%, 0.54%

LAB 78.33, -72.04, 66.41

 

CMYK 56 / 0 / 77 / 13

HEX #63DF34

RGB 99 223 52

HSL 103.51, 0.73%, 0.54%

LAB 79.43, -62.94, 67.85

 

CMYK 35 / 0 / 77 / 13

HEX #91DF34

RGB 145 223 52

HSL 87.37, 0.73%, 0.54%

LAB 81.32, -48.92, 70.31

 

CMYK 14 / 0 / 77 / 13

HEX #BFDF34

RGB 191 223 52

HSL 71.23, 0.73%, 0.54%

LAB 84.02, -31.58, 73.8

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 77 / 0 / 36 / 13

HEX #34DF8F

RGB 52 223 143

HSL 151.93, 0.73%, 0.54%

LAB 79.32, -60.3, 27.38

 

CMYK 77 / 0 / 15 / 13

HEX #34DFBD

RGB 52 223 189

HSL 168.07, 0.73%, 0.54%

LAB 80.28, -49.96, 4.59

 

CMYK 77 / 6 / 0 / 13

HEX #34D2DF

RGB 52 210 223

HSL 184.56, 0.73%, 0.54%

LAB 77.37, -34.82, -17.88

 

CMYK 77 / 26 / 0 / 13

HEX #34A4DF

RGB 52 164 223

HSL 200.7, 0.73%, 0.54%

LAB 63.84, -11.41, -38.68

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 86 / 0 / 64 / 5

HEX #21F258

RGB 33 242 88

HSL 135.79, 0.89%, 0.54%

LAB 84.24, -76.65, 59.35

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 65 / 0 / 48 / 20

HEX #47CC6A

RGB 71 204 106

HSL 135.79, 0.57%, 0.54%

LAB 73.26, -56.91, 38.31

 

CMYK 51 / 0 / 38 / 27

HEX #5AB973

RGB 90 185 115

HSL 135.79, 0.4%, 0.54%

LAB 68.1, -43.61, 27.15

 

CMYK 34 / 0 / 25 / 35

HEX #6DA67C

RGB 109 166 124

HSL 135.79, 0.24%, 0.54%

LAB 63.33, -27.74, 15.96

 

CMYK 14 / 0 / 10 / 42

HEX #7F9385

RGB 127 147 133

HSL 138, 0.08%, 0.54%

LAB 59.04, -9.99, 5.01

 

CMYK 55 / 0 / 77 / 13

HEX #64DF34

RGB 100 223 52

HSL 103.16, 0.73%, 0.54%

LAB 79.46, -62.69, 67.89

 

CMYK 76 / 0 / 77 / 13

HEX #36DF34

RGB 54 223 52

HSL 119.3, 0.73%, 0.54%

LAB 78.35, -71.9, 66.43

 

CMYK 77 / 0 / 58 / 13

HEX #34DF5E

RGB 52 223 94

HSL 134.74, 0.73%, 0.54%

LAB 78.64, -68.18, 50.44

 

CMYK 77 / 0 / 37 / 13

HEX #34DF8C

RGB 52 223 140

HSL 150.88, 0.73%, 0.54%

LAB 79.27, -60.88, 28.85

 

CMYK 77 / 0 / 17 / 13

HEX #34DFBA

RGB 52 223 186

HSL 167.02, 0.73%, 0.54%

LAB 80.21, -50.71, 6.08

 

CMYK 84 / 0 / 62 / 35

HEX #1AA63F

RGB 26 166 63

HSL 135.86, 0.73%, 0.38%

LAB 59.75, -56.57, 42.56

 

CMYK 85 / 0 / 62 / 21

HEX #1FCA4C

RGB 31 202 76

HSL 135.79, 0.73%, 0.46%

LAB 71.59, -66.02, 50.23

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 62 / 0 / 46 / 11

HEX #57E47C

RGB 87 228 124

HSL 135.74, 0.72%, 0.62%

LAB 81.27, -59.84, 39.64

 

CMYK 47 / 0 / 35 / 8

HEX #7BEA98

RGB 123 234 152

HSL 135.68, 0.73%, 0.7%

LAB 84.65, -49.23, 30.25

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 77 / 35 / 0 / 13

HEX #3492DF

RGB 52 146 223

HSL 207.02, 0.73%, 0.54%

LAB 58.62, -1.2, -46.9

 

CMYK 0 / 77 / 65 / 13

HEX #DF344D

RGB 223 52 77

HSL 351.23, 0.73%, 0.54%

LAB 50.31, 65.6, 27.57

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 58 / 77 / 0 / 13

HEX #5E34DF

RGB 94 52 223

HSL 254.74, 0.73%, 0.54%

LAB 38.13, 59.85, -79.9

 

CMYK 0 / 58 / 77 / 13

HEX #DF5E34

RGB 223 94 52

HSL 14.74, 0.73%, 0.54%

LAB 56.03, 48.1, 47.99

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 77 / 35 / 0 / 13

HEX #3492DF

RGB 52 146 223

HSL 207.02, 0.73%, 0.54%

LAB 58.62, -1.2, -46.9

 

CMYK 0 / 77 / 19 / 13

HEX #DF34B4

RGB 223 52 180

HSL 315.09, 0.73%, 0.54%

LAB 53.43, 75.12, -29.51

 

CMYK 0 / 42 / 77 / 13

HEX #DF8134

RGB 223 129 52

HSL 27.02, 0.73%, 0.54%

LAB 63.04, 30.54, 55.01

 

CMYK 77 / 0 / 57 / 13

HEX #34DF61

RGB 52 223 97

HSL 135.79, 0.73%, 0.54%

LAB 78.68, -67.8, 49.12

 

CMYK 77 / 58 / 0 / 13

HEX #345EDF

RGB 52 94 223

HSL 225.26, 0.73%, 0.54%

LAB 44.32, 30.99, -69.86

 

CMYK 0 / 77 / 19 / 13

HEX #DF34B4

RGB 223 52 180

HSL 315.09, 0.73%, 0.54%

LAB 53.43, 75.12, -29.51

 

CMYK 0 / 19 / 77 / 13

HEX #DFB434

RGB 223 180 52

HSL 44.91, 0.73%, 0.54%

LAB 75.19, 3.38, 66.6

 

Description

Color code: HEX #34DF61 | qconv.com Color code: HEX #34DF61 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 223 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 223 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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