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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34E46E it is the complementary color #CB1B91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34E46E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34E46E shade: #39E469, #4AF67C, #5BFF8F, #6CFFA2 and #7DFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34E46E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34E46E shade: #34E46E, #23D25B, #12C048, #01AE35 and #009C22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34E46E shade: #33E46E, #33E43E, #58E433, #88E433 and #B8E433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34E46E shade: #33E46E, #33E49D, #33E4CD, #33CCE4 and #339CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34E46E shade matches the following richer shades: #33E46E and #21F767

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34E46E shade: #33E46E, #46D274, #59BF7A, #6BAC81 and #7E9A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34E46E shade: #5AE433, #33E43C, #33E46B, #33E49A and #33E4CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34E46E shade: #16AF48, #1BD358, #33E46E, #58E988 and #7CEEA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34E46E shade: #34E46E, #3389E4 and #E43342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34E46E shade: #34E46E, #6B33E4 and #E46B33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34E46E shade: #34E46E, #3389E4, #E433AC and #E48F33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34E46E shade: #34E46E, #3354E4, #E433AC and #E4C433

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 52 / 11

HEX #34E46E

RGB 52 228 110

HSL 139.77, 0.77%, 0.55%

LAB 80.37, -67.65, 45.12

 

Complementary color

CMYK 0 / 87 / 29 / 20

HEX #CB1B91

RGB 203 27 145

HSL 319.77, 0.77%, 0.45%

LAB 46.34, 72.2, -19.99

 

CMYK 75 / 0 / 54 / 11

HEX #39E469

RGB 57 228 105

HSL 136.84, 0.76%, 0.56%

LAB 80.39, -67.71, 47.51

 

CMYK 70 / 0 / 50 / 4

HEX #4AF67C

RGB 74 246 124

HSL 137.44, 0.91%, 0.63%

LAB 86.42, -68.58, 46.04

 

CMYK 64 / 0 / 44 / 0

HEX #5BFF8F

RGB 91 255 143

HSL 139.02, 1%, 0.68%

LAB 89.73, -65.95, 41.2

 

CMYK 58 / 0 / 36 / 0

HEX #6CFFA2

RGB 108 255 162

HSL 142.04, 1%, 0.71%

LAB 90.47, -59.45, 32.9

 

CMYK 51 / 0 / 29 / 0

HEX #7DFFB5

RGB 125 255 181

HSL 145.85, 1%, 0.75%

LAB 91.33, -52.24, 24.59

 

CMYK 77 / 0 / 52 / 11

HEX #34E46E

RGB 52 228 110

HSL 139.77, 0.77%, 0.55%

LAB 80.37, -67.65, 45.12

 

CMYK 83 / 0 / 57 / 18

HEX #23D25B

RGB 35 210 91

HSL 139.2, 0.71%, 0.48%

LAB 74.32, -66.3, 46.66

 

CMYK 91 / 0 / 63 / 25

HEX #12C048

RGB 18 192 72

HSL 138.62, 0.83%, 0.41%

LAB 68.24, -64.37, 48.15

 

CMYK 99 / 0 / 70 / 32

HEX #01AE35

RGB 1 174 53

HSL 138.03, 0.99%, 0.34%

LAB 62.11, -61.83, 49.44

 

CMYK 100 / 0 / 78 / 39

HEX #009C22

RGB 0 156 34

HSL 133.08, 1%, 0.31%

LAB 55.98, -58.2, 50.25

 

CMYK 78 / 0 / 52 / 11

HEX #33E46E

RGB 51 228 110

HSL 140, 0.77%, 0.55%

LAB 80.36, -67.78, 45.1

 

CMYK 78 / 0 / 73 / 11

HEX #33E43E

RGB 51 228 62

HSL 123.73, 0.77%, 0.55%

LAB 79.92, -73.1, 64.7

 

CMYK 61 / 0 / 78 / 11

HEX #58E433

RGB 88 228 51

HSL 107.46, 0.77%, 0.55%

LAB 80.63, -67.34, 69.18

 

CMYK 40 / 0 / 78 / 11

HEX #88E433

RGB 136 228 51

HSL 91.19, 0.77%, 0.55%

LAB 82.36, -54.02, 71.43

 

CMYK 19 / 0 / 78 / 11

HEX #B8E433

RGB 184 228 51

HSL 74.92, 0.77%, 0.55%

LAB 84.95, -36.67, 74.78

 

CMYK 78 / 0 / 52 / 11

HEX #33E46E

RGB 51 228 110

HSL 140, 0.77%, 0.55%

LAB 80.36, -67.78, 45.1

 

CMYK 78 / 0 / 31 / 11

HEX #33E49D

RGB 51 228 157

HSL 155.93, 0.77%, 0.55%

LAB 81.08, -59.43, 22.54

 

CMYK 78 / 0 / 10 / 11

HEX #33E4CD

RGB 51 228 205

HSL 172.2, 0.77%, 0.55%

LAB 82.16, -48.02, -1.15

 

CMYK 78 / 11 / 0 / 11

HEX #33CCE4

RGB 51 204 228

HSL 188.14, 0.77%, 0.55%

LAB 75.76, -30.54, -23.02

 

CMYK 78 / 32 / 0 / 11

HEX #339CE4

RGB 51 156 228

HSL 204.41, 0.77%, 0.55%

LAB 61.73, -5.3, -44.77

 

CMYK 78 / 0 / 52 / 11

HEX #33E46E

RGB 51 228 110

HSL 140, 0.77%, 0.55%

LAB 80.36, -67.78, 45.1

 

CMYK 87 / 0 / 58 / 3

HEX #21F767

RGB 33 247 103

HSL 139.63, 0.93%, 0.55%

LAB 85.92, -76.42, 54.89

 

CMYK 78 / 0 / 52 / 11

HEX #33E46E

RGB 51 228 110

HSL 140, 0.77%, 0.55%

LAB 80.36, -67.78, 45.1

 

CMYK 67 / 0 / 45 / 18

HEX #46D274

RGB 70 210 116

HSL 139.71, 0.61%, 0.55%

LAB 75.24, -57.72, 35.82

 

CMYK 53 / 0 / 36 / 25

HEX #59BF7A

RGB 89 191 122

HSL 139.41, 0.44%, 0.55%

LAB 70.03, -45.15, 26.02

 

CMYK 38 / 0 / 25 / 33

HEX #6BAC81

RGB 107 172 129

HSL 140.31, 0.28%, 0.55%

LAB 65.13, -30.3, 15.7

 

CMYK 18 / 0 / 12 / 40

HEX #7E9A87

RGB 126 154 135

HSL 139.29, 0.12%, 0.55%

LAB 61.04, -13.73, 6.74

 

CMYK 61 / 0 / 78 / 11

HEX #5AE433

RGB 90 228 51

HSL 106.78, 0.77%, 0.55%

LAB 80.68, -66.89, 69.25

 

CMYK 78 / 0 / 74 / 11

HEX #33E43C

RGB 51 228 60

HSL 123.05, 0.77%, 0.55%

LAB 79.91, -73.25, 65.37

 

CMYK 78 / 0 / 53 / 11

HEX #33E46B

RGB 51 228 107

HSL 138.98, 0.77%, 0.55%

LAB 80.32, -68.2, 46.47

 

CMYK 78 / 0 / 32 / 11

HEX #33E49A

RGB 51 228 154

HSL 154.92, 0.77%, 0.55%

LAB 81.03, -60.05, 24.02

 

CMYK 78 / 0 / 11 / 11

HEX #33E4CA

RGB 51 228 202

HSL 171.19, 0.77%, 0.55%

LAB 82.08, -48.81, 0.32

 

CMYK 87 / 0 / 59 / 31

HEX #16AF48

RGB 22 175 72

HSL 139.61, 0.78%, 0.39%

LAB 62.76, -58.7, 41.85

 

CMYK 87 / 0 / 58 / 17

HEX #1BD358

RGB 27 211 88

HSL 139.89, 0.77%, 0.47%

LAB 74.53, -67.68, 48.25

 

CMYK 78 / 0 / 52 / 11

HEX #33E46E

RGB 51 228 110

HSL 140, 0.77%, 0.55%

LAB 80.36, -67.78, 45.1

 

CMYK 62 / 0 / 42 / 9

HEX #58E988

RGB 88 233 136

HSL 139.86, 0.77%, 0.63%

LAB 82.98, -59.58, 35.91

 

CMYK 48 / 0 / 32 / 7

HEX #7CEEA2

RGB 124 238 162

HSL 140, 0.77%, 0.71%

LAB 86.03, -48.9, 27.02

 

CMYK 77 / 0 / 52 / 11

HEX #34E46E

RGB 52 228 110

HSL 139.77, 0.77%, 0.55%

LAB 80.37, -67.65, 45.12

 

CMYK 78 / 40 / 0 / 11

HEX #3389E4

RGB 51 137 228

HSL 210.85, 0.77%, 0.55%

LAB 56.28, 5.83, -53.39

 

CMYK 0 / 78 / 71 / 11

HEX #E43342

RGB 228 51 66

HSL 354.92, 0.77%, 0.55%

LAB 50.98, 66.77, 35.1

 

CMYK 77 / 0 / 52 / 11

HEX #34E46E

RGB 52 228 110

HSL 139.77, 0.77%, 0.55%

LAB 80.37, -67.65, 45.12

 

CMYK 53 / 78 / 0 / 11

HEX #6B33E4

RGB 107 51 228

HSL 258.98, 0.77%, 0.55%

LAB 39.74, 63.21, -80.07

 

CMYK 0 / 53 / 78 / 11

HEX #E46B33

RGB 228 107 51

HSL 18.98, 0.77%, 0.55%

LAB 59.2, 43.7, 51.91

 

CMYK 77 / 0 / 52 / 11

HEX #34E46E

RGB 52 228 110

HSL 139.77, 0.77%, 0.55%

LAB 80.37, -67.65, 45.12

 

CMYK 78 / 40 / 0 / 11

HEX #3389E4

RGB 51 137 228

HSL 210.85, 0.77%, 0.55%

LAB 56.28, 5.83, -53.39

 

CMYK 0 / 78 / 25 / 11

HEX #E433AC

RGB 228 51 172

HSL 318.98, 0.77%, 0.55%

LAB 53.86, 75.53, -24.1

 

CMYK 0 / 37 / 78 / 11

HEX #E48F33

RGB 228 143 51

HSL 31.19, 0.77%, 0.55%

LAB 66.81, 25.16, 59.29

 

CMYK 77 / 0 / 52 / 11

HEX #34E46E

RGB 52 228 110

HSL 139.77, 0.77%, 0.55%

LAB 80.37, -67.65, 45.12

 

CMYK 78 / 63 / 0 / 11

HEX #3354E4

RGB 51 84 228

HSL 228.81, 0.77%, 0.55%

LAB 42.22, 39, -76.13

 

CMYK 0 / 78 / 25 / 11

HEX #E433AC

RGB 228 51 172

HSL 318.98, 0.77%, 0.55%

LAB 53.86, 75.53, -24.1

 

CMYK 0 / 14 / 78 / 11

HEX #E4C433

RGB 228 196 51

HSL 49.15, 0.77%, 0.55%

LAB 79.73, -2.84, 71.28

 

Description

Color code: HEX #34E46E | qconv.com Color code: HEX #34E46E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 228 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 228 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 52 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 52% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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