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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34ECF7 it is the complementary color #CB1308. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34ECF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34ECF7 shade: #39ECF2, #4AFEFF, #5BFFFF, #6CFFFF and #7DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34ECF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34ECF7 shade: #34ECF7, #23DAE4, #12C8D1, #01B6BE and #00A4AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34ECF7 shade: #36EBF6, #36B7F6, #3684F6, #3650F6 and #5036F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34ECF7 shade: #36EBF6, #36B7F6, #3684F6, #3650F6 and #3636F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34ECF7 shade matches the following richer shades: #36EBF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34ECF7 shade: #36EBF6, #47DCE5, #58CDD4, #69BEC3 and #79AFB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34ECF7 shade: #36F699, #36F6CC, #36EDF6, #36B9F6 and #3686F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34ECF7 shade: #08C6D1, #0EE8F4, #36EBF6, #5DEFF8 and #85F3F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34ECF7 shade: #34ECF7, #6636F6 and #F6B336

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34ECF7 shade: #34ECF7, #F636ED and #EDF636

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34ECF7 shade: #34ECF7, #6636F6, #F63F36 and #C6F636

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34ECF7 shade: #34ECF7, #A036F6, #F63F36 and #8CF636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 4 / 0 / 3

HEX #34ECF7

RGB 52 236 247

HSL 183.38, 0.92%, 0.59%

LAB 85.72, -39.74, -18.02

 

Complementary color

CMYK 0 / 91 / 96 / 20

HEX #CB1308

RGB 203 19 8

HSL 3.38, 0.92%, 0.41%

LAB 43.03, 65.5, 54.26

 

CMYK 76 / 2 / 0 / 5

HEX #39ECF2

RGB 57 236 242

HSL 181.95, 0.88%, 0.59%

LAB 85.64, -40.74, -15.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFEFF

RGB 74 254 255

HSL 180.33, 1%, 0.65%

LAB 91.49, -43.35, -13.52

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 79 / 4 / 0 / 3

HEX #34ECF7

RGB 52 236 247

HSL 183.38, 0.92%, 0.59%

LAB 85.72, -39.74, -18.02

 

CMYK 85 / 4 / 0 / 11

HEX #23DAE4

RGB 35 218 228

HSL 183.11, 0.78%, 0.52%

LAB 79.67, -38.41, -17.11

 

CMYK 91 / 4 / 0 / 18

HEX #12C8D1

RGB 18 200 209

HSL 182.83, 0.84%, 0.45%

LAB 73.57, -36.76, -16.1

 

CMYK 99 / 4 / 0 / 25

HEX #01B6BE

RGB 1 182 190

HSL 182.54, 0.99%, 0.37%

LAB 67.41, -34.81, -15

 

CMYK 100 / 4 / 0 / 33

HEX #00A4AB

RGB 0 164 171

HSL 182.46, 1%, 0.34%

LAB 61.21, -32.35, -13.76

 

CMYK 78 / 4 / 0 / 4

HEX #36EBF6

RGB 54 235 246

HSL 183.44, 0.91%, 0.59%

LAB 85.43, -39.4, -17.94

 

CMYK 78 / 26 / 0 / 4

HEX #36B7F6

RGB 54 183 246

HSL 199.69, 0.91%, 0.59%

LAB 70.39, -13.68, -41.03

 

CMYK 78 / 46 / 0 / 4

HEX #3684F6

RGB 54 132 246

HSL 215.63, 0.91%, 0.59%

LAB 56.03, 15.79, -63.8

 

CMYK 78 / 67 / 0 / 4

HEX #3650F6

RGB 54 80 246

HSL 231.88, 0.91%, 0.59%

LAB 43.03, 47.97, -84.97

 

CMYK 67 / 78 / 0 / 4

HEX #5036F6

RGB 80 54 246

HSL 248.13, 0.91%, 0.59%

LAB 39.58, 63.97, -90.61

 

CMYK 78 / 4 / 0 / 4

HEX #36EBF6

RGB 54 235 246

HSL 183.44, 0.91%, 0.59%

LAB 85.43, -39.4, -17.94

 

CMYK 78 / 26 / 0 / 4

HEX #36B7F6

RGB 54 183 246

HSL 199.69, 0.91%, 0.59%

LAB 70.39, -13.68, -41.03

 

CMYK 78 / 46 / 0 / 4

HEX #3684F6

RGB 54 132 246

HSL 215.63, 0.91%, 0.59%

LAB 56.03, 15.79, -63.8

 

CMYK 78 / 67 / 0 / 4

HEX #3650F6

RGB 54 80 246

HSL 231.88, 0.91%, 0.59%

LAB 43.03, 47.97, -84.97

 

CMYK 78 / 78 / 0 / 4

HEX #3636F6

RGB 54 54 246

HSL 240, 0.91%, 0.59%

LAB 37.98, 62.1, -93.3

 

CMYK 78 / 4 / 0 / 4

HEX #36EBF6

RGB 54 235 246

HSL 183.44, 0.91%, 0.59%

LAB 85.43, -39.4, -17.94

 

CMYK 78 / 4 / 0 / 4

HEX #36EBF6

RGB 54 235 246

HSL 183.44, 0.91%, 0.59%

LAB 85.43, -39.4, -17.94

 

CMYK 69 / 4 / 0 / 10

HEX #47DCE5

RGB 71 220 229

HSL 183.42, 0.75%, 0.59%

LAB 80.84, -35.57, -15.83

 

CMYK 58 / 3 / 0 / 17

HEX #58CDD4

RGB 88 205 212

HSL 183.39, 0.59%, 0.59%

LAB 76.37, -30.65, -13.39

 

CMYK 46 / 3 / 0 / 24

HEX #69BEC3

RGB 105 190 195

HSL 183.33, 0.43%, 0.59%

LAB 72.07, -24.39, -10.53

 

CMYK 32 / 2 / 0 / 30

HEX #79AFB2

RGB 121 175 178

HSL 183.16, 0.27%, 0.59%

LAB 67.98, -16.86, -7.21

 

CMYK 78 / 0 / 38 / 4

HEX #36F699

RGB 54 246 153

HSL 150.94, 0.91%, 0.59%

LAB 86.5, -66.42, 31.91

 

CMYK 78 / 0 / 17 / 4

HEX #36F6CC

RGB 54 246 204

HSL 166.88, 0.91%, 0.59%

LAB 87.51, -55.39, 7.14

 

CMYK 78 / 4 / 0 / 4

HEX #36EDF6

RGB 54 237 246

HSL 182.81, 0.91%, 0.59%

LAB 86.01, -40.31, -17.07

 

CMYK 78 / 25 / 0 / 4

HEX #36B9F6

RGB 54 185 246

HSL 199.06, 0.91%, 0.59%

LAB 70.96, -14.75, -40.13

 

CMYK 78 / 46 / 0 / 4

HEX #3686F6

RGB 54 134 246

HSL 215, 0.91%, 0.59%

LAB 56.57, 14.57, -62.92

 

CMYK 96 / 5 / 0 / 18

HEX #08C6D1

RGB 8 198 209

HSL 183.28, 0.93%, 0.43%

LAB 72.92, -36.16, -17.09

 

CMYK 94 / 5 / 0 / 4

HEX #0EE8F4

RGB 14 232 244

HSL 183.13, 0.91%, 0.51%

LAB 84.14, -40.89, -18.86

 

CMYK 78 / 4 / 0 / 4

HEX #36EBF6

RGB 54 235 246

HSL 183.44, 0.91%, 0.59%

LAB 85.43, -39.4, -17.94

 

CMYK 63 / 4 / 0 / 3

HEX #5DEFF8

RGB 93 239 248

HSL 183.48, 0.92%, 0.67%

LAB 87.41, -35.93, -15.94

 

CMYK 47 / 2 / 0 / 2

HEX #85F3F9

RGB 133 243 249

HSL 183.1, 0.91%, 0.75%

LAB 89.83, -30.05, -12.71

 

CMYK 79 / 4 / 0 / 3

HEX #34ECF7

RGB 52 236 247

HSL 183.38, 0.92%, 0.59%

LAB 85.72, -39.74, -18.02

 

CMYK 59 / 78 / 0 / 4

HEX #6636F6

RGB 102 54 246

HSL 255, 0.91%, 0.59%

LAB 41.4, 66.1, -87.53

 

CMYK 0 / 27 / 78 / 4

HEX #F6B336

RGB 246 179 54

HSL 39.06, 0.91%, 0.59%

LAB 77.34, 13.8, 68.76

 

CMYK 79 / 4 / 0 / 3

HEX #34ECF7

RGB 52 236 247

HSL 183.38, 0.92%, 0.59%

LAB 85.72, -39.74, -18.02

 

CMYK 0 / 78 / 4 / 4

HEX #F636ED

RGB 246 54 237

HSL 302.81, 0.91%, 0.59%

LAB 60.2, 87.23, -51.11

 

CMYK 4 / 0 / 78 / 4

HEX #EDF636

RGB 237 246 54

HSL 62.81, 0.91%, 0.59%

LAB 93.53, -23.72, 83.03

 

CMYK 79 / 4 / 0 / 3

HEX #34ECF7

RGB 52 236 247

HSL 183.38, 0.92%, 0.59%

LAB 85.72, -39.74, -18.02

 

CMYK 59 / 78 / 0 / 4

HEX #6636F6

RGB 102 54 246

HSL 255, 0.91%, 0.59%

LAB 41.4, 66.1, -87.53

 

CMYK 0 / 74 / 78 / 4

HEX #F63F36

RGB 246 63 54

HSL 2.81, 0.91%, 0.59%

LAB 55.5, 67.92, 47.68

 

CMYK 20 / 0 / 78 / 4

HEX #C6F636

RGB 198 246 54

HSL 75, 0.91%, 0.59%

LAB 90.86, -39.19, 79.64

 

CMYK 79 / 4 / 0 / 3

HEX #34ECF7

RGB 52 236 247

HSL 183.38, 0.92%, 0.59%

LAB 85.72, -39.74, -18.02

 

CMYK 35 / 78 / 0 / 4

HEX #A036F6

RGB 160 54 246

HSL 273.13, 0.91%, 0.59%

LAB 47.96, 73.76, -76.52

 

CMYK 0 / 74 / 78 / 4

HEX #F63F36

RGB 246 63 54

HSL 2.81, 0.91%, 0.59%

LAB 55.5, 67.92, 47.68

 

CMYK 43 / 0 / 78 / 4

HEX #8CF636

RGB 140 246 54

HSL 93.13, 0.91%, 0.59%

LAB 87.85, -59.56, 75.76

 

Description

Color code: HEX #34ECF7 | qconv.com Color code: HEX #34ECF7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 236 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 236 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 4 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 4% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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