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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34EE5B it is the complementary color #CB11A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34EE5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34EE5B shade: #39EE56, #4AFF69, #5BFF7C, #6CFF8F and #7DFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34EE5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34EE5B shade: #34EE5B, #23DC48, #12CA35, #01B822 and #00A60F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34EE5B shade: #34EE5B, #3FEE34, #71EE34, #A3EE34 and #D6EE34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34EE5B shade: #34EE5B, #34EE8D, #34EEBF, #34EBEE and #34B8EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34EE5B shade matches the following richer shades: #34EE5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34EE5B shade: #34EE5B, #45DC65, #57CB6F, #69B97A and #7BA784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34EE5B shade: #72EE34, #40EE34, #34EE59, #34EE8B and #34EEBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34EE5B shade: #0FC034, #12E63F, #34EE5B, #5AF17A and #80F498

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34EE5B shade: #34EE5B, #34A3EE and #EE3459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34EE5B shade: #34EE5B, #5934EE and #EE5934

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34EE5B shade: #34EE5B, #34A3EE, #EE34C9 and #EE7E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34EE5B shade: #34EE5B, #346CEE, #EE34C9 and #EEB634

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

Complementary color

CMYK 0 / 92 / 19 / 20

HEX #CB11A4

RGB 203 17 164

HSL 312.58, 0.85%, 0.43%

LAB 46.68, 75.94, -30.87

 

CMYK 76 / 0 / 64 / 7

HEX #39EE56

RGB 57 238 86

HSL 129.61, 0.84%, 0.58%

LAB 83.28, -73.2, 59.18

 

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

CMYK 64 / 0 / 51 / 0

HEX #5BFF7C

RGB 91 255 124

HSL 132.07, 1%, 0.68%

LAB 89.49, -68.74, 49.91

 

CMYK 58 / 0 / 44 / 0

HEX #6CFF8F

RGB 108 255 143

HSL 134.29, 1%, 0.71%

LAB 90.18, -62.56, 41.87

 

CMYK 51 / 0 / 36 / 0

HEX #7DFFA2

RGB 125 255 162

HSL 137.08, 1%, 0.75%

LAB 91, -55.61, 33.7

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 84 / 0 / 67 / 14

HEX #23DC48

RGB 35 220 72

HSL 132, 0.73%, 0.5%

LAB 77.29, -71.58, 58.19

 

CMYK 91 / 0 / 74 / 21

HEX #12CA35

RGB 18 202 53

HSL 131.41, 0.84%, 0.43%

LAB 71.3, -69.24, 58.99

 

CMYK 99 / 0 / 82 / 28

HEX #01B822

RGB 1 184 34

HSL 130.82, 0.99%, 0.36%

LAB 65.28, -66.22, 59.13

 

CMYK 100 / 0 / 91 / 35

HEX #00A60F

RGB 0 166 15

HSL 125.42, 1%, 0.33%

LAB 59.26, -62.08, 58.14

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 74 / 0 / 78 / 7

HEX #3FEE34

RGB 63 238 52

HSL 116.45, 0.85%, 0.57%

LAB 83.15, -75.1, 71.1

 

CMYK 53 / 0 / 78 / 7

HEX #71EE34

RGB 113 238 52

HSL 100.32, 0.85%, 0.57%

LAB 84.44, -64.56, 72.77

 

CMYK 32 / 0 / 78 / 7

HEX #A3EE34

RGB 163 238 52

HSL 84.19, 0.85%, 0.57%

LAB 86.59, -48.81, 75.55

 

CMYK 10 / 0 / 78 / 7

HEX #D6EE34

RGB 214 238 52

HSL 67.74, 0.85%, 0.57%

LAB 89.72, -29.33, 79.55

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 78 / 0 / 41 / 7

HEX #34EE8D

RGB 52 238 141

HSL 148.71, 0.85%, 0.57%

LAB 83.86, -66.02, 34.43

 

CMYK 78 / 0 / 20 / 7

HEX #34EEBF

RGB 52 238 191

HSL 164.84, 0.85%, 0.57%

LAB 84.81, -55.54, 10.05

 

CMYK 78 / 1 / 0 / 7

HEX #34EBEE

RGB 52 235 238

HSL 180.97, 0.85%, 0.57%

LAB 85.16, -41.89, -14.14

 

CMYK 78 / 23 / 0 / 7

HEX #34B8EE

RGB 52 184 238

HSL 197.42, 0.85%, 0.57%

LAB 70.3, -17.1, -36.82

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 69 / 0 / 54 / 14

HEX #45DC65

RGB 69 220 101

HSL 132.72, 0.68%, 0.57%

LAB 78.11, -63.7, 46.67

 

CMYK 57 / 0 / 45 / 20

HEX #57CB6F

RGB 87 203 111

HSL 132.41, 0.53%, 0.57%

LAB 73.47, -52.34, 36.17

 

CMYK 43 / 0 / 34 / 27

HEX #69B97A

RGB 105 185 122

HSL 132.75, 0.36%, 0.57%

LAB 68.83, -38.23, 24.52

 

CMYK 26 / 0 / 21 / 35

HEX #7BA784

RGB 123 167 132

HSL 132.27, 0.2%, 0.57%

LAB 64.58, -22.1, 13.4

 

CMYK 52 / 0 / 78 / 7

HEX #72EE34

RGB 114 238 52

HSL 100, 0.85%, 0.57%

LAB 84.47, -64.29, 72.81

 

CMYK 73 / 0 / 78 / 7

HEX #40EE34

RGB 64 238 52

HSL 116.13, 0.85%, 0.57%

LAB 83.17, -74.95, 71.12

 

CMYK 78 / 0 / 63 / 7

HEX #34EE59

RGB 52 238 89

HSL 131.94, 0.85%, 0.57%

LAB 83.23, -73.51, 57.87

 

CMYK 78 / 0 / 42 / 7

HEX #34EE8B

RGB 52 238 139

HSL 148.06, 0.85%, 0.57%

LAB 83.83, -66.38, 35.38

 

CMYK 78 / 0 / 21 / 7

HEX #34EEBC

RGB 52 238 188

HSL 163.87, 0.85%, 0.57%

LAB 84.75, -56.25, 11.52

 

CMYK 92 / 0 / 73 / 25

HEX #0FC034

RGB 15 192 52

HSL 132.54, 0.86%, 0.41%

LAB 68.06, -66.58, 56.04

 

CMYK 92 / 0 / 73 / 10

HEX #12E63F

RGB 18 230 63

HSL 132.74, 0.85%, 0.49%

LAB 80.23, -76.45, 64.56

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 63 / 0 / 49 / 5

HEX #5AF17A

RGB 90 241 122

HSL 132.72, 0.84%, 0.65%

LAB 85.25, -64.27, 45.61

 

CMYK 48 / 0 / 38 / 4

HEX #80F498

RGB 128 244 152

HSL 132.41, 0.84%, 0.73%

LAB 87.76, -52.06, 34.41

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 78 / 32 / 0 / 7

HEX #34A3EE

RGB 52 163 238

HSL 204.19, 0.85%, 0.57%

LAB 64.24, -5.63, -46.31

 

CMYK 0 / 78 / 63 / 7

HEX #EE3459

RGB 238 52 89

HSL 348.06, 0.85%, 0.57%

LAB 53.34, 70.42, 24.85

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 63 / 78 / 0 / 7

HEX #5934EE

RGB 89 52 238

HSL 251.94, 0.85%, 0.57%

LAB 39.16, 63.45, -86.76

 

CMYK 0 / 63 / 78 / 7

HEX #EE5934

RGB 238 89 52

HSL 11.94, 0.85%, 0.57%

LAB 57.63, 55.62, 50.39

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 78 / 32 / 0 / 7

HEX #34A3EE

RGB 52 163 238

HSL 204.19, 0.85%, 0.57%

LAB 64.24, -5.63, -46.31

 

CMYK 0 / 78 / 16 / 7

HEX #EE34C9

RGB 238 52 201

HSL 311.94, 0.85%, 0.57%

LAB 56.93, 81.12, -35.99

 

CMYK 0 / 47 / 78 / 7

HEX #EE7E34

RGB 238 126 52

HSL 23.87, 0.85%, 0.57%

LAB 64.44, 38.12, 57.07

 

CMYK 78 / 0 / 62 / 7

HEX #34EE5B

RGB 52 238 91

HSL 132.58, 0.85%, 0.57%

LAB 83.25, -73.29, 57.05

 

CMYK 78 / 55 / 0 / 7

HEX #346CEE

RGB 52 108 238

HSL 221.94, 0.85%, 0.57%

LAB 49.04, 27.62, -70.65

 

CMYK 0 / 78 / 16 / 7

HEX #EE34C9

RGB 238 52 201

HSL 311.94, 0.85%, 0.57%

LAB 56.93, 81.12, -35.99

 

CMYK 0 / 24 / 78 / 7

HEX #EEB634

RGB 238 182 52

HSL 41.94, 0.85%, 0.57%

LAB 77.21, 8.76, 69.02

 

Description

Color code: HEX #34EE5B | qconv.com Color code: HEX #34EE5B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 238 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 238 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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