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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34EEA9 it is the complementary color #CB1156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34EEA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34EEA9 shade: #39EEA4, #4AFFB7, #5BFFCA, #6CFFDD and #7DFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34EEA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34EEA9 shade: #34EEA9, #23DC96, #12CA83, #01B870 and #00A65D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34EEA9 shade: #34EEA9, #34EE77, #34EE44, #55EE34 and #87EE34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34EEA9 shade: #34EEA9, #34EEDB, #34CFEE, #349CEE and #346AEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34EEA9 shade matches the following richer shades: #34EEA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34EEA9 shade: #34EEA9, #45DCA4, #57CBA0, #69B99B and #7BA797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34EEA9 shade: #34EE43, #34EE75, #34EEA7, #34EED8 and #34D2EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34EEA9 shade: #0FC07E, #12E698, #34EEA9, #5AF1B9 and #80F4C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34EEA9 shade: #34EEA9, #3456EE and #EE5C34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34EEA9 shade: #34EEA9, #A734EE and #EEA734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34EEA9 shade: #34EEA9, #3456EE, #EE347B and #EECC34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34EEA9 shade: #34EEA9, #4934EE, #EE347B and #D8EE34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

Complementary color

CMYK 0 / 92 / 58 / 20

HEX #CB1156

RGB 203 17 86

HSL 337.74, 0.85%, 0.43%

LAB 43.9, 68.49, 12.85

 

CMYK 76 / 0 / 31 / 7

HEX #39EEA4

RGB 57 238 164

HSL 155.47, 0.84%, 0.58%

LAB 84.33, -61.02, 23.39

 

CMYK 71 / 0 / 28 / 0

HEX #4AFFB7

RGB 74 255 183

HSL 156.13, 1%, 0.65%

LAB 90.04, -61.32, 21.58

 

CMYK 64 / 0 / 21 / 0

HEX #5BFFCA

RGB 91 255 202

HSL 160.61, 1%, 0.68%

LAB 90.78, -54.68, 12.94

 

CMYK 58 / 0 / 13 / 0

HEX #6CFFDD

RGB 108 255 221

HSL 166.12, 1%, 0.71%

LAB 91.65, -47.38, 4.44

 

CMYK 51 / 0 / 6 / 0

HEX #7DFFF0

RGB 125 255 240

HSL 173.08, 1%, 0.75%

LAB 92.65, -39.53, -3.88

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 84 / 0 / 32 / 14

HEX #23DC96

RGB 35 220 150

HSL 157.3, 0.73%, 0.5%

LAB 78.31, -59.44, 22.35

 

CMYK 91 / 0 / 35 / 21

HEX #12CA83

RGB 18 202 131

HSL 156.85, 0.84%, 0.43%

LAB 72.23, -57.98, 24.01

 

CMYK 99 / 0 / 39 / 28

HEX #01B870

RGB 1 184 112

HSL 156.39, 0.99%, 0.36%

LAB 66.1, -56.11, 25.79

 

CMYK 100 / 0 / 44 / 35

HEX #00A65D

RGB 0 166 93

HSL 153.61, 1%, 0.33%

LAB 59.95, -53.52, 27.76

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 78 / 0 / 50 / 7

HEX #34EE77

RGB 52 238 119

HSL 141.61, 0.85%, 0.57%

LAB 83.55, -69.64, 44.78

 

CMYK 78 / 0 / 71 / 7

HEX #34EE44

RGB 52 238 68

HSL 125.16, 0.85%, 0.57%

LAB 83.07, -75.49, 65.82

 

CMYK 64 / 0 / 78 / 7

HEX #55EE34

RGB 85 238 52

HSL 109.35, 0.85%, 0.57%

LAB 83.61, -71.19, 71.7

 

CMYK 43 / 0 / 78 / 7

HEX #87EE34

RGB 135 238 52

HSL 93.23, 0.85%, 0.57%

LAB 85.28, -58.17, 73.85

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 78 / 0 / 8 / 7

HEX #34EEDB

RGB 52 238 219

HSL 173.87, 0.85%, 0.57%

LAB 85.5, -48.45, -3.64

 

CMYK 78 / 13 / 0 / 7

HEX #34CFEE

RGB 52 207 238

HSL 190, 0.85%, 0.57%

LAB 77, -28.8, -26.5

 

CMYK 78 / 34 / 0 / 7

HEX #349CEE

RGB 52 156 238

HSL 206.45, 0.85%, 0.57%

LAB 62.24, -1.64, -49.48

 

CMYK 78 / 55 / 0 / 7

HEX #346AEE

RGB 52 106 238

HSL 222.58, 0.85%, 0.57%

LAB 48.53, 28.88, -71.49

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 69 / 0 / 25 / 14

HEX #45DCA4

RGB 69 220 164

HSL 157.75, 0.68%, 0.57%

LAB 79.12, -52.47, 16.21

 

CMYK 57 / 0 / 21 / 20

HEX #57CBA0

RGB 87 203 160

HSL 157.76, 0.53%, 0.57%

LAB 74.37, -43.01, 11.71

 

CMYK 43 / 0 / 16 / 27

HEX #69B99B

RGB 105 185 155

HSL 157.5, 0.36%, 0.57%

LAB 69.52, -31.65, 7.61

 

CMYK 26 / 0 / 10 / 35

HEX #7BA797

RGB 123 167 151

HSL 158.18, 0.2%, 0.57%

LAB 65.03, -18.27, 3.48

 

CMYK 78 / 0 / 72 / 7

HEX #34EE43

RGB 52 238 67

HSL 124.84, 0.85%, 0.57%

LAB 83.06, -75.57, 66.16

 

CMYK 78 / 0 / 51 / 7

HEX #34EE75

RGB 52 238 117

HSL 140.97, 0.85%, 0.57%

LAB 83.53, -69.93, 45.69

 

CMYK 78 / 0 / 30 / 7

HEX #34EEA7

RGB 52 238 167

HSL 157.1, 0.85%, 0.57%

LAB 84.31, -60.95, 21.82

 

CMYK 78 / 0 / 9 / 7

HEX #34EED8

RGB 52 238 216

HSL 172.9, 0.85%, 0.57%

LAB 85.42, -49.25, -2.18

 

CMYK 78 / 12 / 0 / 7

HEX #34D2EE

RGB 52 210 238

HSL 189.03, 0.85%, 0.57%

LAB 77.87, -30.26, -25.16

 

CMYK 92 / 0 / 34 / 25

HEX #0FC07E

RGB 15 192 126

HSL 157.63, 0.86%, 0.41%

LAB 68.97, -55.53, 22.23

 

CMYK 92 / 0 / 34 / 10

HEX #12E698

RGB 18 230 152

HSL 157.92, 0.85%, 0.49%

LAB 81.29, -63.66, 25.35

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 63 / 0 / 23 / 5

HEX #5AF1B9

RGB 90 241 185

HSL 157.75, 0.84%, 0.65%

LAB 86.3, -52.9, 15.38

 

CMYK 48 / 0 / 18 / 4

HEX #80F4C9

RGB 128 244 201

HSL 157.76, 0.84%, 0.73%

LAB 88.69, -42.85, 10.63

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 78 / 64 / 0 / 7

HEX #3456EE

RGB 52 86 238

HSL 229.03, 0.85%, 0.57%

LAB 43.59, 41.4, -79.54

 

CMYK 0 / 61 / 78 / 7

HEX #EE5C34

RGB 238 92 52

HSL 12.9, 0.85%, 0.57%

LAB 58.11, 54.33, 50.88

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 30 / 78 / 0 / 7

HEX #A734EE

RGB 167 52 238

HSL 277.1, 0.85%, 0.57%

LAB 48.06, 73.85, -71.82

 

CMYK 0 / 30 / 78 / 7

HEX #EEA734

RGB 238 167 52

HSL 37.1, 0.85%, 0.57%

LAB 73.59, 16.67, 65.69

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 78 / 64 / 0 / 7

HEX #3456EE

RGB 52 86 238

HSL 229.03, 0.85%, 0.57%

LAB 43.59, 41.4, -79.54

 

CMYK 0 / 78 / 48 / 7

HEX #EE347B

RGB 238 52 123

HSL 337.1, 0.85%, 0.57%

LAB 54.09, 72.76, 5.51

 

CMYK 0 / 14 / 78 / 7

HEX #EECC34

RGB 238 204 52

HSL 49.03, 0.85%, 0.57%

LAB 82.71, -2.65, 74

 

CMYK 78 / 0 / 29 / 7

HEX #34EEA9

RGB 52 238 169

HSL 157.74, 0.85%, 0.57%

LAB 84.35, -60.52, 20.84

 

CMYK 69 / 78 / 0 / 7

HEX #4934EE

RGB 73 52 238

HSL 246.77, 0.85%, 0.57%

LAB 37.92, 62, -88.85

 

CMYK 0 / 78 / 48 / 7

HEX #EE347B

RGB 238 52 123

HSL 337.1, 0.85%, 0.57%

LAB 54.09, 72.76, 5.51

 

CMYK 9 / 0 / 78 / 7

HEX #D8EE34

RGB 216 238 52

HSL 67.1, 0.85%, 0.57%

LAB 89.86, -28.53, 79.72

 

Description

Color code: HEX #34EEA9 | qconv.com Color code: HEX #34EEA9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 238 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 238 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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