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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34EEE8 it is the complementary color #CB1117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34EEE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34EEE8 shade: #39EEE3, #4AFFF6, #5BFFFF, #6CFFFF and #7DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34EEE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34EEE8 shade: #34EEE8, #23DCD5, #12CAC2, #01B8AF and #00A69C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34EEE8 shade: #34EEE8, #34EEB6, #34EE83, #34EE51 and #48EE34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34EEE8 shade: #34EEE8, #34C2EE, #3490EE, #345DEE and #3434EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34EEE8 shade matches the following richer shades: #34EEE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34EEE8 shade: #34EEE8, #45DCD7, #57CBC7, #69B9B6 and #7BA7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34EEE8 shade: #34EE84, #34EEB6, #34EEE8, #34C3EE and #3491EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34EEE8 shade: #0FC0BA, #12E6DF, #34EEE8, #5AF1EC and #80F4F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34EEE8 shade: #34EEE8, #5334EE and #EE9D34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34EEE8 shade: #34EEE8, #E834EE and #EEE834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34EEE8 shade: #34EEE8, #5334EE, #EE343A and #CFEE34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34EEE8 shade: #34EEE8, #8B34EE, #EE343A and #97EE34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

Complementary color

CMYK 0 / 92 / 89 / 20

HEX #CB1117

RGB 203 17 23

HSL 358.06, 0.85%, 0.43%

LAB 43, 65.97, 48.66

 

CMYK 76 / 0 / 5 / 7

HEX #39EEE3

RGB 57 238 227

HSL 176.35, 0.84%, 0.58%

LAB 85.79, -45.82, -7.41

 

CMYK 71 / 0 / 4 / 0

HEX #4AFFF6

RGB 74 255 246

HSL 177.02, 1%, 0.65%

LAB 91.52, -46.23, -8.8

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 84 / 0 / 3 / 14

HEX #23DCD5

RGB 35 220 213

HSL 177.73, 0.73%, 0.5%

LAB 79.81, -43.68, -8.9

 

CMYK 91 / 0 / 4 / 21

HEX #12CAC2

RGB 18 202 194

HSL 177.39, 0.84%, 0.43%

LAB 73.72, -42.14, -7.75

 

CMYK 99 / 0 / 5 / 28

HEX #01B8AF

RGB 1 184 175

HSL 177.05, 0.99%, 0.36%

LAB 67.56, -40.29, -6.5

 

CMYK 100 / 0 / 6 / 35

HEX #00A69C

RGB 0 166 156

HSL 176.39, 1%, 0.33%

LAB 61.37, -37.91, -5.08

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 78 / 0 / 24 / 7

HEX #34EEB6

RGB 52 238 182

HSL 161.94, 0.85%, 0.57%

LAB 84.62, -57.64, 14.46

 

CMYK 78 / 0 / 45 / 7

HEX #34EE83

RGB 52 238 131

HSL 145.48, 0.85%, 0.57%

LAB 83.71, -67.75, 39.18

 

CMYK 78 / 0 / 66 / 7

HEX #34EE51

RGB 52 238 81

HSL 129.35, 0.85%, 0.57%

LAB 83.16, -74.33, 61.05

 

CMYK 70 / 0 / 78 / 7

HEX #48EE34

RGB 72 238 52

HSL 113.55, 0.85%, 0.57%

LAB 83.32, -73.65, 71.32

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 78 / 18 / 0 / 7

HEX #34C2EE

RGB 52 194 238

HSL 194.19, 0.85%, 0.57%

LAB 73.21, -22.3, -32.32

 

CMYK 78 / 39 / 0 / 7

HEX #3490EE

RGB 52 144 238

HSL 210.32, 0.85%, 0.57%

LAB 58.83, 5.4, -54.88

 

CMYK 78 / 61 / 0 / 7

HEX #345DEE

RGB 52 93 238

HSL 226.77, 0.85%, 0.57%

LAB 45.26, 37.06, -76.8

 

CMYK 78 / 78 / 0 / 7

HEX #3434EE

RGB 52 52 238

HSL 240, 0.85%, 0.57%

LAB 36.67, 60.53, -90.97

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 69 / 0 / 2 / 14

HEX #45DCD7

RGB 69 220 215

HSL 178.01, 0.68%, 0.57%

LAB 80.38, -39.76, -9.06

 

CMYK 57 / 0 / 2 / 20

HEX #57CBC7

RGB 87 203 199

HSL 177.93, 0.53%, 0.57%

LAB 75.37, -33.41, -7.88

 

CMYK 43 / 0 / 2 / 27

HEX #69B9B6

RGB 105 185 182

HSL 177.75, 0.36%, 0.57%

LAB 70.23, -25.24, -6.16

 

CMYK 26 / 0 / 1 / 35

HEX #7BA7A6

RGB 123 167 166

HSL 178.64, 0.2%, 0.57%

LAB 65.44, -14.92, -4.29

 

CMYK 78 / 0 / 45 / 7

HEX #34EE84

RGB 52 238 132

HSL 145.81, 0.85%, 0.57%

LAB 83.73, -67.58, 38.71

 

CMYK 78 / 0 / 24 / 7

HEX #34EEB6

RGB 52 238 182

HSL 161.94, 0.85%, 0.57%

LAB 84.62, -57.64, 14.46

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 78 / 18 / 0 / 7

HEX #34C3EE

RGB 52 195 238

HSL 193.87, 0.85%, 0.57%

LAB 73.5, -22.81, -31.87

 

CMYK 78 / 39 / 0 / 7

HEX #3491EE

RGB 52 145 238

HSL 210, 0.85%, 0.57%

LAB 59.12, 4.8, -54.43

 

CMYK 92 / 0 / 3 / 25

HEX #0FC0BA

RGB 15 192 186

HSL 177.97, 0.86%, 0.41%

LAB 70.42, -40.16, -8.29

 

CMYK 92 / 0 / 3 / 10

HEX #12E6DF

RGB 18 230 223

HSL 178.02, 0.85%, 0.49%

LAB 82.94, -46.03, -9.57

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 63 / 0 / 2 / 5

HEX #5AF1EC

RGB 90 241 236

HSL 178.01, 0.84%, 0.65%

LAB 87.55, -40.55, -9.44

 

CMYK 48 / 0 / 2 / 4

HEX #80F4F0

RGB 128 244 240

HSL 177.93, 0.84%, 0.73%

LAB 89.66, -33.85, -8.27

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 65 / 78 / 0 / 7

HEX #5334EE

RGB 83 52 238

HSL 250, 0.85%, 0.57%

LAB 38.67, 62.88, -87.59

 

CMYK 0 / 34 / 78 / 7

HEX #EE9D34

RGB 238 157 52

HSL 33.87, 0.85%, 0.57%

LAB 71.24, 21.96, 63.51

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 3 / 78 / 0 / 7

HEX #E834EE

RGB 232 52 238

HSL 298.06, 0.85%, 0.57%

LAB 57.83, 85.22, -55.57

 

CMYK 0 / 3 / 78 / 7

HEX #EEE834

RGB 238 232 52

HSL 58.06, 0.85%, 0.57%

LAB 89.92, -16.65, 80.42

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 65 / 78 / 0 / 7

HEX #5334EE

RGB 83 52 238

HSL 250, 0.85%, 0.57%

LAB 38.67, 62.88, -87.59

 

CMYK 0 / 78 / 76 / 7

HEX #EE343A

RGB 238 52 58

HSL 358.06, 0.85%, 0.57%

LAB 52.88, 69, 42.31

 

CMYK 13 / 0 / 78 / 7

HEX #CFEE34

RGB 207 238 52

HSL 70, 0.85%, 0.57%

LAB 89.23, -32.13, 78.93

 

CMYK 78 / 0 / 3 / 7

HEX #34EEE8

RGB 52 238 232

HSL 178.06, 0.85%, 0.57%

LAB 85.86, -44.91, -9.94

 

CMYK 42 / 78 / 0 / 7

HEX #8B34EE

RGB 139 52 238

HSL 268.06, 0.85%, 0.57%

LAB 44.4, 69.58, -77.95

 

CMYK 0 / 78 / 76 / 7

HEX #EE343A

RGB 238 52 58

HSL 358.06, 0.85%, 0.57%

LAB 52.88, 69, 42.31

 

CMYK 37 / 0 / 78 / 7

HEX #97EE34

RGB 151 238 52

HSL 88.06, 0.85%, 0.57%

LAB 85.99, -52.97, 74.78

 

Description

Color code: HEX #34EEE8 | qconv.com Color code: HEX #34EEE8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 238 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 238 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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