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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34FD8E it is the complementary color #CB0271. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34FD8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34FD8E shade: #39FD89, #4AFF9C, #5BFFAF, #6CFFC2 and #7DFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34FD8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34FD8E shade: #34FD8E, #23EB7B, #12D968, #01C755 and #00B542

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34FD8E shade: #35FC8E, #35FC58, #47FC35, #7DFC35 and #B3FC35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34FD8E shade: #35FC8E, #35FCC4, #35FCFA, #35C9FC and #3593FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34FD8E shade matches the following richer shades: #35FC8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34FD8E shade: #35FC8E, #45EC90, #56DB92, #66CB93 and #77BA95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34FD8E shade: #49FC35, #35FC56, #35FC8B, #35FCC0 and #35FCF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34FD8E shade: #02DD64, #0CFC77, #35FC8E, #5DFDA5 and #86FDBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34FD8E shade: #34FD8E, #357EFC and #FC3B35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34FD8E shade: #34FD8E, #8B35FC and #FC8B35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34FD8E shade: #34FD8E, #357EFC, #FC35A6 and #FCB335

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34FD8E shade: #34FD8E, #3542FC, #FC35A6 and #FCEF35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 44 / 1

HEX #34FD8E

RGB 52 253 142

HSL 146.87, 0.98%, 0.6%

LAB 88.42, -70.98, 39.85

 

Complementary color

CMYK 0 / 99 / 44 / 20

HEX #CB0271

RGB 203 2 113

HSL 326.87, 0.98%, 0.4%

LAB 44.14, 72.02, -3.71

 

CMYK 77 / 0 / 46 / 1

HEX #39FD89

RGB 57 253 137

HSL 144.49, 0.98%, 0.61%

LAB 88.41, -71.26, 42.28

 

CMYK 71 / 0 / 39 / 0

HEX #4AFF9C

RGB 74 255 156

HSL 147.18, 1%, 0.65%

LAB 89.57, -66.54, 34.54

 

CMYK 64 / 0 / 31 / 0

HEX #5BFFAF

RGB 91 255 175

HSL 150.73, 1%, 0.68%

LAB 90.25, -60.31, 25.99

 

CMYK 58 / 0 / 24 / 0

HEX #6CFFC2

RGB 108 255 194

HSL 155.1, 1%, 0.71%

LAB 91.05, -53.34, 17.49

 

CMYK 51 / 0 / 16 / 0

HEX #7DFFD5

RGB 125 255 213

HSL 160.62, 1%, 0.75%

LAB 91.99, -45.74, 9.12

 

CMYK 79 / 0 / 44 / 1

HEX #34FD8E

RGB 52 253 142

HSL 146.87, 0.98%, 0.6%

LAB 88.42, -70.98, 39.85

 

CMYK 85 / 0 / 48 / 8

HEX #23EB7B

RGB 35 235 123

HSL 146.4, 0.83%, 0.53%

LAB 82.49, -69.66, 41.48

 

CMYK 92 / 0 / 52 / 15

HEX #12D968

RGB 18 217 104

HSL 145.93, 0.85%, 0.46%

LAB 76.53, -67.89, 43.18

 

CMYK 99 / 0 / 57 / 22

HEX #01C755

RGB 1 199 85

HSL 145.45, 0.99%, 0.39%

LAB 70.53, -65.63, 44.89

 

CMYK 100 / 0 / 64 / 29

HEX #00B542

RGB 0 181 66

HSL 141.88, 1%, 0.35%

LAB 64.52, -62.57, 46.57

 

CMYK 79 / 0 / 44 / 1

HEX #35FC8E

RGB 53 252 142

HSL 146.83, 0.97%, 0.6%

LAB 88.13, -70.54, 39.49

 

CMYK 79 / 0 / 65 / 1

HEX #35FC58

RGB 53 252 88

HSL 130.55, 0.97%, 0.6%

LAB 87.52, -77.76, 63.03

 

CMYK 72 / 0 / 79 / 1

HEX #47FC35

RGB 71 252 53

HSL 114.57, 0.97%, 0.6%

LAB 87.59, -78, 75.06

 

CMYK 50 / 0 / 79 / 1

HEX #7DFC35

RGB 125 252 53

HSL 98.29, 0.97%, 0.6%

LAB 89.03, -66.21, 76.93

 

CMYK 29 / 0 / 79 / 1

HEX #B3FC35

RGB 179 252 53

HSL 82.01, 0.97%, 0.6%

LAB 91.44, -48.89, 80.02

 

CMYK 79 / 0 / 44 / 1

HEX #35FC8E

RGB 53 252 142

HSL 146.83, 0.97%, 0.6%

LAB 88.13, -70.54, 39.49

 

CMYK 79 / 0 / 22 / 1

HEX #35FCC4

RGB 53 252 196

HSL 163.12, 0.97%, 0.6%

LAB 89.09, -59.74, 13.54

 

CMYK 79 / 0 / 1 / 1

HEX #35FCFA

RGB 53 252 250

HSL 179.4, 0.97%, 0.6%

LAB 90.45, -45.92, -12.5

 

CMYK 79 / 20 / 0 / 1

HEX #35C9FC

RGB 53 201 252

HSL 195.38, 0.97%, 0.6%

LAB 75.8, -21.22, -35.85

 

CMYK 79 / 42 / 0 / 1

HEX #3593FC

RGB 53 147 252

HSL 211.66, 0.97%, 0.6%

LAB 60.47, 8.8, -59.98

 

CMYK 79 / 0 / 44 / 1

HEX #35FC8E

RGB 53 252 142

HSL 146.83, 0.97%, 0.6%

LAB 88.13, -70.54, 39.49

 

CMYK 79 / 0 / 44 / 1

HEX #35FC8E

RGB 53 252 142

HSL 146.83, 0.97%, 0.6%

LAB 88.13, -70.54, 39.49

 

CMYK 71 / 0 / 39 / 7

HEX #45EC90

RGB 69 236 144

HSL 146.95, 0.81%, 0.6%

LAB 83.58, -62.58, 32.61

 

CMYK 61 / 0 / 33 / 14

HEX #56DB92

RGB 86 219 146

HSL 147.07, 0.65%, 0.6%

LAB 78.88, -52.78, 25.36

 

CMYK 50 / 0 / 28 / 20

HEX #66CB93

RGB 102 203 147

HSL 146.73, 0.49%, 0.6%

LAB 74.6, -42.31, 19.06

 

CMYK 36 / 0 / 20 / 27

HEX #77BA95

RGB 119 186 149

HSL 146.87, 0.33%, 0.6%

LAB 70.32, -29.42, 12.12

 

CMYK 71 / 0 / 79 / 1

HEX #49FC35

RGB 73 252 53

HSL 113.97, 0.97%, 0.6%

LAB 87.63, -77.68, 75.11

 

CMYK 79 / 0 / 66 / 1

HEX #35FC56

RGB 53 252 86

HSL 129.95, 0.97%, 0.6%

LAB 87.51, -77.95, 63.8

 

CMYK 79 / 0 / 45 / 1

HEX #35FC8B

RGB 53 252 139

HSL 145.93, 0.97%, 0.6%

LAB 88.08, -71.04, 40.89

 

CMYK 79 / 0 / 24 / 1

HEX #35FCC0

RGB 53 252 192

HSL 161.91, 0.97%, 0.6%

LAB 89.01, -60.65, 15.48

 

CMYK 79 / 0 / 2 / 1

HEX #35FCF6

RGB 53 252 246

HSL 178.19, 0.97%, 0.6%

LAB 90.34, -47.03, -10.59

 

CMYK 99 / 0 / 55 / 13

HEX #02DD64

RGB 2 221 100

HSL 146.85, 0.98%, 0.44%

LAB 77.67, -70.32, 46.43

 

CMYK 95 / 0 / 53 / 1

HEX #0CFC77

RGB 12 252 119

HSL 146.75, 0.98%, 0.52%

LAB 87.5, -76.84, 49.55

 

CMYK 79 / 0 / 44 / 1

HEX #35FC8E

RGB 53 252 142

HSL 146.83, 0.97%, 0.6%

LAB 88.13, -70.54, 39.49

 

CMYK 63 / 0 / 35 / 1

HEX #5DFDA5

RGB 93 253 165

HSL 147, 0.98%, 0.68%

LAB 89.53, -61.09, 30.07

 

CMYK 47 / 0 / 26 / 1

HEX #86FDBC

RGB 134 253 188

HSL 147.23, 0.97%, 0.76%

LAB 91.21, -47.92, 20.91

 

CMYK 79 / 0 / 44 / 1

HEX #34FD8E

RGB 52 253 142

HSL 146.87, 0.98%, 0.6%

LAB 88.42, -70.98, 39.85

 

CMYK 79 / 50 / 0 / 1

HEX #357EFC

RGB 53 126 252

HSL 217.99, 0.97%, 0.6%

LAB 54.77, 21.6, -69.15

 

CMYK 0 / 77 / 79 / 1

HEX #FC3B35

RGB 252 59 53

HSL 1.81, 0.97%, 0.6%

LAB 56.17, 70.83, 49.25

 

CMYK 79 / 0 / 44 / 1

HEX #34FD8E

RGB 52 253 142

HSL 146.87, 0.98%, 0.6%

LAB 88.42, -70.98, 39.85

 

CMYK 45 / 79 / 0 / 1

HEX #8B35FC

RGB 139 53 252

HSL 265.93, 0.97%, 0.6%

LAB 45.72, 72.46, -83.65

 

CMYK 0 / 45 / 79 / 1

HEX #FC8B35

RGB 252 139 53

HSL 25.93, 0.97%, 0.6%

LAB 69.05, 37.07, 61.7

 

CMYK 79 / 0 / 44 / 1

HEX #34FD8E

RGB 52 253 142

HSL 146.87, 0.98%, 0.6%

LAB 88.42, -70.98, 39.85

 

CMYK 79 / 50 / 0 / 1

HEX #357EFC

RGB 53 126 252

HSL 217.99, 0.97%, 0.6%

LAB 54.77, 21.6, -69.15

 

CMYK 0 / 79 / 34 / 1

HEX #FC35A6

RGB 252 53 166

HSL 325.93, 0.97%, 0.6%

LAB 58.03, 79.9, -13.84

 

CMYK 0 / 29 / 79 / 1

HEX #FCB335

RGB 252 179 53

HSL 37.99, 0.97%, 0.6%

LAB 77.99, 16.3, 69.94

 

CMYK 79 / 0 / 44 / 1

HEX #34FD8E

RGB 52 253 142

HSL 146.87, 0.98%, 0.6%

LAB 88.42, -70.98, 39.85

 

CMYK 79 / 74 / 0 / 1

HEX #3542FC

RGB 53 66 252

HSL 236.08, 0.97%, 0.6%

LAB 40.71, 57.79, -92.16

 

CMYK 0 / 79 / 34 / 1

HEX #FC35A6

RGB 252 53 166

HSL 325.93, 0.97%, 0.6%

LAB 58.03, 79.9, -13.84

 

CMYK 0 / 5 / 79 / 1

HEX #FCEF35

RGB 252 239 53

HSL 56.08, 0.97%, 0.6%

LAB 92.88, -14.23, 83.17

 

Description

Color code: HEX #34FD8E | qconv.com Color code: HEX #34FD8E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 253 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 253 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 44 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 44% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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