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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #351357 it is the complementary color #CAECA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #351357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #351357 shade: #3A1352, #4B2565, #5C3778, #6D498B and #7E5B9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #351357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #351357 shade: #351357, #240144, #130031, #02001E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #351357 shade: #351357, #481357, #571355, #571342 and #571330

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #351357 shade: #351357, #231357 and #131357

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #351357 shade matches the following richer shades: #351357, #350A60 and #350169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #351357 shade: #351357, #351B4F, #352446, #352D3D and #353535

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #351357 shade: #131557, #231357, #351357, #471357 and #571355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #351357 shade: #0C0414, #200B35, #351357, #4A1A79 and #5E229B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #351357 shade: #351357, #571327 and #13571A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #351357 shade: #351357, #573513 and #135735

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #351357 shade: #351357, #571327, #355713 and #135743

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #351357 shade: #351357, #571313, #355713 and #135757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

Complementary color

CMYK 14 / 0 / 29 / 7

HEX #CAECA8

RGB 202 236 168

HSL 90, 0.64%, 0.79%

LAB 89.57, -22.76, 29.42

 

CMYK 29 / 77 / 0 / 68

HEX #3A1352

RGB 58 19 82

HSL 277.14, 0.62%, 0.2%

LAB 15.35, 31.22, -30.33

 

CMYK 26 / 63 / 0 / 60

HEX #4B2565

RGB 75 37 101

HSL 275.63, 0.46%, 0.27%

LAB 22.86, 30.62, -30.79

 

CMYK 23 / 54 / 0 / 53

HEX #5C3778

RGB 92 55 120

HSL 274.15, 0.37%, 0.34%

LAB 30.31, 29.7, -30.95

 

CMYK 22 / 47 / 0 / 45

HEX #6D498B

RGB 109 73 139

HSL 272.73, 0.31%, 0.42%

LAB 37.63, 28.75, -31.03

 

CMYK 20 / 42 / 0 / 38

HEX #7E5B9E

RGB 126 91 158

HSL 271.34, 0.27%, 0.49%

LAB 44.78, 27.86, -31.09

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 47 / 99 / 0 / 73

HEX #240144

RGB 36 1 68

HSL 271.34, 0.97%, 0.14%

LAB 7.35, 32.16, -33.81

 

CMYK 61 / 100 / 0 / 81

HEX #130031

RGB 19 0 49

HSL 263.27, 1%, 0.1%

LAB 3.25, 19.69, -26.75

 

CMYK 93 / 100 / 0 / 88

HEX #02001E

RGB 2 0 30

HSL 244, 1%, 0.06%

LAB 0.96, 6.47, -15.69

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 17 / 78 / 0 / 66

HEX #481357

RGB 72 19 87

HSL 286.76, 0.64%, 0.21%

LAB 18.06, 35.74, -29.23

 

CMYK 0 / 78 / 2 / 66

HEX #571355

RGB 87 19 85

HSL 301.76, 0.64%, 0.21%

LAB 20.63, 39.01, -23.64

 

CMYK 0 / 78 / 24 / 66

HEX #571342

RGB 87 19 66

HSL 318.53, 0.64%, 0.21%

LAB 19.58, 35.81, -12.32

 

CMYK 0 / 78 / 45 / 66

HEX #571330

RGB 87 19 48

HSL 334.41, 0.64%, 0.21%

LAB 18.82, 33.38, -0.84

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 60 / 78 / 0 / 66

HEX #231357

RGB 35 19 87

HSL 254.12, 0.64%, 0.21%

LAB 12.68, 27.93, -38.22

 

CMYK 78 / 78 / 0 / 66

HEX #131357

RGB 19 19 87

HSL 240, 0.64%, 0.21%

LAB 11.22, 25.63, -40.67

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 45 / 90 / 0 / 62

HEX #350A60

RGB 53 10 96

HSL 270, 0.81%, 0.21%

LAB 14.5, 37.79, -41.18

 

CMYK 50 / 99 / 0 / 59

HEX #350169

RGB 53 1 105

HSL 270, 0.98%, 0.21%

LAB 14.39, 43.33, -47.33

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 33 / 66 / 0 / 69

HEX #351B4F

RGB 53 27 79

HSL 270, 0.49%, 0.21%

LAB 16.03, 24.58, -27.23

 

CMYK 24 / 49 / 0 / 73

HEX #352446

RGB 53 36 70

HSL 270, 0.32%, 0.21%

LAB 17.74, 16.09, -18.36

 

CMYK 13 / 26 / 0 / 76

HEX #352D3D

RGB 53 45 61

HSL 270, 0.15%, 0.21%

LAB 19.93, 7.42, -8.79

 

CMYK 0 / 0 / 0 / 79

HEX #353535

RGB 53 53 53

HSL 0, 0%, 0.21%

LAB 22.16, 0, -0

 

CMYK 78 / 76 / 0 / 66

HEX #131557

RGB 19 21 87

HSL 238.24, 0.64%, 0.21%

LAB 11.71, 24.28, -39.86

 

CMYK 60 / 78 / 0 / 66

HEX #231357

RGB 35 19 87

HSL 254.12, 0.64%, 0.21%

LAB 12.68, 27.93, -38.22

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 18 / 78 / 0 / 66

HEX #471357

RGB 71 19 87

HSL 285.88, 0.64%, 0.21%

LAB 17.89, 35.5, -29.52

 

CMYK 0 / 78 / 2 / 66

HEX #571355

RGB 87 19 85

HSL 301.76, 0.64%, 0.21%

LAB 20.63, 39.01, -23.64

 

CMYK 40 / 80 / 0 / 92

HEX #0C0414

RGB 12 4 20

HSL 270, 0.67%, 0.05%

LAB 1.95, 4.77, -6.46

 

CMYK 40 / 79 / 0 / 79

HEX #200B35

RGB 32 11 53

HSL 270, 0.66%, 0.13%

LAB 7.26, 21.08, -23.2

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 39 / 79 / 0 / 53

HEX #4A1A79

RGB 74 26 121

HSL 270.32, 0.65%, 0.29%

LAB 22.21, 41.26, -44.75

 

CMYK 39 / 78 / 0 / 39

HEX #5E229B

RGB 94 34 155

HSL 269.75, 0.64%, 0.37%

LAB 29.13, 49.89, -54.55

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 0 / 78 / 55 / 66

HEX #571327

RGB 87 19 39

HSL 342.35, 0.64%, 0.21%

LAB 18.53, 32.43, 5.15

 

CMYK 78 / 0 / 70 / 66

HEX #13571A

RGB 19 87 26

HSL 126.18, 0.64%, 0.21%

LAB 31.87, -34.44, 28.65

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 0 / 39 / 78 / 66

HEX #573513

RGB 87 53 19

HSL 30, 0.64%, 0.21%

LAB 25.62, 11.87, 26.92

 

CMYK 78 / 0 / 39 / 66

HEX #135735

RGB 19 87 53

HSL 150, 0.64%, 0.21%

LAB 32.28, -29.69, 13.93

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 0 / 78 / 55 / 66

HEX #571327

RGB 87 19 39

HSL 342.35, 0.64%, 0.21%

LAB 18.53, 32.43, 5.15

 

CMYK 39 / 0 / 78 / 66

HEX #355713

RGB 53 87 19

HSL 90, 0.64%, 0.21%

LAB 33.18, -24.71, 33.62

 

CMYK 78 / 0 / 23 / 66

HEX #135743

RGB 19 87 67

HSL 162.35, 0.64%, 0.21%

LAB 32.61, -26.15, 5.72

 

CMYK 39 / 78 / 0 / 66

HEX #351357

RGB 53 19 87

HSL 270, 0.64%, 0.21%

LAB 15.01, 31.42, -34.31

 

CMYK 0 / 78 / 78 / 66

HEX #571313

RGB 87 19 19

HSL 0, 0.64%, 0.21%

LAB 18.09, 30.94, 18.6

 

CMYK 39 / 0 / 78 / 66

HEX #355713

RGB 53 87 19

HSL 90, 0.64%, 0.21%

LAB 33.18, -24.71, 33.62

 

CMYK 78 / 0 / 0 / 66

HEX #135757

RGB 19 87 87

HSL 180, 0.64%, 0.21%

LAB 33.23, -20.01, -5.98

 

Description

Color code: HEX #351357 | qconv.com Color code: HEX #351357 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 19 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 19 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 78 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 78% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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