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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35136B it is the complementary color #CAEC94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35136B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35136B shade: #3A1366, #4B2579, #5C378C, #6D499F and #7E5BB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35136B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35136B shade: #35136B, #240158, #130045, #020032 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35136B shade: #35136C, #4D136C, #65136C, #6C135A and #6C1342

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35136B shade: #35136C, #1D136C and #13136C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35136B shade matches the following richer shades: #35136C and #330876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35136B shade: #35136C, #371D62, #3A2757, #3C324D and #3E3C43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35136B shade: #13206C, #1D136C, #35136C, #4D136C and #64136C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35136B shade: #120626, #240C49, #35136C, #46198F and #581FB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35136B shade: #35136B, #6C1338 and #146C13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35136B shade: #35136B, #6C3513 and #136C35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35136B shade: #35136B, #6C1338, #4A6C13 and #136C47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35136B shade: #35136B, #6C131D, #4A6C13 and #136C61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 82 / 0 / 58

HEX #35136B

RGB 53 19 107

HSL 263.18, 0.7%, 0.25%

LAB 16.91, 37.05, -44.49

 

Complementary color

CMYK 14 / 0 / 37 / 7

HEX #CAEC94

RGB 202 236 148

HSL 83.18, 0.7%, 0.75%

LAB 89.25, -25.45, 39.08

 

CMYK 43 / 81 / 0 / 60

HEX #3A1366

RGB 58 19 102

HSL 268.19, 0.69%, 0.24%

LAB 17.11, 36.51, -40.87

 

CMYK 38 / 69 / 0 / 53

HEX #4B2579

RGB 75 37 121

HSL 267.14, 0.53%, 0.31%

LAB 24.32, 35.93, -41.32

 

CMYK 34 / 61 / 0 / 45

HEX #5C378C

RGB 92 55 140

HSL 266.12, 0.44%, 0.38%

LAB 31.58, 34.93, -41.39

 

CMYK 31 / 54 / 0 / 38

HEX #6D499F

RGB 109 73 159

HSL 265.12, 0.37%, 0.45%

LAB 38.76, 33.85, -41.33

 

CMYK 29 / 49 / 0 / 30

HEX #7E5BB2

RGB 126 91 178

HSL 264.14, 0.36%, 0.53%

LAB 45.81, 32.83, -41.25

 

CMYK 50 / 82 / 0 / 58

HEX #35136B

RGB 53 19 107

HSL 263.18, 0.7%, 0.25%

LAB 16.91, 37.05, -44.49

 

CMYK 59 / 99 / 0 / 65

HEX #240158

RGB 36 1 88

HSL 264.14, 0.98%, 0.17%

LAB 9.81, 37.45, -43.62

 

CMYK 72 / 100 / 0 / 73

HEX #130045

RGB 19 0 69

HSL 256.52, 1%, 0.14%

LAB 5.13, 29.79, -38.25

 

CMYK 96 / 100 / 0 / 80

HEX #020032

RGB 2 0 50

HSL 242.4, 1%, 0.1%

LAB 2.2, 15.14, -29.25

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 51 / 82 / 0 / 58

HEX #35136C

RGB 53 19 108

HSL 262.92, 0.7%, 0.25%

LAB 17.01, 37.34, -44.98

 

CMYK 29 / 82 / 0 / 58

HEX #4D136C

RGB 77 19 108

HSL 279.1, 0.7%, 0.25%

LAB 20.54, 41.58, -39.07

 

CMYK 6 / 82 / 0 / 58

HEX #65136C

RGB 101 19 108

HSL 295.28, 0.7%, 0.25%

LAB 24.69, 46.51, -32.18

 

CMYK 0 / 82 / 17 / 58

HEX #6C135A

RGB 108 19 90

HSL 312.13, 0.7%, 0.25%

LAB 24.93, 45.08, -19.93

 

CMYK 0 / 82 / 39 / 58

HEX #6C1342

RGB 108 19 66

HSL 328.31, 0.7%, 0.25%

LAB 23.83, 41.84, -5.47

 

CMYK 51 / 82 / 0 / 58

HEX #35136C

RGB 53 19 108

HSL 262.92, 0.7%, 0.25%

LAB 17.01, 37.34, -44.98

 

CMYK 73 / 82 / 0 / 58

HEX #1D136C

RGB 29 19 108

HSL 246.74, 0.7%, 0.25%

LAB 14.45, 34.22, -49.28

 

CMYK 82 / 82 / 0 / 58

HEX #13136C

RGB 19 19 108

HSL 240, 0.7%, 0.25%

LAB 13.75, 33.36, -50.47

 

CMYK 51 / 82 / 0 / 58

HEX #35136C

RGB 53 19 108

HSL 262.92, 0.7%, 0.25%

LAB 17.01, 37.34, -44.98

 

CMYK 57 / 93 / 0 / 54

HEX #330876

RGB 51 8 118

HSL 263.45, 0.87%, 0.25%

LAB 16.43, 44.02, -52.43

 

CMYK 51 / 82 / 0 / 58

HEX #35136C

RGB 53 19 108

HSL 262.92, 0.7%, 0.25%

LAB 17.01, 37.34, -44.98

 

CMYK 44 / 70 / 0 / 62

HEX #371D62

RGB 55 29 98

HSL 262.61, 0.54%, 0.25%

LAB 18.24, 29.44, -36.39

 

CMYK 33 / 55 / 0 / 66

HEX #3A2757

RGB 58 39 87

HSL 263.75, 0.38%, 0.25%

LAB 20.2, 20.61, -25.93

 

CMYK 22 / 35 / 0 / 70

HEX #3C324D

RGB 60 50 77

HSL 262.22, 0.21%, 0.25%

LAB 22.92, 10.99, -14.95

 

CMYK 7 / 10 / 0 / 74

HEX #3E3C43

RGB 62 60 67

HSL 257.14, 0.06%, 0.25%

LAB 25.75, 2.48, -3.99

 

CMYK 82 / 70 / 0 / 58

HEX #13206C

RGB 19 32 108

HSL 231.24, 0.7%, 0.25%

LAB 16.77, 24.97, -45.49

 

CMYK 73 / 82 / 0 / 58

HEX #1D136C

RGB 29 19 108

HSL 246.74, 0.7%, 0.25%

LAB 14.45, 34.22, -49.28

 

CMYK 51 / 82 / 0 / 58

HEX #35136C

RGB 53 19 108

HSL 262.92, 0.7%, 0.25%

LAB 17.01, 37.34, -44.98

 

CMYK 29 / 82 / 0 / 58

HEX #4D136C

RGB 77 19 108

HSL 279.1, 0.7%, 0.25%

LAB 20.54, 41.58, -39.07

 

CMYK 7 / 82 / 0 / 58

HEX #64136C

RGB 100 19 108

HSL 294.61, 0.7%, 0.25%

LAB 24.51, 46.3, -32.48

 

CMYK 53 / 84 / 0 / 85

HEX #120626

RGB 18 6 38

HSL 262.5, 0.73%, 0.09%

LAB 3.6, 11.69, -17.86

 

CMYK 51 / 84 / 0 / 71

HEX #240C49

RGB 36 12 73

HSL 263.61, 0.72%, 0.17%

LAB 9.95, 27.6, -33.07

 

CMYK 51 / 82 / 0 / 58

HEX #35136C

RGB 53 19 108

HSL 262.92, 0.7%, 0.25%

LAB 17.01, 37.34, -44.98

 

CMYK 51 / 83 / 0 / 44

HEX #46198F

RGB 70 25 143

HSL 262.88, 0.7%, 0.33%

LAB 23.61, 46.85, -56.33

 

CMYK 51 / 83 / 0 / 30

HEX #581FB2

RGB 88 31 178

HSL 263.27, 0.7%, 0.41%

LAB 30.08, 55.98, -66.91

 

CMYK 50 / 82 / 0 / 58

HEX #35136B

RGB 53 19 107

HSL 263.18, 0.7%, 0.25%

LAB 16.91, 37.05, -44.49

 

CMYK 0 / 82 / 48 / 58

HEX #6C1338

RGB 108 19 56

HSL 335.06, 0.7%, 0.25%

LAB 23.47, 40.75, 0.88

 

CMYK 81 / 0 / 82 / 58

HEX #146C13

RGB 20 108 19

HSL 119.33, 0.7%, 0.25%

LAB 39.45, -42.5, 39.37

 

CMYK 50 / 82 / 0 / 58

HEX #35136B

RGB 53 19 107

HSL 263.18, 0.7%, 0.25%

LAB 16.91, 37.05, -44.49

 

CMYK 0 / 51 / 82 / 58

HEX #6C3513

RGB 108 53 19

HSL 22.92, 0.7%, 0.25%

LAB 28.85, 21.84, 31.24

 

CMYK 82 / 0 / 51 / 58

HEX #136C35

RGB 19 108 53

HSL 142.92, 0.7%, 0.25%

LAB 39.78, -38.37, 23.69

 

CMYK 50 / 82 / 0 / 58

HEX #35136B

RGB 53 19 107

HSL 263.18, 0.7%, 0.25%

LAB 16.91, 37.05, -44.49

 

CMYK 0 / 82 / 48 / 58

HEX #6C1338

RGB 108 19 56

HSL 335.06, 0.7%, 0.25%

LAB 23.47, 40.75, 0.88

 

CMYK 31 / 0 / 82 / 58

HEX #4A6C13

RGB 74 108 19

HSL 82.92, 0.7%, 0.25%

LAB 41.58, -26.31, 42.13

 

CMYK 82 / 0 / 34 / 58

HEX #136C47

RGB 19 108 71

HSL 155.06, 0.7%, 0.25%

LAB 40.11, -34.61, 13.72

 

CMYK 50 / 82 / 0 / 58

HEX #35136B

RGB 53 19 107

HSL 263.18, 0.7%, 0.25%

LAB 16.91, 37.05, -44.49

 

CMYK 0 / 82 / 73 / 58

HEX #6C131D

RGB 108 19 29

HSL 353.26, 0.7%, 0.25%

LAB 22.8, 38.67, 18.59

 

CMYK 31 / 0 / 82 / 58

HEX #4A6C13

RGB 74 108 19

HSL 82.92, 0.7%, 0.25%

LAB 41.58, -26.31, 42.13

 

CMYK 82 / 0 / 10 / 58

HEX #136C61

RGB 19 108 97

HSL 172.58, 0.7%, 0.25%

LAB 40.78, -27.56, -1

 

Description

Color code: HEX #35136B | qconv.com Color code: HEX #35136B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 19 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 19 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 82 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 82% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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