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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #351DE7 it is the complementary color #CAE218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #351DE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #351DE7 shade: #3A1DE2, #4B2FF5, #5C41FF, #6D53FF and #7E65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #351DE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #351DE7 shade: #351DE7, #240BD4, #1300C1, #0200AE and #00009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #351DE7 shade: #341CE7, #6B1CE7, #A21CE7, #D81CE7 and #E71CBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #351DE7 shade: #341CE7 and #1C1CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #351DE7 shade matches the following richer shades: #341CE7 and #2508FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #351DE7 shade: #341CE7, #4431D3, #5345BE, #6359AA and #726D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #351DE7 shade: #1C71E7, #1C3BE7, #341CE7, #6A1CE7 and #A01CE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #351DE7 shade: #2110A0, #2914C6, #341CE7, #5642EB and #7767EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #351DE7 shade: #351DE7, #E71CA7 and #56E71C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #351DE7 shade: #351DE7, #E7341C and #1CE734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #351DE7 shade: #351DE7, #E71CA7, #CFE71C and #1CE75C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #351DE7 shade: #351DE7, #E71C6A, #CFE71C and #1CE799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 87 / 0 / 9

HEX #351DE7

RGB 53 29 231

HSL 247.13, 0.81%, 0.51%

LAB 32.71, 68, -93.56

 

Complementary color

CMYK 11 / 0 / 89 / 11

HEX #CAE218

RGB 202 226 24

HSL 67.13, 0.81%, 0.49%

LAB 85.51, -29.35, 81.66

 

CMYK 74 / 87 / 0 / 11

HEX #3A1DE2

RGB 58 29 226

HSL 248.83, 0.77%, 0.5%

LAB 32.41, 66.9, -91.19

 

CMYK 69 / 81 / 0 / 4

HEX #4B2FF5

RGB 75 47 245

HSL 248.48, 0.91%, 0.57%

LAB 38.06, 66.35, -92.57

 

CMYK 64 / 75 / 0 / 0

HEX #5C41FF

RGB 92 65 255

HSL 248.53, 1%, 0.63%

LAB 43.18, 62.51, -89.68

 

CMYK 57 / 67 / 0 / 0

HEX #6D53FF

RGB 109 83 255

HSL 249.07, 1%, 0.66%

LAB 47.83, 55.39, -81.98

 

CMYK 51 / 60 / 0 / 0

HEX #7E65FF

RGB 126 101 255

HSL 249.74, 1%, 0.7%

LAB 52.91, 48.29, -73.64

 

CMYK 77 / 87 / 0 / 9

HEX #351DE7

RGB 53 29 231

HSL 247.13, 0.81%, 0.51%

LAB 32.71, 68, -93.56

 

CMYK 83 / 95 / 0 / 17

HEX #240BD4

RGB 36 11 212

HSL 247.46, 0.9%, 0.44%

LAB 27.76, 67.21, -90.9

 

CMYK 90 / 100 / 0 / 24

HEX #1300C1

RGB 19 0 193

HSL 245.91, 1%, 0.38%

LAB 23.63, 64.37, -86.68

 

CMYK 99 / 100 / 0 / 32

HEX #0200AE

RGB 2 0 174

HSL 240.69, 1%, 0.34%

LAB 20.32, 59.48, -80.9

 

CMYK 100 / 100 / 0 / 39

HEX #00009B

RGB 0 0 155

HSL 240, 1%, 0.3%

LAB 17.3, 54.61, -74.37

 

CMYK 77 / 88 / 0 / 9

HEX #341CE7

RGB 52 28 231

HSL 247.09, 0.81%, 0.51%

LAB 32.55, 68.28, -93.83

 

CMYK 54 / 88 / 0 / 9

HEX #6B1CE7

RGB 107 28 231

HSL 263.35, 0.81%, 0.51%

LAB 37.35, 71.86, -85.73

 

CMYK 30 / 88 / 0 / 9

HEX #A21CE7

RGB 162 28 231

HSL 279.61, 0.81%, 0.51%

LAB 44.63, 78.09, -73.48

 

CMYK 6 / 88 / 0 / 9

HEX #D81CE7

RGB 216 28 231

HSL 295.57, 0.81%, 0.51%

LAB 53.17, 86.17, -59.26

 

CMYK 0 / 88 / 17 / 9

HEX #E71CBF

RGB 231 28 191

HSL 311.82, 0.81%, 0.51%

LAB 53.58, 83.25, -35.56

 

CMYK 77 / 88 / 0 / 9

HEX #341CE7

RGB 52 28 231

HSL 247.09, 0.81%, 0.51%

LAB 32.55, 68.28, -93.83

 

CMYK 88 / 88 / 0 / 9

HEX #1C1CE7

RGB 28 28 231

HSL 240, 0.81%, 0.51%

LAB 31.46, 67.55, -95.68

 

CMYK 77 / 88 / 0 / 9

HEX #341CE7

RGB 52 28 231

HSL 247.09, 0.81%, 0.51%

LAB 32.55, 68.28, -93.83

 

CMYK 85 / 97 / 0 / 2

HEX #2508FB

RGB 37 8 251

HSL 247.16, 0.97%, 0.51%

LAB 32.99, 77.36, -104.45

 

CMYK 77 / 88 / 0 / 9

HEX #341CE7

RGB 52 28 231

HSL 247.09, 0.81%, 0.51%

LAB 32.55, 68.28, -93.83

 

CMYK 68 / 77 / 0 / 17

HEX #4431D3

RGB 68 49 211

HSL 247.04, 0.65%, 0.51%

LAB 34.25, 55.04, -79.48

 

CMYK 56 / 64 / 0 / 25

HEX #5345BE

RGB 83 69 190

HSL 246.94, 0.48%, 0.51%

LAB 37.5, 39.52, -61.86

 

CMYK 42 / 48 / 0 / 33

HEX #6359AA

RGB 99 89 170

HSL 247.41, 0.32%, 0.51%

LAB 42.31, 24.6, -42.28

 

CMYK 24 / 27 / 0 / 41

HEX #726D96

RGB 114 109 150

HSL 247.32, 0.16%, 0.51%

LAB 47.9, 11.23, -21.59

 

CMYK 88 / 51 / 0 / 9

HEX #1C71E7

RGB 28 113 231

HSL 214.88, 0.81%, 0.51%

LAB 49.29, 19.94, -66.35

 

CMYK 88 / 74 / 0 / 9

HEX #1C3BE7

RGB 28 59 231

HSL 230.84, 0.81%, 0.51%

LAB 36.26, 53.47, -87.69

 

CMYK 77 / 88 / 0 / 9

HEX #341CE7

RGB 52 28 231

HSL 247.09, 0.81%, 0.51%

LAB 32.55, 68.28, -93.83

 

CMYK 54 / 88 / 0 / 9

HEX #6A1CE7

RGB 106 28 231

HSL 263.05, 0.81%, 0.51%

LAB 37.23, 71.77, -85.92

 

CMYK 31 / 88 / 0 / 9

HEX #A01CE7

RGB 160 28 231

HSL 279.01, 0.81%, 0.51%

LAB 44.34, 77.82, -73.98

 

CMYK 79 / 90 / 0 / 37

HEX #2110A0

RGB 33 16 160

HSL 247.08, 0.82%, 0.35%

LAB 20.95, 51.88, -71.32

 

CMYK 79 / 90 / 0 / 22

HEX #2914C6

RGB 41 20 198

HSL 247.08, 0.82%, 0.43%

LAB 26.87, 61.47, -84.2

 

CMYK 77 / 88 / 0 / 9

HEX #341CE7

RGB 52 28 231

HSL 247.09, 0.81%, 0.51%

LAB 32.55, 68.28, -93.83

 

CMYK 63 / 72 / 0 / 8

HEX #5642EB

RGB 86 66 235

HSL 247.1, 0.81%, 0.59%

LAB 41.01, 55.47, -82.02

 

CMYK 50 / 57 / 0 / 6

HEX #7767EF

RGB 119 103 239

HSL 247.06, 0.81%, 0.67%

LAB 51.67, 41.15, -66.77

 

CMYK 77 / 87 / 0 / 9

HEX #351DE7

RGB 53 29 231

HSL 247.13, 0.81%, 0.51%

LAB 32.71, 68, -93.56

 

CMYK 0 / 88 / 28 / 9

HEX #E71CA7

RGB 231 28 167

HSL 318.92, 0.81%, 0.51%

LAB 52.52, 80.43, -23.18

 

CMYK 63 / 0 / 88 / 9

HEX #56E71C

RGB 86 231 28

HSL 102.86, 0.81%, 0.51%

LAB 81.41, -69.79, 75.34

 

CMYK 77 / 87 / 0 / 9

HEX #351DE7

RGB 53 29 231

HSL 247.13, 0.81%, 0.51%

LAB 32.71, 68, -93.56

 

CMYK 0 / 77 / 88 / 9

HEX #E7341C

RGB 231 52 28

HSL 7.09, 0.81%, 0.51%

LAB 51.3, 66.21, 55.26

 

CMYK 88 / 0 / 77 / 9

HEX #1CE734

RGB 28 231 52

HSL 127.09, 0.81%, 0.51%

LAB 80.54, -76.93, 68.45

 

CMYK 77 / 87 / 0 / 9

HEX #351DE7

RGB 53 29 231

HSL 247.13, 0.81%, 0.51%

LAB 32.71, 68, -93.56

 

CMYK 0 / 88 / 28 / 9

HEX #E71CA7

RGB 231 28 167

HSL 318.92, 0.81%, 0.51%

LAB 52.52, 80.43, -23.18

 

CMYK 10 / 0 / 88 / 9

HEX #CFE71C

RGB 207 231 28

HSL 67.09, 0.81%, 0.51%

LAB 87.24, -29.57, 82.56

 

CMYK 88 / 0 / 60 / 9

HEX #1CE75C

RGB 28 231 92

HSL 138.92, 0.81%, 0.51%

LAB 80.83, -73.26, 53.8

 

CMYK 77 / 87 / 0 / 9

HEX #351DE7

RGB 53 29 231

HSL 247.13, 0.81%, 0.51%

LAB 32.71, 68, -93.56

 

CMYK 0 / 88 / 54 / 9

HEX #E71C6A

RGB 231 28 106

HSL 336.95, 0.81%, 0.51%

LAB 50.52, 74.93, 10.54

 

CMYK 10 / 0 / 88 / 9

HEX #CFE71C

RGB 207 231 28

HSL 67.09, 0.81%, 0.51%

LAB 87.24, -29.57, 82.56

 

CMYK 88 / 0 / 34 / 9

HEX #1CE799

RGB 28 231 153

HSL 156.95, 0.81%, 0.51%

LAB 81.67, -63.3, 25.37

 

Description

Color code: HEX #351DE7 | qconv.com Color code: HEX #351DE7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 29 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 29 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 87 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 87% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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