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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35243B it is the complementary color #CADBC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35243B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35243B shade: #3A2436, #4B3649, #5C485C, #6D5A6F and #7E6C82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35243B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35243B shade: #35243B, #241228, #130015 and #020002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35243B shade: #36243C, #3C243B, #3C2435, #3C242F and #3C2429

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35243B shade: #36243C, #2F243C, #29243C and #24243C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35243B shade matches the following richer shades: #36243C, #391C43, #3D154B, #410D53 and #45055B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35243B shade: #36243C, #322C34, #2E342C, #2A3C24 and #27441C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35243B shade: #29243C, #2F243C, #35243C, #3C243C and #3C2435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35243B shade: #080508, #1F1522, #36243C, #4D3455 and #64446F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35243B shade: #35243B, #3C2426 and #243C2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35243B shade: #35243B, #3C3524 and #243C35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35243B shade: #35243B, #3C2426, #2B3C24 and #243C3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35243B shade: #35243B, #3C2A24, #2B3C24 and #24363C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 39 / 0 / 77

HEX #35243B

RGB 53 36 59

HSL 284.35, 0.24%, 0.19%

LAB 17.15, 13.13, -11.66

 

Complementary color

CMYK 8 / 0 / 11 / 14

HEX #CADBC4

RGB 202 219 196

HSL 104.35, 0.24%, 0.81%

LAB 85.61, -9.87, 9.37

 

CMYK 0 / 38 / 7 / 77

HEX #3A2436

RGB 58 36 54

HSL 310.91, 0.23%, 0.18%

LAB 17.59, 13.97, -7.44

 

CMYK 0 / 28 / 3 / 71

HEX #4B3649

RGB 75 54 73

HSL 305.71, 0.16%, 0.25%

LAB 25.61, 13.14, -8.03

 

CMYK 0 / 22 / 0 / 64

HEX #5C485C

RGB 92 72 92

HSL 300, 0.12%, 0.32%

LAB 33.31, 12.46, -8.55

 

CMYK 2 / 19 / 0 / 56

HEX #6D5A6F

RGB 109 90 111

HSL 294.29, 0.1%, 0.39%

LAB 40.75, 11.87, -9.04

 

CMYK 3 / 17 / 0 / 49

HEX #7E6C82

RGB 126 108 130

HSL 289.09, 0.09%, 0.47%

LAB 47.97, 11.37, -9.51

 

CMYK 10 / 39 / 0 / 77

HEX #35243B

RGB 53 36 59

HSL 284.35, 0.24%, 0.19%

LAB 17.15, 13.13, -11.66

 

CMYK 10 / 55 / 0 / 84

HEX #241228

RGB 36 18 40

HSL 289.09, 0.38%, 0.11%

LAB 8.66, 14.09, -11.31

 

CMYK 10 / 100 / 0 / 92

HEX #130015

RGB 19 0 21

HSL 294.29, 1%, 0.04%

LAB 1.74, 9.05, -7.38

 

CMYK 0 / 100 / 0 / 99

HEX #020002

RGB 2 0 2

HSL 300, 1%, 0%

LAB 0.16, 0.8, -0.57

 

CMYK 10 / 40 / 0 / 76

HEX #36243C

RGB 54 36 60

HSL 285, 0.25%, 0.19%

LAB 17.33, 13.78, -12.07

 

CMYK 0 / 40 / 2 / 76

HEX #3C243B

RGB 60 36 59

HSL 302.5, 0.25%, 0.19%

LAB 18.09, 15.91, -10.14

 

CMYK 0 / 40 / 12 / 76

HEX #3C2435

RGB 60 36 53

HSL 317.5, 0.25%, 0.19%

LAB 17.83, 14.58, -6.35

 

CMYK 0 / 40 / 22 / 76

HEX #3C242F

RGB 60 36 47

HSL 332.5, 0.25%, 0.19%

LAB 17.59, 13.37, -2.49

 

CMYK 0 / 40 / 32 / 76

HEX #3C2429

RGB 60 36 41

HSL 347.5, 0.25%, 0.19%

LAB 17.38, 12.27, 1.43

 

CMYK 10 / 40 / 0 / 76

HEX #36243C

RGB 54 36 60

HSL 285, 0.25%, 0.19%

LAB 17.33, 13.78, -12.07

 

CMYK 22 / 40 / 0 / 76

HEX #2F243C

RGB 47 36 60

HSL 267.5, 0.25%, 0.19%

LAB 16.47, 11.08, -13.48

 

CMYK 32 / 40 / 0 / 76

HEX #29243C

RGB 41 36 60

HSL 252.5, 0.25%, 0.19%

LAB 15.8, 8.84, -14.57

 

CMYK 40 / 40 / 0 / 76

HEX #24243C

RGB 36 36 60

HSL 240, 0.25%, 0.19%

LAB 15.29, 7.05, -15.4

 

CMYK 10 / 40 / 0 / 76

HEX #36243C

RGB 54 36 60

HSL 285, 0.25%, 0.19%

LAB 17.33, 13.78, -12.07

 

CMYK 15 / 58 / 0 / 74

HEX #391C43

RGB 57 28 67

HSL 284.62, 0.41%, 0.19%

LAB 16.03, 21.95, -18.94

 

CMYK 19 / 72 / 0 / 71

HEX #3D154B

RGB 61 21 75

HSL 284.44, 0.56%, 0.19%

LAB 15.68, 29.21, -24.99

 

CMYK 22 / 84 / 0 / 67

HEX #410D53

RGB 65 13 83

HSL 284.57, 0.73%, 0.19%

LAB 15.68, 35.7, -30.43

 

CMYK 24 / 95 / 0 / 64

HEX #45055B

RGB 69 5 91

HSL 284.65, 0.9%, 0.19%

LAB 16.15, 40.91, -35.03

 

CMYK 10 / 40 / 0 / 76

HEX #36243C

RGB 54 36 60

HSL 285, 0.25%, 0.19%

LAB 17.33, 13.78, -12.07

 

CMYK 4 / 15 / 0 / 80

HEX #322C34

RGB 50 44 52

HSL 285, 0.08%, 0.19%

LAB 18.92, 4.57, -4.14

 

CMYK 12 / 0 / 15 / 80

HEX #2E342C

RGB 46 52 44

HSL 105, 0.08%, 0.19%

LAB 20.9, -4.45, 4.19

 

CMYK 30 / 0 / 40 / 76

HEX #2A3C24

RGB 42 60 36

HSL 105, 0.25%, 0.19%

LAB 23.17, -12.81, 12.58

 

CMYK 43 / 0 / 59 / 73

HEX #27441C

RGB 39 68 28

HSL 103.5, 0.42%, 0.19%

LAB 25.71, -19.81, 20.67

 

CMYK 32 / 40 / 0 / 76

HEX #29243C

RGB 41 36 60

HSL 252.5, 0.25%, 0.19%

LAB 15.8, 8.84, -14.57

 

CMYK 22 / 40 / 0 / 76

HEX #2F243C

RGB 47 36 60

HSL 267.5, 0.25%, 0.19%

LAB 16.47, 11.08, -13.48

 

CMYK 12 / 40 / 0 / 76

HEX #35243C

RGB 53 36 60

HSL 282.5, 0.25%, 0.19%

LAB 17.2, 13.39, -12.28

 

CMYK 0 / 40 / 0 / 76

HEX #3C243C

RGB 60 36 60

HSL 300, 0.25%, 0.19%

LAB 18.14, 16.14, -10.76

 

CMYK 0 / 40 / 12 / 76

HEX #3C2435

RGB 60 36 53

HSL 317.5, 0.25%, 0.19%

LAB 17.83, 14.58, -6.35

 

CMYK 0 / 37 / 0 / 97

HEX #080508

RGB 8 5 8

HSL 300, 0.23%, 0.03%

LAB 1.61, 1.2, -0.86

 

CMYK 9 / 38 / 0 / 87

HEX #1F1522

RGB 31 21 34

HSL 286.15, 0.24%, 0.11%

LAB 8.51, 8.21, -7.1

 

CMYK 10 / 40 / 0 / 76

HEX #36243C

RGB 54 36 60

HSL 285, 0.25%, 0.19%

LAB 17.33, 13.78, -12.07

 

CMYK 9 / 39 / 0 / 67

HEX #4D3455

RGB 77 52 85

HSL 285.45, 0.24%, 0.27%

LAB 25.83, 17.98, -15.6

 

CMYK 10 / 39 / 0 / 56

HEX #64446F

RGB 100 68 111

HSL 284.65, 0.24%, 0.35%

LAB 33.96, 22.18, -19.49

 

CMYK 10 / 39 / 0 / 77

HEX #35243B

RGB 53 36 59

HSL 284.35, 0.24%, 0.19%

LAB 17.15, 13.13, -11.66

 

CMYK 0 / 40 / 37 / 76

HEX #3C2426

RGB 60 36 38

HSL 355, 0.25%, 0.19%

LAB 17.28, 11.76, 3.41

 

CMYK 40 / 0 / 27 / 76

HEX #243C2C

RGB 36 60 44

HSL 140, 0.25%, 0.19%

LAB 22.96, -13.54, 6.99

 

CMYK 10 / 39 / 0 / 77

HEX #35243B

RGB 53 36 59

HSL 284.35, 0.24%, 0.19%

LAB 17.15, 13.13, -11.66

 

CMYK 0 / 12 / 40 / 76

HEX #3C3524

RGB 60 53 36

HSL 42.5, 0.25%, 0.19%

LAB 22.42, 0.01, 11.87

 

CMYK 40 / 0 / 12 / 76

HEX #243C35

RGB 36 60 53

HSL 162.5, 0.25%, 0.19%

LAB 23.22, -11.27, 1.37

 

CMYK 10 / 39 / 0 / 77

HEX #35243B

RGB 53 36 59

HSL 284.35, 0.24%, 0.19%

LAB 17.15, 13.13, -11.66

 

CMYK 0 / 40 / 37 / 76

HEX #3C2426

RGB 60 36 38

HSL 355, 0.25%, 0.19%

LAB 17.28, 11.76, 3.41

 

CMYK 28 / 0 / 40 / 76

HEX #2B3C24

RGB 43 60 36

HSL 102.5, 0.25%, 0.19%

LAB 23.25, -12.38, 12.68

 

CMYK 40 / 0 / 3 / 76

HEX #243C3A

RGB 36 60 58

HSL 175, 0.25%, 0.19%

LAB 23.38, -9.86, -1.73

 

CMYK 10 / 39 / 0 / 77

HEX #35243B

RGB 53 36 59

HSL 284.35, 0.24%, 0.19%

LAB 17.15, 13.13, -11.66

 

CMYK 0 / 30 / 40 / 76

HEX #3C2A24

RGB 60 42 36

HSL 15, 0.25%, 0.19%

LAB 18.99, 7.38, 7.2

 

CMYK 28 / 0 / 40 / 76

HEX #2B3C24

RGB 43 60 36

HSL 102.5, 0.25%, 0.19%

LAB 23.25, -12.38, 12.68

 

CMYK 40 / 10 / 0 / 76

HEX #24363C

RGB 36 54 60

HSL 195, 0.25%, 0.19%

LAB 21.36, -5.46, -6.09

 

Description

Color code: HEX #35243B | qconv.com Color code: HEX #35243B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 36 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 36 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 39 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 39% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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