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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35265E it is the complementary color #CAD9A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35265E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35265E shade: #3A2659, #4B386C, #5C4A7F, #6D5C92 and #7E6EA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35265E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35265E shade: #35265E, #24144B, #130238, #020025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35265E shade: #35265E, #44265E, #53265E, #5E2659 and #5E264A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35265E shade: #35265E and #26265E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35265E shade matches the following richer shades: #35265E, #301B68, #2B1073 and #26067E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35265E shade: #35265E, #3A3153, #3F3B48, #44463D and #495133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35265E shade: #26355E, #26265E, #35265E, #44265E and #53265E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35265E shade: #140E23, #241A40, #35265E, #45327B and #563E98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35265E shade: #35265E, #5E2644 and #2D5E26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35265E shade: #35265E, #5E3526 and #265E35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35265E shade: #35265E, #5E2644, #4F5E26 and #265E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35265E shade: #35265E, #5E2633, #4F5E26 and #265E51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

Complementary color

CMYK 7 / 0 / 26 / 15

HEX #CAD9A1

RGB 202 217 161

HSL 76.07, 0.42%, 0.74%

LAB 84.36, -14.4, 25.97

 

CMYK 35 / 57 / 0 / 65

HEX #3A2659

RGB 58 38 89

HSL 263.53, 0.4%, 0.25%

LAB 20.07, 21.86, -27.46

 

CMYK 31 / 48 / 0 / 58

HEX #4B386C

RGB 75 56 108

HSL 261.92, 0.32%, 0.32%

LAB 27.86, 20.74, -27.35

 

CMYK 28 / 42 / 0 / 50

HEX #5C4A7F

RGB 92 74 127

HSL 260.38, 0.26%, 0.39%

LAB 35.41, 19.78, -27.27

 

CMYK 25 / 37 / 0 / 43

HEX #6D5C92

RGB 109 92 146

HSL 258.89, 0.23%, 0.47%

LAB 42.73, 18.96, -27.25

 

CMYK 24 / 33 / 0 / 35

HEX #7E6EA5

RGB 126 110 165

HSL 257.45, 0.23%, 0.54%

LAB 49.86, 18.24, -27.29

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 52 / 73 / 0 / 71

HEX #24144B

RGB 36 20 75

HSL 257.45, 0.58%, 0.19%

LAB 11.85, 23.49, -31.36

 

CMYK 66 / 96 / 0 / 78

HEX #130238

RGB 19 2 56

HSL 258.89, 0.93%, 0.11%

LAB 4.22, 22.55, -30.37

 

CMYK 95 / 100 / 0 / 85

HEX #020025

RGB 2 0 37

HSL 243.24, 1%, 0.07%

LAB 1.32, 9, -20.7

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 28 / 60 / 0 / 63

HEX #44265E

RGB 68 38 94

HSL 272.14, 0.42%, 0.26%

LAB 21.67, 26.21, -28.16

 

CMYK 12 / 60 / 0 / 63

HEX #53265E

RGB 83 38 94

HSL 288.21, 0.42%, 0.26%

LAB 23.78, 30.67, -24.66

 

CMYK 0 / 60 / 5 / 63

HEX #5E2659

RGB 94 38 89

HSL 305.36, 0.42%, 0.26%

LAB 25.22, 33.02, -18.99

 

CMYK 0 / 60 / 21 / 63

HEX #5E264A

RGB 94 38 74

HSL 321.43, 0.42%, 0.26%

LAB 24.51, 30.31, -10.1

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 54 / 74 / 0 / 59

HEX #301B68

RGB 48 27 104

HSL 256.36, 0.59%, 0.26%

LAB 17.51, 31.03, -41.56

 

CMYK 63 / 86 / 0 / 55

HEX #2B1073

RGB 43 16 115

HSL 256.36, 0.76%, 0.26%

LAB 16.11, 39.4, -51.05

 

CMYK 70 / 95 / 0 / 51

HEX #26067E

RGB 38 6 126

HSL 256, 0.91%, 0.26%

LAB 15.74, 45.8, -58.76

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 30 / 41 / 0 / 67

HEX #3A3153

RGB 58 49 83

HSL 255.88, 0.26%, 0.26%

LAB 22.73, 12.67, -19.27

 

CMYK 13 / 18 / 0 / 72

HEX #3F3B48

RGB 63 59 72

HSL 258.46, 0.1%, 0.26%

LAB 25.72, 4.77, -7.33

 

CMYK 3 / 0 / 13 / 73

HEX #44463D

RGB 68 70 61

HSL 73.33, 0.07%, 0.26%

LAB 29.28, -2.75, 5.14

 

CMYK 10 / 0 / 37 / 68

HEX #495133

RGB 73 81 51

HSL 76, 0.23%, 0.26%

LAB 33.01, -9.02, 16.62

 

CMYK 60 / 44 / 0 / 63

HEX #26355E

RGB 38 53 94

HSL 223.93, 0.42%, 0.26%

LAB 22.88, 7.65, -26.39

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 28 / 60 / 0 / 63

HEX #44265E

RGB 68 38 94

HSL 272.14, 0.42%, 0.26%

LAB 21.67, 26.21, -28.16

 

CMYK 12 / 60 / 0 / 63

HEX #53265E

RGB 83 38 94

HSL 288.21, 0.42%, 0.26%

LAB 23.78, 30.67, -24.66

 

CMYK 43 / 60 / 0 / 86

HEX #140E23

RGB 20 14 35

HSL 257.14, 0.43%, 0.1%

LAB 5.28, 7.93, -12.94

 

CMYK 44 / 59 / 0 / 75

HEX #241A40

RGB 36 26 64

HSL 255.79, 0.42%, 0.18%

LAB 12.51, 15.68, -22.62

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 44 / 59 / 0 / 52

HEX #45327B

RGB 69 50 123

HSL 255.62, 0.42%, 0.34%

LAB 26.67, 27.35, -38.82

 

CMYK 43 / 59 / 0 / 40

HEX #563E98

RGB 86 62 152

HSL 256, 0.42%, 0.42%

LAB 33.33, 32.7, -45.95

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 0 / 60 / 28 / 63

HEX #5E2644

RGB 94 38 68

HSL 327.86, 0.42%, 0.26%

LAB 24.27, 29.34, -6.43

 

CMYK 52 / 0 / 60 / 63

HEX #2D5E26

RGB 45 94 38

HSL 112.5, 0.42%, 0.26%

LAB 35.41, -28.95, 26.74

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 0 / 44 / 60 / 63

HEX #5E3526

RGB 94 53 38

HSL 16.07, 0.42%, 0.26%

LAB 26.92, 16.69, 17.29

 

CMYK 60 / 0 / 44 / 63

HEX #265E35

RGB 38 94 53

HSL 136.07, 0.42%, 0.26%

LAB 35.35, -28.59, 18.1

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 0 / 60 / 28 / 63

HEX #5E2644

RGB 94 38 68

HSL 327.86, 0.42%, 0.26%

LAB 24.27, 29.34, -6.43

 

CMYK 16 / 0 / 60 / 63

HEX #4F5E26

RGB 79 94 38

HSL 76.07, 0.42%, 0.26%

LAB 37.49, -15.39, 29.7

 

CMYK 60 / 0 / 32 / 63

HEX #265E40

RGB 38 94 64

HSL 147.86, 0.42%, 0.26%

LAB 35.57, -26.27, 11.79

 

CMYK 44 / 60 / 0 / 63

HEX #35265E

RGB 53 38 94

HSL 256.07, 0.42%, 0.26%

LAB 19.85, 22, -31.17

 

CMYK 0 / 60 / 46 / 63

HEX #5E2633

RGB 94 38 51

HSL 346.07, 0.42%, 0.26%

LAB 23.69, 26.98, 4.27

 

CMYK 16 / 0 / 60 / 63

HEX #4F5E26

RGB 79 94 38

HSL 76.07, 0.42%, 0.26%

LAB 37.49, -15.39, 29.7

 

CMYK 60 / 0 / 14 / 63

HEX #265E51

RGB 38 94 81

HSL 166.07, 0.42%, 0.26%

LAB 36.01, -21.95, 1.93

 

Description

Color code: HEX #35265E | qconv.com Color code: HEX #35265E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 38 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 38 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 60 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 60% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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