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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #352360 it is the complementary color #CADC9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #352360. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #352360 shade: #3A235B, #4B356E, #5C4781, #6D5994 and #7E6BA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #352360. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #352360 shade: #352360, #24114D, #13003A, #020027 and #000014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #352360 shade: #352361, #462361, #572361, #61235A and #61234A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #352360 shade: #352361, #242361 and #232361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #352360 shade matches the following richer shades: #352361, #31186C, #2C0D76 and #280281

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #352360 shade: #352361, #392D56, #3E384C, #424341 and #474E36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #352360 shade: #233261, #242361, #342361, #452361 and #562361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #352360 shade: #140D24, #241843, #352361, #462E7F and #56399E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #352360 shade: #352360, #612343 and #2A6123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #352360 shade: #352360, #613423 and #236134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #352360 shade: #352360, #612343, #4F6123 and #236141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #352360 shade: #352360, #612330, #4F6123 and #236153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 64 / 0 / 62

HEX #352360

RGB 53 35 96

HSL 257.7, 0.47%, 0.26%

LAB 19.24, 24.6, -33.47

 

Complementary color

CMYK 8 / 0 / 28 / 14

HEX #CADC9F

RGB 202 220 159

HSL 77.7, 0.47%, 0.74%

LAB 85.12, -16.18, 28.04

 

CMYK 36 / 62 / 0 / 64

HEX #3A235B

RGB 58 35 91

HSL 264.64, 0.44%, 0.25%

LAB 19.46, 24.4, -29.77

 

CMYK 32 / 52 / 0 / 57

HEX #4B356E

RGB 75 53 110

HSL 263.16, 0.35%, 0.32%

LAB 27.21, 23.24, -29.66

 

CMYK 29 / 45 / 0 / 49

HEX #5C4781

RGB 92 71 129

HSL 261.72, 0.29%, 0.39%

LAB 34.74, 22.21, -29.57

 

CMYK 26 / 40 / 0 / 42

HEX #6D5994

RGB 109 89 148

HSL 260.34, 0.25%, 0.46%

LAB 42.05, 21.31, -29.52

 

CMYK 25 / 36 / 0 / 35

HEX #7E6BA7

RGB 126 107 167

HSL 259, 0.25%, 0.54%

LAB 49.18, 20.54, -29.52

 

CMYK 45 / 64 / 0 / 62

HEX #352360

RGB 53 35 96

HSL 257.7, 0.47%, 0.26%

LAB 19.24, 24.6, -33.47

 

CMYK 53 / 78 / 0 / 70

HEX #24114D

RGB 36 17 77

HSL 259, 0.64%, 0.18%

LAB 11.36, 26.02, -33.54

 

CMYK 67 / 100 / 0 / 77

HEX #13003A

RGB 19 0 58

HSL 259.66, 1%, 0.11%

LAB 4.01, 24.48, -32.18

 

CMYK 95 / 100 / 0 / 85

HEX #020027

RGB 2 0 39

HSL 243.08, 1%, 0.08%

LAB 1.44, 9.82, -22.07

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 45 / 64 / 0 / 62

HEX #352361

RGB 53 35 97

HSL 257.42, 0.47%, 0.26%

LAB 19.32, 24.92, -34.01

 

CMYK 28 / 64 / 0 / 62

HEX #462361

RGB 70 35 97

HSL 273.87, 0.47%, 0.26%

LAB 21.46, 29.38, -30.45

 

CMYK 10 / 64 / 0 / 62

HEX #572361

RGB 87 35 97

HSL 290.32, 0.47%, 0.26%

LAB 23.97, 34.14, -26.29

 

CMYK 0 / 64 / 7 / 62

HEX #61235A

RGB 97 35 90

HSL 306.77, 0.47%, 0.26%

LAB 25.2, 35.67, -19.64

 

CMYK 0 / 64 / 24 / 62

HEX #61234A

RGB 97 35 74

HSL 322.26, 0.47%, 0.26%

LAB 24.44, 32.91, -10.16

 

CMYK 45 / 64 / 0 / 62

HEX #352361

RGB 53 35 97

HSL 257.42, 0.47%, 0.26%

LAB 19.32, 24.92, -34.01

 

CMYK 63 / 64 / 0 / 62

HEX #242361

RGB 36 35 97

HSL 240.97, 0.47%, 0.26%

LAB 17.65, 21.1, -36.79

 

CMYK 64 / 64 / 0 / 62

HEX #232361

RGB 35 35 97

HSL 240, 0.47%, 0.26%

LAB 17.56, 20.91, -36.93

 

CMYK 45 / 64 / 0 / 62

HEX #352361

RGB 53 35 97

HSL 257.42, 0.47%, 0.26%

LAB 19.32, 24.92, -34.01

 

CMYK 55 / 78 / 0 / 58

HEX #31186C

RGB 49 24 108

HSL 257.86, 0.64%, 0.26%

LAB 17.41, 34.16, -44.35

 

CMYK 63 / 89 / 0 / 54

HEX #2C0D76

RGB 44 13 118

HSL 257.71, 0.8%, 0.26%

LAB 16.16, 41.62, -52.91

 

CMYK 69 / 98 / 0 / 49

HEX #280281

RGB 40 2 129

HSL 257.95, 0.97%, 0.26%

LAB 15.9, 48.08, -60.4

 

CMYK 45 / 64 / 0 / 62

HEX #352361

RGB 53 35 97

HSL 257.42, 0.47%, 0.26%

LAB 19.32, 24.92, -34.01

 

CMYK 34 / 48 / 0 / 66

HEX #392D56

RGB 57 45 86

HSL 257.56, 0.31%, 0.26%

LAB 21.65, 15.96, -22.97

 

CMYK 18 / 26 / 0 / 70

HEX #3E384C

RGB 62 56 76

HSL 258, 0.15%, 0.26%

LAB 24.87, 7.42, -11.27

 

CMYK 1 / 0 / 3 / 74

HEX #424341

RGB 66 67 65

HSL 90, 0.02%, 0.26%

LAB 28.26, -0.86, 1.06

 

CMYK 9 / 0 / 31 / 69

HEX #474E36

RGB 71 78 54

HSL 77.5, 0.18%, 0.26%

LAB 31.93, -7.64, 13.31

 

CMYK 64 / 48 / 0 / 62

HEX #233261

RGB 35 50 97

HSL 225.48, 0.47%, 0.26%

LAB 21.95, 10.21, -29.85

 

CMYK 63 / 64 / 0 / 62

HEX #242361

RGB 36 35 97

HSL 240.97, 0.47%, 0.26%

LAB 17.65, 21.1, -36.79

 

CMYK 46 / 64 / 0 / 62

HEX #342361

RGB 52 35 97

HSL 256.45, 0.47%, 0.26%

LAB 19.2, 24.67, -34.19

 

CMYK 29 / 64 / 0 / 62

HEX #452361

RGB 69 35 97

HSL 272.9, 0.47%, 0.26%

LAB 21.32, 29.1, -30.68

 

CMYK 11 / 64 / 0 / 62

HEX #562361

RGB 86 35 97

HSL 289.35, 0.47%, 0.26%

LAB 23.81, 33.86, -26.55

 

CMYK 44 / 64 / 0 / 86

HEX #140D24

RGB 20 13 36

HSL 258.26, 0.47%, 0.1%

LAB 5.09, 8.8, -13.99

 

CMYK 46 / 64 / 0 / 74

HEX #241843

RGB 36 24 67

HSL 256.74, 0.47%, 0.18%

LAB 12.18, 18.11, -25.25

 

CMYK 45 / 64 / 0 / 62

HEX #352361

RGB 53 35 97

HSL 257.42, 0.47%, 0.26%

LAB 19.32, 24.92, -34.01

 

CMYK 45 / 64 / 0 / 50

HEX #462E7F

RGB 70 46 127

HSL 257.78, 0.47%, 0.34%

LAB 26.12, 31.3, -42.22

 

CMYK 46 / 64 / 0 / 38

HEX #56399E

RGB 86 57 158

HSL 257.23, 0.47%, 0.42%

LAB 32.64, 37.44, -50.7

 

CMYK 45 / 64 / 0 / 62

HEX #352360

RGB 53 35 96

HSL 257.7, 0.47%, 0.26%

LAB 19.24, 24.6, -33.47

 

CMYK 0 / 64 / 31 / 62

HEX #612343

RGB 97 35 67

HSL 329.03, 0.47%, 0.26%

LAB 24.16, 31.84, -5.87

 

CMYK 57 / 0 / 64 / 62

HEX #2A6123

RGB 42 97 35

HSL 113.23, 0.47%, 0.26%

LAB 36.3, -31.63, 29.31

 

CMYK 45 / 64 / 0 / 62

HEX #352360

RGB 53 35 96

HSL 257.7, 0.47%, 0.26%

LAB 19.24, 24.6, -33.47

 

CMYK 0 / 46 / 64 / 62

HEX #613423

RGB 97 52 35

HSL 16.45, 0.47%, 0.26%

LAB 27.07, 18.41, 19.48

 

CMYK 64 / 0 / 46 / 62

HEX #236134

RGB 35 97 52

HSL 136.45, 0.47%, 0.26%

LAB 36.28, -30.93, 19.87

 

CMYK 45 / 64 / 0 / 62

HEX #352360

RGB 53 35 96

HSL 257.7, 0.47%, 0.26%

LAB 19.24, 24.6, -33.47

 

CMYK 0 / 64 / 31 / 62

HEX #612343

RGB 97 35 67

HSL 329.03, 0.47%, 0.26%

LAB 24.16, 31.84, -5.87

 

CMYK 19 / 0 / 64 / 62

HEX #4F6123

RGB 79 97 35

HSL 77.42, 0.47%, 0.26%

LAB 38.43, -17.32, 32.3

 

CMYK 64 / 0 / 33 / 62

HEX #236141

RGB 35 97 65

HSL 149.03, 0.47%, 0.26%

LAB 36.53, -28.22, 12.48

 

CMYK 45 / 64 / 0 / 62

HEX #352360

RGB 53 35 96

HSL 257.7, 0.47%, 0.26%

LAB 19.24, 24.6, -33.47

 

CMYK 0 / 64 / 51 / 62

HEX #612330

RGB 97 35 48

HSL 347.42, 0.47%, 0.26%

LAB 23.53, 29.41, 6.17

 

CMYK 19 / 0 / 64 / 62

HEX #4F6123

RGB 79 97 35

HSL 77.42, 0.47%, 0.26%

LAB 38.43, -17.32, 32.3

 

CMYK 64 / 0 / 14 / 62

HEX #236153

RGB 35 97 83

HSL 166.45, 0.47%, 0.26%

LAB 36.99, -23.62, 2.1

 

Description

Color code: HEX #352360 | qconv.com Color code: HEX #352360 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 35 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 35 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 64 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 64% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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