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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #352C39 it is the complementary color #CAD3C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #352C39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #352C39 shade: #3A2C34, #4B3E47, #5C505A, #6D626D and #7E7480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #352C39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #352C39 shade: #352C39, #241A26, #130813 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #352C39 shade: #352C39, #392C39, #392C36, #392C32 and #392C2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #352C39 shade: #352C39, #312C39, #2E2C39 and #2C2C39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #352C39 shade matches the following richer shades: #352C39, #382441, #3B1B4A, #3F1352 and #420B5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #352C39 shade: #352C39, #323431, #2F3C29, #2C4520 and #284D18

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #352C39 shade: #2E2C39, #312C39, #352C39, #382C39 and #392C36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #352C39 shade: #0A080B, #1F1A22, #352C39, #4B3E50 and #605068

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #352C39 shade: #352C39, #392C2D and #2C3930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #352C39 shade: #352C39, #39352C and #2C3935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #352C39 shade: #352C39, #392C2D, #30392C and #2C3938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #352C39 shade: #352C39, #392E2C, #30392C and #2C3739

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

Complementary color

CMYK 4 / 0 / 6 / 17

HEX #CAD3C6

RGB 202 211 198

HSL 101.54, 0.13%, 0.8%

LAB 83.56, -5.42, 5.37

 

CMYK 0 / 24 / 10 / 77

HEX #3A2C34

RGB 58 44 52

HSL 325.71, 0.14%, 0.2%

LAB 19.84, 8.07, -2.67

 

CMYK 0 / 17 / 5 / 71

HEX #4B3E47

RGB 75 62 71

HSL 318.46, 0.09%, 0.27%

LAB 27.83, 7.47, -3.38

 

CMYK 0 / 13 / 2 / 64

HEX #5C505A

RGB 92 80 90

HSL 310, 0.07%, 0.34%

LAB 35.5, 6.99, -4.02

 

CMYK 0 / 10 / 0 / 57

HEX #6D626D

RGB 109 98 109

HSL 300, 0.05%, 0.41%

LAB 42.9, 6.58, -4.62

 

CMYK 2 / 9 / 0 / 50

HEX #7E7480

RGB 126 116 128

HSL 290, 0.05%, 0.48%

LAB 50.08, 6.22, -5.19

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 5 / 32 / 0 / 85

HEX #241A26

RGB 36 26 38

HSL 290, 0.19%, 0.13%

LAB 10.95, 7.76, -6.3

 

CMYK 0 / 58 / 0 / 93

HEX #130813

RGB 19 8 19

HSL 300, 0.41%, 0.05%

LAB 3.24, 5.39, -3.85

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 0 / 23 / 0 / 78

HEX #392C39

RGB 57 44 57

HSL 300, 0.13%, 0.2%

LAB 19.91, 8.77, -6.03

 

CMYK 0 / 23 / 5 / 78

HEX #392C36

RGB 57 44 54

HSL 313.85, 0.13%, 0.2%

LAB 19.79, 8.08, -4.14

 

CMYK 0 / 23 / 12 / 78

HEX #392C32

RGB 57 44 50

HSL 332.31, 0.13%, 0.2%

LAB 19.65, 7.2, -1.59

 

CMYK 0 / 23 / 18 / 78

HEX #392C2F

RGB 57 44 47

HSL 346.15, 0.13%, 0.2%

LAB 19.54, 6.57, 0.33

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 14 / 23 / 0 / 78

HEX #312C39

RGB 49 44 57

HSL 263.08, 0.13%, 0.2%

LAB 19.01, 5.43, -7.47

 

CMYK 19 / 23 / 0 / 78

HEX #2E2C39

RGB 46 44 57

HSL 249.23, 0.13%, 0.2%

LAB 18.7, 4.21, -7.97

 

CMYK 23 / 23 / 0 / 78

HEX #2C2C39

RGB 44 44 57

HSL 240, 0.13%, 0.2%

LAB 18.51, 3.41, -8.28

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 14 / 45 / 0 / 75

HEX #382441

RGB 56 36 65

HSL 281.38, 0.29%, 0.2%

LAB 17.85, 15.83, -14.72

 

CMYK 20 / 64 / 0 / 71

HEX #3B1B4A

RGB 59 27 74

HSL 280.85, 0.47%, 0.2%

LAB 16.54, 24.98, -22.94

 

CMYK 23 / 77 / 0 / 68

HEX #3F1352

RGB 63 19 82

HSL 281.9, 0.62%, 0.2%

LAB 16.16, 32.42, -28.98

 

CMYK 27 / 88 / 0 / 65

HEX #420B5A

RGB 66 11 90

HSL 281.77, 0.78%, 0.2%

LAB 16.18, 38.21, -34.33

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 4 / 0 / 6 / 80

HEX #323431

RGB 50 52 49

HSL 100, 0.03%, 0.2%

LAB 21.42, -1.56, 1.59

 

CMYK 22 / 0 / 32 / 76

HEX #2F3C29

RGB 47 60 41

HSL 101.05, 0.19%, 0.2%

LAB 23.66, -9.69, 10.05

 

CMYK 36 / 0 / 54 / 73

HEX #2C4520

RGB 44 69 32

HSL 100.54, 0.37%, 0.2%

LAB 26.44, -17.73, 19.27

 

CMYK 48 / 0 / 69 / 70

HEX #284D18

RGB 40 77 24

HSL 101.89, 0.52%, 0.2%

LAB 28.97, -24.46, 26.64

 

CMYK 19 / 23 / 0 / 78

HEX #2E2C39

RGB 46 44 57

HSL 249.23, 0.13%, 0.2%

LAB 18.7, 4.21, -7.97

 

CMYK 14 / 23 / 0 / 78

HEX #312C39

RGB 49 44 57

HSL 263.08, 0.13%, 0.2%

LAB 19.01, 5.43, -7.47

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 2 / 23 / 0 / 78

HEX #382C39

RGB 56 44 57

HSL 295.38, 0.13%, 0.2%

LAB 19.79, 8.35, -6.22

 

CMYK 0 / 23 / 5 / 78

HEX #392C36

RGB 57 44 54

HSL 313.85, 0.13%, 0.2%

LAB 19.79, 8.08, -4.14

 

CMYK 9 / 27 / 0 / 96

HEX #0A080B

RGB 10 8 11

HSL 280, 0.16%, 0.04%

LAB 2.37, 0.94, -0.96

 

CMYK 9 / 24 / 0 / 87

HEX #1F1A22

RGB 31 26 34

HSL 277.5, 0.13%, 0.12%

LAB 10.15, 4.46, -4.61

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 6 / 23 / 0 / 69

HEX #4B3E50

RGB 75 62 80

HSL 283.33, 0.13%, 0.28%

LAB 28.17, 9.5, -8.77

 

CMYK 8 / 23 / 0 / 59

HEX #605068

RGB 96 80 104

HSL 280, 0.13%, 0.36%

LAB 36.41, 11.63, -11.39

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 0 / 23 / 21 / 78

HEX #392C2D

RGB 57 44 45

HSL 355.38, 0.13%, 0.2%

LAB 19.48, 6.17, 1.62

 

CMYK 23 / 0 / 16 / 78

HEX #2C3930

RGB 44 57 48

HSL 138.46, 0.13%, 0.2%

LAB 22.57, -7.6, 3.85

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 0 / 7 / 23 / 78

HEX #39352C

RGB 57 53 44

HSL 41.54, 0.13%, 0.2%

LAB 22.29, -0.07, 6.32

 

CMYK 23 / 0 / 7 / 78

HEX #2C3935

RGB 44 57 53

HSL 161.54, 0.13%, 0.2%

LAB 22.72, -6.38, 0.72

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 0 / 23 / 21 / 78

HEX #392C2D

RGB 57 44 45

HSL 355.38, 0.13%, 0.2%

LAB 19.48, 6.17, 1.62

 

CMYK 16 / 0 / 23 / 78

HEX #30392C

RGB 48 57 44

HSL 101.54, 0.13%, 0.2%

LAB 22.78, -6.78, 6.87

 

CMYK 23 / 0 / 2 / 78

HEX #2C3938

RGB 44 57 56

HSL 175.38, 0.13%, 0.2%

LAB 22.82, -5.6, -1.16

 

CMYK 7 / 23 / 0 / 78

HEX #352C39

RGB 53 44 57

HSL 281.54, 0.13%, 0.2%

LAB 19.45, 7.09, -6.77

 

CMYK 0 / 19 / 23 / 78

HEX #392E2C

RGB 57 46 44

HSL 9.23, 0.13%, 0.2%

LAB 20.07, 4.62, 3.16

 

CMYK 16 / 0 / 23 / 78

HEX #30392C

RGB 48 57 44

HSL 101.54, 0.13%, 0.2%

LAB 22.78, -6.78, 6.87

 

CMYK 23 / 4 / 0 / 78

HEX #2C3739

RGB 44 55 57

HSL 189.23, 0.13%, 0.2%

LAB 22.17, -4.04, -2.78

 

Description

Color code: HEX #352C39 | qconv.com Color code: HEX #352C39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 44 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 44 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 23 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 23% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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