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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #353753 it is the complementary color #CAC8AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #353753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #353753 shade: #3A374E, #4B4961, #5C5B74, #6D6D87 and #7E7F9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #353753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #353753 shade: #353753, #242540, #13132D, #02011A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #353753 shade: #353753, #3B3553, #443553, #4C3553 and #533553

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #353753 shade: #353753 and #353553

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #353753 shade matches the following richer shades: #353753, #2A2E5F, #1F246A, #141A75 and #091180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #353753 shade: #353753, #404148, #4B4B3D, #575432 and #625E27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #353753 shade: #354753, #353F53, #353753, #3B3553 and #433553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #353753 shade: #151621, #25273A, #353753, #45486D and #555986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #353753 shade: #353753, #53354F and #435335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #353753 shade: #353753, #533537 and #375335

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #353753 shade: #353753, #53354F, #535135 and #355339

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #353753 shade: #353753, #533546, #535135 and #355342

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

Complementary color

CMYK 0 / 1 / 15 / 21

HEX #CAC8AC

RGB 202 200 172

HSL 56, 0.22%, 0.73%

LAB 80.09, -4.05, 14.27

 

CMYK 26 / 29 / 0 / 69

HEX #3A374E

RGB 58 55 78

HSL 247.83, 0.17%, 0.26%

LAB 24.26, 7.15, -13.57

 

CMYK 23 / 25 / 0 / 62

HEX #4B4961

RGB 75 73 97

HSL 245, 0.14%, 0.33%

LAB 32.09, 6.63, -13.75

 

CMYK 21 / 22 / 0 / 55

HEX #5C5B74

RGB 92 91 116

HSL 242.4, 0.12%, 0.41%

LAB 39.61, 6.2, -13.99

 

CMYK 19 / 19 / 0 / 47

HEX #6D6D87

RGB 109 109 135

HSL 240, 0.11%, 0.48%

LAB 46.89, 5.84, -14.27

 

CMYK 18 / 18 / 0 / 40

HEX #7E7F9A

RGB 126 127 154

HSL 237.86, 0.12%, 0.55%

LAB 53.97, 5.52, -14.58

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 44 / 42 / 0 / 75

HEX #242540

RGB 36 37 64

HSL 237.86, 0.28%, 0.2%

LAB 15.84, 7.68, -17.32

 

CMYK 58 / 58 / 0 / 82

HEX #13132D

RGB 19 19 45

HSL 240, 0.41%, 0.13%

LAB 7.17, 8.78, -17.53

 

CMYK 92 / 96 / 0 / 90

HEX #02011A

RGB 2 1 26

HSL 242.4, 0.93%, 0.05%

LAB 0.99, 4.86, -12.41

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 29 / 36 / 0 / 67

HEX #3B3553

RGB 59 53 83

HSL 252, 0.22%, 0.27%

LAB 24, 10.29, -17.28

 

CMYK 18 / 36 / 0 / 67

HEX #443553

RGB 68 53 83

HSL 270, 0.22%, 0.27%

LAB 24.95, 13.52, -15.73

 

CMYK 8 / 36 / 0 / 67

HEX #4C3553

RGB 76 53 83

HSL 286, 0.22%, 0.27%

LAB 25.88, 16.48, -14.21

 

CMYK 0 / 36 / 0 / 67

HEX #533553

RGB 83 53 83

HSL 300, 0.22%, 0.27%

LAB 26.76, 19.11, -12.79

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 36 / 36 / 0 / 67

HEX #353553

RGB 53 53 83

HSL 240, 0.22%, 0.27%

LAB 23.43, 8.24, -18.21

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 56 / 52 / 0 / 63

HEX #2A2E5F

RGB 42 46 95

HSL 235.47, 0.39%, 0.27%

LAB 21.1, 13.95, -29.87

 

CMYK 71 / 66 / 0 / 58

HEX #1F246A

RGB 31 36 106

HSL 236, 0.55%, 0.27%

LAB 18.34, 22.93, -41.59

 

CMYK 83 / 78 / 0 / 54

HEX #141A75

RGB 20 26 117

HSL 236.29, 0.71%, 0.27%

LAB 16.36, 32.49, -51.99

 

CMYK 93 / 87 / 0 / 50

HEX #091180

RGB 9 17 128

HSL 235.97, 0.87%, 0.27%

LAB 15.58, 40.79, -60.35

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 11 / 10 / 0 / 72

HEX #404148

RGB 64 65 72

HSL 232.5, 0.06%, 0.27%

LAB 27.68, 1.23, -4.39

 

CMYK 0 / 0 / 19 / 71

HEX #4B4B3D

RGB 75 75 61

HSL 60, 0.1%, 0.27%

LAB 31.5, -2.81, 8.37

 

CMYK 0 / 3 / 43 / 66

HEX #575432

RGB 87 84 50

HSL 55.14, 0.27%, 0.27%

LAB 35.2, -4.55, 20.31

 

CMYK 0 / 4 / 60 / 62

HEX #625E27

RGB 98 94 39

HSL 55.93, 0.43%, 0.27%

LAB 39.15, -6.46, 31.51

 

CMYK 36 / 14 / 0 / 67

HEX #354753

RGB 53 71 83

HSL 204, 0.22%, 0.27%

LAB 29.13, -3.7, -9.45

 

CMYK 36 / 24 / 0 / 67

HEX #353F53

RGB 53 63 83

HSL 220, 0.22%, 0.27%

LAB 26.55, 1.49, -13.38

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 29 / 36 / 0 / 67

HEX #3B3553

RGB 59 53 83

HSL 252, 0.22%, 0.27%

LAB 24, 10.29, -17.28

 

CMYK 19 / 36 / 0 / 67

HEX #433553

RGB 67 53 83

HSL 268, 0.22%, 0.27%

LAB 24.84, 13.16, -15.91

 

CMYK 36 / 33 / 0 / 87

HEX #151621

RGB 21 22 33

HSL 235, 0.22%, 0.11%

LAB 7.62, 2.83, -7.81

 

CMYK 36 / 33 / 0 / 77

HEX #25273A

RGB 37 39 58

HSL 234.29, 0.22%, 0.19%

LAB 16.25, 4.58, -12.49

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 37 / 34 / 0 / 57

HEX #45486D

RGB 69 72 109

HSL 235.5, 0.22%, 0.35%

LAB 31.82, 8.66, -21.81

 

CMYK 37 / 34 / 0 / 47

HEX #555986

RGB 85 89 134

HSL 235.1, 0.22%, 0.43%

LAB 39.24, 10.08, -25.62

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 0 / 36 / 5 / 67

HEX #53354F

RGB 83 53 79

HSL 308, 0.22%, 0.27%

LAB 26.59, 18.25, -10.41

 

CMYK 19 / 0 / 36 / 67

HEX #435335

RGB 67 83 53

HSL 92, 0.22%, 0.27%

LAB 33.21, -12.49, 15.59

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 0 / 36 / 34 / 67

HEX #533537

RGB 83 53 55

HSL 356, 0.22%, 0.27%

LAB 25.75, 13.8, 4.28

 

CMYK 34 / 0 / 36 / 67

HEX #375335

RGB 55 83 53

HSL 116, 0.22%, 0.27%

LAB 32.38, -17.39, 14.33

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 0 / 36 / 5 / 67

HEX #53354F

RGB 83 53 79

HSL 308, 0.22%, 0.27%

LAB 26.59, 18.25, -10.41

 

CMYK 0 / 2 / 36 / 67

HEX #535135

RGB 83 81 53

HSL 56, 0.22%, 0.27%

LAB 33.94, -4.18, 16.8

 

CMYK 36 / 0 / 31 / 67

HEX #355339

RGB 53 83 57

HSL 128, 0.22%, 0.27%

LAB 32.34, -17.36, 11.79

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 0 / 36 / 16 / 67

HEX #533546

RGB 83 53 70

HSL 326, 0.22%, 0.27%

LAB 26.24, 16.43, -4.99

 

CMYK 0 / 2 / 36 / 67

HEX #535135

RGB 83 81 53

HSL 56, 0.22%, 0.27%

LAB 33.94, -4.18, 16.8

 

CMYK 36 / 0 / 20 / 67

HEX #355342

RGB 53 83 66

HSL 146, 0.22%, 0.27%

LAB 32.56, -15.4, 6.46

 

Description

Color code: HEX #353753 | qconv.com Color code: HEX #353753 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 55 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 55 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 34 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 34% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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