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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35315A it is the complementary color #CACEA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35315A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35315A shade: #3A3155, #4B4368, #5C557B, #6D678E and #7E79A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35315A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35315A shade: #35315A, #241F47, #130D34, #020021 and #00000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35315A shade: #343058, #3F3058, #4A3058, #553058 and #583051

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35315A shade: #343058 and #303058

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35315A shade matches the following richer shades: #343058, #2B2563, #221A6F, #190F7A and #100485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35315A shade: #343058, #3D3C4D, #464742, #4F5237 and #585D2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35315A shade: #304258, #303858, #343058, #3E3058 and #493058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35315A shade: #151323, #24223E, #343058, #443F73 and #544E8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35315A shade: #35315A, #58304D and #3D5830

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35315A shade: #35315A, #583430 and #305834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35315A shade: #35315A, #58304D, #555830 and #30583C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35315A shade: #35315A, #583041, #555830 and #305848

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 46 / 0 / 65

HEX #35315A

RGB 53 49 90

HSL 245.85, 0.29%, 0.27%

LAB 22.62, 13.21, -24.1

 

Complementary color

CMYK 2 / 0 / 20 / 19

HEX #CACEA5

RGB 202 206 165

HSL 65.85, 0.29%, 0.73%

LAB 81.52, -8.23, 19.98

 

CMYK 32 / 42 / 0 / 67

HEX #3A3155

RGB 58 49 85

HSL 255, 0.27%, 0.26%

LAB 22.83, 13.26, -20.43

 

CMYK 28 / 36 / 0 / 59

HEX #4B4368

RGB 75 67 104

HSL 252.97, 0.22%, 0.34%

LAB 30.66, 12.44, -20.4

 

CMYK 25 / 31 / 0 / 52

HEX #5C557B

RGB 92 85 123

HSL 251.05, 0.18%, 0.41%

LAB 38.2, 11.77, -20.45

 

CMYK 23 / 27 / 0 / 44

HEX #6D678E

RGB 109 103 142

HSL 249.23, 0.16%, 0.48%

LAB 45.5, 11.2, -20.57

 

CMYK 22 / 25 / 0 / 37

HEX #7E79A1

RGB 126 121 161

HSL 247.5, 0.18%, 0.55%

LAB 52.6, 10.71, -20.73

 

CMYK 41 / 46 / 0 / 65

HEX #35315A

RGB 53 49 90

HSL 245.85, 0.29%, 0.27%

LAB 22.62, 13.21, -24.1

 

CMYK 49 / 56 / 0 / 72

HEX #241F47

RGB 36 31 71

HSL 247.5, 0.39%, 0.2%

LAB 14.46, 14.48, -24.38

 

CMYK 63 / 75 / 0 / 80

HEX #130D34

RGB 19 13 52

HSL 249.23, 0.6%, 0.13%

LAB 6.09, 15.51, -24.42

 

CMYK 94 / 100 / 0 / 87

HEX #020021

RGB 2 0 33

HSL 243.64, 1%, 0.06%

LAB 1.11, 7.49, -17.87

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 41 / 45 / 0 / 65

HEX #343058

RGB 52 48 88

HSL 246, 0.29%, 0.27%

LAB 22.12, 12.95, -23.58

 

CMYK 28 / 45 / 0 / 65

HEX #3F3058

RGB 63 48 88

HSL 262.5, 0.29%, 0.27%

LAB 23.25, 16.49, -21.72

 

CMYK 16 / 45 / 0 / 65

HEX #4A3058

RGB 74 48 88

HSL 279, 0.29%, 0.27%

LAB 24.56, 20.23, -19.58

 

CMYK 3 / 45 / 0 / 65

HEX #553058

RGB 85 48 88

HSL 295.5, 0.29%, 0.27%

LAB 26.01, 24.07, -17.21

 

CMYK 0 / 45 / 8 / 65

HEX #583051

RGB 88 48 81

HSL 310.5, 0.29%, 0.27%

LAB 26.11, 23.67, -12.41

 

CMYK 41 / 45 / 0 / 65

HEX #343058

RGB 52 48 88

HSL 246, 0.29%, 0.27%

LAB 22.12, 12.95, -23.58

 

CMYK 45 / 45 / 0 / 65

HEX #303058

RGB 48 48 88

HSL 240, 0.29%, 0.27%

LAB 21.75, 11.74, -24.19

 

CMYK 41 / 45 / 0 / 65

HEX #343058

RGB 52 48 88

HSL 246, 0.29%, 0.27%

LAB 22.12, 12.95, -23.58

 

CMYK 57 / 63 / 0 / 61

HEX #2B2563

RGB 43 37 99

HSL 245.81, 0.46%, 0.27%

LAB 18.96, 21.91, -35.95

 

CMYK 69 / 77 / 0 / 56

HEX #221A6F

RGB 34 26 111

HSL 245.65, 0.62%, 0.27%

LAB 16.63, 31.77, -47.63

 

CMYK 80 / 88 / 0 / 52

HEX #190F7A

RGB 25 15 122

HSL 245.61, 0.78%, 0.27%

LAB 15.24, 40.48, -57.06

 

CMYK 88 / 97 / 0 / 48

HEX #100485

RGB 16 4 133

HSL 245.58, 0.94%, 0.27%

LAB 14.9, 47.56, -64.64

 

CMYK 41 / 45 / 0 / 65

HEX #343058

RGB 52 48 88

HSL 246, 0.29%, 0.27%

LAB 22.12, 12.95, -23.58

 

CMYK 21 / 22 / 0 / 70

HEX #3D3C4D

RGB 61 60 77

HSL 243.53, 0.12%, 0.27%

LAB 26.04, 4.63, -10.16

 

CMYK 1 / 0 / 7 / 72

HEX #464742

RGB 70 71 66

HSL 72, 0.04%, 0.27%

LAB 29.92, -1.49, 2.86

 

CMYK 4 / 0 / 33 / 68

HEX #4F5237

RGB 79 82 55

HSL 66.67, 0.2%, 0.27%

LAB 33.93, -6.3, 15.49

 

CMYK 5 / 0 / 53 / 64

HEX #585D2C

RGB 88 93 44

HSL 66.12, 0.36%, 0.27%

LAB 38, -10.08, 27.24

 

CMYK 45 / 25 / 0 / 65

HEX #304258

RGB 48 66 88

HSL 213, 0.29%, 0.27%

LAB 27.38, -0.53, -15.39

 

CMYK 45 / 36 / 0 / 65

HEX #303858

RGB 48 56 88

HSL 228, 0.29%, 0.27%

LAB 24.2, 6.19, -20.34

 

CMYK 41 / 45 / 0 / 65

HEX #343058

RGB 52 48 88

HSL 246, 0.29%, 0.27%

LAB 22.12, 12.95, -23.58

 

CMYK 30 / 45 / 0 / 65

HEX #3E3058

RGB 62 48 88

HSL 261, 0.29%, 0.27%

LAB 23.14, 16.15, -21.9

 

CMYK 17 / 45 / 0 / 65

HEX #493058

RGB 73 48 88

HSL 277.5, 0.29%, 0.27%

LAB 24.43, 19.88, -19.78

 

CMYK 40 / 46 / 0 / 86

HEX #151323

RGB 21 19 35

HSL 247.5, 0.3%, 0.11%

LAB 6.74, 5.57, -10.67

 

CMYK 42 / 45 / 0 / 76

HEX #24223E

RGB 36 34 62

HSL 244.29, 0.29%, 0.19%

LAB 14.77, 9.18, -17.61

 

CMYK 41 / 45 / 0 / 65

HEX #343058

RGB 52 48 88

HSL 246, 0.29%, 0.27%

LAB 22.12, 12.95, -23.58

 

CMYK 41 / 45 / 0 / 55

HEX #443F73

RGB 68 63 115

HSL 245.77, 0.29%, 0.35%

LAB 29.47, 16.13, -29.3

 

CMYK 41 / 45 / 0 / 44

HEX #544E8E

RGB 84 78 142

HSL 245.63, 0.29%, 0.43%

LAB 36.53, 19.17, -34.75

 

CMYK 41 / 46 / 0 / 65

HEX #35315A

RGB 53 49 90

HSL 245.85, 0.29%, 0.27%

LAB 22.62, 13.21, -24.1

 

CMYK 0 / 45 / 13 / 65

HEX #58304D

RGB 88 48 77

HSL 316.5, 0.29%, 0.27%

LAB 25.93, 22.88, -10.03

 

CMYK 31 / 0 / 45 / 65

HEX #3D5830

RGB 61 88 48

HSL 100.5, 0.29%, 0.27%

LAB 34.37, -18.59, 20

 

CMYK 41 / 46 / 0 / 65

HEX #35315A

RGB 53 49 90

HSL 245.85, 0.29%, 0.27%

LAB 22.62, 13.21, -24.1

 

CMYK 0 / 41 / 45 / 65

HEX #583430

RGB 88 52 48

HSL 6, 0.29%, 0.27%

LAB 25.99, 15.69, 9.38

 

CMYK 45 / 0 / 41 / 65

HEX #305834

RGB 48 88 52

HSL 126, 0.29%, 0.27%

LAB 33.68, -22.78, 16.59

 

CMYK 41 / 46 / 0 / 65

HEX #35315A

RGB 53 49 90

HSL 245.85, 0.29%, 0.27%

LAB 22.62, 13.21, -24.1

 

CMYK 0 / 45 / 13 / 65

HEX #58304D

RGB 88 48 77

HSL 316.5, 0.29%, 0.27%

LAB 25.93, 22.88, -10.03

 

CMYK 3 / 0 / 45 / 65

HEX #555830

RGB 85 88 48

HSL 64.5, 0.29%, 0.27%

LAB 36.22, -8.1, 22.74

 

CMYK 45 / 0 / 32 / 65

HEX #30583C

RGB 48 88 60

HSL 138, 0.29%, 0.27%

LAB 33.85, -21.17, 11.94

 

CMYK 41 / 46 / 0 / 65

HEX #35315A

RGB 53 49 90

HSL 245.85, 0.29%, 0.27%

LAB 22.62, 13.21, -24.1

 

CMYK 0 / 45 / 26 / 65

HEX #583041

RGB 88 48 65

HSL 334.5, 0.29%, 0.27%

LAB 25.47, 20.71, -2.72

 

CMYK 3 / 0 / 45 / 65

HEX #555830

RGB 85 88 48

HSL 64.5, 0.29%, 0.27%

LAB 36.22, -8.1, 22.74

 

CMYK 45 / 0 / 18 / 65

HEX #305848

RGB 48 88 72

HSL 156, 0.29%, 0.27%

LAB 34.14, -18.39, 4.9

 

Description

Color code: HEX #35315A | qconv.com Color code: HEX #35315A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 49 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 49 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 46 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 46% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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