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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #354D2A it is the complementary color #CAB2D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #354D2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #354D2A shade: #3A4D25, #4B5F38, #5C714B, #6D835E and #7E9571

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #354D2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #354D2A shade: #354D2A, #243B17, #132904, #021700 and #000500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #354D2A shade: #344B29, #3D4B29, #464B29, #4B4729 and #4B3E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #354D2A shade: #344B29, #2B4B29, #294B31, #294B3A and #294B43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #354D2A shade matches the following richer shades: #344B29, #305520, #2D5E16, #29680D and #267103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #354D2A shade: #344B29, #374233, #3B383C, #3E2F46 and #42254F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #354D2A shade: #464B29, #3D4B29, #344B29, #2B4B29 and #294B31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #354D2A shade: #0F160C, #21311A, #344B29, #466638 and #598046

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #354D2A shade: #354D2A, #294B47 and #4B2942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #354D2A shade: #354D2A, #29344B and #4B2934

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #354D2A shade: #354D2A, #294B47, #40294B and #4B292D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #354D2A shade: #354D2A, #29454B, #40294B and #4B2F29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 45 / 70

HEX #354D2A

RGB 53 77 42

HSL 101.14, 0.29%, 0.23%

LAB 29.99, -16.82, 17.87

 

Complementary color

CMYK 5 / 16 / 0 / 16

HEX #CAB2D5

RGB 202 178 213

HSL 281.14, 0.29%, 0.77%

LAB 75.58, 14.97, -14.47

 

CMYK 25 / 0 / 52 / 70

HEX #3A4D25

RGB 58 77 37

HSL 88.5, 0.35%, 0.22%

LAB 30.26, -15.43, 21.25

 

CMYK 21 / 0 / 41 / 63

HEX #4B5F38

RGB 75 95 56

HSL 90.77, 0.26%, 0.3%

LAB 37.78, -15.39, 19.89

 

CMYK 19 / 0 / 34 / 56

HEX #5C714B

RGB 92 113 75

HSL 93.16, 0.2%, 0.37%

LAB 45.07, -15.31, 18.62

 

CMYK 17 / 0 / 28 / 49

HEX #6D835E

RGB 109 131 94

HSL 95.68, 0.16%, 0.44%

LAB 52.17, -15.21, 17.46

 

CMYK 15 / 0 / 24 / 42

HEX #7E9571

RGB 126 149 113

HSL 98.33, 0.15%, 0.51%

LAB 59.09, -15.12, 16.38

 

CMYK 31 / 0 / 45 / 70

HEX #354D2A

RGB 53 77 42

HSL 101.14, 0.29%, 0.23%

LAB 29.99, -16.82, 17.87

 

CMYK 39 / 0 / 61 / 77

HEX #243B17

RGB 36 59 23

HSL 98.33, 0.44%, 0.16%

LAB 22.18, -16.93, 19.31

 

CMYK 54 / 0 / 90 / 84

HEX #132904

RGB 19 41 4

HSL 95.68, 0.82%, 0.09%

LAB 14.02, -16.87, 18.56

 

CMYK 91 / 0 / 100 / 91

HEX #021700

RGB 2 23 0

HSL 114.78, 1%, 0.05%

LAB 5.65, -10.78, 8.27

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 31 / 0 / 45 / 71

HEX #344B29

RGB 52 75 41

HSL 100.59, 0.29%, 0.23%

LAB 29.22, -16.29, 17.47

 

CMYK 19 / 0 / 45 / 71

HEX #3D4B29

RGB 61 75 41

HSL 84.71, 0.29%, 0.23%

LAB 29.87, -12.39, 18.44

 

CMYK 7 / 0 / 45 / 71

HEX #464B29

RGB 70 75 41

HSL 68.82, 0.29%, 0.23%

LAB 30.63, -8.26, 19.55

 

CMYK 0 / 5 / 45 / 71

HEX #4B4729

RGB 75 71 41

HSL 52.94, 0.29%, 0.23%

LAB 29.82, -3.46, 18.63

 

CMYK 0 / 17 / 45 / 71

HEX #4B3E29

RGB 75 62 41

HSL 37.06, 0.29%, 0.23%

LAB 27.02, 2.22, 15.02

 

CMYK 31 / 0 / 45 / 71

HEX #344B29

RGB 52 75 41

HSL 100.59, 0.29%, 0.23%

LAB 29.22, -16.29, 17.47

 

CMYK 43 / 0 / 45 / 71

HEX #2B4B29

RGB 43 75 41

HSL 116.47, 0.29%, 0.23%

LAB 28.66, -19.85, 16.64

 

CMYK 45 / 0 / 35 / 71

HEX #294B31

RGB 41 75 49

HSL 134.12, 0.29%, 0.23%

LAB 28.71, -19.01, 11.72

 

CMYK 45 / 0 / 23 / 71

HEX #294B3A

RGB 41 75 58

HSL 150, 0.29%, 0.23%

LAB 28.93, -16.96, 6.3

 

CMYK 45 / 0 / 11 / 71

HEX #294B43

RGB 41 75 67

HSL 165.88, 0.29%, 0.23%

LAB 29.18, -14.62, 0.89

 

CMYK 31 / 0 / 45 / 71

HEX #344B29

RGB 52 75 41

HSL 100.59, 0.29%, 0.23%

LAB 29.22, -16.29, 17.47

 

CMYK 44 / 0 / 62 / 67

HEX #305520

RGB 48 85 32

HSL 101.89, 0.45%, 0.23%

LAB 32.32, -24.41, 26.38

 

CMYK 52 / 0 / 77 / 63

HEX #2D5E16

RGB 45 94 22

HSL 100.83, 0.62%, 0.23%

LAB 35.24, -30.71, 34.32

 

CMYK 61 / 0 / 88 / 59

HEX #29680D

RGB 41 104 13

HSL 101.54, 0.78%, 0.23%

LAB 38.55, -36.75, 40.63

 

CMYK 66 / 0 / 97 / 56

HEX #267103

RGB 38 113 3

HSL 100.91, 0.95%, 0.23%

LAB 41.58, -41.42, 45.7

 

CMYK 31 / 0 / 45 / 71

HEX #344B29

RGB 52 75 41

HSL 100.59, 0.29%, 0.23%

LAB 29.22, -16.29, 17.47

 

CMYK 17 / 0 / 23 / 74

HEX #374233

RGB 55 66 51

HSL 104, 0.13%, 0.23%

LAB 26.59, -7.9, 7.67

 

CMYK 2 / 7 / 0 / 76

HEX #3B383C

RGB 59 56 60

HSL 285, 0.03%, 0.23%

LAB 23.95, 2.21, -2.02

 

CMYK 11 / 33 / 0 / 73

HEX #3E2F46

RGB 62 47 70

HSL 279.13, 0.2%, 0.23%

LAB 21.94, 11.93, -11.75

 

CMYK 16 / 53 / 0 / 69

HEX #42254F

RGB 66 37 79

HSL 281.43, 0.36%, 0.23%

LAB 20.23, 22.28, -20.45

 

CMYK 7 / 0 / 45 / 71

HEX #464B29

RGB 70 75 41

HSL 68.82, 0.29%, 0.23%

LAB 30.63, -8.26, 19.55

 

CMYK 19 / 0 / 45 / 71

HEX #3D4B29

RGB 61 75 41

HSL 84.71, 0.29%, 0.23%

LAB 29.87, -12.39, 18.44

 

CMYK 31 / 0 / 45 / 71

HEX #344B29

RGB 52 75 41

HSL 100.59, 0.29%, 0.23%

LAB 29.22, -16.29, 17.47

 

CMYK 43 / 0 / 45 / 71

HEX #2B4B29

RGB 43 75 41

HSL 116.47, 0.29%, 0.23%

LAB 28.66, -19.85, 16.64

 

CMYK 45 / 0 / 35 / 71

HEX #294B31

RGB 41 75 49

HSL 134.12, 0.29%, 0.23%

LAB 28.71, -19.01, 11.72

 

CMYK 32 / 0 / 45 / 91

HEX #0F160C

RGB 15 22 12

HSL 102, 0.29%, 0.07%

LAB 6.34, -4.79, 4.43

 

CMYK 33 / 0 / 47 / 81

HEX #21311A

RGB 33 49 26

HSL 101.74, 0.31%, 0.15%

LAB 18.34, -12.04, 12.61

 

CMYK 31 / 0 / 45 / 71

HEX #344B29

RGB 52 75 41

HSL 100.59, 0.29%, 0.23%

LAB 29.22, -16.29, 17.47

 

CMYK 31 / 0 / 45 / 60

HEX #466638

RGB 70 102 56

HSL 101.74, 0.29%, 0.31%

LAB 39.73, -21.19, 22.33

 

CMYK 30 / 0 / 45 / 50

HEX #598046

RGB 89 128 70

HSL 100.34, 0.29%, 0.39%

LAB 49.5, -25.09, 27.16

 

CMYK 31 / 0 / 45 / 70

HEX #354D2A

RGB 53 77 42

HSL 101.14, 0.29%, 0.23%

LAB 29.99, -16.82, 17.87

 

CMYK 45 / 0 / 5 / 71

HEX #294B47

RGB 41 75 71

HSL 172.94, 0.29%, 0.23%

LAB 29.31, -13.5, -1.51

 

CMYK 0 / 45 / 12 / 71

HEX #4B2942

RGB 75 41 66

HSL 315.88, 0.29%, 0.23%

LAB 21.85, 20.07, -9.02

 

CMYK 31 / 0 / 45 / 70

HEX #354D2A

RGB 53 77 42

HSL 101.14, 0.29%, 0.23%

LAB 29.99, -16.82, 17.87

 

CMYK 45 / 31 / 0 / 71

HEX #29344B

RGB 41 52 75

HSL 220.59, 0.29%, 0.23%

LAB 21.71, 2.41, -15.63

 

CMYK 0 / 45 / 31 / 71

HEX #4B2934

RGB 75 41 52

HSL 340.59, 0.29%, 0.23%

LAB 21.32, 17.5, -0.23

 

CMYK 31 / 0 / 45 / 70

HEX #354D2A

RGB 53 77 42

HSL 101.14, 0.29%, 0.23%

LAB 29.99, -16.82, 17.87

 

CMYK 45 / 0 / 5 / 71

HEX #294B47

RGB 41 75 71

HSL 172.94, 0.29%, 0.23%

LAB 29.31, -13.5, -1.51

 

CMYK 15 / 45 / 0 / 71

HEX #40294B

RGB 64 41 75

HSL 280.59, 0.29%, 0.23%

LAB 20.77, 17.98, -16.93

 

CMYK 0 / 45 / 40 / 71

HEX #4B292D

RGB 75 41 45

HSL 352.94, 0.29%, 0.23%

LAB 21.1, 16.41, 4.27

 

CMYK 31 / 0 / 45 / 70

HEX #354D2A

RGB 53 77 42

HSL 101.14, 0.29%, 0.23%

LAB 29.99, -16.82, 17.87

 

CMYK 45 / 8 / 0 / 71

HEX #29454B

RGB 41 69 75

HSL 190.59, 0.29%, 0.23%

LAB 27.4, -8.72, -6.94

 

CMYK 15 / 45 / 0 / 71

HEX #40294B

RGB 64 41 75

HSL 280.59, 0.29%, 0.23%

LAB 20.77, 17.98, -16.93

 

CMYK 0 / 37 / 45 / 71

HEX #4B2F29

RGB 75 47 41

HSL 10.59, 0.29%, 0.23%

LAB 22.62, 11.97, 9.12

 

Description

Color code: HEX #354D2A | qconv.com Color code: HEX #354D2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 77 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 77 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 45 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 45% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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