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Color name
HEX #357F0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #357F0A it is the complementary color #CA80F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #357F0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #357F0A shade: #3A7F05, #4B9118, #5CA32B, #6DB53E and #7EC751

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #357F0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #357F0A shade: #357F0A, #246D00, #135B00, #024900 and #003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #357F0A shade: #357F0A, #547F0A, #747F0A, #7F6A0A and #7F4B0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #357F0A shade: #357F0A, #157F0A, #0A7F1E, #0A7F3E and #0A7F5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #357F0A shade matches the following richer shades: #357F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #357F0A shade: #357F0A, #387415, #3B6920, #3E5D2B and #415236

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #357F0A shade: #757F0A, #567F0A, #377F0A, #177F0A and #0A7F1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #357F0A shade: #153304, #255907, #357F0A, #45A50D and #55CB10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #357F0A shade: #357F0A, #0A7F69 and #7F0A66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #357F0A shade: #357F0A, #0A377F and #7F0A37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #357F0A shade: #357F0A, #0A7F69, #520A7F and #7F0A1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #357F0A shade: #357F0A, #0A717F, #520A7F and #7F170A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

Complementary color

CMYK 18 / 48 / 0 / 4

HEX #CA80F5

RGB 202 128 245

HSL 277.95, 0.85%, 0.73%

LAB 65.43, 48.73, -47.66

 

CMYK 54 / 0 / 96 / 50

HEX #3A7F05

RGB 58 127 5

HSL 93.93, 0.92%, 0.26%

LAB 47.09, -41.04, 50.06

 

CMYK 48 / 0 / 83 / 43

HEX #4B9118

RGB 75 145 24

HSL 94.71, 0.72%, 0.33%

LAB 53.83, -42.1, 51.87

 

CMYK 44 / 0 / 74 / 36

HEX #5CA32B

RGB 92 163 43

HSL 95.5, 0.58%, 0.4%

LAB 60.47, -42.75, 52.22

 

CMYK 40 / 0 / 66 / 29

HEX #6DB53E

RGB 109 181 62

HSL 96.3, 0.49%, 0.48%

LAB 67.01, -43.1, 51.75

 

CMYK 37 / 0 / 59 / 22

HEX #7EC751

RGB 126 199 81

HSL 97.12, 0.51%, 0.55%

LAB 73.47, -43.27, 50.88

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 67 / 0 / 100 / 57

HEX #246D00

RGB 36 109 0

HSL 100.18, 1%, 0.21%

LAB 40.1, -40.58, 45.25

 

CMYK 79 / 0 / 100 / 64

HEX #135B00

RGB 19 91 0

HSL 107.47, 1%, 0.18%

LAB 33.18, -37.93, 39.56

 

CMYK 97 / 0 / 100 / 71

HEX #024900

RGB 2 73 0

HSL 118.36, 1%, 0.14%

LAB 26.09, -34.59, 33.61

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 34 / 0 / 92 / 50

HEX #547F0A

RGB 84 127 10

HSL 82.05, 0.85%, 0.27%

LAB 48.37, -31.59, 50.64

 

CMYK 9 / 0 / 92 / 50

HEX #747F0A

RGB 116 127 10

HSL 65.64, 0.85%, 0.27%

LAB 50.59, -17.73, 53.37

 

CMYK 0 / 17 / 92 / 50

HEX #7F6A0A

RGB 127 106 10

HSL 49.23, 0.85%, 0.27%

LAB 45.42, -0.91, 49.69

 

CMYK 0 / 41 / 92 / 50

HEX #7F4B0A

RGB 127 75 10

HSL 33.33, 0.85%, 0.27%

LAB 37.05, 17.35, 43.14

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 83 / 0 / 92 / 50

HEX #157F0A

RGB 21 127 10

HSL 114.36, 0.85%, 0.27%

LAB 46.12, -49.08, 47.85

 

CMYK 92 / 0 / 76 / 50

HEX #0A7F1E

RGB 10 127 30

HSL 130.26, 0.85%, 0.27%

LAB 46.09, -48.98, 41.87

 

CMYK 92 / 0 / 51 / 50

HEX #0A7F3E

RGB 10 127 62

HSL 146.67, 0.85%, 0.27%

LAB 46.43, -44.78, 27.09

 

CMYK 92 / 0 / 27 / 50

HEX #0A7F5D

RGB 10 127 93

HSL 162.56, 0.85%, 0.27%

LAB 47.02, -38.05, 10.32

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 52 / 0 / 82 / 55

HEX #387415

RGB 56 116 21

HSL 97.89, 0.69%, 0.27%

LAB 43.34, -36.54, 42.78

 

CMYK 44 / 0 / 70 / 59

HEX #3B6920

RGB 59 105 32

HSL 97.81, 0.53%, 0.27%

LAB 39.81, -29.83, 34.89

 

CMYK 33 / 0 / 54 / 64

HEX #3E5D2B

RGB 62 93 43

HSL 97.2, 0.37%, 0.27%

LAB 36.04, -21.55, 24.97

 

CMYK 21 / 0 / 34 / 68

HEX #415236

RGB 65 82 54

HSL 96.43, 0.21%, 0.27%

LAB 32.75, -12.59, 14.33

 

CMYK 8 / 0 / 92 / 50

HEX #757F0A

RGB 117 127 10

HSL 65.13, 0.85%, 0.27%

LAB 50.67, -17.27, 53.47

 

CMYK 32 / 0 / 92 / 50

HEX #567F0A

RGB 86 127 10

HSL 81.03, 0.85%, 0.27%

LAB 48.48, -30.78, 50.79

 

CMYK 57 / 0 / 92 / 50

HEX #377F0A

RGB 55 127 10

HSL 96.92, 0.85%, 0.27%

LAB 46.99, -41.78, 48.93

 

CMYK 82 / 0 / 92 / 50

HEX #177F0A

RGB 23 127 10

HSL 113.33, 0.85%, 0.27%

LAB 46.15, -48.81, 47.89

 

CMYK 92 / 0 / 79 / 50

HEX #0A7F1B

RGB 10 127 27

HSL 128.72, 0.85%, 0.27%

LAB 46.07, -49.23, 42.96

 

CMYK 59 / 0 / 92 / 80

HEX #153304

RGB 21 51 4

HSL 98.3, 0.85%, 0.11%

LAB 18.08, -21.06, 23.67

 

CMYK 58 / 0 / 92 / 65

HEX #255907

RGB 37 89 7

HSL 98.05, 0.85%, 0.19%

LAB 33.03, -32.18, 37.37

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 58 / 0 / 92 / 35

HEX #45A50D

RGB 69 165 13

HSL 97.89, 0.85%, 0.35%

LAB 60.07, -51.93, 59.62

 

CMYK 58 / 0 / 92 / 20

HEX #55CB10

RGB 85 203 16

HSL 97.86, 0.85%, 0.43%

LAB 72.68, -61.05, 69.88

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 92 / 0 / 17 / 50

HEX #0A7F69

RGB 10 127 105

HSL 168.72, 0.85%, 0.27%

LAB 47.32, -34.82, 3.71

 

CMYK 0 / 92 / 20 / 50

HEX #7F0A66

RGB 127 10 102

HSL 312.82, 0.85%, 0.27%

LAB 28.61, 53.27, -21.75

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 92 / 57 / 0 / 50

HEX #0A377F

RGB 10 55 127

HSL 216.92, 0.85%, 0.27%

LAB 24.73, 15.72, -44.65

 

CMYK 0 / 92 / 57 / 50

HEX #7F0A37

RGB 127 10 55

HSL 336.92, 0.85%, 0.27%

LAB 26.75, 48.19, 6.79

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 92 / 0 / 17 / 50

HEX #0A7F69

RGB 10 127 105

HSL 168.72, 0.85%, 0.27%

LAB 47.32, -34.82, 3.71

 

CMYK 35 / 92 / 0 / 50

HEX #520A7F

RGB 82 10 127

HSL 276.92, 0.85%, 0.27%

LAB 22.1, 49.46, -48.7

 

CMYK 0 / 92 / 76 / 50

HEX #7F0A1F

RGB 127 10 31

HSL 349.23, 0.85%, 0.27%

LAB 26.24, 46.74, 22.37

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 92 / 11 / 0 / 50

HEX #0A717F

RGB 10 113 127

HSL 187.18, 0.85%, 0.27%

LAB 43.37, -20.96, -15.26

 

CMYK 35 / 92 / 0 / 50

HEX #520A7F

RGB 82 10 127

HSL 276.92, 0.85%, 0.27%

LAB 22.1, 49.46, -48.7

 

CMYK 0 / 82 / 92 / 50

HEX #7F170A

RGB 127 23 10

HSL 6.67, 0.85%, 0.27%

LAB 27.15, 42.87, 35.36

 

Description

Color code: HEX #357F0A | qconv.com Color code: HEX #357F0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 127 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 127 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 92 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 92% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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