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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3581BE it is the complementary color #CA7E41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3581BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3581BE shade: #3A81B9, #4B93CC, #5CA5DF, #6DB7F2 and #7EC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3581BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3581BE shade: #3581BE, #246FAB, #135D98, #024B85 and #003972

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3581BE shade: #3581BE, #355CBE, #3537BE, #5835BE and #7D35BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3581BE shade: #3581BE, #355CBE, #3537BE and #3535BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3581BE shade matches the following richer shades: #3581BE, #2284D2 and #0E86E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3581BE shade: #3581BE, #497FAB, #5D7D97, #717B83 and #85796F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3581BE shade: #35BEB1, #35A8BE, #3583BE, #355EBE and #353ABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3581BE shade: #23567E, #2C6C9E, #3581BE, #5095CD and #70A9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3581BE shade: #3581BE, #8C35BE and #BABE35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3581BE shade: #3581BE, #BE3583 and #83BE35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3581BE shade: #3581BE, #8C35BE, #BE7135 and #68BE35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3581BE shade: #3581BE, #B535BE, #BE7135 and #3EBE35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

Complementary color

CMYK 0 / 38 / 68 / 21

HEX #CA7E41

RGB 202 126 65

HSL 26.72, 0.56%, 0.52%

LAB 59.76, 24.05, 44.64

 

CMYK 69 / 30 / 0 / 27

HEX #3A81B9

RGB 58 129 185

HSL 206.46, 0.52%, 0.48%

LAB 51.95, -3.91, -35.91

 

CMYK 63 / 28 / 0 / 20

HEX #4B93CC

RGB 75 147 204

HSL 206.51, 0.56%, 0.55%

LAB 58.72, -5, -36.06

 

CMYK 59 / 26 / 0 / 13

HEX #5CA5DF

RGB 92 165 223

HSL 206.56, 0.67%, 0.62%

LAB 65.37, -5.86, -36.21

 

CMYK 55 / 24 / 0 / 5

HEX #6DB7F2

RGB 109 183 242

HSL 206.62, 0.84%, 0.69%

LAB 71.91, -6.54, -36.36

 

CMYK 51 / 21 / 0 / 0

HEX #7EC9FF

RGB 126 201 255

HSL 205.12, 1%, 0.75%

LAB 78.13, -8.82, -33.67

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 79 / 35 / 0 / 33

HEX #246FAB

RGB 36 111 171

HSL 206.67, 0.65%, 0.41%

LAB 45.2, -1.23, -38.48

 

CMYK 88 / 39 / 0 / 40

HEX #135D98

RGB 19 93 152

HSL 206.62, 0.78%, 0.34%

LAB 38.26, 0.98, -38.25

 

CMYK 98 / 44 / 0 / 48

HEX #024B85

RGB 2 75 133

HSL 206.56, 0.97%, 0.26%

LAB 31.2, 3.84, -37.96

 

CMYK 100 / 50 / 0 / 55

HEX #003972

RGB 0 57 114

HSL 210, 1%, 0.22%

LAB 24.13, 7.9, -37.39

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 72 / 52 / 0 / 25

HEX #355CBE

RGB 53 92 190

HSL 222.92, 0.56%, 0.48%

LAB 41.42, 20.21, -55.59

 

CMYK 72 / 71 / 0 / 25

HEX #3537BE

RGB 53 55 190

HSL 239.12, 0.56%, 0.48%

LAB 32.27, 43.65, -70.52

 

CMYK 54 / 72 / 0 / 25

HEX #5835BE

RGB 88 53 190

HSL 255.33, 0.56%, 0.48%

LAB 34.68, 49.29, -66.47

 

CMYK 34 / 72 / 0 / 25

HEX #7D35BE

RGB 125 53 190

HSL 271.53, 0.56%, 0.48%

LAB 38.94, 55.67, -59.33

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 72 / 52 / 0 / 25

HEX #355CBE

RGB 53 92 190

HSL 222.92, 0.56%, 0.48%

LAB 41.42, 20.21, -55.59

 

CMYK 72 / 71 / 0 / 25

HEX #3537BE

RGB 53 55 190

HSL 239.12, 0.56%, 0.48%

LAB 32.27, 43.65, -70.52

 

CMYK 72 / 72 / 0 / 25

HEX #3535BE

RGB 53 53 190

HSL 240, 0.56%, 0.48%

LAB 31.85, 44.81, -71.21

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 84 / 37 / 0 / 18

HEX #2284D2

RGB 34 132 210

HSL 206.59, 0.72%, 0.48%

LAB 53.49, 0.55, -47.76

 

CMYK 94 / 42 / 0 / 10

HEX #0E86E6

RGB 14 134 230

HSL 206.67, 0.89%, 0.48%

LAB 54.92, 5.82, -56.72

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 57 / 26 / 0 / 33

HEX #497FAB

RGB 73 127 171

HSL 206.94, 0.4%, 0.48%

LAB 51.31, -4.66, -28.8

 

CMYK 38 / 17 / 0 / 41

HEX #5D7D97

RGB 93 125 151

HSL 206.9, 0.24%, 0.48%

LAB 50.95, -4.51, -17.63

 

CMYK 14 / 6 / 0 / 49

HEX #717B83

RGB 113 123 131

HSL 206.67, 0.07%, 0.48%

LAB 51.05, -1.95, -5.63

 

CMYK 0 / 9 / 17 / 48

HEX #85796F

RGB 133 121 111

HSL 27.27, 0.09%, 0.48%

LAB 51.62, 2.82, 7.15

 

CMYK 72 / 0 / 7 / 25

HEX #35BEB1

RGB 53 190 177

HSL 174.31, 0.56%, 0.48%

LAB 70.01, -38.75, -3.92

 

CMYK 72 / 12 / 0 / 25

HEX #35A8BE

RGB 53 168 190

HSL 189.64, 0.56%, 0.48%

LAB 63.74, -24.34, -20.52

 

CMYK 72 / 31 / 0 / 25

HEX #3583BE

RGB 53 131 190

HSL 205.84, 0.56%, 0.48%

LAB 52.63, -4.08, -37.72

 

CMYK 72 / 51 / 0 / 25

HEX #355EBE

RGB 53 94 190

HSL 222.04, 0.56%, 0.48%

LAB 41.97, 18.92, -54.71

 

CMYK 72 / 69 / 0 / 25

HEX #353ABE

RGB 53 58 190

HSL 237.81, 0.56%, 0.48%

LAB 32.92, 41.87, -69.45

 

CMYK 72 / 32 / 0 / 51

HEX #23567E

RGB 35 86 126

HSL 206.37, 0.57%, 0.32%

LAB 35.04, -2.85, -27.5

 

CMYK 72 / 32 / 0 / 38

HEX #2C6C9E

RGB 44 108 158

HSL 206.32, 0.56%, 0.4%

LAB 43.84, -3.18, -32.95

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 61 / 27 / 0 / 20

HEX #5095CD

RGB 80 149 205

HSL 206.88, 0.56%, 0.56%

LAB 59.53, -4.89, -35.33

 

CMYK 48 / 21 / 0 / 16

HEX #70A9D6

RGB 112 169 214

HSL 206.47, 0.55%, 0.64%

LAB 67.03, -6.45, -28.59

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 26 / 72 / 0 / 25

HEX #8C35BE

RGB 140 53 190

HSL 278.1, 0.56%, 0.48%

LAB 40.96, 58.58, -55.96

 

CMYK 2 / 0 / 72 / 25

HEX #BABE35

RGB 186 190 53

HSL 61.75, 0.56%, 0.48%

LAB 74.52, -17.67, 64.45

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 0 / 72 / 31 / 25

HEX #BE3583

RGB 190 53 131

HSL 325.84, 0.56%, 0.48%

LAB 45.81, 60.63, -12.52

 

CMYK 31 / 0 / 72 / 25

HEX #83BE35

RGB 131 190 53

HSL 85.84, 0.56%, 0.48%

LAB 70.81, -39.84, 59.56

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 26 / 72 / 0 / 25

HEX #8C35BE

RGB 140 53 190

HSL 278.1, 0.56%, 0.48%

LAB 40.96, 58.58, -55.96

 

CMYK 0 / 41 / 72 / 25

HEX #BE7135

RGB 190 113 53

HSL 26.28, 0.56%, 0.48%

LAB 55.09, 25.42, 45.02

 

CMYK 45 / 0 / 72 / 25

HEX #68BE35

RGB 104 190 53

HSL 97.66, 0.56%, 0.48%

LAB 69.49, -49.13, 57.8

 

CMYK 72 / 32 / 0 / 25

HEX #3581BE

RGB 53 129 190

HSL 206.72, 0.56%, 0.48%

LAB 52.03, -2.9, -38.66

 

CMYK 5 / 72 / 0 / 25

HEX #B535BE

RGB 181 53 190

HSL 296.06, 0.56%, 0.48%

LAB 47.09, 67.07, -45.79

 

CMYK 0 / 41 / 72 / 25

HEX #BE7135

RGB 190 113 53

HSL 26.28, 0.56%, 0.48%

LAB 55.09, 25.42, 45.02

 

CMYK 67 / 0 / 72 / 25

HEX #3EBE35

RGB 62 190 53

HSL 116.06, 0.56%, 0.48%

LAB 68.1, -60.02, 55.94

 

Description

Color code: HEX #3581BE | qconv.com Color code: HEX #3581BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 129 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 129 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 32 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 32% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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