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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #358269 it is the complementary color #CA7D96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #358269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #358269 shade: #3A8264, #4B9477, #5CA68A, #6DB89D and #7ECAB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #358269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #358269 shade: #358269, #247056, #135E43, #024C30 and #003A1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #358269 shade: #358269, #358254, #35823F, #3F8235 and #548235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #358269 shade: #358269, #35827E, #357182, #355D82 and #354882

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #358269 shade matches the following richer shades: #358269, #26916E, #17A073 and #08AE78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #358269 shade: #358269, #447364, #52645E, #615559 and #704654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #358269 shade: #35823F, #358254, #358268, #35827D and #357282

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #358269 shade: #1D4739, #296551, #358269, #419F80 and #51B897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #358269 shade: #358269, #353F82 and #824935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #358269 shade: #358269, #683582 and #826835

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #358269 shade: #358269, #353F82, #82354E and #827835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #358269 shade: #358269, #423582, #82354E and #758235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

Complementary color

CMYK 0 / 38 / 26 / 21

HEX #CA7D96

RGB 202 125 150

HSL 340.52, 0.42%, 0.64%

LAB 61.16, 33.16, -0.73

 

CMYK 55 / 0 / 23 / 49

HEX #3A8264

RGB 58 130 100

HSL 155, 0.38%, 0.37%

LAB 49.23, -30.16, 9.51

 

CMYK 49 / 0 / 20 / 42

HEX #4B9477

RGB 75 148 119

HSL 156.16, 0.33%, 0.44%

LAB 56.1, -30.03, 8.38

 

CMYK 45 / 0 / 17 / 35

HEX #5CA68A

RGB 92 166 138

HSL 157.3, 0.29%, 0.51%

LAB 62.83, -29.85, 7.37

 

CMYK 41 / 0 / 15 / 28

HEX #6DB89D

RGB 109 184 157

HSL 158.4, 0.35%, 0.57%

LAB 69.45, -29.64, 6.44

 

CMYK 38 / 0 / 13 / 21

HEX #7ECAB0

RGB 126 202 176

HSL 159.47, 0.42%, 0.64%

LAB 75.95, -29.43, 5.58

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 68 / 0 / 23 / 56

HEX #247056

RGB 36 112 86

HSL 159.47, 0.51%, 0.29%

LAB 42.21, -29.95, 7.75

 

CMYK 80 / 0 / 29 / 63

HEX #135E43

RGB 19 94 67

HSL 158.4, 0.66%, 0.22%

LAB 35.1, -29.43, 9.22

 

CMYK 97 / 0 / 37 / 70

HEX #024C30

RGB 2 76 48

HSL 157.3, 0.95%, 0.15%

LAB 27.83, -28.45, 10.96

 

CMYK 100 / 0 / 50 / 77

HEX #003A1D

RGB 0 58 29

HSL 150, 1%, 0.11%

LAB 20.5, -25.67, 13.21

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 59 / 0 / 35 / 49

HEX #358254

RGB 53 130 84

HSL 144.16, 0.42%, 0.36%

LAB 48.71, -34.9, 17.99

 

CMYK 59 / 0 / 52 / 49

HEX #35823F

RGB 53 130 63

HSL 127.79, 0.42%, 0.36%

LAB 48.36, -38.67, 29.15

 

CMYK 52 / 0 / 59 / 49

HEX #3F8235

RGB 63 130 53

HSL 112.21, 0.42%, 0.36%

LAB 48.61, -37.25, 34.7

 

CMYK 35 / 0 / 59 / 49

HEX #548235

RGB 84 130 53

HSL 95.84, 0.42%, 0.36%

LAB 49.63, -30.09, 36.14

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 59 / 0 / 3 / 49

HEX #35827E

RGB 53 130 126

HSL 176.88, 0.42%, 0.36%

LAB 49.77, -24.46, -4.95

 

CMYK 59 / 13 / 0 / 49

HEX #357182

RGB 53 113 130

HSL 193.25, 0.42%, 0.36%

LAB 44.49, -14.13, -15.26

 

CMYK 59 / 28 / 0 / 49

HEX #355D82

RGB 53 93 130

HSL 208.83, 0.42%, 0.36%

LAB 38.19, -2.27, -24.96

 

CMYK 59 / 45 / 0 / 49

HEX #354882

RGB 53 72 130

HSL 225.19, 0.42%, 0.36%

LAB 31.81, 11.32, -35.03

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 74 / 0 / 24 / 43

HEX #26916E

RGB 38 145 110

HSL 160.37, 0.58%, 0.36%

LAB 53.8, -38.46, 10.11

 

CMYK 86 / 0 / 28 / 37

HEX #17A073

RGB 23 160 115

HSL 160.29, 0.75%, 0.36%

LAB 58.57, -45.22, 13.93

 

CMYK 95 / 0 / 31 / 32

HEX #08AE78

RGB 8 174 120

HSL 160.48, 0.91%, 0.36%

LAB 63.08, -50.43, 17.4

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 41 / 0 / 13 / 55

HEX #447364

RGB 68 115 100

HSL 160.85, 0.26%, 0.36%

LAB 44.82, -19.85, 3.27

 

CMYK 18 / 0 / 6 / 61

HEX #52645E

RGB 82 100 94

HSL 160, 0.1%, 0.36%

LAB 40.76, -8.17, 1.13

 

CMYK 0 / 12 / 8 / 62

HEX #615559

RGB 97 85 89

HSL 340, 0.07%, 0.36%

LAB 37.41, 5.69, -0.52

 

CMYK 0 / 38 / 25 / 56

HEX #704654

RGB 112 70 84

HSL 340, 0.23%, 0.36%

LAB 34.93, 20.16, -0.79

 

CMYK 59 / 0 / 52 / 49

HEX #35823F

RGB 53 130 63

HSL 127.79, 0.42%, 0.36%

LAB 48.36, -38.67, 29.15

 

CMYK 59 / 0 / 35 / 49

HEX #358254

RGB 53 130 84

HSL 144.16, 0.42%, 0.36%

LAB 48.71, -34.9, 17.99

 

CMYK 59 / 0 / 20 / 49

HEX #358268

RGB 53 130 104

HSL 159.74, 0.42%, 0.36%

LAB 49.16, -30.37, 7.05

 

CMYK 59 / 0 / 4 / 49

HEX #35827D

RGB 53 130 125

HSL 176.1, 0.42%, 0.36%

LAB 49.74, -24.75, -4.41

 

CMYK 59 / 12 / 0 / 49

HEX #357282

RGB 53 114 130

HSL 192.47, 0.42%, 0.36%

LAB 44.81, -14.69, -14.78

 

CMYK 59 / 0 / 20 / 72

HEX #1D4739

RGB 29 71 57

HSL 160, 0.42%, 0.2%

LAB 26.91, -18.65, 4.01

 

CMYK 59 / 0 / 20 / 60

HEX #296551

RGB 41 101 81

HSL 160, 0.42%, 0.28%

LAB 38.5, -24.81, 5.53

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 59 / 0 / 19 / 38

HEX #419F80

RGB 65 159 128

HSL 160.21, 0.42%, 0.44%

LAB 59.41, -35.43, 7.96

 

CMYK 56 / 0 / 18 / 28

HEX #51B897

RGB 81 184 151

HSL 160.78, 0.42%, 0.52%

LAB 68.22, -37.92, 7.82

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 59 / 52 / 0 / 49

HEX #353F82

RGB 53 63 130

HSL 232.21, 0.42%, 0.36%

LAB 29.22, 17.38, -39.18

 

CMYK 0 / 44 / 59 / 49

HEX #824935

RGB 130 73 53

HSL 15.58, 0.42%, 0.36%

LAB 37.42, 22.16, 22.41

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 20 / 59 / 0 / 49

HEX #683582

RGB 104 53 130

HSL 279.74, 0.42%, 0.36%

LAB 32.04, 36.7, -34.38

 

CMYK 0 / 20 / 59 / 49

HEX #826835

RGB 130 104 53

HSL 39.74, 0.42%, 0.36%

LAB 45.5, 3.89, 32.26

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 59 / 52 / 0 / 49

HEX #353F82

RGB 53 63 130

HSL 232.21, 0.42%, 0.36%

LAB 29.22, 17.38, -39.18

 

CMYK 0 / 59 / 40 / 49

HEX #82354E

RGB 130 53 78

HSL 340.52, 0.42%, 0.36%

LAB 33.65, 35.8, 1.5

 

CMYK 0 / 8 / 59 / 49

HEX #827835

RGB 130 120 53

HSL 52.21, 0.42%, 0.36%

LAB 50.02, -5.28, 37.5

 

CMYK 59 / 0 / 19 / 49

HEX #358269

RGB 53 130 105

HSL 160.52, 0.42%, 0.36%

LAB 49.18, -30.12, 6.5

 

CMYK 49 / 59 / 0 / 49

HEX #423582

RGB 66 53 130

HSL 250.13, 0.42%, 0.36%

LAB 27.62, 26.92, -41.71

 

CMYK 0 / 59 / 40 / 49

HEX #82354E

RGB 130 53 78

HSL 340.52, 0.42%, 0.36%

LAB 33.65, 35.8, 1.5

 

CMYK 10 / 0 / 59 / 49

HEX #758235

RGB 117 130 53

HSL 70.13, 0.42%, 0.36%

LAB 51.84, -16.57, 39.25

 

Description

Color code: HEX #358269 | qconv.com Color code: HEX #358269 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 130 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 130 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 19 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 19% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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