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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35826C it is the complementary color #CA7D93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35826C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35826C shade: #3A8267, #4B947A, #5CA68D, #6DB8A0 and #7ECAB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35826C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35826C shade: #35826C, #247059, #135E46, #024C33 and #003A20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35826C shade: #35826C, #358257, #358242, #3C8235 and #518235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35826C shade: #35826C, #358281, #356E82, #355A82 and #354582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35826C shade matches the following richer shades: #35826C, #269172, #17A079 and #08AE7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35826C shade: #35826C, #447365, #52645F, #615559 and #704652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35826C shade: #358242, #358256, #35826B, #35827F and #357082

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35826C shade: #1D473B, #296553, #35826C, #419F84 and #51B89B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35826C shade: #35826C, #353C82 and #824C35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35826C shade: #35826C, #6B3582 and #826B35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35826C shade: #35826C, #353C82, #82354C and #827A35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35826C shade: #35826C, #443582, #82354C and #728235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

Complementary color

CMYK 0 / 38 / 27 / 21

HEX #CA7D93

RGB 202 125 147

HSL 342.86, 0.42%, 0.64%

LAB 61.07, 32.73, 0.86

 

CMYK 55 / 0 / 21 / 49

HEX #3A8267

RGB 58 130 103

HSL 157.5, 0.38%, 0.37%

LAB 49.31, -29.44, 7.87

 

CMYK 49 / 0 / 18 / 42

HEX #4B947A

RGB 75 148 122

HSL 158.63, 0.33%, 0.44%

LAB 56.17, -29.33, 6.78

 

CMYK 45 / 0 / 15 / 35

HEX #5CA68D

RGB 92 166 141

HSL 159.73, 0.29%, 0.51%

LAB 62.9, -29.17, 5.8

 

CMYK 41 / 0 / 13 / 28

HEX #6DB8A0

RGB 109 184 160

HSL 160.8, 0.35%, 0.57%

LAB 69.52, -28.97, 4.9

 

CMYK 38 / 0 / 11 / 21

HEX #7ECAB3

RGB 126 202 179

HSL 161.84, 0.42%, 0.64%

LAB 76.03, -28.77, 4.07

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 68 / 0 / 21 / 56

HEX #247059

RGB 36 112 89

HSL 161.84, 0.51%, 0.29%

LAB 42.28, -29.18, 6.06

 

CMYK 80 / 0 / 26 / 63

HEX #135E46

RGB 19 94 70

HSL 160.8, 0.66%, 0.22%

LAB 35.17, -28.64, 7.48

 

CMYK 97 / 0 / 33 / 70

HEX #024C33

RGB 2 76 51

HSL 159.73, 0.95%, 0.15%

LAB 27.9, -27.66, 9.15

 

CMYK 100 / 0 / 45 / 77

HEX #003A20

RGB 0 58 32

HSL 153.1, 1%, 0.11%

LAB 20.56, -24.96, 11.36

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 59 / 0 / 33 / 49

HEX #358257

RGB 53 130 87

HSL 146.49, 0.42%, 0.36%

LAB 48.77, -34.27, 16.35

 

CMYK 59 / 0 / 49 / 49

HEX #358242

RGB 53 130 66

HSL 130.13, 0.42%, 0.36%

LAB 48.41, -38.2, 27.6

 

CMYK 54 / 0 / 59 / 49

HEX #3C8235

RGB 60 130 53

HSL 114.55, 0.42%, 0.36%

LAB 48.49, -38.15, 34.53

 

CMYK 38 / 0 / 59 / 49

HEX #518235

RGB 81 130 53

HSL 98.18, 0.42%, 0.36%

LAB 49.46, -31.2, 35.91

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 59 / 0 / 1 / 49

HEX #358281

RGB 53 130 129

HSL 179.22, 0.42%, 0.36%

LAB 49.87, -23.59, -6.57

 

CMYK 59 / 15 / 0 / 49

HEX #356E82

RGB 53 110 130

HSL 195.58, 0.42%, 0.36%

LAB 43.54, -12.42, -16.71

 

CMYK 59 / 31 / 0 / 49

HEX #355A82

RGB 53 90 130

HSL 211.17, 0.42%, 0.36%

LAB 37.26, -0.4, -26.42

 

CMYK 59 / 47 / 0 / 49

HEX #354582

RGB 53 69 130

HSL 227.53, 0.42%, 0.36%

LAB 30.94, 13.33, -36.43

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 74 / 0 / 21 / 43

HEX #269172

RGB 38 145 114

HSL 162.62, 0.58%, 0.36%

LAB 53.9, -37.46, 7.96

 

CMYK 86 / 0 / 24 / 37

HEX #17A079

RGB 23 160 121

HSL 162.92, 0.75%, 0.36%

LAB 58.7, -43.76, 10.76

 

CMYK 95 / 0 / 27 / 32

HEX #08AE7F

RGB 8 174 127

HSL 163.01, 0.91%, 0.36%

LAB 63.22, -48.78, 13.76

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 41 / 0 / 12 / 55

HEX #447365

RGB 68 115 101

HSL 162.13, 0.26%, 0.36%

LAB 44.84, -19.61, 2.71

 

CMYK 18 / 0 / 5 / 61

HEX #52645F

RGB 82 100 95

HSL 163.33, 0.1%, 0.36%

LAB 40.79, -7.94, 0.56

 

CMYK 0 / 12 / 8 / 62

HEX #615559

RGB 97 85 89

HSL 340, 0.07%, 0.36%

LAB 37.41, 5.69, -0.52

 

CMYK 0 / 38 / 27 / 56

HEX #704652

RGB 112 70 82

HSL 342.86, 0.23%, 0.36%

LAB 34.87, 19.84, 0.39

 

CMYK 59 / 0 / 49 / 49

HEX #358242

RGB 53 130 66

HSL 130.13, 0.42%, 0.36%

LAB 48.41, -38.2, 27.6

 

CMYK 59 / 0 / 34 / 49

HEX #358256

RGB 53 130 86

HSL 145.71, 0.42%, 0.36%

LAB 48.75, -34.48, 16.9

 

CMYK 59 / 0 / 18 / 49

HEX #35826B

RGB 53 130 107

HSL 162.08, 0.42%, 0.36%

LAB 49.23, -29.62, 5.4

 

CMYK 59 / 0 / 2 / 49

HEX #35827F

RGB 53 130 127

HSL 177.66, 0.42%, 0.36%

LAB 49.8, -24.17, -5.49

 

CMYK 59 / 14 / 0 / 49

HEX #357082

RGB 53 112 130

HSL 194.03, 0.42%, 0.36%

LAB 44.17, -13.56, -15.74

 

CMYK 59 / 0 / 17 / 72

HEX #1D473B

RGB 29 71 59

HSL 162.86, 0.42%, 0.2%

LAB 26.97, -18.1, 2.8

 

CMYK 59 / 0 / 18 / 60

HEX #296553

RGB 41 101 83

HSL 162, 0.42%, 0.28%

LAB 38.56, -24.29, 4.39

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 59 / 0 / 17 / 38

HEX #419F84

RGB 65 159 132

HSL 162.77, 0.42%, 0.44%

LAB 59.51, -34.46, 5.85

 

CMYK 56 / 0 / 16 / 28

HEX #51B89B

RGB 81 184 155

HSL 163.11, 0.42%, 0.52%

LAB 68.31, -36.98, 5.77

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 59 / 54 / 0 / 49

HEX #353C82

RGB 53 60 130

HSL 234.55, 0.42%, 0.36%

LAB 28.38, 19.41, -40.53

 

CMYK 0 / 42 / 59 / 49

HEX #824C35

RGB 130 76 53

HSL 17.92, 0.42%, 0.36%

LAB 38.15, 20.41, 23.32

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 18 / 59 / 0 / 49

HEX #6B3582

RGB 107 53 130

HSL 282.08, 0.42%, 0.36%

LAB 32.44, 37.52, -33.7

 

CMYK 0 / 18 / 59 / 49

HEX #826B35

RGB 130 107 53

HSL 42.08, 0.42%, 0.36%

LAB 46.34, 2.15, 33.24

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 59 / 54 / 0 / 49

HEX #353C82

RGB 53 60 130

HSL 234.55, 0.42%, 0.36%

LAB 28.38, 19.41, -40.53

 

CMYK 0 / 59 / 42 / 49

HEX #82354C

RGB 130 53 76

HSL 342.08, 0.42%, 0.36%

LAB 33.59, 35.56, 2.71

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 48 / 59 / 0 / 49

HEX #443582

RGB 68 53 130

HSL 251.69, 0.42%, 0.36%

LAB 27.81, 27.39, -41.39

 

CMYK 0 / 59 / 42 / 49

HEX #82354C

RGB 130 53 76

HSL 342.08, 0.42%, 0.36%

LAB 33.59, 35.56, 2.71

 

CMYK 12 / 0 / 59 / 49

HEX #728235

RGB 114 130 53

HSL 72.47, 0.42%, 0.36%

LAB 51.61, -17.87, 38.93

 

Description

Color code: HEX #35826C | qconv.com Color code: HEX #35826C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 130 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 130 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 17 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 17% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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