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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #358B12 it is the complementary color #CA74ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #358B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #358B12 shade: #3A8B0D, #4B9D20, #5CAF33, #6DC146 and #7ED359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #358B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #358B12 shade: #358B12, #247900, #136700, #025500 and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #358B12 shade: #358B12, #568B12, #778B12, #8B7F12 and #8B5F12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #358B12 shade: #358B12, #148B12, #128B30, #128B51 and #128B72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #358B12 shade matches the following richer shades: #358B12 and #309805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #358B12 shade: #358B12, #3A7F1E, #40722B, #456538 and #4A5845

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #358B12 shade: #778B12, #578B12, #368B12, #168B12 and #128B2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #358B12 shade: #194208, #27670D, #358B12, #43B016 and #51D41B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #358B12 shade: #358B12, #128B7F and #8B1267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #358B12 shade: #358B12, #12368B and #8B1236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #358B12 shade: #358B12, #128B7F, #67128B and #8B121E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #358B12 shade: #358B12, #12738B, #67128B and #8B2A12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

Complementary color

CMYK 15 / 51 / 0 / 7

HEX #CA74ED

RGB 202 116 237

HSL 282.64, 0.77%, 0.69%

LAB 62.64, 53.26, -47.63

 

CMYK 58 / 0 / 91 / 45

HEX #3A8B0D

RGB 58 139 13

HSL 98.57, 0.83%, 0.3%

LAB 51.14, -45.39, 51.92

 

CMYK 52 / 0 / 80 / 38

HEX #4B9D20

RGB 75 157 32

HSL 99.36, 0.66%, 0.37%

LAB 57.76, -46.44, 53.12

 

CMYK 47 / 0 / 71 / 31

HEX #5CAF33

RGB 92 175 51

HSL 100.16, 0.55%, 0.44%

LAB 64.3, -47.05, 53.1

 

CMYK 44 / 0 / 64 / 24

HEX #6DC146

RGB 109 193 70

HSL 100.98, 0.5%, 0.52%

LAB 70.76, -47.38, 52.45

 

CMYK 40 / 0 / 58 / 17

HEX #7ED359

RGB 126 211 89

HSL 101.8, 0.58%, 0.59%

LAB 77.13, -47.52, 51.49

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 70 / 0 / 100 / 53

HEX #247900

RGB 36 121 0

HSL 102.15, 1%, 0.24%

LAB 44.3, -44.86, 48.58

 

CMYK 82 / 0 / 100 / 60

HEX #136700

RGB 19 103 0

HSL 108.93, 1%, 0.2%

LAB 37.55, -42.01, 43.05

 

CMYK 98 / 0 / 100 / 67

HEX #025500

RGB 2 85 0

HSL 118.59, 1%, 0.17%

LAB 30.66, -38.46, 37.43

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 38 / 0 / 87 / 45

HEX #568B12

RGB 86 139 18

HSL 86.28, 0.77%, 0.31%

LAB 52.38, -35.96, 52.36

 

CMYK 14 / 0 / 87 / 45

HEX #778B12

RGB 119 139 18

HSL 69.92, 0.77%, 0.31%

LAB 54.48, -22.36, 54.99

 

CMYK 0 / 9 / 87 / 45

HEX #8B7F12

RGB 139 127 18

HSL 54.05, 0.77%, 0.31%

LAB 52.63, -6.87, 54.12

 

CMYK 0 / 32 / 87 / 45

HEX #8B5F12

RGB 139 95 18

HSL 38.18, 0.77%, 0.31%

LAB 43.82, 11.43, 46.78

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 86 / 0 / 87 / 45

HEX #148B12

RGB 20 139 18

HSL 119.01, 0.77%, 0.31%

LAB 50.28, -52.61, 49.7

 

CMYK 87 / 0 / 65 / 45

HEX #128B30

RGB 18 139 48

HSL 134.88, 0.77%, 0.31%

LAB 50.46, -50.3, 38.91

 

CMYK 87 / 0 / 42 / 45

HEX #128B51

RGB 18 139 81

HSL 151.24, 0.77%, 0.31%

LAB 50.91, -44.97, 22.46

 

CMYK 87 / 0 / 18 / 45

HEX #128B72

RGB 18 139 114

HSL 167.6, 0.77%, 0.31%

LAB 51.62, -37.07, 4.66

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 68 / 0 / 97 / 40

HEX #309805

RGB 48 152 5

HSL 102.45, 0.94%, 0.31%

LAB 55.17, -52.67, 56.53

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 54 / 0 / 76 / 50

HEX #3A7F1E

RGB 58 127 30

HSL 102.68, 0.62%, 0.31%

LAB 47.2, -39.81, 43.35

 

CMYK 44 / 0 / 62 / 55

HEX #40722B

RGB 64 114 43

HSL 102.25, 0.45%, 0.31%

LAB 43.21, -31.03, 33.45

 

CMYK 32 / 0 / 45 / 60

HEX #456538

RGB 69 101 56

HSL 102.67, 0.29%, 0.31%

LAB 39.34, -21.05, 21.82

 

CMYK 16 / 0 / 22 / 65

HEX #4A5845

RGB 74 88 69

HSL 104.21, 0.12%, 0.31%

LAB 35.72, -9.56, 9.24

 

CMYK 14 / 0 / 87 / 45

HEX #778B12

RGB 119 139 18

HSL 69.92, 0.77%, 0.31%

LAB 54.48, -22.36, 54.99

 

CMYK 37 / 0 / 87 / 45

HEX #578B12

RGB 87 139 18

HSL 85.79, 0.77%, 0.31%

LAB 52.44, -35.59, 52.43

 

CMYK 61 / 0 / 87 / 45

HEX #368B12

RGB 54 139 18

HSL 102.15, 0.77%, 0.31%

LAB 51.03, -46.27, 50.65

 

CMYK 84 / 0 / 87 / 45

HEX #168B12

RGB 22 139 18

HSL 118.02, 0.77%, 0.31%

LAB 50.31, -52.38, 49.73

 

CMYK 87 / 0 / 67 / 45

HEX #128B2E

RGB 18 139 46

HSL 133.88, 0.77%, 0.31%

LAB 50.44, -50.54, 39.8

 

CMYK 62 / 0 / 88 / 74

HEX #194208

RGB 25 66 8

HSL 102.41, 0.78%, 0.15%

LAB 24.07, -26.16, 28.64

 

CMYK 62 / 0 / 87 / 60

HEX #27670D

RGB 39 103 13

HSL 102.67, 0.78%, 0.23%

LAB 38.13, -36.93, 40.22

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 62 / 0 / 88 / 31

HEX #43B016

RGB 67 176 22

HSL 102.47, 0.78%, 0.39%

LAB 63.59, -56.02, 60.93

 

CMYK 62 / 0 / 87 / 17

HEX #51D41B

RGB 81 212 27

HSL 102.49, 0.77%, 0.47%

LAB 75.4, -64.73, 70.31

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 87 / 0 / 9 / 45

HEX #128B7F

RGB 18 139 127

HSL 174.05, 0.77%, 0.31%

LAB 51.98, -33.35, -2.36

 

CMYK 0 / 87 / 26 / 45

HEX #8B1267

RGB 139 18 103

HSL 317.85, 0.77%, 0.31%

LAB 31.58, 54.57, -17.6

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 87 / 61 / 0 / 45

HEX #12368B

RGB 18 54 139

HSL 222.15, 0.77%, 0.31%

LAB 25.66, 22.03, -50.63

 

CMYK 0 / 87 / 61 / 45

HEX #8B1236

RGB 139 18 54

HSL 342.15, 0.77%, 0.31%

LAB 29.88, 49.75, 12.2

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 87 / 0 / 9 / 45

HEX #128B7F

RGB 18 139 127

HSL 174.05, 0.77%, 0.31%

LAB 51.98, -33.35, -2.36

 

CMYK 26 / 87 / 0 / 45

HEX #67128B

RGB 103 18 139

HSL 282.15, 0.77%, 0.31%

LAB 27.24, 53.3, -47.71

 

CMYK 0 / 87 / 78 / 45

HEX #8B121E

RGB 139 18 30

HSL 354.05, 0.77%, 0.31%

LAB 29.45, 48.47, 27.37

 

CMYK 62 / 0 / 87 / 45

HEX #358B12

RGB 53 139 18

HSL 102.64, 0.77%, 0.31%

LAB 51, -46.53, 50.61

 

CMYK 87 / 17 / 0 / 45

HEX #12738B

RGB 18 115 139

HSL 191.9, 0.77%, 0.31%

LAB 44.6, -17.23, -20.55

 

CMYK 26 / 87 / 0 / 45

HEX #67128B

RGB 103 18 139

HSL 282.15, 0.77%, 0.31%

LAB 27.24, 53.3, -47.71

 

CMYK 0 / 70 / 87 / 45

HEX #8B2A12

RGB 139 42 18

HSL 11.9, 0.77%, 0.31%

LAB 32.23, 40.01, 36.88

 

Description

Color code: HEX #358B12 | qconv.com Color code: HEX #358B12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 139 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 139 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 87 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 87% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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