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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3590E8 it is the complementary color #CA6F17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3590E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3590E8 shade: #3A90E3, #4BA2F6, #5CB4FF, #6DC6FF and #7ED8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3590E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3590E8 shade: #3590E8, #247ED5, #136CC2, #025AAF and #00489C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3590E8 shade: #3590E8, #355FE8, #3A35E8, #6B35E8 and #9B35E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3590E8 shade: #3590E8, #355FE8 and #3535E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3590E8 shade matches the following richer shades: #3590E8 and #2290FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3590E8 shade: #3590E8, #478FD6, #598FC4, #6B8FB2 and #7D8F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3590E8 shade: #35E8DF, #35C1E8, #3591E8, #3561E8 and #3835E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3590E8 shade: #1466B6, #187BDB, #3590E8, #5AA4EC and #7FB9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3590E8 shade: #3590E8, #AF35E8 and #D9E835

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3590E8 shade: #3590E8, #E83591 and #91E835

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3590E8 shade: #3590E8, #AF35E8, #E88B35 and #6DE835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3590E8 shade: #3590E8, #E535E8, #E88B35 and #38E835

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

Complementary color

CMYK 0 / 45 / 89 / 21

HEX #CA6F17

RGB 202 111 23

HSL 29.5, 0.8%, 0.44%

LAB 56.08, 30.5, 58.63

 

CMYK 74 / 37 / 0 / 11

HEX #3A90E3

RGB 58 144 227

HSL 209.47, 0.75%, 0.56%

LAB 58.41, 2.11, -49.45

 

CMYK 70 / 34 / 0 / 4

HEX #4BA2F6

RGB 75 162 246

HSL 209.47, 0.9%, 0.63%

LAB 64.95, 0.54, -49.53

 

CMYK 64 / 29 / 0 / 0

HEX #5CB4FF

RGB 92 180 255

HSL 207.61, 1%, 0.68%

LAB 70.97, -3.99, -44.92

 

CMYK 57 / 22 / 0 / 0

HEX #6DC6FF

RGB 109 198 255

HSL 203.42, 1%, 0.71%

LAB 76.59, -10.71, -36.1

 

CMYK 51 / 15 / 0 / 0

HEX #7ED8FF

RGB 126 216 255

HSL 198.14, 1%, 0.75%

LAB 82.25, -16.65, -27.33

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 83 / 41 / 0 / 16

HEX #247ED5

RGB 36 126 213

HSL 209.49, 0.71%, 0.49%

LAB 51.95, 5.48, -51.9

 

CMYK 90 / 44 / 0 / 24

HEX #136CC2

RGB 19 108 194

HSL 209.49, 0.82%, 0.42%

LAB 45.3, 8.17, -51.71

 

CMYK 99 / 49 / 0 / 31

HEX #025AAF

RGB 2 90 175

HSL 209.48, 0.98%, 0.35%

LAB 38.59, 11.43, -51.44

 

CMYK 100 / 54 / 0 / 39

HEX #00489C

RGB 0 72 156

HSL 212.31, 1%, 0.31%

LAB 31.89, 15.58, -50.92

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 77 / 59 / 0 / 9

HEX #355FE8

RGB 53 95 232

HSL 225.92, 0.8%, 0.56%

LAB 45.31, 33.73, -73.34

 

CMYK 75 / 77 / 0 / 9

HEX #3A35E8

RGB 58 53 232

HSL 241.68, 0.8%, 0.56%

LAB 36.5, 58.6, -87.82

 

CMYK 54 / 77 / 0 / 9

HEX #6B35E8

RGB 107 53 232

HSL 258.1, 0.8%, 0.56%

LAB 40.41, 63.4, -81.25

 

CMYK 33 / 77 / 0 / 9

HEX #9B35E8

RGB 155 53 232

HSL 274.19, 0.8%, 0.56%

LAB 46.1, 70.32, -71.7

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 77 / 59 / 0 / 9

HEX #355FE8

RGB 53 95 232

HSL 225.92, 0.8%, 0.56%

LAB 45.31, 33.73, -73.34

 

CMYK 77 / 77 / 0 / 9

HEX #3535E8

RGB 53 53 232

HSL 240, 0.8%, 0.56%

LAB 36.23, 58.26, -88.28

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 86 / 42 / 0 / 2

HEX #2290FA

RGB 34 144 250

HSL 209.44, 0.96%, 0.56%

LAB 59.15, 8.33, -61.02

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 67 / 33 / 0 / 16

HEX #478FD6

RGB 71 143 214

HSL 209.79, 0.64%, 0.56%

LAB 57.88, -0, -42.99

 

CMYK 55 / 27 / 0 / 23

HEX #598FC4

RGB 89 143 196

HSL 209.72, 0.48%, 0.56%

LAB 57.8, -2.5, -32.93

 

CMYK 40 / 20 / 0 / 30

HEX #6B8FB2

RGB 107 143 178

HSL 209.58, 0.32%, 0.56%

LAB 58.02, -3.38, -22.31

 

CMYK 21 / 10 / 0 / 38

HEX #7D8F9F

RGB 125 143 159

HSL 208.24, 0.15%, 0.56%

LAB 58.52, -2.82, -10.61

 

CMYK 77 / 0 / 4 / 9

HEX #35E8DF

RGB 53 232 223

HSL 176.98, 0.8%, 0.56%

LAB 83.86, -44.69, -8.17

 

CMYK 77 / 17 / 0 / 9

HEX #35C1E8

RGB 53 193 232

HSL 193.07, 0.8%, 0.56%

LAB 72.71, -23.63, -29.84

 

CMYK 77 / 38 / 0 / 9

HEX #3591E8

RGB 53 145 232

HSL 209.16, 0.8%, 0.56%

LAB 58.82, 2.73, -51.58

 

CMYK 77 / 58 / 0 / 9

HEX #3561E8

RGB 53 97 232

HSL 225.25, 0.8%, 0.56%

LAB 45.82, 32.47, -72.52

 

CMYK 76 / 77 / 0 / 9

HEX #3835E8

RGB 56 53 232

HSL 241.01, 0.8%, 0.56%

LAB 36.39, 58.46, -88.01

 

CMYK 89 / 44 / 0 / 29

HEX #1466B6

RGB 20 102 182

HSL 209.63, 0.8%, 0.4%

LAB 42.81, 7.29, -48.75

 

CMYK 89 / 44 / 0 / 14

HEX #187BDB

RGB 24 123 219

HSL 209.54, 0.8%, 0.48%

LAB 51.24, 8.79, -56.45

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 62 / 31 / 0 / 7

HEX #5AA4EC

RGB 90 164 236

HSL 209.59, 0.79%, 0.64%

LAB 65.58, -1.52, -43.03

 

CMYK 47 / 23 / 0 / 6

HEX #7FB9F0

RGB 127 185 240

HSL 209.2, 0.79%, 0.72%

LAB 73.22, -4.25, -33.18

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 25 / 77 / 0 / 9

HEX #AF35E8

RGB 175 53 232

HSL 280.89, 0.8%, 0.56%

LAB 48.87, 73.65, -67.08

 

CMYK 6 / 0 / 77 / 9

HEX #D9E835

RGB 217 232 53

HSL 65.03, 0.8%, 0.56%

LAB 88.31, -25.26, 78.09

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 0 / 77 / 38 / 9

HEX #E83591

RGB 232 53 145

HSL 329.16, 0.8%, 0.56%

LAB 53.76, 72.96, -8.25

 

CMYK 38 / 0 / 77 / 9

HEX #91E835

RGB 145 232 53

HSL 89.16, 0.8%, 0.56%

LAB 83.96, -52.53, 72.5

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 25 / 77 / 0 / 9

HEX #AF35E8

RGB 175 53 232

HSL 280.89, 0.8%, 0.56%

LAB 48.87, 73.65, -67.08

 

CMYK 0 / 40 / 77 / 9

HEX #E88B35

RGB 232 139 53

HSL 28.83, 0.8%, 0.56%

LAB 66.43, 29.01, 58.28

 

CMYK 53 / 0 / 77 / 9

HEX #6DE835

RGB 109 232 53

HSL 101.23, 0.8%, 0.56%

LAB 82.5, -63.45, 70.59

 

CMYK 77 / 38 / 0 / 9

HEX #3590E8

RGB 53 144 232

HSL 209.5, 0.8%, 0.56%

LAB 58.54, 3.33, -52.03

 

CMYK 1 / 77 / 0 / 9

HEX #E535E8

RGB 229 53 232

HSL 298.99, 0.8%, 0.56%

LAB 57.11, 83.48, -53.4

 

CMYK 0 / 40 / 77 / 9

HEX #E88B35

RGB 232 139 53

HSL 28.83, 0.8%, 0.56%

LAB 66.43, 29.01, 58.28

 

CMYK 76 / 0 / 77 / 9

HEX #38E835

RGB 56 232 53

HSL 118.99, 0.8%, 0.56%

LAB 81.19, -74.26, 68.88

 

Description

Color code: HEX #3590E8 | qconv.com Color code: HEX #3590E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 144 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 144 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 38 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 38% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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