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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #359C2F it is the complementary color #CA63D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #359C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #359C2F shade: #3A9C2A, #4BAE3D, #5CC050, #6DD263 and #7EE476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #359C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #359C2F shade: #359C2F, #248A1C, #137809, #026600 and #005400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #359C2F shade: #349D2E, #529D2E, #709D2E, #8E9D2E and #9D8E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #359C2F shade: #349D2E, #2E9D46, #2E9D64, #2E9D81 and #2E9A9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #359C2F shade matches the following richer shades: #349D2E, #26AD1E and #17BE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #359C2F shade: #349D2E, #438C3F, #527C4F, #616B60 and #6F5B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #359C2F shade: #719D2E, #539D2E, #369D2E, #2E9D44 and #2E9D62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #359C2F shade: #1F5D1B, #2A7D25, #349D2E, #3FBC38 and #59CB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #359C2F shade: #359C2F, #2E8E9D and #9D2E62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #359C2F shade: #359C2F, #2E369D and #9D2E36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #359C2F shade: #359C2F, #2E8E9D, #952E9D and #9D3D2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #359C2F shade: #359C2F, #2E6D9D, #952E9D and #9D5E2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

Complementary color

CMYK 3 / 52 / 0 / 18

HEX #CA63D0

RGB 202 99 208

HSL 296.7, 0.54%, 0.6%

LAB 58.07, 56.07, -38.58

 

CMYK 63 / 0 / 73 / 39

HEX #3A9C2A

RGB 58 156 42

HSL 111.58, 0.58%, 0.39%

LAB 56.92, -49.94, 48.6

 

CMYK 57 / 0 / 65 / 32

HEX #4BAE3D

RGB 75 174 61

HSL 112.57, 0.48%, 0.46%

LAB 63.43, -50.63, 47.88

 

CMYK 52 / 0 / 58 / 25

HEX #5CC050

RGB 92 192 80

HSL 113.57, 0.47%, 0.53%

LAB 69.86, -50.97, 46.82

 

CMYK 48 / 0 / 53 / 18

HEX #6DD263

RGB 109 210 99

HSL 114.59, 0.55%, 0.61%

LAB 76.22, -51.1, 45.62

 

CMYK 45 / 0 / 48 / 11

HEX #7EE476

RGB 126 228 118

HSL 115.64, 0.67%, 0.68%

LAB 82.5, -51.08, 44.38

 

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

CMYK 74 / 0 / 80 / 46

HEX #248A1C

RGB 36 138 28

HSL 115.64, 0.66%, 0.33%

LAB 50.26, -49.35, 46.84

 

CMYK 84 / 0 / 93 / 53

HEX #137809

RGB 19 120 9

HSL 114.59, 0.86%, 0.25%

LAB 43.64, -47.15, 45.9

 

CMYK 98 / 0 / 100 / 60

HEX #026600

RGB 2 102 0

HSL 118.82, 1%, 0.2%

LAB 36.96, -43.76, 42.47

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 67 / 0 / 71 / 38

HEX #349D2E

RGB 52 157 46

HSL 116.76, 0.55%, 0.4%

LAB 57.12, -51.31, 47.17

 

CMYK 48 / 0 / 71 / 38

HEX #529D2E

RGB 82 157 46

HSL 100.54, 0.55%, 0.4%

LAB 58.14, -43.31, 48.55

 

CMYK 29 / 0 / 71 / 38

HEX #709D2E

RGB 112 157 46

HSL 84.32, 0.55%, 0.4%

LAB 59.67, -32.61, 50.61

 

CMYK 10 / 0 / 71 / 38

HEX #8E9D2E

RGB 142 157 46

HSL 68.11, 0.55%, 0.4%

LAB 61.71, -20.22, 53.34

 

CMYK 0 / 10 / 71 / 38

HEX #9D8E2E

RGB 157 142 46

HSL 51.89, 0.55%, 0.4%

LAB 58.71, -5.67, 50.75

 

CMYK 67 / 0 / 71 / 38

HEX #349D2E

RGB 52 157 46

HSL 116.76, 0.55%, 0.4%

LAB 57.12, -51.31, 47.17

 

CMYK 71 / 0 / 55 / 38

HEX #2E9D46

RGB 46 157 70

HSL 132.97, 0.55%, 0.4%

LAB 57.21, -49.69, 36.31

 

CMYK 71 / 0 / 36 / 38

HEX #2E9D64

RGB 46 157 100

HSL 149.19, 0.55%, 0.4%

LAB 57.67, -44.47, 21.07

 

CMYK 71 / 0 / 18 / 38

HEX #2E9D81

RGB 46 157 129

HSL 164.86, 0.55%, 0.4%

LAB 58.3, -37.75, 5.74

 

CMYK 71 / 2 / 0 / 38

HEX #2E9A9D

RGB 46 154 157

HSL 181.62, 0.55%, 0.4%

LAB 58.16, -28.48, -10.38

 

CMYK 67 / 0 / 71 / 38

HEX #349D2E

RGB 52 157 46

HSL 116.76, 0.55%, 0.4%

LAB 57.12, -51.31, 47.17

 

CMYK 78 / 0 / 83 / 32

HEX #26AD1E

RGB 38 173 30

HSL 116.64, 0.7%, 0.4%

LAB 61.99, -60.23, 57.31

 

CMYK 88 / 0 / 93 / 25

HEX #17BE0D

RGB 23 190 13

HSL 116.61, 0.87%, 0.4%

LAB 67.31, -67.55, 65.32

 

CMYK 67 / 0 / 71 / 38

HEX #349D2E

RGB 52 157 46

HSL 116.76, 0.55%, 0.4%

LAB 57.12, -51.31, 47.17

 

CMYK 52 / 0 / 55 / 45

HEX #438C3F

RGB 67 140 63

HSL 116.88, 0.38%, 0.4%

LAB 52.18, -39.02, 33.94

 

CMYK 34 / 0 / 36 / 51

HEX #527C4F

RGB 82 124 79

HSL 116, 0.22%, 0.4%

LAB 47.97, -24.23, 20.07

 

CMYK 9 / 0 / 10 / 58

HEX #616B60

RGB 97 107 96

HSL 114.55, 0.05%, 0.4%

LAB 44.09, -6.12, 4.87

 

CMYK 1 / 19 / 0 / 56

HEX #6F5B70

RGB 111 91 112

HSL 297.14, 0.1%, 0.4%

LAB 41.27, 12.23, -8.86

 

CMYK 28 / 0 / 71 / 38

HEX #719D2E

RGB 113 157 46

HSL 83.78, 0.55%, 0.4%

LAB 59.73, -32.22, 50.69

 

CMYK 47 / 0 / 71 / 38

HEX #539D2E

RGB 83 157 46

HSL 100, 0.55%, 0.4%

LAB 58.18, -42.99, 48.61

 

CMYK 66 / 0 / 71 / 38

HEX #369D2E

RGB 54 157 46

HSL 115.68, 0.55%, 0.4%

LAB 57.17, -50.87, 47.24

 

CMYK 71 / 0 / 57 / 38

HEX #2E9D44

RGB 46 157 68

HSL 131.89, 0.55%, 0.4%

LAB 57.18, -49.97, 37.27

 

CMYK 71 / 0 / 38 / 38

HEX #2E9D62

RGB 46 157 98

HSL 148.11, 0.55%, 0.4%

LAB 57.63, -44.87, 22.12

 

CMYK 67 / 0 / 71 / 64

HEX #1F5D1B

RGB 31 93 27

HSL 116.36, 0.55%, 0.24%

LAB 34.39, -33.99, 31.02

 

CMYK 66 / 0 / 70 / 51

HEX #2A7D25

RGB 42 125 37

HSL 116.59, 0.54%, 0.32%

LAB 46.03, -42.72, 39.12

 

CMYK 67 / 0 / 71 / 38

HEX #349D2E

RGB 52 157 46

HSL 116.76, 0.55%, 0.4%

LAB 57.12, -51.31, 47.17

 

CMYK 66 / 0 / 70 / 26

HEX #3FBC38

RGB 63 188 56

HSL 116.82, 0.54%, 0.48%

LAB 67.51, -58.9, 54.2

 

CMYK 56 / 0 / 60 / 20

HEX #59CB52

RGB 89 203 82

HSL 116.53, 0.54%, 0.56%

LAB 73.18, -55.73, 49.72

 

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

CMYK 71 / 10 / 0 / 38

HEX #2E8E9D

RGB 46 142 157

HSL 188.11, 0.55%, 0.4%

LAB 54.41, -22.4, -16.03

 

CMYK 0 / 71 / 38 / 38

HEX #9D2E62

RGB 157 46 98

HSL 331.89, 0.55%, 0.4%

LAB 37.85, 50.08, -4.58

 

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

CMYK 71 / 66 / 0 / 38

HEX #2E369D

RGB 46 54 157

HSL 235.68, 0.55%, 0.4%

LAB 28.52, 31.97, -56.96

 

CMYK 0 / 71 / 66 / 38

HEX #9D2E36

RGB 157 46 54

HSL 355.68, 0.55%, 0.4%

LAB 36.72, 46.2, 21.84

 

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

CMYK 71 / 10 / 0 / 38

HEX #2E8E9D

RGB 46 142 157

HSL 188.11, 0.55%, 0.4%

LAB 54.41, -22.4, -16.03

 

CMYK 5 / 71 / 0 / 38

HEX #952E9D

RGB 149 46 157

HSL 295.68, 0.55%, 0.4%

LAB 39.2, 56.73, -39.1

 

CMYK 0 / 61 / 71 / 38

HEX #9D3D2E

RGB 157 61 46

HSL 8.11, 0.55%, 0.4%

LAB 39.08, 39.07, 29.58

 

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

CMYK 71 / 31 / 0 / 38

HEX #2E6D9D

RGB 46 109 157

HSL 205.95, 0.55%, 0.4%

LAB 44.16, -3.84, -31.85

 

CMYK 5 / 71 / 0 / 38

HEX #952E9D

RGB 149 46 157

HSL 295.68, 0.55%, 0.4%

LAB 39.2, 56.73, -39.1

 

CMYK 0 / 40 / 71 / 38

HEX #9D5E2E

RGB 157 94 46

HSL 25.95, 0.55%, 0.4%

LAB 46.14, 21.41, 37.57

 

Description

Color code: HEX #359C2F | qconv.com Color code: HEX #359C2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 156 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 156 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 70 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 70% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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