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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35A087 it is the complementary color #CA5F78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35A087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35A087 shade: #3AA082, #4BB295, #5CC4A8, #6DD6BB and #7EE8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35A087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35A087 shade: #35A087, #248E74, #137C61, #026A4E and #00583B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35A087 shade: #35A087, #35A06A, #35A04D, #3AA035 and #57A035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35A087 shade: #35A087, #359CA0, #357FA0, #3563A0 and #3546A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35A087 shade matches the following richer shades: #35A087, #24B190, #12C39A and #01D4A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35A087 shade: #35A087, #468F7E, #587D75, #696C6B and #7A5B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35A087 shade: #35A04C, #35A069, #35A085, #359EA0 and #3582A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35A087 shade: #206253, #2B816D, #35A087, #40BFA1 and #5FC9B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35A087 shade: #35A087, #353AA0 and #A05B35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35A087 shade: #35A087, #8535A0 and #A08535

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35A087 shade: #35A087, #353AA0, #A03550 and #A09B35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35A087 shade: #35A087, #5035A0, #A03550 and #85A035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

Complementary color

CMYK 0 / 53 / 41 / 21

HEX #CA5F78

RGB 202 95 120

HSL 345.98, 0.5%, 0.58%

LAB 54.13, 44.97, 6.55

 

CMYK 64 / 0 / 19 / 37

HEX #3AA082

RGB 58 160 130

HSL 162.35, 0.47%, 0.43%

LAB 59.57, -36.79, 7.04

 

CMYK 58 / 0 / 16 / 30

HEX #4BB295

RGB 75 178 149

HSL 163.11, 0.41%, 0.5%

LAB 66.14, -36.95, 5.92

 

CMYK 53 / 0 / 14 / 23

HEX #5CC4A8

RGB 92 196 168

HSL 163.85, 0.47%, 0.56%

LAB 72.62, -36.97, 4.92

 

CMYK 49 / 0 / 13 / 16

HEX #6DD6BB

RGB 109 214 187

HSL 164.57, 0.56%, 0.63%

LAB 79, -36.92, 3.99

 

CMYK 46 / 0 / 11 / 9

HEX #7EE8CE

RGB 126 232 206

HSL 165.28, 0.7%, 0.7%

LAB 85.3, -36.83, 3.13

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 75 / 0 / 18 / 44

HEX #248E74

RGB 36 142 116

HSL 165.28, 0.6%, 0.35%

LAB 52.93, -35.89, 5.42

 

CMYK 85 / 0 / 22 / 51

HEX #137C61

RGB 19 124 97

HSL 164.57, 0.73%, 0.28%

LAB 46.2, -34.98, 6.83

 

CMYK 98 / 0 / 26 / 58

HEX #026A4E

RGB 2 106 78

HSL 163.85, 0.96%, 0.21%

LAB 39.36, -33.59, 8.46

 

CMYK 100 / 0 / 33 / 65

HEX #00583B

RGB 0 88 59

HSL 160.23, 1%, 0.17%

LAB 32.47, -31.05, 10.45

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 67 / 0 / 34 / 37

HEX #35A06A

RGB 53 160 106

HSL 149.72, 0.5%, 0.42%

LAB 58.92, -43.21, 19.49

 

CMYK 67 / 0 / 52 / 37

HEX #35A04D

RGB 53 160 77

HSL 133.46, 0.5%, 0.42%

LAB 58.45, -48.44, 34.33

 

CMYK 64 / 0 / 67 / 37

HEX #3AA035

RGB 58 160 53

HSL 117.2, 0.5%, 0.42%

LAB 58.32, -50.39, 45.59

 

CMYK 46 / 0 / 67 / 37

HEX #57A035

RGB 87 160 53

HSL 100.93, 0.5%, 0.42%

LAB 59.37, -42.35, 47.03

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 67 / 2 / 0 / 37

HEX #359CA0

RGB 53 156 160

HSL 182.24, 0.5%, 0.42%

LAB 59.04, -27.54, -10.74

 

CMYK 67 / 21 / 0 / 37

HEX #357FA0

RGB 53 127 160

HSL 198.5, 0.5%, 0.42%

LAB 50.07, -12.17, -24.4

 

CMYK 67 / 38 / 0 / 37

HEX #3563A0

RGB 53 99 160

HSL 214.21, 0.5%, 0.42%

LAB 41.56, 4.63, -37.72

 

CMYK 67 / 56 / 0 / 37

HEX #3546A0

RGB 53 70 160

HSL 230.47, 0.5%, 0.42%

LAB 33.3, 23.58, -50.97

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 80 / 0 / 19 / 31

HEX #24B190

RGB 36 177 144

HSL 165.96, 0.66%, 0.42%

LAB 64.83, -43.83, 6.69

 

CMYK 91 / 0 / 21 / 24

HEX #12C39A

RGB 18 195 154

HSL 166.1, 0.83%, 0.42%

LAB 70.52, -50.04, 9.32

 

CMYK 100 / 0 / 23 / 17

HEX #01D4A3

RGB 1 212 163

HSL 166.07, 0.99%, 0.42%

LAB 75.91, -55.09, 12.11

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 51 / 0 / 12 / 44

HEX #468F7E

RGB 70 143 126

HSL 166.03, 0.34%, 0.42%

LAB 54.5, -27.17, 2.06

 

CMYK 30 / 0 / 6 / 51

HEX #587D75

RGB 88 125 117

HSL 167.03, 0.17%, 0.42%

LAB 49.53, -14.86, 0.17

 

CMYK 3 / 0 / 1 / 58

HEX #696C6B

RGB 105 108 107

HSL 160, 0.01%, 0.42%

LAB 45.35, -1.36, 0.15

 

CMYK 0 / 25 / 20 / 52

HEX #7A5B62

RGB 122 91 98

HSL 346.45, 0.15%, 0.42%

LAB 42, 13.87, 0.94

 

CMYK 67 / 0 / 53 / 37

HEX #35A04C

RGB 53 160 76

HSL 132.9, 0.5%, 0.42%

LAB 58.43, -48.59, 34.83

 

CMYK 67 / 0 / 34 / 37

HEX #35A069

RGB 53 160 105

HSL 149.16, 0.5%, 0.42%

LAB 58.9, -43.42, 20.01

 

CMYK 67 / 0 / 17 / 37

HEX #35A085

RGB 53 160 133

HSL 164.86, 0.5%, 0.42%

LAB 59.52, -36.94, 5.25

 

CMYK 67 / 1 / 0 / 37

HEX #359EA0

RGB 53 158 160

HSL 181.12, 0.5%, 0.42%

LAB 59.66, -28.53, -9.81

 

CMYK 67 / 19 / 0 / 37

HEX #3582A0

RGB 53 130 160

HSL 196.82, 0.5%, 0.42%

LAB 50.99, -13.85, -22.98

 

CMYK 67 / 0 / 15 / 62

HEX #206253

RGB 32 98 83

HSL 166.36, 0.51%, 0.25%

LAB 37.24, -24.75, 2.45

 

CMYK 67 / 0 / 16 / 49

HEX #2B816D

RGB 43 129 109

HSL 166.05, 0.5%, 0.34%

LAB 48.66, -30.64, 3.37

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 66 / 0 / 16 / 25

HEX #40BFA1

RGB 64 191 161

HSL 165.83, 0.5%, 0.5%

LAB 70.12, -41.82, 5.03

 

CMYK 53 / 0 / 12 / 21

HEX #5FC9B0

RGB 95 201 176

HSL 165.85, 0.5%, 0.58%

LAB 74.41, -36.7, 3.19

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 67 / 64 / 0 / 37

HEX #353AA0

RGB 53 58 160

HSL 237.2, 0.5%, 0.42%

LAB 30.21, 31.44, -56

 

CMYK 0 / 43 / 67 / 37

HEX #A05B35

RGB 160 91 53

HSL 21.31, 0.5%, 0.42%

LAB 45.92, 24.83, 33.7

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 17 / 67 / 0 / 37

HEX #8535A0

RGB 133 53 160

HSL 284.86, 0.5%, 0.42%

LAB 37.97, 50.69, -43.02

 

CMYK 0 / 17 / 67 / 37

HEX #A08535

RGB 160 133 53

HSL 44.86, 0.5%, 0.42%

LAB 56.59, 1.05, 45.58

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 67 / 64 / 0 / 37

HEX #353AA0

RGB 53 58 160

HSL 237.2, 0.5%, 0.42%

LAB 30.21, 31.44, -56

 

CMYK 0 / 67 / 50 / 37

HEX #A03550

RGB 160 53 80

HSL 344.86, 0.5%, 0.42%

LAB 38.9, 46.29, 8.42

 

CMYK 0 / 3 / 67 / 37

HEX #A09B35

RGB 160 155 53

HSL 57.2, 0.5%, 0.42%

LAB 62.65, -10.9, 51.95

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 50 / 67 / 0 / 37

HEX #5035A0

RGB 80 53 160

HSL 255.14, 0.5%, 0.42%

LAB 31.32, 39.14, -54.08

 

CMYK 0 / 67 / 50 / 37

HEX #A03550

RGB 160 53 80

HSL 344.86, 0.5%, 0.42%

LAB 38.9, 46.29, 8.42

 

CMYK 17 / 0 / 67 / 37

HEX #85A035

RGB 133 160 53

HSL 75.14, 0.5%, 0.42%

LAB 61.99, -25.08, 50.6

 

Description

Color code: HEX #35A087 | qconv.com Color code: HEX #35A087 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 160 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 160 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 16 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 16% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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