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Color name
HEX #35A110

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35A110 it is the complementary color #CA5EEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35A110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35A110 shade: #3AA10B, #4BB31E, #5CC531, #6DD744 and #7EE957

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35A110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35A110 shade: #35A110, #248F00, #137D00, #026B00 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35A110 shade: #35A210, #5CA210, #84A210, #A29910 and #A27110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35A110 shade: #35A210, #10A212, #10A239, #10A261 and #10A288

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35A110 shade matches the following richer shades: #35A210 and #2EB001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35A110 shade: #35A210, #3C931E, #43852C, #4A773B and #516849

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35A110 shade: #85A210, #5EA210, #37A210, #10A210 and #10A237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35A110 shade: #1C5708, #297C0C, #35A210, #41C713 and #50E81C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35A110 shade: #35A110, #10A298 and #A21071

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35A110 shade: #35A110, #1037A2 and #A21037

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35A110 shade: #35A110, #10A298, #7B10A2 and #A21019

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35A110 shade: #35A110, #1080A2, #7B10A2 and #A23210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 90 / 37

HEX #35A110

RGB 53 161 16

HSL 104.69, 0.82%, 0.35%

LAB 58.31, -54.31, 57.41

 

Complementary color

CMYK 15 / 61 / 0 / 6

HEX #CA5EEF

RGB 202 94 239

HSL 284.69, 0.82%, 0.65%

LAB 58.78, 64.27, -54.87

 

CMYK 64 / 0 / 93 / 37

HEX #3AA10B

RGB 58 161 11

HSL 101.2, 0.87%, 0.34%

LAB 58.43, -53.33, 58.42

 

CMYK 58 / 0 / 83 / 30

HEX #4BB31E

RGB 75 179 30

HSL 101.88, 0.71%, 0.41%

LAB 64.83, -54.73, 60.23

 

CMYK 53 / 0 / 75 / 23

HEX #5CC531

RGB 92 197 49

HSL 102.57, 0.6%, 0.48%

LAB 71.17, -55.64, 60.71

 

CMYK 49 / 0 / 68 / 16

HEX #6DD744

RGB 109 215 68

HSL 103.27, 0.65%, 0.55%

LAB 77.44, -56.2, 60.43

 

CMYK 46 / 0 / 63 / 9

HEX #7EE957

RGB 126 233 87

HSL 103.97, 0.77%, 0.63%

LAB 83.65, -56.53, 59.71

 

CMYK 67 / 0 / 90 / 37

HEX #35A110

RGB 53 161 16

HSL 104.69, 0.82%, 0.35%

LAB 58.31, -54.31, 57.41

 

CMYK 75 / 0 / 100 / 44

HEX #248F00

RGB 36 143 0

HSL 104.9, 1%, 0.28%

LAB 51.86, -52.21, 54.59

 

CMYK 85 / 0 / 100 / 51

HEX #137D00

RGB 19 125 0

HSL 110.88, 1%, 0.25%

LAB 45.37, -49.08, 49.29

 

CMYK 98 / 0 / 100 / 58

HEX #026B00

RGB 2 107 0

HSL 118.88, 1%, 0.21%

LAB 38.77, -45.28, 43.93

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 67 / 0 / 90 / 36

HEX #35A210

RGB 53 162 16

HSL 104.79, 0.82%, 0.35%

LAB 58.63, -54.65, 57.7

 

CMYK 43 / 0 / 90 / 36

HEX #5CA210

RGB 92 162 16

HSL 88.77, 0.82%, 0.35%

LAB 60.03, -43.65, 59.43

 

CMYK 19 / 0 / 90 / 36

HEX #84A210

RGB 132 162 16

HSL 72.33, 0.82%, 0.35%

LAB 62.32, -28.17, 62.27

 

CMYK 0 / 6 / 90 / 36

HEX #A29910

RGB 162 153 16

HSL 56.3, 0.82%, 0.35%

LAB 62.08, -10.4, 63.07

 

CMYK 0 / 30 / 90 / 36

HEX #A27110

RGB 162 113 16

HSL 39.86, 0.82%, 0.35%

LAB 51.3, 11.7, 54.59

 

CMYK 67 / 0 / 90 / 36

HEX #35A210

RGB 53 162 16

HSL 104.79, 0.82%, 0.35%

LAB 58.63, -54.65, 57.7

 

CMYK 90 / 0 / 89 / 36

HEX #10A212

RGB 16 162 18

HSL 120.82, 0.82%, 0.35%

LAB 58.03, -59.89, 56.54

 

CMYK 90 / 0 / 65 / 36

HEX #10A239

RGB 16 162 57

HSL 136.85, 0.82%, 0.35%

LAB 58.27, -56.87, 43.57

 

CMYK 90 / 0 / 40 / 36

HEX #10A261

RGB 16 162 97

HSL 153.29, 0.82%, 0.35%

LAB 58.8, -50.48, 24.14

 

CMYK 90 / 0 / 16 / 36

HEX #10A288

RGB 16 162 136

HSL 169.32, 0.82%, 0.35%

LAB 59.64, -41.18, 3.66

 

CMYK 67 / 0 / 90 / 36

HEX #35A210

RGB 53 162 16

HSL 104.79, 0.82%, 0.35%

LAB 58.63, -54.65, 57.7

 

CMYK 74 / 0 / 99 / 31

HEX #2EB001

RGB 46 176 1

HSL 104.57, 0.99%, 0.35%

LAB 63.04, -60.88, 63.45

 

CMYK 67 / 0 / 90 / 36

HEX #35A210

RGB 53 162 16

HSL 104.79, 0.82%, 0.35%

LAB 58.63, -54.65, 57.7

 

CMYK 59 / 0 / 80 / 42

HEX #3C931E

RGB 60 147 30

HSL 104.62, 0.66%, 0.35%

LAB 53.94, -47, 49.95

 

CMYK 50 / 0 / 67 / 48

HEX #43852C

RGB 67 133 44

HSL 104.49, 0.5%, 0.35%

LAB 49.68, -38.28, 40.22

 

CMYK 38 / 0 / 50 / 53

HEX #4A773B

RGB 74 119 59

HSL 105, 0.34%, 0.35%

LAB 45.59, -27.77, 28.07

 

CMYK 22 / 0 / 30 / 59

HEX #516849

RGB 81 104 73

HSL 104.52, 0.18%, 0.35%

LAB 41.42, -15.1, 14.75

 

CMYK 18 / 0 / 90 / 36

HEX #85A210

RGB 133 162 16

HSL 71.92, 0.82%, 0.35%

LAB 62.39, -27.74, 62.36

 

CMYK 42 / 0 / 90 / 36

HEX #5EA210

RGB 94 162 16

HSL 87.95, 0.82%, 0.35%

LAB 60.12, -42.96, 59.55

 

CMYK 66 / 0 / 90 / 36

HEX #37A210

RGB 55 162 16

HSL 103.97, 0.82%, 0.35%

LAB 58.69, -54.21, 57.76

 

CMYK 90 / 0 / 90 / 36

HEX #10A210

RGB 16 162 16

HSL 120, 0.82%, 0.35%

LAB 58.03, -59.97, 56.93

 

CMYK 90 / 0 / 66 / 36

HEX #10A237

RGB 16 162 55

HSL 136.03, 0.82%, 0.35%

LAB 58.25, -57.11, 44.43

 

CMYK 68 / 0 / 91 / 66

HEX #1C5708

RGB 28 87 8

HSL 104.81, 0.83%, 0.19%

LAB 31.99, -33.94, 36.01

 

CMYK 67 / 0 / 90 / 51

HEX #297C0C

RGB 41 124 12

HSL 104.46, 0.82%, 0.27%

LAB 45.52, -44.32, 47.06

 

CMYK 67 / 0 / 90 / 36

HEX #35A210

RGB 53 162 16

HSL 104.79, 0.82%, 0.35%

LAB 58.63, -54.65, 57.7

 

CMYK 67 / 0 / 90 / 22

HEX #41C713

RGB 65 199 19

HSL 104.67, 0.83%, 0.43%

LAB 70.88, -64.18, 67.71

 

CMYK 66 / 0 / 88 / 9

HEX #50E81C

RGB 80 232 28

HSL 104.71, 0.82%, 0.51%

LAB 81.57, -71.36, 75.42

 

CMYK 67 / 0 / 90 / 37

HEX #35A110

RGB 53 161 16

HSL 104.69, 0.82%, 0.35%

LAB 58.31, -54.31, 57.41

 

CMYK 90 / 0 / 6 / 36

HEX #10A298

RGB 16 162 152

HSL 175.89, 0.82%, 0.35%

LAB 60.09, -36.62, -4.72

 

CMYK 0 / 90 / 30 / 36

HEX #A21071

RGB 162 16 113

HSL 320.14, 0.82%, 0.35%

LAB 36.45, 61.4, -16.1

 

CMYK 67 / 0 / 90 / 37

HEX #35A110

RGB 53 161 16

HSL 104.69, 0.82%, 0.35%

LAB 58.31, -54.31, 57.41

 

CMYK 90 / 66 / 0 / 36

HEX #1037A2

RGB 16 55 162

HSL 223.97, 0.82%, 0.35%

LAB 27.98, 30.46, -60.92

 

CMYK 0 / 90 / 66 / 36

HEX #A21037

RGB 162 16 55

HSL 343.97, 0.82%, 0.35%

LAB 34.66, 56.43, 18.76

 

CMYK 67 / 0 / 90 / 37

HEX #35A110

RGB 53 161 16

HSL 104.69, 0.82%, 0.35%

LAB 58.31, -54.31, 57.41

 

CMYK 90 / 0 / 6 / 36

HEX #10A298

RGB 16 162 152

HSL 175.89, 0.82%, 0.35%

LAB 60.09, -36.62, -4.72

 

CMYK 24 / 90 / 0 / 36

HEX #7B10A2

RGB 123 16 162

HSL 283.97, 0.82%, 0.35%

LAB 32.24, 61.54, -53.56

 

CMYK 0 / 90 / 85 / 36

HEX #A21019

RGB 162 16 25

HSL 356.3, 0.82%, 0.35%

LAB 34.24, 55.23, 36.79

 

CMYK 67 / 0 / 90 / 37

HEX #35A110

RGB 53 161 16

HSL 104.69, 0.82%, 0.35%

LAB 58.31, -54.31, 57.41

 

CMYK 90 / 21 / 0 / 36

HEX #1080A2

RGB 16 128 162

HSL 193.97, 0.82%, 0.35%

LAB 49.69, -16.24, -26.22

 

CMYK 24 / 90 / 0 / 36

HEX #7B10A2

RGB 123 16 162

HSL 283.97, 0.82%, 0.35%

LAB 32.24, 61.54, -53.56

 

CMYK 0 / 69 / 90 / 36

HEX #A23210

RGB 162 50 16

HSL 13.97, 0.82%, 0.35%

LAB 37.84, 44.77, 44.15

 

Description

Color code: HEX #35A110 | qconv.com Color code: HEX #35A110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 161 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 161 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 90 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 90% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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